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Color name
HEX #8FE51B

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FE51B it is the complementary color #701AE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FE51B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FE51B shade: #94E516, #A5F729, #B6FF3C, #C7FF4F and #D8FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FE51B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FE51B shade: #8FE51B, #7ED308, #6DC100, #5CAF00 and #4B9D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FE51B shade: #8FE61A, #C6E61A, #E6CE1A, #E6971A and #E6601A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FE51B shade: #8FE61A, #58E61A, #21E61A, #1AE649 and #1AE680

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FE51B shade matches the following richer shades: #8FE61A and #92FA05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FE51B shade: #8FE61A, #8CD12E, #89BC43, #85A857 and #82936C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FE51B shade: #E6CE1A, #C7E61A, #91E61A, #5AE61A and #24E61A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FE51B shade: #609B11, #78C015, #8FE61A, #A1EA3F and #B3EE64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FE51B shade: #8FE51B, #1AE697 and #E61AE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FE51B shade: #8FE51B, #1A91E6 and #E61A91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FE51B shade: #8FE51B, #1AE697, #6F1AE6 and #E61A68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FE51B shade: #8FE51B, #1AE6D5, #6F1AE6 and #E61A2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 88 / 10

HEX #8FE51B

RGB 143 229 27

HSL 85.54, 0.8%, 0.5%

LAB 82.89, -52.99, 77.6

 

Complementary color

CMYK 51 / 89 / 0 / 11

HEX #701AE4

RGB 112 26 228

HSL 265.54, 0.8%, 0.5%

LAB 37.45, 72.13, -83.82

 

CMYK 35 / 0 / 90 / 10

HEX #94E516

RGB 148 229 22

HSL 83.48, 0.82%, 0.49%

LAB 83.12, -51.38, 78.68

 

CMYK 33 / 0 / 83 / 3

HEX #A5F729

RGB 165 247 41

HSL 83.88, 0.93%, 0.56%

LAB 89.24, -52.23, 80.7

 

CMYK 29 / 0 / 76 / 0

HEX #B6FF3C

RGB 182 255 60

HSL 82.46, 1%, 0.62%

LAB 92.48, -48.76, 79.1

 

CMYK 22 / 0 / 69 / 0

HEX #C7FF4F

RGB 199 255 79

HSL 79.09, 1%, 0.65%

LAB 93.55, -41.56, 74.33

 

CMYK 15 / 0 / 62 / 0

HEX #D8FF62

RGB 216 255 98

HSL 74.9, 1%, 0.69%

LAB 94.74, -33.92, 68.7

 

CMYK 38 / 0 / 88 / 10

HEX #8FE51B

RGB 143 229 27

HSL 85.54, 0.8%, 0.5%

LAB 82.89, -52.99, 77.6

 

CMYK 40 / 0 / 96 / 17

HEX #7ED308

RGB 126 211 8

HSL 85.12, 0.93%, 0.43%

LAB 76.7, -51.96, 74.7

 

CMYK 44 / 0 / 100 / 24

HEX #6DC100

RGB 109 193 0

HSL 86.11, 1%, 0.38%

LAB 70.45, -50.67, 70.28

 

CMYK 47 / 0 / 100 / 31

HEX #5CAF00

RGB 92 175 0

HSL 88.46, 1%, 0.34%

LAB 64.11, -49.18, 65.02

 

CMYK 52 / 0 / 100 / 38

HEX #4B9D00

RGB 75 157 0

HSL 91.34, 1%, 0.31%

LAB 57.66, -47.57, 59.68

 

CMYK 38 / 0 / 89 / 10

HEX #8FE61A

RGB 143 230 26

HSL 85.59, 0.8%, 0.5%

LAB 83.18, -53.41, 78.01

 

CMYK 14 / 0 / 89 / 10

HEX #C6E61A

RGB 198 230 26

HSL 69.41, 0.8%, 0.5%

LAB 86.34, -32.79, 81.9

 

CMYK 0 / 10 / 89 / 10

HEX #E6CE1A

RGB 230 206 26

HSL 52.94, 0.8%, 0.5%

LAB 82.4, -7.76, 79.82

 

CMYK 0 / 34 / 89 / 10

HEX #E6971A

RGB 230 151 26

HSL 36.76, 0.8%, 0.5%

LAB 68.77, 21.05, 69.23

 

CMYK 0 / 58 / 89 / 10

HEX #E6601A

RGB 230 96 26

HSL 20.59, 0.8%, 0.5%

LAB 57.33, 49.01, 60.49

 

CMYK 38 / 0 / 89 / 10

HEX #8FE61A

RGB 143 230 26

HSL 85.59, 0.8%, 0.5%

LAB 83.18, -53.41, 78.01

 

CMYK 62 / 0 / 89 / 10

HEX #58E61A

RGB 88 230 26

HSL 101.76, 0.8%, 0.5%

LAB 81.15, -69.08, 75.49

 

CMYK 86 / 0 / 89 / 10

HEX #21E61A

RGB 33 230 26

HSL 117.94, 0.8%, 0.5%

LAB 80.17, -77.51, 74.27

 

CMYK 89 / 0 / 68 / 10

HEX #1AE649

RGB 26 230 73

HSL 133.82, 0.8%, 0.5%

LAB 80.34, -75.13, 61.05

 

CMYK 89 / 0 / 44 / 10

HEX #1AE680

RGB 26 230 128

HSL 150, 0.8%, 0.5%

LAB 80.95, -67.8, 37.05

 

CMYK 38 / 0 / 89 / 10

HEX #8FE61A

RGB 143 230 26

HSL 85.59, 0.8%, 0.5%

LAB 83.18, -53.41, 78.01

 

CMYK 42 / 0 / 98 / 2

HEX #92FA05

RGB 146 250 5

HSL 85.47, 0.96%, 0.5%

LAB 89.16, -60.5, 85.16

 

CMYK 38 / 0 / 89 / 10

HEX #8FE61A

RGB 143 230 26

HSL 85.59, 0.8%, 0.5%

LAB 83.18, -53.41, 78.01

 

CMYK 33 / 0 / 78 / 18

HEX #8CD12E

RGB 140 209 46

HSL 85.4, 0.64%, 0.5%

LAB 76.9, -45.14, 67.88

 

CMYK 27 / 0 / 64 / 26

HEX #89BC43

RGB 137 188 67

HSL 85.29, 0.47%, 0.5%

LAB 70.66, -35.71, 54.02

 

CMYK 21 / 0 / 48 / 34

HEX #85A857

RGB 133 168 87

HSL 85.93, 0.32%, 0.5%

LAB 64.71, -25.84, 37.78

 

CMYK 12 / 0 / 27 / 42

HEX #82936C

RGB 130 147 108

HSL 86.15, 0.15%, 0.5%

LAB 58.69, -13.35, 18.68

 

CMYK 0 / 10 / 89 / 10

HEX #E6CE1A

RGB 230 206 26

HSL 52.94, 0.8%, 0.5%

LAB 82.4, -7.76, 79.82

 

CMYK 13 / 0 / 89 / 10

HEX #C7E61A

RGB 199 230 26

HSL 69.12, 0.8%, 0.5%

LAB 86.41, -32.39, 81.99

 

CMYK 37 / 0 / 89 / 10

HEX #91E61A

RGB 145 230 26

HSL 85, 0.8%, 0.5%

LAB 83.28, -52.73, 78.13

 

CMYK 61 / 0 / 89 / 10

HEX #5AE61A

RGB 90 230 26

HSL 101.18, 0.8%, 0.5%

LAB 81.2, -68.63, 75.56

 

CMYK 84 / 0 / 89 / 10

HEX #24E61A

RGB 36 230 26

HSL 117.06, 0.8%, 0.5%

LAB 80.2, -77.25, 74.31

 

CMYK 38 / 0 / 89 / 39

HEX #609B11

RGB 96 155 17

HSL 85.65, 0.8%, 0.34%

LAB 58.01, -39.26, 57.61

 

CMYK 38 / 0 / 89 / 25

HEX #78C015

RGB 120 192 21

HSL 85.26, 0.8%, 0.42%

LAB 70.7, -46.1, 68.01

 

CMYK 38 / 0 / 89 / 10

HEX #8FE61A

RGB 143 230 26

HSL 85.59, 0.8%, 0.5%

LAB 83.18, -53.41, 78.01

 

CMYK 31 / 0 / 73 / 8

HEX #A1EA3F

RGB 161 234 63

HSL 85.61, 0.8%, 0.58%

LAB 85.39, -47.29, 71.02

 

CMYK 25 / 0 / 58 / 7

HEX #B3EE64

RGB 179 238 100

HSL 85.65, 0.8%, 0.66%

LAB 87.8, -39.89, 59.56

 

CMYK 38 / 0 / 88 / 10

HEX #8FE51B

RGB 143 229 27

HSL 85.54, 0.8%, 0.5%

LAB 82.89, -52.99, 77.6

 

CMYK 89 / 0 / 34 / 10

HEX #1AE697

RGB 26 230 151

HSL 156.76, 0.8%, 0.5%

LAB 81.32, -63.47, 25.91

 

CMYK 0 / 89 / 2 / 10

HEX #E61AE2

RGB 230 26 226

HSL 301.18, 0.8%, 0.5%

LAB 55.13, 88.05, -53.16

 

CMYK 38 / 0 / 88 / 10

HEX #8FE51B

RGB 143 229 27

HSL 85.54, 0.8%, 0.5%

LAB 82.89, -52.99, 77.6

 

CMYK 89 / 37 / 0 / 10

HEX #1A91E6

RGB 26 145 230

HSL 205, 0.8%, 0.5%

LAB 58.21, -0.22, -51.47

 

CMYK 0 / 89 / 37 / 10

HEX #E61A91

RGB 230 26 145

HSL 325, 0.8%, 0.5%

LAB 51.39, 78.24, -11.84

 

CMYK 38 / 0 / 88 / 10

HEX #8FE51B

RGB 143 229 27

HSL 85.54, 0.8%, 0.5%

LAB 82.89, -52.99, 77.6

 

CMYK 89 / 0 / 34 / 10

HEX #1AE697

RGB 26 230 151

HSL 156.76, 0.8%, 0.5%

LAB 81.32, -63.47, 25.91

 

CMYK 52 / 89 / 0 / 10

HEX #6F1AE6

RGB 111 26 230

HSL 265, 0.8%, 0.5%

LAB 37.54, 72.5, -84.83

 

CMYK 0 / 89 / 55 / 10

HEX #E61A68

RGB 230 26 104

HSL 337.06, 0.8%, 0.5%

LAB 50.17, 74.87, 11.23

 

CMYK 38 / 0 / 88 / 10

HEX #8FE51B

RGB 143 229 27

HSL 85.54, 0.8%, 0.5%

LAB 82.89, -52.99, 77.6

 

CMYK 89 / 0 / 7 / 10

HEX #1AE6D5

RGB 26 230 213

HSL 175, 0.8%, 0.5%

LAB 82.71, -48.5, -4.61

 

CMYK 52 / 89 / 0 / 10

HEX #6F1AE6

RGB 111 26 230

HSL 265, 0.8%, 0.5%

LAB 37.54, 72.5, -84.83

 

CMYK 0 / 89 / 82 / 10

HEX #E61A2A

RGB 230 26 42

HSL 355.29, 0.8%, 0.5%

LAB 49.17, 72.02, 46.7

 

Description

Color code: HEX #8FE51B | qconv.com Color code: HEX #8FE51B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 229 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 229 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 88 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 88% 10% C M Y K

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Provide designers and agencies with accurate color values.

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