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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FE24C it is the complementary color #701DB3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FE24C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FE24C shade: #94E247, #A5F45A, #B6FF6D, #C7FF80 and #D8FF93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FE24C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FE24C shade: #8FE24C, #7ED039, #6DBE26, #5CAC13 and #4B9A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FE24C shade: #8EE24B, #B7E24B, #E0E24B, #E2BB4B and #E2934B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FE24C shade: #8EE24B, #66E24B, #4BE259, #4BE282 and #4BE2AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FE24C shade matches the following richer shades: #8EE24B and #8DF33A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FE24C shade: #8EE24B, #90D15C, #92C06D, #94AF7E and #969E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FE24C shade: #DFE24B, #B7E24B, #8FE24B, #67E24B and #4BE258

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FE24C shade: #65BC1F, #78DC28, #8EE24B, #A5E86F and #BBED92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FE24C shade: #8FE24C, #4BE2BC and #E24BCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FE24C shade: #8FE24C, #4B8FE2 and #E24B8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FE24C shade: #8FE24C, #4BE2BC, #9E4BE2 and #E24B71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FE24C shade: #8FE24C, #4BDAE2, #9E4BE2 and #E2534B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 66 / 11

HEX #8FE24C

RGB 143 226 76

HSL 93.2, 0.72%, 0.59%

LAB 82.25, -49.32, 62.84

 

Complementary color

CMYK 37 / 84 / 0 / 30

HEX #701DB3

RGB 112 29 179

HSL 273.2, 0.72%, 0.41%

LAB 33.09, 60.15, -62.45

 

CMYK 35 / 0 / 69 / 11

HEX #94E247

RGB 148 226 71

HSL 90.19, 0.73%, 0.58%

LAB 82.46, -47.99, 65.04

 

CMYK 32 / 0 / 63 / 4

HEX #A5F45A

RGB 165 244 90

HSL 90.78, 0.88%, 0.65%

LAB 88.66, -48.25, 64.47

 

CMYK 29 / 0 / 57 / 0

HEX #B6FF6D

RGB 182 255 109

HSL 90, 1%, 0.71%

LAB 92.83, -45.44, 61.43

 

CMYK 22 / 0 / 50 / 0

HEX #C7FF80

RGB 199 255 128

HSL 86.46, 1%, 0.75%

LAB 93.98, -37.61, 54.55

 

CMYK 15 / 0 / 42 / 0

HEX #D8FF93

RGB 216 255 147

HSL 81.67, 1%, 0.79%

LAB 95.26, -29.43, 47.42

 

CMYK 37 / 0 / 66 / 11

HEX #8FE24C

RGB 143 226 76

HSL 93.2, 0.72%, 0.59%

LAB 82.25, -49.32, 62.84

 

CMYK 39 / 0 / 73 / 18

HEX #7ED039

RGB 126 208 57

HSL 92.58, 0.62%, 0.52%

LAB 75.97, -48.97, 63.19

 

CMYK 43 / 0 / 80 / 25

HEX #6DBE26

RGB 109 190 38

HSL 91.97, 0.67%, 0.45%

LAB 69.62, -48.41, 62.91

 

CMYK 47 / 0 / 89 / 33

HEX #5CAC13

RGB 92 172 19

HSL 91.37, 0.8%, 0.37%

LAB 63.2, -47.58, 61.55

 

CMYK 51 / 0 / 100 / 40

HEX #4B9A00

RGB 75 154 0

HSL 90.78, 1%, 0.3%

LAB 56.69, -46.42, 58.91

 

CMYK 37 / 0 / 67 / 11

HEX #8EE24B

RGB 142 226 75

HSL 93.38, 0.72%, 0.59%

LAB 82.19, -49.73, 63.15

 

CMYK 19 / 0 / 67 / 11

HEX #B7E24B

RGB 183 226 75

HSL 77.09, 0.72%, 0.59%

LAB 84.47, -34.89, 66.23

 

CMYK 1 / 0 / 67 / 11

HEX #E0E24B

RGB 224 226 75

HSL 60.79, 0.72%, 0.59%

LAB 87.36, -18.51, 70.11

 

CMYK 0 / 17 / 67 / 11

HEX #E2BB4B

RGB 226 187 75

HSL 44.5, 0.72%, 0.59%

LAB 77.41, 2.08, 59.92

 

CMYK 0 / 35 / 67 / 11

HEX #E2934B

RGB 226 147 75

HSL 28.61, 0.72%, 0.59%

LAB 67.68, 23.33, 49.38

 

CMYK 37 / 0 / 67 / 11

HEX #8EE24B

RGB 142 226 75

HSL 93.38, 0.72%, 0.59%

LAB 82.19, -49.73, 63.15

 

CMYK 55 / 0 / 67 / 11

HEX #66E24B

RGB 102 226 75

HSL 109.27, 0.72%, 0.59%

LAB 80.59, -61.57, 60.97

 

CMYK 67 / 0 / 61 / 11

HEX #4BE259

RGB 75 226 89

HSL 125.56, 0.72%, 0.59%

LAB 79.96, -66.14, 54.28

 

CMYK 67 / 0 / 42 / 11

HEX #4BE282

RGB 75 226 130

HSL 141.85, 0.72%, 0.59%

LAB 80.46, -60.4, 35.57

 

CMYK 67 / 0 / 25 / 11

HEX #4BE2AA

RGB 75 226 170

HSL 157.75, 0.72%, 0.59%

LAB 81.18, -52.62, 15.96

 

CMYK 37 / 0 / 67 / 11

HEX #8EE24B

RGB 142 226 75

HSL 93.38, 0.72%, 0.59%

LAB 82.19, -49.73, 63.15

 

CMYK 42 / 0 / 76 / 5

HEX #8DF33A

RGB 141 243 58

HSL 93.08, 0.89%, 0.59%

LAB 87.03, -57.9, 73.84

 

CMYK 37 / 0 / 67 / 11

HEX #8EE24B

RGB 142 226 75

HSL 93.38, 0.72%, 0.59%

LAB 82.19, -49.73, 63.15

 

CMYK 31 / 0 / 56 / 18

HEX #90D15C

RGB 144 209 92

HSL 93.33, 0.56%, 0.59%

LAB 77.46, -40.31, 50.75

 

CMYK 24 / 0 / 43 / 25

HEX #92C06D

RGB 146 192 109

HSL 93.25, 0.4%, 0.59%

LAB 72.84, -29.85, 36.93

 

CMYK 15 / 0 / 28 / 31

HEX #94AF7E

RGB 148 175 126

HSL 93.06, 0.23%, 0.59%

LAB 68.36, -18.31, 22.15

 

CMYK 5 / 0 / 9 / 38

HEX #969E8F

RGB 150 158 143

HSL 92, 0.07%, 0.59%

LAB 64.1, -5.71, 6.85

 

CMYK 1 / 0 / 67 / 11

HEX #DFE24B

RGB 223 226 75

HSL 61.19, 0.72%, 0.59%

LAB 87.28, -18.92, 70.01

 

CMYK 19 / 0 / 67 / 11

HEX #B7E24B

RGB 183 226 75

HSL 77.09, 0.72%, 0.59%

LAB 84.47, -34.89, 66.23

 

CMYK 37 / 0 / 67 / 11

HEX #8FE24B

RGB 143 226 75

HSL 92.98, 0.72%, 0.59%

LAB 82.24, -49.39, 63.22

 

CMYK 54 / 0 / 67 / 11

HEX #67E24B

RGB 103 226 75

HSL 108.87, 0.72%, 0.59%

LAB 80.62, -61.32, 61.01

 

CMYK 67 / 0 / 61 / 11

HEX #4BE258

RGB 75 226 88

HSL 125.17, 0.72%, 0.59%

LAB 79.95, -66.25, 54.7

 

CMYK 46 / 0 / 84 / 26

HEX #65BC1F

RGB 101 188 31

HSL 93.25, 0.72%, 0.43%

LAB 68.63, -50.53, 63.75

 

CMYK 45 / 0 / 82 / 14

HEX #78DC28

RGB 120 220 40

HSL 93.33, 0.72%, 0.51%

LAB 79.23, -56.52, 71.3

 

CMYK 37 / 0 / 67 / 11

HEX #8EE24B

RGB 142 226 75

HSL 93.38, 0.72%, 0.59%

LAB 82.19, -49.73, 63.15

 

CMYK 29 / 0 / 52 / 9

HEX #A5E86F

RGB 165 232 111

HSL 93.22, 0.72%, 0.67%

LAB 85.43, -41.14, 51.68

 

CMYK 21 / 0 / 38 / 7

HEX #BBED92

RGB 187 237 146

HSL 92.97, 0.72%, 0.75%

LAB 88.55, -31.55, 38.98

 

CMYK 37 / 0 / 66 / 11

HEX #8FE24C

RGB 143 226 76

HSL 93.2, 0.72%, 0.59%

LAB 82.25, -49.32, 62.84

 

CMYK 67 / 0 / 17 / 11

HEX #4BE2BC

RGB 75 226 188

HSL 164.9, 0.72%, 0.59%

LAB 81.58, -48.49, 7.05

 

CMYK 0 / 67 / 10 / 11

HEX #E24BCB

RGB 226 75 203

HSL 309.14, 0.72%, 0.59%

LAB 57.57, 71.59, -36.27

 

CMYK 37 / 0 / 66 / 11

HEX #8FE24C

RGB 143 226 76

HSL 93.2, 0.72%, 0.59%

LAB 82.25, -49.32, 62.84

 

CMYK 67 / 37 / 0 / 11

HEX #4B8FE2

RGB 75 143 226

HSL 212.98, 0.72%, 0.59%

LAB 58.63, 4.75, -48.5

 

CMYK 0 / 67 / 37 / 11

HEX #E24B8F

RGB 226 75 143

HSL 332.98, 0.72%, 0.59%

LAB 55.26, 63.87, -4.94

 

CMYK 37 / 0 / 66 / 11

HEX #8FE24C

RGB 143 226 76

HSL 93.2, 0.72%, 0.59%

LAB 82.25, -49.32, 62.84

 

CMYK 67 / 0 / 17 / 11

HEX #4BE2BC

RGB 75 226 188

HSL 164.9, 0.72%, 0.59%

LAB 81.58, -48.49, 7.05

 

CMYK 30 / 67 / 0 / 11

HEX #9E4BE2

RGB 158 75 226

HSL 272.98, 0.72%, 0.59%

LAB 49.24, 60.51, -63.18

 

CMYK 0 / 67 / 50 / 11

HEX #E24B71

RGB 226 75 113

HSL 344.9, 0.72%, 0.59%

LAB 54.44, 61, 11.68

 

CMYK 37 / 0 / 66 / 11

HEX #8FE24C

RGB 143 226 76

HSL 93.2, 0.72%, 0.59%

LAB 82.25, -49.32, 62.84

 

CMYK 67 / 4 / 0 / 11

HEX #4BDAE2

RGB 75 218 226

HSL 183.18, 0.72%, 0.59%

LAB 80.25, -34.95, -15.1

 

CMYK 30 / 67 / 0 / 11

HEX #9E4BE2

RGB 158 75 226

HSL 272.98, 0.72%, 0.59%

LAB 49.24, 60.51, -63.18

 

CMYK 0 / 63 / 67 / 11

HEX #E2534B

RGB 226 83 75

HSL 3.18, 0.72%, 0.59%

LAB 54.93, 55.11, 34.58

 

Description

Color code: HEX #8FE24C | qconv.com Color code: HEX #8FE24C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 226 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 226 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 66 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 66% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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