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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FDC7E it is the complementary color #702381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FDC7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FDC7E shade: #94DC79, #A5EE8C, #B6FF9F, #C7FFB2 and #D8FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FDC7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FDC7E shade: #8FDC7E, #7ECA6B, #6DB858, #5CA645 and #4B9432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FDC7E shade: #8FDB7E, #A8DB7E, #C1DB7E, #DADB7E and #DBC37E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FDC7E shade: #8FDB7E, #7EDB87, #7EDBA0, #7EDBB9 and #7EDBD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FDC7E shade matches the following richer shades: #8FDB7E, #87E971 and #7EF664

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FDC7E shade: #8FDB7E, #98CE8C, #A0C199, #A8B4A6 and #B1A7B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FDC7E shade: #C1DB7E, #A8DB7E, #8FDB7E, #7EDB86 and #7EDB9F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FDC7E shade: #57CA3E, #73D35E, #8FDB7E, #ABE49F and #C7EDBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FDC7E shade: #8FDC7E, #7EDADB and #DB7EB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FDC7E shade: #8FDC7E, #7E8FDB and #DB7E8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FDC7E shade: #8FDC7E, #7EDADB, #CA7EDB and #DB807E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FDC7E shade: #8FDC7E, #7EBEDB, #CA7EDB and #DB9C7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 43 / 14

HEX #8FDC7E

RGB 143 220 126

HSL 109.15, 0.57%, 0.68%

LAB 81.03, -41.42, 38.78

 

Complementary color

CMYK 13 / 73 / 0 / 49

HEX #702381

RGB 112 35 129

HSL 289.15, 0.57%, 0.32%

LAB 29.99, 47.23, -36.95

 

CMYK 33 / 0 / 45 / 14

HEX #94DC79

RGB 148 220 121

HSL 103.64, 0.59%, 0.67%

LAB 81.22, -40.46, 41.54

 

CMYK 31 / 0 / 41 / 7

HEX #A5EE8C

RGB 165 238 140

HSL 104.69, 0.74%, 0.74%

LAB 87.51, -40.31, 40.36

 

CMYK 29 / 0 / 38 / 0

HEX #B6FF9F

RGB 182 255 159

HSL 105.63, 1%, 0.81%

LAB 93.44, -39.69, 38.86

 

CMYK 22 / 0 / 30 / 0

HEX #C7FFB2

RGB 199 255 178

HSL 103.64, 1%, 0.85%

LAB 94.69, -31.33, 31.23

 

CMYK 15 / 0 / 23 / 0

HEX #D8FFC5

RGB 216 255 197

HSL 100.34, 1%, 0.89%

LAB 96.06, -22.71, 23.67

 

CMYK 35 / 0 / 43 / 14

HEX #8FDC7E

RGB 143 220 126

HSL 109.15, 0.57%, 0.68%

LAB 81.03, -41.42, 38.78

 

CMYK 38 / 0 / 47 / 21

HEX #7ECA6B

RGB 126 202 107

HSL 108, 0.47%, 0.61%

LAB 74.66, -41.57, 39.99

 

CMYK 41 / 0 / 52 / 28

HEX #6DB858

RGB 109 184 88

HSL 106.88, 0.4%, 0.53%

LAB 68.19, -41.66, 41.22

 

CMYK 45 / 0 / 58 / 35

HEX #5CA645

RGB 92 166 69

HSL 105.77, 0.41%, 0.46%

LAB 61.63, -41.64, 42.41

 

CMYK 49 / 0 / 66 / 42

HEX #4B9432

RGB 75 148 50

HSL 104.69, 0.49%, 0.39%

LAB 54.98, -41.45, 43.42

 

CMYK 35 / 0 / 42 / 14

HEX #8FDB7E

RGB 143 219 126

HSL 109.03, 0.56%, 0.68%

LAB 80.74, -40.98, 38.41

 

CMYK 23 / 0 / 42 / 14

HEX #A8DB7E

RGB 168 219 126

HSL 92.9, 0.56%, 0.68%

LAB 82.11, -32.46, 40.42

 

CMYK 12 / 0 / 42 / 14

HEX #C1DB7E

RGB 193 219 126

HSL 76.77, 0.56%, 0.68%

LAB 83.71, -23.24, 42.78

 

CMYK 0 / 0 / 42 / 14

HEX #DADB7E

RGB 218 219 126

HSL 60.65, 0.56%, 0.68%

LAB 85.54, -13.56, 45.47

 

CMYK 0 / 11 / 42 / 14

HEX #DBC37E

RGB 219 195 126

HSL 44.52, 0.56%, 0.68%

LAB 79.38, -0.91, 37.72

 

CMYK 35 / 0 / 42 / 14

HEX #8FDB7E

RGB 143 219 126

HSL 109.03, 0.56%, 0.68%

LAB 80.74, -40.98, 38.41

 

CMYK 42 / 0 / 38 / 14

HEX #7EDB87

RGB 126 219 135

HSL 125.81, 0.56%, 0.68%

LAB 80.09, -44.86, 32.88

 

CMYK 42 / 0 / 27 / 14

HEX #7EDBA0

RGB 126 219 160

HSL 141.94, 0.56%, 0.68%

LAB 80.54, -40.54, 20.55

 

CMYK 42 / 0 / 16 / 14

HEX #7EDBB9

RGB 126 219 185

HSL 158.06, 0.56%, 0.68%

LAB 81.07, -35.49, 8.12

 

CMYK 42 / 0 / 4 / 14

HEX #7EDBD2

RGB 126 219 210

HSL 174.19, 0.56%, 0.68%

LAB 81.7, -29.8, -4.25

 

CMYK 35 / 0 / 42 / 14

HEX #8FDB7E

RGB 143 219 126

HSL 109.03, 0.56%, 0.68%

LAB 80.74, -40.98, 38.41

 

CMYK 42 / 0 / 52 / 9

HEX #87E971

RGB 135 233 113

HSL 109, 0.73%, 0.68%

LAB 84.29, -51.1, 49.03

 

CMYK 49 / 0 / 59 / 4

HEX #7EF664

RGB 126 246 100

HSL 109.32, 0.89%, 0.68%

LAB 87.61, -60.24, 58.68

 

CMYK 35 / 0 / 42 / 14

HEX #8FDB7E

RGB 143 219 126

HSL 109.03, 0.56%, 0.68%

LAB 80.74, -40.98, 38.41

 

CMYK 26 / 0 / 32 / 19

HEX #98CE8C

RGB 152 206 140

HSL 109.09, 0.4%, 0.68%

LAB 77.7, -29.97, 27.37

 

CMYK 17 / 0 / 21 / 24

HEX #A0C199

RGB 160 193 153

HSL 109.5, 0.24%, 0.68%

LAB 74.77, -18.7, 16.54

 

CMYK 7 / 0 / 8 / 29

HEX #A8B4A6

RGB 168 180 166

HSL 111.43, 0.09%, 0.68%

LAB 72.04, -6.83, 5.7

 

CMYK 1 / 7 / 0 / 30

HEX #B1A7B3

RGB 177 167 179

HSL 290, 0.07%, 0.68%

LAB 69.64, 5.83, -4.88

 

CMYK 12 / 0 / 42 / 14

HEX #C1DB7E

RGB 193 219 126

HSL 76.77, 0.56%, 0.68%

LAB 83.71, -23.24, 42.78

 

CMYK 23 / 0 / 42 / 14

HEX #A8DB7E

RGB 168 219 126

HSL 92.9, 0.56%, 0.68%

LAB 82.11, -32.46, 40.42

 

CMYK 35 / 0 / 42 / 14

HEX #8FDB7E

RGB 143 219 126

HSL 109.03, 0.56%, 0.68%

LAB 80.74, -40.98, 38.41

 

CMYK 42 / 0 / 39 / 14

HEX #7EDB86

RGB 126 219 134

HSL 125.16, 0.56%, 0.68%

LAB 80.08, -45.02, 33.37

 

CMYK 42 / 0 / 27 / 14

HEX #7EDB9F

RGB 126 219 159

HSL 141.29, 0.56%, 0.68%

LAB 80.52, -40.72, 21.05

 

CMYK 57 / 0 / 69 / 21

HEX #57CA3E

RGB 87 202 62

HSL 109.29, 0.57%, 0.52%

LAB 72.64, -57.82, 57.46

 

CMYK 45 / 0 / 55 / 17

HEX #73D35E

RGB 115 211 94

HSL 109.23, 0.57%, 0.6%

LAB 76.7, -50.36, 48.6

 

CMYK 35 / 0 / 42 / 14

HEX #8FDB7E

RGB 143 219 126

HSL 109.03, 0.56%, 0.68%

LAB 80.74, -40.98, 38.41

 

CMYK 25 / 0 / 30 / 11

HEX #ABE49F

RGB 171 228 159

HSL 109.57, 0.56%, 0.76%

LAB 85.33, -30.99, 27.98

 

CMYK 16 / 0 / 19 / 7

HEX #C7EDBF

RGB 199 237 191

HSL 109.57, 0.56%, 0.84%

LAB 90.08, -20.73, 18.27

 

CMYK 35 / 0 / 43 / 14

HEX #8FDC7E

RGB 143 220 126

HSL 109.15, 0.57%, 0.68%

LAB 81.03, -41.42, 38.78

 

CMYK 42 / 0 / 0 / 14

HEX #7EDADB

RGB 126 218 219

HSL 180.65, 0.56%, 0.68%

LAB 81.67, -27.12, -9.08

 

CMYK 0 / 42 / 17 / 14

HEX #DB7EB5

RGB 219 126 181

HSL 324.52, 0.56%, 0.68%

LAB 64.42, 43.11, -13.33

 

CMYK 35 / 0 / 43 / 14

HEX #8FDC7E

RGB 143 220 126

HSL 109.15, 0.57%, 0.68%

LAB 81.03, -41.42, 38.78

 

CMYK 42 / 35 / 0 / 14

HEX #7E8FDB

RGB 126 143 219

HSL 229.03, 0.56%, 0.68%

LAB 60.95, 13.26, -40.76

 

CMYK 0 / 42 / 35 / 14

HEX #DB7E8F

RGB 219 126 143

HSL 349.03, 0.56%, 0.68%

LAB 63.31, 37.85, 6.66

 

CMYK 35 / 0 / 43 / 14

HEX #8FDC7E

RGB 143 220 126

HSL 109.15, 0.57%, 0.68%

LAB 81.03, -41.42, 38.78

 

CMYK 42 / 0 / 0 / 14

HEX #7EDADB

RGB 126 218 219

HSL 180.65, 0.56%, 0.68%

LAB 81.67, -27.12, -9.08

 

CMYK 8 / 42 / 0 / 14

HEX #CA7EDB

RGB 202 126 219

HSL 289.03, 0.56%, 0.68%

LAB 63.83, 44.46, -35.76

 

CMYK 0 / 42 / 42 / 14

HEX #DB807E

RGB 219 128 126

HSL 1.29, 0.56%, 0.68%

LAB 63.35, 34.85, 16.38

 

CMYK 35 / 0 / 43 / 14

HEX #8FDC7E

RGB 143 220 126

HSL 109.15, 0.57%, 0.68%

LAB 81.03, -41.42, 38.78

 

CMYK 42 / 13 / 0 / 14

HEX #7EBEDB

RGB 126 190 219

HSL 198.71, 0.56%, 0.68%

LAB 73.79, -12.94, -20.93

 

CMYK 8 / 42 / 0 / 14

HEX #CA7EDB

RGB 202 126 219

HSL 289.03, 0.56%, 0.68%

LAB 63.83, 44.46, -35.76

 

CMYK 0 / 29 / 42 / 14

HEX #DB9C7E

RGB 219 156 126

HSL 19.35, 0.56%, 0.68%

LAB 69.71, 19.86, 25.05

 

Description

Color code: HEX #8FDC7E | qconv.com Color code: HEX #8FDC7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 220 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 220 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 43 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 43% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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