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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FDB3D it is the complementary color #7024C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FDB3D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FDB3D shade: #94DB38, #A5ED4B, #B6FF5E, #C7FF71 and #D8FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FDB3D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FDB3D shade: #8FDB3D, #7EC92A, #6DB717, #5CA504 and #4B9300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FDB3D shade: #8FDB3D, #B9DB3D, #DBD23D, #DBA73D and #DB7C3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FDB3D shade: #8FDB3D, #64DB3D, #3DDB40, #3DDB6A and #3DDB95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FDB3D shade matches the following richer shades: #8FDB3D and #8FED2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FDB3D shade: #8FDB3D, #8EC84F, #8DB662, #8DA374 and #8C9187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FDB3D shade: #DBD03D, #BBDB3D, #91DB3D, #67DB3D and #3DDB3D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FDB3D shade: #65A71E, #7ACA25, #8FDB3D, #A3E15F and #B7E882

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FDB3D shade: #8FDB3D, #3DDBA6 and #DB3DD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FDB3D shade: #8FDB3D, #3D91DB and #DB3D91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FDB3D shade: #8FDB3D, #3DDBA6, #863DDB and #DB3D71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FDB3D shade: #8FDB3D, #3DDBD6, #863DDB and #DB3D42

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 72 / 14

HEX #8FDB3D

RGB 143 219 61

HSL 88.86, 0.69%, 0.55%

LAB 80.09, -47.45, 66.17

 

Complementary color

CMYK 42 / 81 / 0 / 24

HEX #7024C2

RGB 112 36 194

HSL 268.86, 0.69%, 0.45%

LAB 35.21, 61.28, -67.85

 

CMYK 32 / 0 / 74 / 14

HEX #94DB38

RGB 148 219 56

HSL 86.13, 0.69%, 0.54%

LAB 80.32, -45.98, 68.15

 

CMYK 30 / 0 / 68 / 7

HEX #A5ED4B

RGB 165 237 75

HSL 86.67, 0.82%, 0.61%

LAB 86.54, -46.4, 68.04

 

CMYK 29 / 0 / 63 / 0

HEX #B6FF5E

RGB 182 255 94

HSL 87.2, 1%, 0.68%

LAB 92.7, -46.69, 67.5

 

CMYK 22 / 0 / 56 / 0

HEX #C7FF71

RGB 199 255 113

HSL 83.66, 1%, 0.72%

LAB 93.82, -39.05, 61.08

 

CMYK 15 / 0 / 48 / 0

HEX #D8FF84

RGB 216 255 132

HSL 79.02, 1%, 0.76%

LAB 95.07, -31.03, 54.27

 

CMYK 35 / 0 / 72 / 14

HEX #8FDB3D

RGB 143 219 61

HSL 88.86, 0.69%, 0.55%

LAB 80.09, -47.45, 66.17

 

CMYK 37 / 0 / 79 / 21

HEX #7EC92A

RGB 126 201 42

HSL 88.3, 0.65%, 0.48%

LAB 73.79, -46.93, 65.9

 

CMYK 40 / 0 / 87 / 28

HEX #6DB717

RGB 109 183 23

HSL 87.75, 0.78%, 0.4%

LAB 67.41, -46.18, 64.64

 

CMYK 44 / 0 / 98 / 35

HEX #5CA504

RGB 92 165 4

HSL 87.2, 0.95%, 0.33%

LAB 60.95, -45.14, 61.99

 

CMYK 49 / 0 / 100 / 42

HEX #4B9300

RGB 75 147 0

HSL 89.39, 1%, 0.29%

LAB 54.41, -43.68, 57.12

 

CMYK 35 / 0 / 72 / 14

HEX #8FDB3D

RGB 143 219 61

HSL 88.86, 0.69%, 0.55%

LAB 80.09, -47.45, 66.17

 

CMYK 16 / 0 / 72 / 14

HEX #B9DB3D

RGB 185 219 61

HSL 72.91, 0.69%, 0.55%

LAB 82.55, -31.69, 69.41

 

CMYK 0 / 4 / 72 / 14

HEX #DBD23D

RGB 219 210 61

HSL 56.58, 0.69%, 0.55%

LAB 82.64, -13.37, 70.38

 

CMYK 0 / 24 / 72 / 14

HEX #DBA73D

RGB 219 167 61

HSL 40.25, 0.69%, 0.55%

LAB 71.58, 8.93, 59.55

 

CMYK 0 / 43 / 72 / 14

HEX #DB7C3D

RGB 219 124 61

HSL 23.92, 0.69%, 0.55%

LAB 61.49, 31.93, 49.13

 

CMYK 35 / 0 / 72 / 14

HEX #8FDB3D

RGB 143 219 61

HSL 88.86, 0.69%, 0.55%

LAB 80.09, -47.45, 66.17

 

CMYK 54 / 0 / 72 / 14

HEX #64DB3D

RGB 100 219 61

HSL 105.19, 0.69%, 0.55%

LAB 78.29, -60.68, 63.77

 

CMYK 72 / 0 / 71 / 14

HEX #3DDB40

RGB 61 219 64

HSL 121.14, 0.69%, 0.55%

LAB 77.3, -68.73, 61.36

 

CMYK 72 / 0 / 52 / 14

HEX #3DDB6A

RGB 61 219 106

HSL 137.09, 0.69%, 0.55%

LAB 77.7, -63.97, 43.77

 

CMYK 72 / 0 / 32 / 14

HEX #3DDB95

RGB 61 219 149

HSL 153.42, 0.69%, 0.55%

LAB 78.36, -56.44, 23

 

CMYK 35 / 0 / 72 / 14

HEX #8FDB3D

RGB 143 219 61

HSL 88.86, 0.69%, 0.55%

LAB 80.09, -47.45, 66.17

 

CMYK 40 / 0 / 82 / 7

HEX #8FED2A

RGB 143 237 42

HSL 88.92, 0.84%, 0.55%

LAB 85.29, -55.66, 76.6

 

CMYK 35 / 0 / 72 / 14

HEX #8FDB3D

RGB 143 219 61

HSL 88.86, 0.69%, 0.55%

LAB 80.09, -47.45, 66.17

 

CMYK 29 / 0 / 61 / 22

HEX #8EC84F

RGB 142 200 79

HSL 88.76, 0.52%, 0.55%

LAB 74.59, -38.26, 53.26

 

CMYK 23 / 0 / 46 / 29

HEX #8DB662

RGB 141 182 98

HSL 89.29, 0.37%, 0.55%

LAB 69.47, -28.29, 38.21

 

CMYK 13 / 0 / 29 / 36

HEX #8DA374

RGB 141 163 116

HSL 88.09, 0.2%, 0.55%

LAB 64.26, -16.3, 21.95

 

CMYK 3 / 0 / 7 / 43

HEX #8C9187

RGB 140 145 135

HSL 90, 0.04%, 0.55%

LAB 59.5, -3.75, 4.67

 

CMYK 0 / 5 / 72 / 14

HEX #DBD03D

RGB 219 208 61

HSL 55.82, 0.69%, 0.55%

LAB 82.11, -12.37, 69.87

 

CMYK 15 / 0 / 72 / 14

HEX #BBDB3D

RGB 187 219 61

HSL 72.15, 0.69%, 0.55%

LAB 82.68, -30.9, 69.58

 

CMYK 34 / 0 / 72 / 14

HEX #91DB3D

RGB 145 219 61

HSL 88.1, 0.69%, 0.55%

LAB 80.19, -46.76, 66.3

 

CMYK 53 / 0 / 72 / 14

HEX #67DB3D

RGB 103 219 61

HSL 104.05, 0.69%, 0.55%

LAB 78.39, -59.88, 63.91

 

CMYK 72 / 0 / 72 / 14

HEX #3DDB3D

RGB 61 219 61

HSL 120, 0.69%, 0.55%

LAB 77.28, -68.97, 62.42

 

CMYK 40 / 0 / 82 / 35

HEX #65A71E

RGB 101 167 30

HSL 88.91, 0.7%, 0.39%

LAB 62.08, -42.07, 58.13

 

CMYK 40 / 0 / 82 / 21

HEX #7ACA25

RGB 122 202 37

HSL 89.09, 0.69%, 0.47%

LAB 73.88, -48.94, 67.28

 

CMYK 35 / 0 / 72 / 14

HEX #8FDB3D

RGB 143 219 61

HSL 88.86, 0.69%, 0.55%

LAB 80.09, -47.45, 66.17

 

CMYK 28 / 0 / 58 / 12

HEX #A3E15F

RGB 163 225 95

HSL 88.62, 0.68%, 0.63%

LAB 83.16, -40.34, 56.23

 

CMYK 21 / 0 / 44 / 9

HEX #B7E882

RGB 183 232 130

HSL 88.82, 0.69%, 0.71%

LAB 86.7, -32.64, 44.44

 

CMYK 35 / 0 / 72 / 14

HEX #8FDB3D

RGB 143 219 61

HSL 88.86, 0.69%, 0.55%

LAB 80.09, -47.45, 66.17

 

CMYK 72 / 0 / 24 / 14

HEX #3DDBA6

RGB 61 219 166

HSL 159.87, 0.69%, 0.55%

LAB 78.7, -52.77, 14.54

 

CMYK 0 / 72 / 5 / 14

HEX #DB3DD0

RGB 219 61 208

HSL 304.18, 0.69%, 0.55%

LAB 55.02, 75.51, -43.21

 

CMYK 35 / 0 / 72 / 14

HEX #8FDB3D

RGB 143 219 61

HSL 88.86, 0.69%, 0.55%

LAB 80.09, -47.45, 66.17

 

CMYK 72 / 34 / 0 / 14

HEX #3D91DB

RGB 61 145 219

HSL 208.1, 0.69%, 0.55%

LAB 58.37, -0.92, -45.03

 

CMYK 0 / 72 / 34 / 14

HEX #DB3D91

RGB 219 61 145

HSL 328.1, 0.69%, 0.55%

LAB 52.33, 67.2, -10.62

 

CMYK 35 / 0 / 72 / 14

HEX #8FDB3D

RGB 143 219 61

HSL 88.86, 0.69%, 0.55%

LAB 80.09, -47.45, 66.17

 

CMYK 72 / 0 / 24 / 14

HEX #3DDBA6

RGB 61 219 166

HSL 159.87, 0.69%, 0.55%

LAB 78.7, -52.77, 14.54

 

CMYK 39 / 72 / 0 / 14

HEX #863DDB

RGB 134 61 219

HSL 267.72, 0.69%, 0.55%

LAB 43.54, 60.66, -68.59

 

CMYK 0 / 72 / 48 / 14

HEX #DB3D71

RGB 219 61 113

HSL 340.25, 0.69%, 0.55%

LAB 51.37, 64.07, 7.17

 

CMYK 35 / 0 / 72 / 14

HEX #8FDB3D

RGB 143 219 61

HSL 88.86, 0.69%, 0.55%

LAB 80.09, -47.45, 66.17

 

CMYK 72 / 0 / 2 / 14

HEX #3DDBD6

RGB 61 219 214

HSL 178.1, 0.69%, 0.55%

LAB 79.9, -40.59, -9.25

 

CMYK 39 / 72 / 0 / 14

HEX #863DDB

RGB 134 61 219

HSL 267.72, 0.69%, 0.55%

LAB 43.54, 60.66, -68.59

 

CMYK 0 / 72 / 70 / 14

HEX #DB3D42

RGB 219 61 66

HSL 358.1, 0.69%, 0.55%

LAB 50.44, 60.96, 34.05

 

Description

Color code: HEX #8FDB3D | qconv.com Color code: HEX #8FDB3D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 219 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 219 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 72 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 72% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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