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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FD752 it is the complementary color #7028AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FD752. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FD752 shade: #94D74D, #A5E960, #B6FB73, #C7FF86 and #D8FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FD752. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FD752 shade: #8FD752, #7EC53F, #6DB32C, #5CA119 and #4B8F06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FD752 shade: #8ED651, #B2D651, #D6D651, #D6B351 and #D68F51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FD752 shade: #8ED651, #6BD651, #51D65C, #51D680 and #51D6A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FD752 shade matches the following richer shades: #8ED651, #8DE840 and #8CF92F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FD752 shade: #8ED651, #90C563, #91B474, #93A285 and #949197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FD752 shade: #D6D651, #B3D651, #8FD651, #6CD651 and #51D65A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FD752 shade: #65AD29, #79CE30, #8ED651, #A4DE73 and #BAE694

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FD752 shade: #8FD752, #51D6B3 and #D651C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FD752 shade: #8FD752, #518FD6 and #D6518F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FD752 shade: #8FD752, #51D6B3, #9851D6 and #D65175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FD752 shade: #8FD752, #51D2D6, #9851D6 and #D65651

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 62 / 16

HEX #8FD752

RGB 143 215 82

HSL 92.48, 0.62%, 0.58%

LAB 79.07, -44.21, 56.96

 

Complementary color

CMYK 35 / 77 / 0 / 32

HEX #7028AD

RGB 112 40 173

HSL 272.48, 0.62%, 0.42%

LAB 33.94, 54.84, -57.48

 

CMYK 31 / 0 / 64 / 16

HEX #94D74D

RGB 148 215 77

HSL 89.13, 0.63%, 0.57%

LAB 79.29, -42.87, 59.36

 

CMYK 29 / 0 / 59 / 9

HEX #A5E960

RGB 165 233 96

HSL 89.78, 0.76%, 0.65%

LAB 85.57, -43.05, 58.55

 

CMYK 27 / 0 / 54 / 2

HEX #B6FB73

RGB 182 251 115

HSL 90.44, 0.94%, 0.72%

LAB 91.76, -43.14, 57.57

 

CMYK 22 / 0 / 47 / 0

HEX #C7FF86

RGB 199 255 134

HSL 87.77, 1%, 0.76%

LAB 94.05, -36.98, 51.85

 

CMYK 15 / 0 / 40 / 0

HEX #D8FF99

RGB 216 255 153

HSL 82.94, 1%, 0.8%

LAB 95.34, -28.74, 44.63

 

CMYK 33 / 0 / 62 / 16

HEX #8FD752

RGB 143 215 82

HSL 92.48, 0.62%, 0.58%

LAB 79.07, -44.21, 56.96

 

CMYK 36 / 0 / 68 / 23

HEX #7EC53F

RGB 126 197 63

HSL 91.79, 0.54%, 0.51%

LAB 72.71, -43.97, 57.64

 

CMYK 39 / 0 / 75 / 30

HEX #6DB32C

RGB 109 179 44

HSL 91.11, 0.61%, 0.44%

LAB 66.27, -43.57, 57.86

 

CMYK 43 / 0 / 84 / 37

HEX #5CA119

RGB 92 161 25

HSL 90.44, 0.73%, 0.36%

LAB 59.74, -42.92, 57.2

 

CMYK 48 / 0 / 96 / 44

HEX #4B8F06

RGB 75 143 6

HSL 89.78, 0.92%, 0.29%

LAB 53.12, -41.92, 55.08

 

CMYK 34 / 0 / 62 / 16

HEX #8ED651

RGB 142 214 81

HSL 92.48, 0.62%, 0.58%

LAB 78.72, -44.21, 56.98

 

CMYK 17 / 0 / 62 / 16

HEX #B2D651

RGB 178 214 81

HSL 76.24, 0.62%, 0.58%

LAB 80.82, -30.87, 59.89

 

CMYK 0 / 0 / 62 / 16

HEX #D6D651

RGB 214 214 81

HSL 60, 0.62%, 0.58%

LAB 83.43, -16.37, 63.46

 

CMYK 0 / 16 / 62 / 16

HEX #D6B351

RGB 214 179 81

HSL 44.21, 0.62%, 0.58%

LAB 74.27, 1.56, 53.53

 

CMYK 0 / 33 / 62 / 16

HEX #D68F51

RGB 214 143 81

HSL 27.97, 0.62%, 0.58%

LAB 65.39, 20.87, 43.39

 

CMYK 34 / 0 / 62 / 16

HEX #8ED651

RGB 142 214 81

HSL 92.48, 0.62%, 0.58%

LAB 78.72, -44.21, 56.98

 

CMYK 50 / 0 / 62 / 16

HEX #6BD651

RGB 107 214 81

HSL 108.27, 0.62%, 0.58%

LAB 77.17, -55.23, 54.83

 

CMYK 62 / 0 / 57 / 16

HEX #51D65C

RGB 81 214 92

HSL 124.96, 0.62%, 0.58%

LAB 76.45, -60.43, 48.92

 

CMYK 62 / 0 / 40 / 16

HEX #51D680

RGB 81 214 128

HSL 141.2, 0.62%, 0.58%

LAB 76.92, -55.11, 31.99

 

CMYK 62 / 0 / 23 / 16

HEX #51D6A4

RGB 81 214 164

HSL 157.44, 0.62%, 0.58%

LAB 77.59, -47.99, 14.11

 

CMYK 34 / 0 / 62 / 16

HEX #8ED651

RGB 142 214 81

HSL 92.48, 0.62%, 0.58%

LAB 78.72, -44.21, 56.98

 

CMYK 39 / 0 / 72 / 9

HEX #8DE840

RGB 141 232 64

HSL 92.5, 0.79%, 0.58%

LAB 83.83, -53.24, 68.82

 

CMYK 44 / 0 / 81 / 2

HEX #8CF92F

RGB 140 249 47

HSL 92.38, 0.94%, 0.58%

LAB 88.7, -61.01, 78.39

 

CMYK 34 / 0 / 62 / 16

HEX #8ED651

RGB 142 214 81

HSL 92.48, 0.62%, 0.58%

LAB 78.72, -44.21, 56.98

 

CMYK 27 / 0 / 50 / 23

HEX #90C563

RGB 144 197 99

HSL 92.45, 0.46%, 0.58%

LAB 74.04, -34.13, 43.37

 

CMYK 19 / 0 / 36 / 29

HEX #91B474

RGB 145 180 116

HSL 92.81, 0.3%, 0.58%

LAB 69.41, -23.44, 28.87

 

CMYK 9 / 0 / 18 / 36

HEX #93A285

RGB 147 162 133

HSL 91.03, 0.13%, 0.58%

LAB 64.75, -10.75, 13.33

 

CMYK 2 / 4 / 0 / 41

HEX #949197

RGB 148 145 151

HSL 270, 0.03%, 0.58%

LAB 60.59, 2.27, -2.78

 

CMYK 0 / 0 / 62 / 16

HEX #D6D651

RGB 214 214 81

HSL 60, 0.62%, 0.58%

LAB 83.43, -16.37, 63.46

 

CMYK 16 / 0 / 62 / 16

HEX #B3D651

RGB 179 214 81

HSL 75.79, 0.62%, 0.58%

LAB 80.89, -30.48, 59.98

 

CMYK 33 / 0 / 62 / 16

HEX #8FD651

RGB 143 214 81

HSL 92.03, 0.62%, 0.58%

LAB 78.77, -43.86, 57.05

 

CMYK 50 / 0 / 62 / 16

HEX #6CD651

RGB 108 214 81

HSL 107.82, 0.62%, 0.58%

LAB 77.21, -54.95, 54.88

 

CMYK 62 / 0 / 58 / 16

HEX #51D65A

RGB 81 214 90

HSL 124.06, 0.62%, 0.58%

LAB 76.42, -60.67, 49.81

 

CMYK 42 / 0 / 76 / 32

HEX #65AD29

RGB 101 173 41

HSL 92.73, 0.62%, 0.42%

LAB 64.01, -43.99, 56.55

 

CMYK 41 / 0 / 77 / 19

HEX #79CE30

RGB 121 206 48

HSL 92.28, 0.62%, 0.5%

LAB 75.09, -50.35, 65.23

 

CMYK 34 / 0 / 62 / 16

HEX #8ED651

RGB 142 214 81

HSL 92.48, 0.62%, 0.58%

LAB 78.72, -44.21, 56.98

 

CMYK 26 / 0 / 48 / 13

HEX #A4DE73

RGB 164 222 115

HSL 92.52, 0.62%, 0.66%

LAB 82.58, -36.58, 46.33

 

CMYK 19 / 0 / 36 / 10

HEX #BAE694

RGB 186 230 148

HSL 92.2, 0.62%, 0.74%

LAB 86.59, -28.35, 35.42

 

CMYK 33 / 0 / 62 / 16

HEX #8FD752

RGB 143 215 82

HSL 92.48, 0.62%, 0.58%

LAB 79.07, -44.21, 56.96

 

CMYK 62 / 0 / 16 / 16

HEX #51D6B3

RGB 81 214 179

HSL 164.21, 0.62%, 0.58%

LAB 77.93, -44.54, 6.61

 

CMYK 0 / 62 / 8 / 16

HEX #D651C5

RGB 214 81 197

HSL 307.67, 0.62%, 0.58%

LAB 56.3, 65.39, -34.96

 

CMYK 33 / 0 / 62 / 16

HEX #8FD752

RGB 143 215 82

HSL 92.48, 0.62%, 0.58%

LAB 79.07, -44.21, 56.96

 

CMYK 62 / 33 / 0 / 16

HEX #518FD6

RGB 81 143 214

HSL 212.03, 0.62%, 0.58%

LAB 58.27, 1.72, -42.35

 

CMYK 0 / 62 / 33 / 16

HEX #D6518F

RGB 214 81 143

HSL 332.03, 0.62%, 0.58%

LAB 54.2, 57.94, -6.73

 

CMYK 33 / 0 / 62 / 16

HEX #8FD752

RGB 143 215 82

HSL 92.48, 0.62%, 0.58%

LAB 79.07, -44.21, 56.96

 

CMYK 62 / 0 / 16 / 16

HEX #51D6B3

RGB 81 214 179

HSL 164.21, 0.62%, 0.58%

LAB 77.93, -44.54, 6.61

 

CMYK 29 / 62 / 0 / 16

HEX #9851D6

RGB 152 81 214

HSL 272.03, 0.62%, 0.58%

LAB 48.78, 53.59, -57.15

 

CMYK 0 / 62 / 45 / 16

HEX #D65175

RGB 214 81 117

HSL 343.76, 0.62%, 0.58%

LAB 53.46, 55.16, 7.62

 

CMYK 33 / 0 / 62 / 16

HEX #8FD752

RGB 143 215 82

HSL 92.48, 0.62%, 0.58%

LAB 79.07, -44.21, 56.96

 

CMYK 62 / 2 / 0 / 16

HEX #51D2D6

RGB 81 210 214

HSL 181.8, 0.62%, 0.58%

LAB 77.7, -33.66, -12.5

 

CMYK 29 / 62 / 0 / 16

HEX #9851D6

RGB 152 81 214

HSL 272.03, 0.62%, 0.58%

LAB 48.78, 53.59, -57.15

 

CMYK 0 / 60 / 62 / 16

HEX #D65651

RGB 214 86 81

HSL 2.26, 0.62%, 0.58%

LAB 53.54, 50.05, 28.98

 

Description

Color code: HEX #8FD752 | qconv.com Color code: HEX #8FD752 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 215 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 215 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 62 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 62% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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