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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FD5DD it is the complementary color #702A22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FD5DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FD5DD shade: #94D5D8, #A5E7EB, #B6F9FE, #C7FFFF and #D8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FD5DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FD5DD shade: #8FD5DD, #7EC3CA, #6DB1B7, #5C9FA4 and #4B8D91

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FD5DD shade: #8ED4DC, #8EBFDC, #8EAADC, #8E95DC and #9C8EDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FD5DD shade: #8ED4DC, #8EBFDC, #8EAADC, #8E95DC and #8E8EDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FD5DD shade matches the following richer shades: #8ED4DC, #82DEE8 and #76E7F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FD5DD shade: #8ED4DC, #9ACBD0, #A6C1C4, #B2B8B8 and #BEAEAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FD5DD shade: #8EDCBA, #8EDCCF, #8ED4DC, #8EC0DC and #8EABDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FD5DD shade: #4FBCC9, #6EC8D3, #8ED4DC, #ADE0E6 and #CDECF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FD5DD shade: #8FD5DD, #A58EDC and #DCC58E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FD5DD shade: #8FD5DD, #DC8ED4 and #D4DC8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FD5DD shade: #8FD5DD, #A58EDC, #DC968E and #C5DC8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FD5DD shade: #8FD5DD, #BD8EDC, #DC968E and #ADDC8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 4 / 0 / 13

HEX #8FD5DD

RGB 143 213 221

HSL 186.15, 0.53%, 0.71%

LAB 81.1, -19.88, -10.92

 

Complementary color

CMYK 0 / 63 / 70 / 56

HEX #702A22

RGB 112 42 34

HSL 6.15, 0.53%, 0.29%

LAB 27.34, 30.45, 21.01

 

CMYK 31 / 1 / 0 / 15

HEX #94D5D8

RGB 148 213 216

HSL 182.65, 0.47%, 0.71%

LAB 81.2, -19.71, -8.07

 

CMYK 30 / 2 / 0 / 8

HEX #A5E7EB

RGB 165 231 235

HSL 183.43, 0.64%, 0.78%

LAB 87.56, -19.63, -8.6

 

CMYK 28 / 2 / 0 / 0

HEX #B6F9FE

RGB 182 249 254

HSL 184.17, 0.97%, 0.85%

LAB 93.82, -19.57, -9.12

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 35 / 4 / 0 / 13

HEX #8FD5DD

RGB 143 213 221

HSL 186.15, 0.53%, 0.71%

LAB 81.1, -19.88, -10.92

 

CMYK 38 / 3 / 0 / 21

HEX #7EC3CA

RGB 126 195 202

HSL 185.53, 0.42%, 0.64%

LAB 74.65, -19.91, -10.4

 

CMYK 40 / 3 / 0 / 28

HEX #6DB1B7

RGB 109 177 183

HSL 184.86, 0.34%, 0.57%

LAB 68.1, -19.92, -9.85

 

CMYK 44 / 3 / 0 / 36

HEX #5C9FA4

RGB 92 159 164

HSL 184.17, 0.28%, 0.5%

LAB 61.44, -19.92, -9.27

 

CMYK 48 / 3 / 0 / 43

HEX #4B8D91

RGB 75 141 145

HSL 183.43, 0.32%, 0.43%

LAB 54.65, -19.86, -8.66

 

CMYK 35 / 4 / 0 / 14

HEX #8ED4DC

RGB 142 212 220

HSL 186.15, 0.53%, 0.71%

LAB 80.74, -19.88, -10.92

 

CMYK 35 / 13 / 0 / 14

HEX #8EBFDC

RGB 142 191 220

HSL 202.31, 0.53%, 0.71%

LAB 74.94, -9.02, -19.65

 

CMYK 35 / 23 / 0 / 14

HEX #8EAADC

RGB 142 170 220

HSL 218.46, 0.53%, 0.71%

LAB 69.23, 2.41, -28.37

 

CMYK 35 / 32 / 0 / 14

HEX #8E95DC

RGB 142 149 220

HSL 234.62, 0.53%, 0.71%

LAB 63.68, 14.31, -36.96

 

CMYK 29 / 35 / 0 / 14

HEX #9C8EDC

RGB 156 142 220

HSL 250.77, 0.53%, 0.71%

LAB 63, 22.27, -37.96

 

CMYK 35 / 4 / 0 / 14

HEX #8ED4DC

RGB 142 212 220

HSL 186.15, 0.53%, 0.71%

LAB 80.74, -19.88, -10.92

 

CMYK 35 / 13 / 0 / 14

HEX #8EBFDC

RGB 142 191 220

HSL 202.31, 0.53%, 0.71%

LAB 74.94, -9.02, -19.65

 

CMYK 35 / 23 / 0 / 14

HEX #8EAADC

RGB 142 170 220

HSL 218.46, 0.53%, 0.71%

LAB 69.23, 2.41, -28.37

 

CMYK 35 / 32 / 0 / 14

HEX #8E95DC

RGB 142 149 220

HSL 234.62, 0.53%, 0.71%

LAB 63.68, 14.31, -36.96

 

CMYK 35 / 35 / 0 / 14

HEX #8E8EDC

RGB 142 142 220

HSL 240, 0.53%, 0.71%

LAB 61.88, 18.36, -39.78

 

CMYK 35 / 4 / 0 / 14

HEX #8ED4DC

RGB 142 212 220

HSL 186.15, 0.53%, 0.71%

LAB 80.74, -19.88, -10.92

 

CMYK 44 / 4 / 0 / 9

HEX #82DEE8

RGB 130 222 232

HSL 185.88, 0.69%, 0.71%

LAB 83.34, -24.87, -13.47

 

CMYK 52 / 5 / 0 / 4

HEX #76E7F4

RGB 118 231 244

HSL 186.19, 0.85%, 0.71%

LAB 85.77, -28.76, -16.22

 

CMYK 35 / 4 / 0 / 14

HEX #8ED4DC

RGB 142 212 220

HSL 186.15, 0.53%, 0.71%

LAB 80.74, -19.88, -10.92

 

CMYK 26 / 2 / 0 / 18

HEX #9ACBD0

RGB 154 203 208

HSL 185.56, 0.36%, 0.71%

LAB 78.54, -14.75, -7.7

 

CMYK 15 / 2 / 0 / 23

HEX #A6C1C4

RGB 166 193 196

HSL 186, 0.2%, 0.71%

LAB 76.21, -8.46, -4.58

 

CMYK 3 / 0 / 0 / 28

HEX #B2B8B8

RGB 178 184 184

HSL 180, 0.04%, 0.71%

LAB 74.32, -2.08, -0.74

 

CMYK 0 / 8 / 9 / 25

HEX #BEAEAC

RGB 190 174 172

HSL 6.67, 0.12%, 0.71%

LAB 72.36, 5.39, 3.09

 

CMYK 35 / 0 / 15 / 14

HEX #8EDCBA

RGB 142 220 186

HSL 153.85, 0.53%, 0.71%

LAB 82.1, -31.39, 9.16

 

CMYK 35 / 0 / 6 / 14

HEX #8EDCCF

RGB 142 220 207

HSL 170, 0.53%, 0.71%

LAB 82.62, -26.87, -1.23

 

CMYK 35 / 4 / 0 / 14

HEX #8ED4DC

RGB 142 212 220

HSL 186.15, 0.53%, 0.71%

LAB 80.74, -19.88, -10.92

 

CMYK 35 / 13 / 0 / 14

HEX #8EC0DC

RGB 142 192 220

HSL 201.54, 0.53%, 0.71%

LAB 75.21, -9.55, -19.23

 

CMYK 35 / 22 / 0 / 14

HEX #8EABDC

RGB 142 171 220

HSL 217.69, 0.53%, 0.71%

LAB 69.5, 1.85, -27.95

 

CMYK 61 / 6 / 0 / 21

HEX #4FBCC9

RGB 79 188 201

HSL 186.39, 0.53%, 0.55%

LAB 70.76, -27.06, -15.87

 

CMYK 48 / 5 / 0 / 17

HEX #6EC8D3

RGB 110 200 211

HSL 186.53, 0.53%, 0.63%

LAB 75.65, -24.02, -13.85

 

CMYK 35 / 4 / 0 / 14

HEX #8ED4DC

RGB 142 212 220

HSL 186.15, 0.53%, 0.71%

LAB 80.74, -19.88, -10.92

 

CMYK 25 / 3 / 0 / 10

HEX #ADE0E6

RGB 173 224 230

HSL 186.32, 0.53%, 0.79%

LAB 85.96, -14.97, -8.29

 

CMYK 15 / 2 / 0 / 6

HEX #CDECF0

RGB 205 236 240

HSL 186.86, 0.54%, 0.87%

LAB 91.35, -9.26, -5.35

 

CMYK 35 / 4 / 0 / 13

HEX #8FD5DD

RGB 143 213 221

HSL 186.15, 0.53%, 0.71%

LAB 81.1, -19.88, -10.92

 

CMYK 25 / 35 / 0 / 14

HEX #A58EDC

RGB 165 142 220

HSL 257.69, 0.53%, 0.71%

LAB 63.76, 24.88, -36.7

 

CMYK 0 / 10 / 35 / 14

HEX #DCC58E

RGB 220 197 142

HSL 42.31, 0.53%, 0.71%

LAB 80.24, 0.23, 30.58

 

CMYK 35 / 4 / 0 / 13

HEX #8FD5DD

RGB 143 213 221

HSL 186.15, 0.53%, 0.71%

LAB 81.1, -19.88, -10.92

 

CMYK 0 / 35 / 4 / 14

HEX #DC8ED4

RGB 220 142 212

HSL 306.15, 0.53%, 0.71%

LAB 68.98, 40.2, -23.75

 

CMYK 4 / 0 / 35 / 14

HEX #D4DC8E

RGB 212 220 142

HSL 66.15, 0.53%, 0.71%

LAB 85.57, -14.63, 37.46

 

CMYK 35 / 4 / 0 / 13

HEX #8FD5DD

RGB 143 213 221

HSL 186.15, 0.53%, 0.71%

LAB 81.1, -19.88, -10.92

 

CMYK 25 / 35 / 0 / 14

HEX #A58EDC

RGB 165 142 220

HSL 257.69, 0.53%, 0.71%

LAB 63.76, 24.88, -36.7

 

CMYK 0 / 32 / 35 / 14

HEX #DC968E

RGB 220 150 142

HSL 6.15, 0.53%, 0.71%

LAB 68.74, 25.32, 14.91

 

CMYK 10 / 0 / 35 / 14

HEX #C5DC8E

RGB 197 220 142

HSL 77.69, 0.53%, 0.71%

LAB 84.49, -20.3, 35.84

 

CMYK 35 / 4 / 0 / 13

HEX #8FD5DD

RGB 143 213 221

HSL 186.15, 0.53%, 0.71%

LAB 81.1, -19.88, -10.92

 

CMYK 14 / 35 / 0 / 14

HEX #BD8EDC

RGB 189 142 220

HSL 276.15, 0.53%, 0.71%

LAB 66.01, 32.07, -33.04

 

CMYK 0 / 32 / 35 / 14

HEX #DC968E

RGB 220 150 142

HSL 6.15, 0.53%, 0.71%

LAB 68.74, 25.32, 14.91

 

CMYK 21 / 0 / 35 / 14

HEX #ADDC8E

RGB 173 220 142

HSL 96.15, 0.53%, 0.71%

LAB 82.93, -29.04, 33.5

 

Description

Color code: HEX #8FD5DD | qconv.com Color code: HEX #8FD5DD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 213 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 213 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 4 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 4% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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