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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FD2D3 it is the complementary color #702D2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FD2D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FD2D3 shade: #94D2CE, #A5E4E1, #B6F6F4, #C7FFFF and #D8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FD2D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FD2D3 shade: #8FD2D3, #7EC0C0, #6DAEAD, #5C9C9A and #4B8A87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FD2D3 shade: #8DD2D3, #8DBFD3, #8DACD3, #8D99D3 and #948DD3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FD2D3 shade: #8DD2D3, #8DBFD3, #8DACD3, #8D99D3 and #8D8DD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FD2D3 shade matches the following richer shades: #8DD2D3, #80DEE0, #74EBEC and #67F7F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FD2D3 shade: #8DD2D3, #9AC5C6, #A7B9B9, #B4ACAC and #C0A0A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FD2D3 shade: #8DD3AE, #8DD3C0, #8DD3D3, #8DC0D3 and #8DAED3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FD2D3 shade: #52BABC, #6FC6C7, #8DD2D3, #ABDEDE and #C9E9EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FD2D3 shade: #8FD2D3, #9B8DD3 and #D3B78D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FD2D3 shade: #8FD2D3, #D38DD3 and #D3D38D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FD2D3 shade: #8FD2D3, #9B8DD3, #D38D8D and #C5D38D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FD2D3 shade: #8FD2D3, #B08DD3, #D38D8D and #B0D38D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 0 / 17

HEX #8FD2D3

RGB 143 210 211

HSL 180.88, 0.44%, 0.69%

LAB 79.97, -20.74, -7.25

 

Complementary color

CMYK 0 / 60 / 61 / 56

HEX #702D2C

RGB 112 45 44

HSL 0.88, 0.44%, 0.31%

LAB 28.12, 29.62, 15.54

 

CMYK 30 / 0 / 2 / 18

HEX #94D2CE

RGB 148 210 206

HSL 176.13, 0.41%, 0.7%

LAB 80.09, -20.49, -4.37

 

CMYK 28 / 0 / 1 / 11

HEX #A5E4E1

RGB 165 228 225

HSL 177.14, 0.54%, 0.77%

LAB 86.47, -20.38, -4.96

 

CMYK 26 / 0 / 1 / 4

HEX #B6F6F4

RGB 182 246 244

HSL 178.13, 0.78%, 0.84%

LAB 92.75, -20.28, -5.53

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 32 / 0 / 0 / 17

HEX #8FD2D3

RGB 143 210 211

HSL 180.88, 0.44%, 0.69%

LAB 79.97, -20.74, -7.25

 

CMYK 34 / 0 / 0 / 25

HEX #7EC0C0

RGB 126 192 192

HSL 180, 0.34%, 0.62%

LAB 73.51, -20.83, -6.67

 

CMYK 37 / 0 / 1 / 32

HEX #6DAEAD

RGB 109 174 173

HSL 179.08, 0.29%, 0.55%

LAB 66.93, -20.91, -6.06

 

CMYK 41 / 0 / 1 / 39

HEX #5C9C9A

RGB 92 156 154

HSL 178.13, 0.26%, 0.49%

LAB 60.24, -20.98, -5.41

 

CMYK 46 / 0 / 2 / 46

HEX #4B8A87

RGB 75 138 135

HSL 177.14, 0.3%, 0.42%

LAB 53.41, -21.02, -4.72

 

CMYK 33 / 0 / 0 / 17

HEX #8DD2D3

RGB 141 210 211

HSL 180.86, 0.44%, 0.69%

LAB 79.87, -21.29, -7.41

 

CMYK 33 / 9 / 0 / 17

HEX #8DBFD3

RGB 141 191 211

HSL 197.14, 0.44%, 0.69%

LAB 74.59, -11.54, -15.3

 

CMYK 33 / 18 / 0 / 17

HEX #8DACD3

RGB 141 172 211

HSL 213.43, 0.44%, 0.69%

LAB 69.38, -1.3, -23.2

 

CMYK 33 / 27 / 0 / 17

HEX #8D99D3

RGB 141 153 211

HSL 229.71, 0.44%, 0.69%

LAB 64.28, 9.36, -31.04

 

CMYK 30 / 33 / 0 / 17

HEX #948DD3

RGB 148 141 211

HSL 246, 0.44%, 0.69%

LAB 61.7, 18.27, -35.01

 

CMYK 33 / 0 / 0 / 17

HEX #8DD2D3

RGB 141 210 211

HSL 180.86, 0.44%, 0.69%

LAB 79.87, -21.29, -7.41

 

CMYK 33 / 9 / 0 / 17

HEX #8DBFD3

RGB 141 191 211

HSL 197.14, 0.44%, 0.69%

LAB 74.59, -11.54, -15.3

 

CMYK 33 / 18 / 0 / 17

HEX #8DACD3

RGB 141 172 211

HSL 213.43, 0.44%, 0.69%

LAB 69.38, -1.3, -23.2

 

CMYK 33 / 27 / 0 / 17

HEX #8D99D3

RGB 141 153 211

HSL 229.71, 0.44%, 0.69%

LAB 64.28, 9.36, -31.04

 

CMYK 33 / 33 / 0 / 17

HEX #8D8DD3

RGB 141 141 211

HSL 240, 0.44%, 0.69%

LAB 61.15, 16.27, -35.91

 

CMYK 33 / 0 / 0 / 17

HEX #8DD2D3

RGB 141 210 211

HSL 180.86, 0.44%, 0.69%

LAB 79.87, -21.29, -7.41

 

CMYK 43 / 1 / 0 / 12

HEX #80DEE0

RGB 128 222 224

HSL 181.25, 0.61%, 0.69%

LAB 83.03, -27.35, -9.72

 

CMYK 51 / 0 / 0 / 7

HEX #74EBEC

RGB 116 235 236

HSL 180.5, 0.76%, 0.69%

LAB 86.6, -33.15, -10.78

 

CMYK 59 / 1 / 0 / 2

HEX #67F7F9

RGB 103 247 249

HSL 180.82, 0.92%, 0.69%

LAB 89.97, -37.73, -12.59

 

CMYK 33 / 0 / 0 / 17

HEX #8DD2D3

RGB 141 210 211

HSL 180.86, 0.44%, 0.69%

LAB 79.87, -21.29, -7.41

 

CMYK 22 / 1 / 0 / 22

HEX #9AC5C6

RGB 154 197 198

HSL 181.36, 0.28%, 0.69%

LAB 76.61, -13.89, -5.17

 

CMYK 10 / 0 / 0 / 27

HEX #A7B9B9

RGB 167 185 185

HSL 180, 0.11%, 0.69%

LAB 73.81, -6.17, -2.12

 

CMYK 0 / 4 / 4 / 29

HEX #B4ACAC

RGB 180 172 172

HSL 0, 0.05%, 0.69%

LAB 71, 2.86, 1.01

 

CMYK 0 / 17 / 17 / 25

HEX #C0A0A0

RGB 192 160 160

HSL 0, 0.2%, 0.69%

LAB 68.67, 11.77, 4.41

 

CMYK 33 / 0 / 18 / 17

HEX #8DD3AE

RGB 141 211 174

HSL 148.29, 0.44%, 0.69%

LAB 79.22, -29.83, 11.42

 

CMYK 33 / 0 / 9 / 17

HEX #8DD3C0

RGB 141 211 192

HSL 163.71, 0.44%, 0.69%

LAB 79.65, -26.09, 2.43

 

CMYK 33 / 0 / 0 / 17

HEX #8DD3D3

RGB 141 211 211

HSL 180, 0.44%, 0.69%

LAB 80.15, -21.79, -6.99

 

CMYK 33 / 9 / 0 / 17

HEX #8DC0D3

RGB 141 192 211

HSL 196.29, 0.44%, 0.69%

LAB 74.87, -12.06, -14.88

 

CMYK 33 / 18 / 0 / 17

HEX #8DAED3

RGB 141 174 211

HSL 211.71, 0.44%, 0.69%

LAB 69.92, -2.4, -22.37

 

CMYK 56 / 1 / 0 / 26

HEX #52BABC

RGB 82 186 188

HSL 181.13, 0.44%, 0.53%

LAB 69.85, -29.19, -10.1

 

CMYK 44 / 1 / 0 / 22

HEX #6FC6C7

RGB 111 198 199

HSL 180.68, 0.44%, 0.61%

LAB 74.76, -25.92, -8.69

 

CMYK 33 / 0 / 0 / 17

HEX #8DD2D3

RGB 141 210 211

HSL 180.86, 0.44%, 0.69%

LAB 79.87, -21.29, -7.41

 

CMYK 23 / 0 / 0 / 13

HEX #ABDEDE

RGB 171 222 222

HSL 180, 0.44%, 0.77%

LAB 85.09, -16.29, -5.37

 

CMYK 14 / 0 / 0 / 8

HEX #C9E9EA

RGB 201 233 234

HSL 181.82, 0.44%, 0.85%

LAB 90.15, -10.2, -4.01

 

CMYK 32 / 0 / 0 / 17

HEX #8FD2D3

RGB 143 210 211

HSL 180.88, 0.44%, 0.69%

LAB 79.97, -20.74, -7.25

 

CMYK 27 / 33 / 0 / 17

HEX #9B8DD3

RGB 155 141 211

HSL 252, 0.44%, 0.69%

LAB 62.27, 20.32, -34.07

 

CMYK 0 / 13 / 33 / 17

HEX #D3B78D

RGB 211 183 141

HSL 36, 0.44%, 0.69%

LAB 75.85, 3.95, 25.08

 

CMYK 32 / 0 / 0 / 17

HEX #8FD2D3

RGB 143 210 211

HSL 180.88, 0.44%, 0.69%

LAB 79.97, -20.74, -7.25

 

CMYK 0 / 33 / 0 / 17

HEX #D38DD3

RGB 211 141 211

HSL 300, 0.44%, 0.69%

LAB 67.73, 37.69, -25.2

 

CMYK 0 / 0 / 33 / 17

HEX #D3D38D

RGB 211 211 141

HSL 60, 0.44%, 0.69%

LAB 83.1, -10.61, 34.73

 

CMYK 32 / 0 / 0 / 17

HEX #8FD2D3

RGB 143 210 211

HSL 180.88, 0.44%, 0.69%

LAB 79.97, -20.74, -7.25

 

CMYK 27 / 33 / 0 / 17

HEX #9B8DD3

RGB 155 141 211

HSL 252, 0.44%, 0.69%

LAB 62.27, 20.32, -34.07

 

CMYK 0 / 33 / 33 / 17

HEX #D38D8D

RGB 211 141 141

HSL 0, 0.44%, 0.69%

LAB 65.61, 26.63, 10.93

 

CMYK 7 / 0 / 33 / 17

HEX #C5D38D

RGB 197 211 141

HSL 72, 0.44%, 0.69%

LAB 82.05, -15.97, 33.15

 

CMYK 32 / 0 / 0 / 17

HEX #8FD2D3

RGB 143 210 211

HSL 180.88, 0.44%, 0.69%

LAB 79.97, -20.74, -7.25

 

CMYK 17 / 33 / 0 / 17

HEX #B08DD3

RGB 176 141 211

HSL 270, 0.44%, 0.69%

LAB 64.15, 26.68, -31.02

 

CMYK 0 / 33 / 33 / 17

HEX #D38D8D

RGB 211 141 141

HSL 0, 0.44%, 0.69%

LAB 65.61, 26.63, 10.93

 

CMYK 17 / 0 / 33 / 17

HEX #B0D38D

RGB 176 211 141

HSL 90, 0.44%, 0.69%

LAB 80.59, -23.78, 30.96

 

Description

Color code: HEX #8FD2D3 | qconv.com Color code: HEX #8FD2D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 210 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 210 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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