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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FC2D0 it is the complementary color #703D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FC2D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FC2D0 shade: #94C2CB, #A5D4DE, #B6E6F1, #C7F8FF and #D8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FC2D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FC2D0 shade: #8FC2D0, #7EB0BD, #6D9EAA, #5C8C97 and #4B7A84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FC2D0 shade: #8FC2D0, #8FB0D0, #8F9FD0, #918FD0 and #A28FD0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FC2D0 shade: #8FC2D0, #8FB0D0, #8F9FD0 and #8F8FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FC2D0 shade matches the following richer shades: #8FC2D0, #82C9DD, #75D0E9 and #69D8F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FC2D0 shade: #8FC2D0, #9CBBC3, #A9B3B6, #B5ACA9 and #C2A59D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FC2D0 shade: #8FD0BA, #8FD0CC, #8FC3D0, #8FB2D0 and #8FA0D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FC2D0 shade: #55A2B8, #72B2C4, #8FC2D0, #ACD2DC and #C9E2E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FC2D0 shade: #8FC2D0, #A98FD0 and #D0C38F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FC2D0 shade: #8FC2D0, #D08FC3 and #C3D08F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FC2D0 shade: #8FC2D0, #A98FD0, #D09C8F and #B6D08F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FC2D0 shade: #8FC2D0, #BC8FD0, #D09C8F and #A2D08F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 7 / 0 / 18

HEX #8FC2D0

RGB 143 194 208

HSL 192.92, 0.41%, 0.69%

LAB 75.44, -13.27, -12.39

 

Complementary color

CMYK 0 / 46 / 58 / 56

HEX #703D2F

RGB 112 61 47

HSL 12.92, 0.41%, 0.31%

LAB 31.78, 20.8, 18.36

 

CMYK 27 / 4 / 0 / 20

HEX #94C2CB

RGB 148 194 203

HSL 189.82, 0.35%, 0.69%

LAB 75.57, -13, -9.45

 

CMYK 26 / 5 / 0 / 13

HEX #A5D4DE

RGB 165 212 222

HSL 190.53, 0.46%, 0.76%

LAB 82.03, -12.98, -9.93

 

CMYK 24 / 5 / 0 / 5

HEX #B6E6F1

RGB 182 230 241

HSL 191.19, 0.68%, 0.83%

LAB 88.4, -12.96, -10.41

 

CMYK 22 / 3 / 0 / 0

HEX #C7F8FF

RGB 199 248 255

HSL 187.5, 1%, 0.89%

LAB 94.52, -14.01, -8.49

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 31 / 7 / 0 / 18

HEX #8FC2D0

RGB 143 194 208

HSL 192.92, 0.41%, 0.69%

LAB 75.44, -13.27, -12.39

 

CMYK 33 / 7 / 0 / 26

HEX #7EB0BD

RGB 126 176 189

HSL 192.38, 0.32%, 0.62%

LAB 68.87, -13.27, -11.94

 

CMYK 36 / 7 / 0 / 33

HEX #6D9EAA

RGB 109 158 170

HSL 191.8, 0.26%, 0.55%

LAB 62.17, -13.26, -11.47

 

CMYK 39 / 7 / 0 / 41

HEX #5C8C97

RGB 92 140 151

HSL 191.19, 0.24%, 0.48%

LAB 55.35, -13.24, -10.99

 

CMYK 43 / 8 / 0 / 48

HEX #4B7A84

RGB 75 122 132

HSL 190.53, 0.28%, 0.41%

LAB 48.36, -13.2, -10.49

 

CMYK 31 / 7 / 0 / 18

HEX #8FC2D0

RGB 143 194 208

HSL 192.92, 0.41%, 0.69%

LAB 75.44, -13.27, -12.39

 

CMYK 31 / 15 / 0 / 18

HEX #8FB0D0

RGB 143 176 208

HSL 209.54, 0.41%, 0.69%

LAB 70.49, -3.67, -19.86

 

CMYK 31 / 24 / 0 / 18

HEX #8F9FD0

RGB 143 159 208

HSL 225.23, 0.41%, 0.69%

LAB 65.9, 5.76, -26.87

 

CMYK 30 / 31 / 0 / 18

HEX #918FD0

RGB 145 143 208

HSL 241.85, 0.41%, 0.69%

LAB 61.84, 15.48, -33.13

 

CMYK 22 / 31 / 0 / 18

HEX #A28FD0

RGB 162 143 208

HSL 257.54, 0.41%, 0.69%

LAB 63.24, 20.56, -30.84

 

CMYK 31 / 7 / 0 / 18

HEX #8FC2D0

RGB 143 194 208

HSL 192.92, 0.41%, 0.69%

LAB 75.44, -13.27, -12.39

 

CMYK 31 / 15 / 0 / 18

HEX #8FB0D0

RGB 143 176 208

HSL 209.54, 0.41%, 0.69%

LAB 70.49, -3.67, -19.86

 

CMYK 31 / 24 / 0 / 18

HEX #8F9FD0

RGB 143 159 208

HSL 225.23, 0.41%, 0.69%

LAB 65.9, 5.76, -26.87

 

CMYK 31 / 31 / 0 / 18

HEX #8F8FD0

RGB 143 143 208

HSL 240, 0.41%, 0.69%

LAB 61.69, 14.9, -33.38

 

CMYK 31 / 7 / 0 / 18

HEX #8FC2D0

RGB 143 194 208

HSL 192.92, 0.41%, 0.69%

LAB 75.44, -13.27, -12.39

 

CMYK 41 / 9 / 0 / 13

HEX #82C9DD

RGB 130 201 221

HSL 193.19, 0.57%, 0.69%

LAB 77.12, -17.14, -16.94

 

CMYK 50 / 11 / 0 / 9

HEX #75D0E9

RGB 117 208 233

HSL 192.93, 0.73%, 0.69%

LAB 78.91, -20.57, -20.74

 

CMYK 57 / 12 / 0 / 4

HEX #69D8F6

RGB 105 216 246

HSL 192.77, 0.89%, 0.69%

LAB 81.16, -23.38, -24.29

 

CMYK 31 / 7 / 0 / 18

HEX #8FC2D0

RGB 143 194 208

HSL 192.92, 0.41%, 0.69%

LAB 75.44, -13.27, -12.39

 

CMYK 20 / 4 / 0 / 24

HEX #9CBBC3

RGB 156 187 195

HSL 192.31, 0.25%, 0.69%

LAB 73.9, -8.7, -7.53

 

CMYK 7 / 2 / 0 / 29

HEX #A9B3B6

RGB 169 179 182

HSL 193.85, 0.08%, 0.69%

LAB 72.26, -2.88, -2.74

 

CMYK 0 / 5 / 7 / 29

HEX #B5ACA9

RGB 181 172 169

HSL 15, 0.08%, 0.69%

LAB 71, 2.68, 2.68

 

CMYK 0 / 15 / 19 / 24

HEX #C2A59D

RGB 194 165 157

HSL 12.97, 0.23%, 0.69%

LAB 70.05, 9.31, 8.07

 

CMYK 31 / 0 / 11 / 18

HEX #8FD0BA

RGB 143 208 186

HSL 159.69, 0.41%, 0.69%

LAB 78.75, -25.33, 4.35

 

CMYK 31 / 0 / 2 / 18

HEX #8FD0CC

RGB 143 208 204

HSL 176.31, 0.41%, 0.69%

LAB 79.22, -21.36, -4.61

 

CMYK 31 / 6 / 0 / 18

HEX #8FC3D0

RGB 143 195 208

HSL 192, 0.41%, 0.69%

LAB 75.71, -13.79, -11.97

 

CMYK 31 / 14 / 0 / 18

HEX #8FB2D0

RGB 143 178 208

HSL 207.69, 0.41%, 0.69%

LAB 71.03, -4.76, -19.03

 

CMYK 31 / 23 / 0 / 18

HEX #8FA0D0

RGB 143 160 208

HSL 224.31, 0.41%, 0.69%

LAB 66.16, 5.2, -26.46

 

CMYK 54 / 12 / 0 / 28

HEX #55A2B8

RGB 85 162 184

HSL 193.33, 0.41%, 0.53%

LAB 62.7, -17.53, -18.65

 

CMYK 42 / 9 / 0 / 23

HEX #72B2C4

RGB 114 178 196

HSL 193.17, 0.41%, 0.61%

LAB 69.04, -15.77, -15.59

 

CMYK 31 / 7 / 0 / 18

HEX #8FC2D0

RGB 143 194 208

HSL 192.92, 0.41%, 0.69%

LAB 75.44, -13.27, -12.39

 

CMYK 22 / 5 / 0 / 14

HEX #ACD2DC

RGB 172 210 220

HSL 192.5, 0.41%, 0.77%

LAB 81.86, -10.3, -9.09

 

CMYK 13 / 3 / 0 / 9

HEX #C9E2E8

RGB 201 226 232

HSL 191.61, 0.4%, 0.85%

LAB 88.27, -7.03, -5.73

 

CMYK 31 / 7 / 0 / 18

HEX #8FC2D0

RGB 143 194 208

HSL 192.92, 0.41%, 0.69%

LAB 75.44, -13.27, -12.39

 

CMYK 19 / 31 / 0 / 18

HEX #A98FD0

RGB 169 143 208

HSL 264, 0.41%, 0.69%

LAB 63.86, 22.71, -29.83

 

CMYK 0 / 6 / 31 / 18

HEX #D0C38F

RGB 208 195 143

HSL 48, 0.41%, 0.69%

LAB 78.71, -3.29, 27.83

 

CMYK 31 / 7 / 0 / 18

HEX #8FC2D0

RGB 143 194 208

HSL 192.92, 0.41%, 0.69%

LAB 75.44, -13.27, -12.39

 

CMYK 0 / 31 / 6 / 18

HEX #D08FC3

RGB 208 143 195

HSL 312, 0.41%, 0.69%

LAB 67.27, 32.73, -17.01

 

CMYK 6 / 0 / 31 / 18

HEX #C3D08F

RGB 195 208 143

HSL 72, 0.41%, 0.69%

LAB 81.12, -14.96, 30.87

 

CMYK 31 / 7 / 0 / 18

HEX #8FC2D0

RGB 143 194 208

HSL 192.92, 0.41%, 0.69%

LAB 75.44, -13.27, -12.39

 

CMYK 19 / 31 / 0 / 18

HEX #A98FD0

RGB 169 143 208

HSL 264, 0.41%, 0.69%

LAB 63.86, 22.71, -29.83

 

CMYK 0 / 25 / 31 / 18

HEX #D09C8F

RGB 208 156 143

HSL 12, 0.41%, 0.69%

LAB 68.87, 17.58, 14.36

 

CMYK 13 / 0 / 31 / 18

HEX #B6D08F

RGB 182 208 143

HSL 84, 0.41%, 0.69%

LAB 80.2, -19.82, 29.48

 

CMYK 31 / 7 / 0 / 18

HEX #8FC2D0

RGB 143 194 208

HSL 192.92, 0.41%, 0.69%

LAB 75.44, -13.27, -12.39

 

CMYK 10 / 31 / 0 / 18

HEX #BC8FD0

RGB 188 143 208

HSL 281.54, 0.41%, 0.69%

LAB 65.66, 28.68, -26.91

 

CMYK 0 / 25 / 31 / 18

HEX #D09C8F

RGB 208 156 143

HSL 12, 0.41%, 0.69%

LAB 68.87, 17.58, 14.36

 

CMYK 22 / 0 / 31 / 18

HEX #A2D08F

RGB 162 208 143

HSL 102.46, 0.41%, 0.69%

LAB 78.91, -27.02, 27.53

 

Description

Color code: HEX #8FC2D0 | qconv.com Color code: HEX #8FC2D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 194 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 194 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 7 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 7% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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