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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FB134 it is the complementary color #704ECB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FB134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FB134 shade: #94B12F, #A5C342, #B6D555, #C7E768 and #D8F97B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FB134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FB134 shade: #8FB134, #7E9F21, #6D8D0E, #5C7B00 and #4B6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FB134 shade: #90B234, #B2B234, #B29034, #B26E34 and #B24C34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FB134 shade: #90B234, #6DB234, #4BB234, #34B23E and #34B260

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FB134 shade matches the following richer shades: #90B234, #98C421 and #A0D70F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FB134 shade: #90B234, #879F46, #7F8D59, #767A6B and #6E687E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FB134 shade: #B29034, #B2B234, #90B234, #6FB234 and #4DB234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FB134 shade: #5C7221, #76922A, #90B234, #A5C946 and #B5D266

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FB134 shade: #8FB134, #34B26F and #A134B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FB134 shade: #8FB134, #3490B2 and #B23490

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FB134 shade: #8FB134, #34B26F, #5534B2 and #B23477

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FB134 shade: #8FB134, #34B294, #5534B2 and #B23451

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 71 / 31

HEX #8FB134

RGB 143 177 52

HSL 76.32, 0.55%, 0.45%

LAB 67.67, -29.29, 57.03

 

Complementary color

CMYK 45 / 62 / 0 / 20

HEX #704ECB

RGB 112 78 203

HSL 256.32, 0.55%, 0.55%

LAB 43.07, 43.7, -60.27

 

CMYK 16 / 0 / 73 / 31

HEX #94B12F

RGB 148 177 47

HSL 73.38, 0.58%, 0.44%

LAB 67.98, -27.53, 59.27

 

CMYK 15 / 0 / 66 / 24

HEX #A5C342

RGB 165 195 66

HSL 73.95, 0.52%, 0.51%

LAB 74.46, -28.1, 59

 

CMYK 15 / 0 / 60 / 16

HEX #B6D555

RGB 182 213 85

HSL 74.53, 0.6%, 0.58%

LAB 80.84, -28.53, 58.3

 

CMYK 14 / 0 / 55 / 9

HEX #C7E768

RGB 199 231 104

HSL 75.12, 0.73%, 0.66%

LAB 87.14, -28.86, 57.38

 

CMYK 13 / 0 / 51 / 2

HEX #D8F97B

RGB 216 249 123

HSL 75.71, 0.91%, 0.73%

LAB 93.36, -29.11, 56.35

 

CMYK 19 / 0 / 71 / 31

HEX #8FB134

RGB 143 177 52

HSL 76.32, 0.55%, 0.45%

LAB 67.67, -29.29, 57.03

 

CMYK 21 / 0 / 79 / 38

HEX #7E9F21

RGB 126 159 33

HSL 75.71, 0.66%, 0.38%

LAB 61.08, -28.66, 56.87

 

CMYK 23 / 0 / 90 / 45

HEX #6D8D0E

RGB 109 141 14

HSL 75.12, 0.82%, 0.3%

LAB 54.38, -27.79, 55.48

 

CMYK 25 / 0 / 100 / 52

HEX #5C7B00

RGB 92 123 0

HSL 75.12, 1%, 0.24%

LAB 47.55, -26.64, 52.21

 

CMYK 29 / 0 / 100 / 59

HEX #4B6900

RGB 75 105 0

HSL 77.14, 1%, 0.21%

LAB 40.57, -25.15, 46.4

 

CMYK 19 / 0 / 71 / 30

HEX #90B234

RGB 144 178 52

HSL 76.19, 0.55%, 0.45%

LAB 68.03, -29.36, 57.41

 

CMYK 0 / 0 / 71 / 30

HEX #B2B234

RGB 178 178 52

HSL 60, 0.55%, 0.45%

LAB 70.56, -15.07, 60.76

 

CMYK 0 / 19 / 71 / 30

HEX #B29034

RGB 178 144 52

HSL 43.81, 0.55%, 0.45%

LAB 61.36, 2.98, 51.58

 

CMYK 0 / 38 / 71 / 30

HEX #B26E34

RGB 178 110 52

HSL 27.62, 0.55%, 0.45%

LAB 52.8, 21.89, 42.59

 

CMYK 0 / 57 / 71 / 30

HEX #B24C34

RGB 178 76 52

HSL 11.43, 0.55%, 0.45%

LAB 45.47, 39.99, 34.44

 

CMYK 19 / 0 / 71 / 30

HEX #90B234

RGB 144 178 52

HSL 76.19, 0.55%, 0.45%

LAB 68.03, -29.36, 57.41

 

CMYK 39 / 0 / 71 / 30

HEX #6DB234

RGB 109 178 52

HSL 92.86, 0.55%, 0.45%

LAB 66.01, -42.62, 54.71

 

CMYK 58 / 0 / 71 / 30

HEX #4BB234

RGB 75 178 52

HSL 109.05, 0.55%, 0.45%

LAB 64.63, -52.95, 52.86

 

CMYK 71 / 0 / 65 / 30

HEX #34B23E

RGB 52 178 62

HSL 124.76, 0.55%, 0.45%

LAB 64.09, -57.01, 48

 

CMYK 71 / 0 / 46 / 30

HEX #34B260

RGB 52 178 96

HSL 140.95, 0.55%, 0.45%

LAB 64.5, -52.33, 32.18

 

CMYK 19 / 0 / 71 / 30

HEX #90B234

RGB 144 178 52

HSL 76.19, 0.55%, 0.45%

LAB 68.03, -29.36, 57.41

 

CMYK 22 / 0 / 83 / 23

HEX #98C421

RGB 152 196 33

HSL 76.2, 0.71%, 0.45%

LAB 73.72, -35.42, 68.77

 

CMYK 26 / 0 / 93 / 16

HEX #A0D70F

RGB 160 215 15

HSL 76.5, 0.87%, 0.45%

LAB 79.68, -41.22, 77.09

 

CMYK 19 / 0 / 71 / 30

HEX #90B234

RGB 144 178 52

HSL 76.19, 0.55%, 0.45%

LAB 68.03, -29.36, 57.41

 

CMYK 15 / 0 / 56 / 38

HEX #879F46

RGB 135 159 70

HSL 76.18, 0.39%, 0.45%

LAB 61.99, -22.36, 42.98

 

CMYK 10 / 0 / 37 / 45

HEX #7F8D59

RGB 127 141 89

HSL 76.15, 0.23%, 0.45%

LAB 56.37, -14.15, 26.09

 

CMYK 3 / 0 / 12 / 52

HEX #767A6B

RGB 118 122 107

HSL 76, 0.07%, 0.45%

LAB 50.49, -4.42, 7.7

 

CMYK 13 / 17 / 0 / 51

HEX #6E687E

RGB 110 104 126

HSL 256.36, 0.1%, 0.45%

LAB 45.25, 7.07, -11.37

 

CMYK 0 / 19 / 71 / 30

HEX #B29034

RGB 178 144 52

HSL 43.81, 0.55%, 0.45%

LAB 61.36, 2.98, 51.58

 

CMYK 0 / 0 / 71 / 30

HEX #B2B234

RGB 178 178 52

HSL 60, 0.55%, 0.45%

LAB 70.56, -15.07, 60.76

 

CMYK 19 / 0 / 71 / 30

HEX #90B234

RGB 144 178 52

HSL 76.19, 0.55%, 0.45%

LAB 68.03, -29.36, 57.41

 

CMYK 38 / 0 / 71 / 30

HEX #6FB234

RGB 111 178 52

HSL 91.9, 0.55%, 0.45%

LAB 66.11, -41.92, 54.85

 

CMYK 57 / 0 / 71 / 30

HEX #4DB234

RGB 77 178 52

HSL 108.1, 0.55%, 0.45%

LAB 64.7, -52.43, 52.94

 

CMYK 19 / 0 / 71 / 55

HEX #5C7221

RGB 92 114 33

HSL 76.3, 0.55%, 0.29%

LAB 44.83, -20.73, 40.34

 

CMYK 19 / 0 / 71 / 43

HEX #76922A

RGB 118 146 42

HSL 76.15, 0.55%, 0.37%

LAB 56.66, -25.17, 49.27

 

CMYK 19 / 0 / 71 / 30

HEX #90B234

RGB 144 178 52

HSL 76.19, 0.55%, 0.45%

LAB 68.03, -29.36, 57.41

 

CMYK 18 / 0 / 65 / 21

HEX #A5C946

RGB 165 201 70

HSL 76.49, 0.55%, 0.53%

LAB 76.2, -30.67, 59.21

 

CMYK 14 / 0 / 51 / 18

HEX #B5D266

RGB 181 210 102

HSL 76.11, 0.55%, 0.61%

LAB 80.11, -26.02, 49.78

 

CMYK 19 / 0 / 71 / 31

HEX #8FB134

RGB 143 177 52

HSL 76.32, 0.55%, 0.45%

LAB 67.67, -29.29, 57.03

 

CMYK 71 / 0 / 38 / 30

HEX #34B26F

RGB 52 178 111

HSL 148.1, 0.55%, 0.45%

LAB 64.74, -49.6, 24.61

 

CMYK 10 / 71 / 0 / 30

HEX #A134B2

RGB 161 52 178

HSL 291.9, 0.55%, 0.45%

LAB 43.13, 60.98, -45.25

 

CMYK 19 / 0 / 71 / 31

HEX #8FB134

RGB 143 177 52

HSL 76.32, 0.55%, 0.45%

LAB 67.67, -29.29, 57.03

 

CMYK 71 / 19 / 0 / 30

HEX #3490B2

RGB 52 144 178

HSL 196.19, 0.55%, 0.45%

LAB 55.98, -15.73, -25.65

 

CMYK 0 / 71 / 19 / 30

HEX #B23490

RGB 178 52 144

HSL 316.19, 0.55%, 0.45%

LAB 44.14, 59.52, -23.16

 

CMYK 19 / 0 / 71 / 31

HEX #8FB134

RGB 143 177 52

HSL 76.32, 0.55%, 0.45%

LAB 67.67, -29.29, 57.03

 

CMYK 71 / 0 / 38 / 30

HEX #34B26F

RGB 52 178 111

HSL 148.1, 0.55%, 0.45%

LAB 64.74, -49.6, 24.61

 

CMYK 52 / 71 / 0 / 30

HEX #5534B2

RGB 85 52 178

HSL 255.71, 0.55%, 0.45%

LAB 33.14, 45.88, -61.9

 

CMYK 0 / 71 / 33 / 30

HEX #B23477

RGB 178 52 119

HSL 328.1, 0.55%, 0.45%

LAB 43.14, 56.28, -9.41

 

CMYK 19 / 0 / 71 / 31

HEX #8FB134

RGB 143 177 52

HSL 76.32, 0.55%, 0.45%

LAB 67.67, -29.29, 57.03

 

CMYK 71 / 0 / 17 / 30

HEX #34B294

RGB 52 178 148

HSL 165.71, 0.55%, 0.45%

LAB 65.52, -41.25, 5.51

 

CMYK 52 / 71 / 0 / 30

HEX #5534B2

RGB 85 52 178

HSL 255.71, 0.55%, 0.45%

LAB 33.14, 45.88, -61.9

 

CMYK 0 / 71 / 54 / 30

HEX #B23451

RGB 178 52 81

HSL 346.19, 0.55%, 0.45%

LAB 42.02, 52.52, 12.63

 

Description

Color code: HEX #8FB134 | qconv.com Color code: HEX #8FB134 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 177 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 177 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 71 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 71% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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