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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FADFB it is the complementary color #705204. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FADFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FADFB shade: #94ADF6, #A5BFFF, #B6D1FF, #C7E3FF and #D8F5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FADFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FADFB shade: #8FADFB, #7E9BE8, #6D89D5, #5C77C2 and #4B65AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FADFB shade: #8EACFB, #8E8FFB, #AA8EFB, #C88EFB and #E58EFB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FADFB shade: #8EACFB, #8E8FFB and #8E8EFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FADFB shade matches the following richer shades: #8EACFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FADFB shade: #8EACFB, #97B0F1, #A1B5E8, #AAB9DE and #B4BDD5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FADFB shade: #8EE7FB, #8ECAFB, #8EADFB, #8E90FB and #A98EFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FADFB shade: #3E72F8, #668FF9, #8EACFB, #B6C9FC and #DDE6FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FADFB shade: #8FADFB, #F28EFB and #D8FB8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FADFB shade: #8FADFB, #FB8EAD and #ADFB8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FADFB shade: #8FADFB, #F28EFB, #FBDC8E and #97FB8E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FADFB shade: #8FADFB, #FB8EE3, #FBDC8E and #8EFBA5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 31 / 0 / 2

HEX #8FADFB

RGB 143 173 251

HSL 223.33, 0.93%, 0.77%

LAB 71.35, 9.37, -41.98

 

Complementary color

CMYK 0 / 27 / 96 / 56

HEX #705204

RGB 112 82 4

HSL 43.33, 0.93%, 0.23%

LAB 36.91, 5.78, 43.99

 

CMYK 40 / 30 / 0 / 4

HEX #94ADF6

RGB 148 173 246

HSL 224.69, 0.84%, 0.77%

LAB 71.44, 9.26, -39.1

 

CMYK 35 / 25 / 0 / 0

HEX #A5BFFF

RGB 165 191 255

HSL 222.67, 1%, 0.82%

LAB 77.57, 6.15, -34.36

 

CMYK 29 / 18 / 0 / 0

HEX #B6D1FF

RGB 182 209 255

HSL 217.81, 1%, 0.86%

LAB 83.32, 1.16, -25.44

 

CMYK 22 / 11 / 0 / 0

HEX #C7E3FF

RGB 199 227 255

HSL 210, 1%, 0.89%

LAB 89.06, -3.33, -16.64

 

CMYK 15 / 4 / 0 / 0

HEX #D8F5FF

RGB 216 245 255

HSL 195.38, 1%, 0.92%

LAB 94.79, -7.39, -7.98

 

CMYK 43 / 31 / 0 / 2

HEX #8FADFB

RGB 143 173 251

HSL 223.33, 0.93%, 0.77%

LAB 71.35, 9.37, -41.98

 

CMYK 46 / 33 / 0 / 9

HEX #7E9BE8

RGB 126 155 232

HSL 223.58, 0.7%, 0.7%

LAB 64.73, 10.05, -42.04

 

CMYK 49 / 36 / 0 / 16

HEX #6D89D5

RGB 109 137 213

HSL 223.85, 0.55%, 0.63%

LAB 57.99, 10.84, -42.14

 

CMYK 53 / 39 / 0 / 24

HEX #5C77C2

RGB 92 119 194

HSL 224.12, 0.46%, 0.56%

LAB 51.11, 11.79, -42.29

 

CMYK 57 / 42 / 0 / 31

HEX #4B65AF

RGB 75 101 175

HSL 224.4, 0.4%, 0.49%

LAB 44.09, 12.96, -42.49

 

CMYK 43 / 31 / 0 / 2

HEX #8EACFB

RGB 142 172 251

HSL 223.49, 0.93%, 0.77%

LAB 71.02, 9.69, -42.49

 

CMYK 43 / 43 / 0 / 2

HEX #8E8FFB

RGB 142 143 251

HSL 239.45, 0.93%, 0.77%

LAB 63.64, 26.32, -54.13

 

CMYK 32 / 43 / 0 / 2

HEX #AA8EFB

RGB 170 142 251

HSL 255.41, 0.93%, 0.77%

LAB 65.64, 33.92, -50.82

 

CMYK 20 / 43 / 0 / 2

HEX #C88EFB

RGB 200 142 251

HSL 271.93, 0.93%, 0.77%

LAB 68.45, 42.02, -46.19

 

CMYK 9 / 43 / 0 / 2

HEX #E58EFB

RGB 229 142 251

HSL 287.89, 0.93%, 0.77%

LAB 71.53, 50.18, -41.14

 

CMYK 43 / 31 / 0 / 2

HEX #8EACFB

RGB 142 172 251

HSL 223.49, 0.93%, 0.77%

LAB 71.02, 9.69, -42.49

 

CMYK 43 / 43 / 0 / 2

HEX #8E8FFB

RGB 142 143 251

HSL 239.45, 0.93%, 0.77%

LAB 63.64, 26.32, -54.13

 

CMYK 43 / 43 / 0 / 2

HEX #8E8EFB

RGB 142 142 251

HSL 240, 0.93%, 0.77%

LAB 63.39, 26.9, -54.52

 

CMYK 43 / 31 / 0 / 2

HEX #8EACFB

RGB 142 172 251

HSL 223.49, 0.93%, 0.77%

LAB 71.02, 9.69, -42.49

 

CMYK 43 / 31 / 0 / 2

HEX #8EACFB

RGB 142 172 251

HSL 223.49, 0.93%, 0.77%

LAB 71.02, 9.69, -42.49

 

CMYK 37 / 27 / 0 / 5

HEX #97B0F1

RGB 151 176 241

HSL 223.33, 0.76%, 0.77%

LAB 72.22, 7.03, -35.17

 

CMYK 31 / 22 / 0 / 9

HEX #A1B5E8

RGB 161 181 232

HSL 223.1, 0.61%, 0.77%

LAB 73.84, 4.73, -27.73

 

CMYK 23 / 17 / 0 / 13

HEX #AAB9DE

RGB 170 185 222

HSL 222.69, 0.44%, 0.77%

LAB 75.15, 2.81, -20.25

 

CMYK 15 / 11 / 0 / 16

HEX #B4BDD5

RGB 180 189 213

HSL 223.64, 0.28%, 0.77%

LAB 76.62, 1.78, -13.08

 

CMYK 43 / 8 / 0 / 2

HEX #8EE7FB

RGB 142 231 251

HSL 191.01, 0.93%, 0.77%

LAB 86.93, -21.67, -18.06

 

CMYK 43 / 20 / 0 / 2

HEX #8ECAFB

RGB 142 202 251

HSL 206.97, 0.93%, 0.77%

LAB 79.02, -6.77, -30.1

 

CMYK 43 / 31 / 0 / 2

HEX #8EADFB

RGB 142 173 251

HSL 222.94, 0.93%, 0.77%

LAB 71.28, 9.13, -42.08

 

CMYK 43 / 43 / 0 / 2

HEX #8E90FB

RGB 142 144 251

HSL 238.9, 0.93%, 0.77%

LAB 63.89, 25.74, -53.74

 

CMYK 33 / 43 / 0 / 2

HEX #A98EFB

RGB 169 142 251

HSL 254.86, 0.93%, 0.77%

LAB 65.55, 33.65, -50.96

 

CMYK 75 / 54 / 0 / 3

HEX #3E72F8

RGB 62 114 248

HSL 223.23, 0.93%, 0.61%

LAB 51.65, 28.53, -71.97

 

CMYK 59 / 43 / 0 / 2

HEX #668FF9

RGB 102 143 249

HSL 223.27, 0.92%, 0.69%

LAB 61.05, 17.15, -57.3

 

CMYK 43 / 31 / 0 / 2

HEX #8EACFB

RGB 142 172 251

HSL 223.49, 0.93%, 0.77%

LAB 71.02, 9.69, -42.49

 

CMYK 28 / 20 / 0 / 1

HEX #B6C9FC

RGB 182 201 252

HSL 223.71, 0.92%, 0.85%

LAB 81.15, 4.73, -27.16

 

CMYK 13 / 9 / 0 / 0

HEX #DDE6FE

RGB 221 230 254

HSL 223.64, 0.94%, 0.93%

LAB 91.29, 1.64, -12.63

 

CMYK 43 / 31 / 0 / 2

HEX #8FADFB

RGB 143 173 251

HSL 223.33, 0.93%, 0.77%

LAB 71.35, 9.37, -41.98

 

CMYK 4 / 43 / 0 / 2

HEX #F28EFB

RGB 242 142 251

HSL 295.05, 0.93%, 0.77%

LAB 73.02, 53.88, -38.72

 

CMYK 14 / 0 / 43 / 2

HEX #D8FB8E

RGB 216 251 142

HSL 79.27, 0.93%, 0.77%

LAB 94.12, -28.12, 48.39

 

CMYK 43 / 31 / 0 / 2

HEX #8FADFB

RGB 143 173 251

HSL 223.33, 0.93%, 0.77%

LAB 71.35, 9.37, -41.98

 

CMYK 0 / 43 / 31 / 2

HEX #FB8EAD

RGB 251 142 173

HSL 342.94, 0.93%, 0.77%

LAB 71.47, 44.63, 2.05

 

CMYK 31 / 0 / 43 / 2

HEX #ADFB8E

RGB 173 251 142

HSL 102.94, 0.93%, 0.77%

LAB 91.61, -43.14, 44.7

 

CMYK 43 / 31 / 0 / 2

HEX #8FADFB

RGB 143 173 251

HSL 223.33, 0.93%, 0.77%

LAB 71.35, 9.37, -41.98

 

CMYK 4 / 43 / 0 / 2

HEX #F28EFB

RGB 242 142 251

HSL 295.05, 0.93%, 0.77%

LAB 73.02, 53.88, -38.72

 

CMYK 0 / 12 / 43 / 2

HEX #FBDC8E

RGB 251 220 142

HSL 42.94, 0.93%, 0.77%

LAB 88.76, 0.56, 42.18

 

CMYK 40 / 0 / 43 / 2

HEX #97FB8E

RGB 151 251 142

HSL 115.05, 0.93%, 0.77%

LAB 90.56, -50.01, 43.16

 

CMYK 43 / 31 / 0 / 2

HEX #8FADFB

RGB 143 173 251

HSL 223.33, 0.93%, 0.77%

LAB 71.35, 9.37, -41.98

 

CMYK 0 / 43 / 10 / 2

HEX #FB8EE3

RGB 251 142 227

HSL 313.21, 0.93%, 0.77%

LAB 73.16, 52.4, -25.31

 

CMYK 0 / 12 / 43 / 2

HEX #FBDC8E

RGB 251 220 142

HSL 42.94, 0.93%, 0.77%

LAB 88.76, 0.56, 42.18

 

CMYK 43 / 0 / 34 / 2

HEX #8EFBA5

RGB 142 251 165

HSL 132.66, 0.93%, 0.77%

LAB 90.53, -49.1, 31.69

 

Description

Color code: HEX #8FADFB | qconv.com Color code: HEX #8FADFB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 173 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 173 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 31 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 31% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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