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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FA3E3 it is the complementary color #705C1C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FA3E3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FA3E3 shade: #94A3DE, #A5B5F1, #B6C7FF, #C7D9FF and #D8EBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FA3E3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FA3E3 shade: #8FA3E3, #7E91D0, #6D7FBD, #5C6DAA and #4B5B97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FA3E3 shade: #90A4E3, #9390E3, #A990E3, #C090E3 and #D690E3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FA3E3 shade: #90A4E3 and #9090E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FA3E3 shade matches the following richer shades: #90A4E3, #859EEE and #7A98F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FA3E3 shade: #90A4E3, #9BAAD8, #A7B0CD, #B2B6C2 and #BDBBB6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FA3E3 shade: #90D1E3, #90BBE3, #90A5E3, #9290E3 and #A890E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FA3E3 shade: #4E6ED2, #6F89DB, #90A4E3, #B1BFEB and #D2DAF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FA3E3 shade: #8FA3E3, #DF90E3 and #C6E390

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FA3E3 shade: #8FA3E3, #E390A5 and #A5E390

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FA3E3 shade: #8FA3E3, #DF90E3, #E3CE90 and #94E390

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FA3E3 shade: #8FA3E3, #E390CE, #E3CE90 and #90E3A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 28 / 0 / 11

HEX #8FA3E3

RGB 143 163 227

HSL 225.71, 0.6%, 0.73%

LAB 67.71, 8.46, -34.56

 

Complementary color

CMYK 0 / 18 / 75 / 56

HEX #705C1C

RGB 112 92 28

HSL 45.71, 0.6%, 0.27%

LAB 39.89, 0.68, 38.09

 

CMYK 33 / 27 / 0 / 13

HEX #94A3DE

RGB 148 163 222

HSL 227.84, 0.53%, 0.73%

LAB 67.85, 8.53, -31.57

 

CMYK 32 / 25 / 0 / 5

HEX #A5B5F1

RGB 165 181 241

HSL 227.37, 0.73%, 0.8%

LAB 74.44, 8.1, -31.65

 

CMYK 29 / 22 / 0 / 0

HEX #B6C7FF

RGB 182 199 255

HSL 226.03, 1%, 0.86%

LAB 80.75, 6.52, -29.38

 

CMYK 22 / 15 / 0 / 0

HEX #C7D9FF

RGB 199 217 255

HSL 220.71, 1%, 0.89%

LAB 86.5, 1.89, -20.51

 

CMYK 15 / 8 / 0 / 0

HEX #D8EBFF

RGB 216 235 255

HSL 210.77, 1%, 0.92%

LAB 92.24, -2.3, -11.78

 

CMYK 37 / 28 / 0 / 11

HEX #8FA3E3

RGB 143 163 227

HSL 225.71, 0.6%, 0.73%

LAB 67.71, 8.46, -34.56

 

CMYK 39 / 30 / 0 / 18

HEX #7E91D0

RGB 126 145 208

HSL 226.1, 0.47%, 0.65%

LAB 60.99, 9, -34.55

 

CMYK 42 / 33 / 0 / 26

HEX #6D7FBD

RGB 109 127 189

HSL 226.5, 0.38%, 0.58%

LAB 54.14, 9.63, -34.59

 

CMYK 46 / 36 / 0 / 33

HEX #5C6DAA

RGB 92 109 170

HSL 226.92, 0.31%, 0.51%

LAB 47.12, 10.38, -34.69

 

CMYK 50 / 40 / 0 / 41

HEX #4B5B97

RGB 75 91 151

HSL 227.37, 0.34%, 0.44%

LAB 39.94, 11.31, -34.84

 

CMYK 37 / 28 / 0 / 11

HEX #90A4E3

RGB 144 164 227

HSL 225.54, 0.6%, 0.73%

LAB 68.04, 8.16, -34.04

 

CMYK 35 / 37 / 0 / 11

HEX #9390E3

RGB 147 144 227

HSL 242.17, 0.6%, 0.73%

LAB 63.09, 20.42, -41.75

 

CMYK 26 / 37 / 0 / 11

HEX #A990E3

RGB 169 144 227

HSL 258.07, 0.6%, 0.73%

LAB 64.91, 26.59, -38.77

 

CMYK 15 / 37 / 0 / 11

HEX #C090E3

RGB 192 144 227

HSL 274.7, 0.6%, 0.73%

LAB 67.05, 33.38, -35.27

 

CMYK 6 / 37 / 0 / 11

HEX #D690E3

RGB 214 144 227

HSL 290.6, 0.6%, 0.73%

LAB 69.32, 40.05, -31.57

 

CMYK 37 / 28 / 0 / 11

HEX #90A4E3

RGB 144 164 227

HSL 225.54, 0.6%, 0.73%

LAB 68.04, 8.16, -34.04

 

CMYK 37 / 37 / 0 / 11

HEX #9090E3

RGB 144 144 227

HSL 240, 0.6%, 0.73%

LAB 62.86, 19.62, -42.12

 

CMYK 37 / 28 / 0 / 11

HEX #90A4E3

RGB 144 164 227

HSL 225.54, 0.6%, 0.73%

LAB 68.04, 8.16, -34.04

 

CMYK 44 / 34 / 0 / 7

HEX #859EEE

RGB 133 158 238

HSL 225.71, 0.76%, 0.73%

LAB 66.22, 11.76, -42.96

 

CMYK 51 / 39 / 0 / 2

HEX #7A98F9

RGB 122 152 249

HSL 225.83, 0.91%, 0.73%

LAB 64.51, 15.91, -51.73

 

CMYK 37 / 28 / 0 / 11

HEX #90A4E3

RGB 144 164 227

HSL 225.54, 0.6%, 0.73%

LAB 68.04, 8.16, -34.04

 

CMYK 28 / 21 / 0 / 15

HEX #9BAAD8

RGB 155 170 216

HSL 225.25, 0.44%, 0.73%

LAB 69.95, 5.12, -25

 

CMYK 19 / 14 / 0 / 20

HEX #A7B0CD

RGB 167 176 205

HSL 225.79, 0.28%, 0.73%

LAB 72.01, 2.93, -15.75

 

CMYK 8 / 6 / 0 / 24

HEX #B2B6C2

RGB 178 182 194

HSL 225, 0.12%, 0.73%

LAB 74.07, 0.95, -6.56

 

CMYK 0 / 1 / 4 / 26

HEX #BDBBB6

RGB 189 187 182

HSL 42.86, 0.05%, 0.73%

LAB 75.91, -0.2, 2.77

 

CMYK 37 / 8 / 0 / 11

HEX #90D1E3

RGB 144 209 227

HSL 193.01, 0.6%, 0.73%

LAB 80.22, -16.12, -15.43

 

CMYK 37 / 18 / 0 / 11

HEX #90BBE3

RGB 144 187 227

HSL 208.92, 0.6%, 0.73%

LAB 74.2, -4.55, -24.56

 

CMYK 37 / 27 / 0 / 11

HEX #90A5E3

RGB 144 165 227

HSL 224.82, 0.6%, 0.73%

LAB 68.3, 7.6, -33.63

 

CMYK 36 / 37 / 0 / 11

HEX #9290E3

RGB 146 144 227

HSL 241.45, 0.6%, 0.73%

LAB 63.01, 20.15, -41.87

 

CMYK 26 / 37 / 0 / 11

HEX #A890E3

RGB 168 144 227

HSL 257.35, 0.6%, 0.73%

LAB 64.82, 26.3, -38.92

 

CMYK 63 / 48 / 0 / 18

HEX #4E6ED2

RGB 78 110 210

HSL 225.45, 0.59%, 0.56%

LAB 48.79, 19.85, -55.18

 

CMYK 49 / 37 / 0 / 14

HEX #6F89DB

RGB 111 137 219

HSL 225.56, 0.6%, 0.65%

LAB 58.4, 13.13, -44.84

 

CMYK 37 / 28 / 0 / 11

HEX #90A4E3

RGB 144 164 227

HSL 225.54, 0.6%, 0.73%

LAB 68.04, 8.16, -34.04

 

CMYK 25 / 19 / 0 / 8

HEX #B1BFEB

RGB 177 191 235

HSL 225.52, 0.59%, 0.81%

LAB 77.64, 4.67, -23.44

 

CMYK 14 / 10 / 0 / 5

HEX #D2DAF3

RGB 210 218 243

HSL 225.45, 0.58%, 0.89%

LAB 87.15, 2.19, -13.12

 

CMYK 37 / 28 / 0 / 11

HEX #8FA3E3

RGB 143 163 227

HSL 225.71, 0.6%, 0.73%

LAB 67.71, 8.46, -34.56

 

CMYK 2 / 37 / 0 / 11

HEX #DF90E3

RGB 223 144 227

HSL 297.11, 0.6%, 0.73%

LAB 70.3, 42.81, -29.97

 

CMYK 13 / 0 / 37 / 11

HEX #C6E390

RGB 198 227 144

HSL 80.96, 0.6%, 0.73%

LAB 86.48, -23.09, 37.44

 

CMYK 37 / 28 / 0 / 11

HEX #8FA3E3

RGB 143 163 227

HSL 225.71, 0.6%, 0.73%

LAB 67.71, 8.46, -34.56

 

CMYK 0 / 37 / 27 / 11

HEX #E390A5

RGB 227 144 165

HSL 344.82, 0.6%, 0.73%

LAB 68.75, 34.11, 2.2

 

CMYK 27 / 0 / 37 / 11

HEX #A5E390

RGB 165 227 144

HSL 104.82, 0.6%, 0.73%

LAB 84.46, -34.78, 34.41

 

CMYK 37 / 28 / 0 / 11

HEX #8FA3E3

RGB 143 163 227

HSL 225.71, 0.6%, 0.73%

LAB 67.71, 8.46, -34.56

 

CMYK 2 / 37 / 0 / 11

HEX #DF90E3

RGB 223 144 227

HSL 297.11, 0.6%, 0.73%

LAB 70.3, 42.81, -29.97

 

CMYK 0 / 9 / 37 / 11

HEX #E3CE90

RGB 227 206 144

HSL 44.82, 0.6%, 0.73%

LAB 83.17, -1.46, 33.53

 

CMYK 35 / 0 / 37 / 11

HEX #94E390

RGB 148 227 144

HSL 117.11, 0.6%, 0.73%

LAB 83.57, -40.32, 33.08

 

CMYK 37 / 28 / 0 / 11

HEX #8FA3E3

RGB 143 163 227

HSL 225.71, 0.6%, 0.73%

LAB 67.71, 8.46, -34.56

 

CMYK 0 / 37 / 9 / 11

HEX #E390CE

RGB 227 144 206

HSL 315.18, 0.6%, 0.73%

LAB 69.99, 40.36, -18.82

 

CMYK 0 / 9 / 37 / 11

HEX #E3CE90

RGB 227 206 144

HSL 44.82, 0.6%, 0.73%

LAB 83.17, -1.46, 33.53

 

CMYK 37 / 0 / 27 / 11

HEX #90E3A5

RGB 144 227 165

HSL 135.18, 0.6%, 0.73%

LAB 83.75, -38.07, 22.5

 

Description

Color code: HEX #8FA3E3 | qconv.com Color code: HEX #8FA3E3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 163 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 163 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 28 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 28% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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