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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F9E31 it is the complementary color #7061CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F9E31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F9E31 shade: #949E2C, #A5B03F, #B6C252, #C7D465 and #D8E678

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F9E31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F9E31 shade: #8F9E31, #7E8C1E, #6D7A0B, #5C6800 and #4B5600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F9E31 shade: #91A031, #A09131, #A07331, #A05631 and #A03831

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F9E31 shade: #91A031, #73A031, #55A031, #37A031 and #31A049

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F9E31 shade matches the following richer shades: #91A031, #9DB120 and #A9C20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F9E31 shade: #91A031, #848F42, #787E53, #6C6D64 and #605C75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F9E31 shade: #A07431, #A09131, #91A031, #74A031 and #56A031

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F9E31 shade: #58611E, #748027, #91A031, #ADC03B and #BCCC58

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F9E31 shade: #8F9E31, #31A056 and #8231A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F9E31 shade: #8F9E31, #3191A0 and #A03191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F9E31 shade: #8F9E31, #31A056, #4031A0 and #A0317B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F9E31 shade: #8F9E31, #31A077, #4031A0 and #A0315A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 69 / 38

HEX #8F9E31

RGB 143 158 49

HSL 68.26, 0.53%, 0.41%

LAB 62.1, -20.11, 52.57

 

Complementary color

CMYK 46 / 53 / 0 / 19

HEX #7061CE

RGB 112 97 206

HSL 248.26, 0.53%, 0.59%

LAB 47.56, 33.48, -54.75

 

CMYK 6 / 0 / 72 / 38

HEX #949E2C

RGB 148 158 44

HSL 65.26, 0.56%, 0.4%

LAB 62.45, -18.24, 54.98

 

CMYK 6 / 0 / 64 / 31

HEX #A5B03F

RGB 165 176 63

HSL 65.84, 0.47%, 0.47%

LAB 69.05, -18.96, 54.55

 

CMYK 6 / 0 / 58 / 24

HEX #B6C252

RGB 182 194 82

HSL 66.43, 0.48%, 0.54%

LAB 75.54, -19.53, 53.72

 

CMYK 6 / 0 / 52 / 17

HEX #C7D465

RGB 199 212 101

HSL 67.03, 0.56%, 0.61%

LAB 81.93, -19.98, 52.71

 

CMYK 6 / 0 / 48 / 10

HEX #D8E678

RGB 216 230 120

HSL 67.64, 0.69%, 0.69%

LAB 88.23, -20.34, 51.61

 

CMYK 9 / 0 / 69 / 38

HEX #8F9E31

RGB 143 158 49

HSL 68.26, 0.53%, 0.41%

LAB 62.1, -20.11, 52.57

 

CMYK 10 / 0 / 79 / 45

HEX #7E8C1E

RGB 126 140 30

HSL 67.64, 0.65%, 0.33%

LAB 55.37, -19.33, 52.57

 

CMYK 11 / 0 / 91 / 52

HEX #6D7A0B

RGB 109 122 11

HSL 67.03, 0.83%, 0.26%

LAB 48.5, -18.28, 51.26

 

CMYK 12 / 0 / 100 / 59

HEX #5C6800

RGB 92 104 0

HSL 66.92, 1%, 0.2%

LAB 41.49, -16.89, 47.65

 

CMYK 13 / 0 / 100 / 66

HEX #4B5600

RGB 75 86 0

HSL 67.67, 1%, 0.17%

LAB 34.3, -15.2, 41.66

 

CMYK 9 / 0 / 69 / 37

HEX #91A031

RGB 145 160 49

HSL 68.11, 0.53%, 0.41%

LAB 62.83, -20.27, 53.36

 

CMYK 0 / 9 / 69 / 37

HEX #A09131

RGB 160 145 49

HSL 51.89, 0.53%, 0.41%

LAB 59.84, -5.78, 50.74

 

CMYK 0 / 28 / 69 / 37

HEX #A07331

RGB 160 115 49

HSL 35.68, 0.53%, 0.41%

LAB 51.79, 10.95, 42.32

 

CMYK 0 / 46 / 69 / 37

HEX #A05631

RGB 160 86 49

HSL 20, 0.53%, 0.41%

LAB 44.73, 27.36, 34.52

 

CMYK 0 / 65 / 69 / 37

HEX #A03831

RGB 160 56 49

HSL 3.78, 0.53%, 0.41%

LAB 38.77, 42.67, 27.56

 

CMYK 9 / 0 / 69 / 37

HEX #91A031

RGB 145 160 49

HSL 68.11, 0.53%, 0.41%

LAB 62.83, -20.27, 53.36

 

CMYK 28 / 0 / 69 / 37

HEX #73A031

RGB 115 160 49

HSL 84.32, 0.53%, 0.41%

LAB 60.79, -32.63, 50.63

 

CMYK 47 / 0 / 69 / 37

HEX #55A031

RGB 85 160 49

HSL 100.54, 0.53%, 0.41%

LAB 59.25, -43.34, 48.54

 

CMYK 66 / 0 / 69 / 37

HEX #37A031

RGB 55 160 49

HSL 116.76, 0.53%, 0.41%

LAB 58.2, -51.45, 47.12

 

CMYK 69 / 0 / 54 / 37

HEX #31A049

RGB 49 160 73

HSL 132.97, 0.53%, 0.41%

LAB 58.3, -49.81, 36.15

 

CMYK 9 / 0 / 69 / 37

HEX #91A031

RGB 145 160 49

HSL 68.11, 0.53%, 0.41%

LAB 62.83, -20.27, 53.36

 

CMYK 11 / 0 / 82 / 31

HEX #9DB120

RGB 157 177 32

HSL 68.28, 0.69%, 0.41%

LAB 68.55, -24.41, 64.65

 

CMYK 13 / 0 / 92 / 24

HEX #A9C20F

RGB 169 194 15

HSL 68.38, 0.86%, 0.41%

LAB 74.22, -28, 73.03

 

CMYK 9 / 0 / 69 / 37

HEX #91A031

RGB 145 160 49

HSL 68.11, 0.53%, 0.41%

LAB 62.83, -20.27, 53.36

 

CMYK 8 / 0 / 54 / 44

HEX #848F42

RGB 132 143 66

HSL 68.57, 0.37%, 0.41%

LAB 57.02, -15.76, 39.11

 

CMYK 5 / 0 / 34 / 51

HEX #787E53

RGB 120 126 83

HSL 68.37, 0.21%, 0.41%

LAB 51.31, -9.71, 22.71

 

CMYK 1 / 0 / 8 / 57

HEX #6C6D64

RGB 108 109 100

HSL 66.67, 0.04%, 0.41%

LAB 45.7, -2.17, 4.89

 

CMYK 18 / 21 / 0 / 54

HEX #605C75

RGB 96 92 117

HSL 249.6, 0.12%, 0.41%

LAB 40.29, 7.25, -13.54

 

CMYK 0 / 28 / 69 / 37

HEX #A07431

RGB 160 116 49

HSL 36.22, 0.53%, 0.41%

LAB 52.05, 10.38, 42.59

 

CMYK 0 / 9 / 69 / 37

HEX #A09131

RGB 160 145 49

HSL 51.89, 0.53%, 0.41%

LAB 59.84, -5.78, 50.74

 

CMYK 9 / 0 / 69 / 37

HEX #91A031

RGB 145 160 49

HSL 68.11, 0.53%, 0.41%

LAB 62.83, -20.27, 53.36

 

CMYK 28 / 0 / 69 / 37

HEX #74A031

RGB 116 160 49

HSL 83.78, 0.53%, 0.41%

LAB 60.85, -32.24, 50.71

 

CMYK 46 / 0 / 69 / 37

HEX #56A031

RGB 86 160 49

HSL 100, 0.53%, 0.41%

LAB 59.29, -43.02, 48.6

 

CMYK 9 / 0 / 69 / 62

HEX #58611E

RGB 88 97 30

HSL 68.06, 0.53%, 0.25%

LAB 39.1, -13.62, 35.64

 

CMYK 9 / 0 / 70 / 50

HEX #748027

RGB 116 128 39

HSL 68.09, 0.53%, 0.33%

LAB 51.03, -17.02, 44.74

 

CMYK 9 / 0 / 69 / 37

HEX #91A031

RGB 145 160 49

HSL 68.11, 0.53%, 0.41%

LAB 62.83, -20.27, 53.36

 

CMYK 10 / 0 / 69 / 25

HEX #ADC03B

RGB 173 192 59

HSL 68.57, 0.53%, 0.49%

LAB 74.13, -23.81, 61.55

 

CMYK 8 / 0 / 57 / 20

HEX #BCCC58

RGB 188 204 88

HSL 68.28, 0.53%, 0.57%

LAB 78.8, -21.56, 54.82

 

CMYK 9 / 0 / 69 / 38

HEX #8F9E31

RGB 143 158 49

HSL 68.26, 0.53%, 0.41%

LAB 62.1, -20.11, 52.57

 

CMYK 69 / 0 / 46 / 37

HEX #31A056

RGB 49 160 86

HSL 140, 0.53%, 0.41%

LAB 58.48, -47.75, 29.69

 

CMYK 19 / 69 / 0 / 37

HEX #8231A0

RGB 130 49 160

HSL 283.78, 0.53%, 0.41%

LAB 36.89, 51.77, -44.77

 

CMYK 9 / 0 / 69 / 38

HEX #8F9E31

RGB 143 158 49

HSL 68.26, 0.53%, 0.41%

LAB 62.1, -20.11, 52.57

 

CMYK 69 / 9 / 0 / 37

HEX #3191A0

RGB 49 145 160

HSL 188.11, 0.53%, 0.41%

LAB 55.52, -22.57, -16.06

 

CMYK 0 / 69 / 9 / 37

HEX #A03191

RGB 160 49 145

HSL 308.11, 0.53%, 0.41%

LAB 40.76, 56.21, -29.26

 

CMYK 9 / 0 / 69 / 38

HEX #8F9E31

RGB 143 158 49

HSL 68.26, 0.53%, 0.41%

LAB 62.1, -20.11, 52.57

 

CMYK 69 / 0 / 46 / 37

HEX #31A056

RGB 49 160 86

HSL 140, 0.53%, 0.41%

LAB 58.48, -47.75, 29.69

 

CMYK 60 / 69 / 0 / 37

HEX #4031A0

RGB 64 49 160

HSL 248.11, 0.53%, 0.41%

LAB 28.97, 38.69, -58

 

CMYK 0 / 69 / 23 / 37

HEX #A0317B

RGB 160 49 123

HSL 320, 0.53%, 0.41%

LAB 39.75, 52.93, -17.33

 

CMYK 9 / 0 / 69 / 38

HEX #8F9E31

RGB 143 158 49

HSL 68.26, 0.53%, 0.41%

LAB 62.1, -20.11, 52.57

 

CMYK 69 / 0 / 26 / 37

HEX #31A077

RGB 49 160 119

HSL 157.84, 0.53%, 0.41%

LAB 59.09, -41.04, 12.49

 

CMYK 60 / 69 / 0 / 37

HEX #4031A0

RGB 64 49 160

HSL 248.11, 0.53%, 0.41%

LAB 28.97, 38.69, -58

 

CMYK 0 / 69 / 44 / 37

HEX #A0315A

RGB 160 49 90

HSL 337.84, 0.53%, 0.41%

LAB 38.57, 48.93, 1.61

 

Description

Color code: HEX #8F9E31 | qconv.com Color code: HEX #8F9E31 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 158 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 158 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 69 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 69% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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