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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F9ABB it is the complementary color #706544. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F9ABB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F9ABB shade: #949AB6, #A5ACC9, #B6BEDC, #C7D0EF and #D8E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F9ABB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F9ABB shade: #8F9ABB, #7E88A8, #6D7695, #5C6482 and #4B526F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F9ABB shade: #909BBB, #9190BB, #9C90BB, #A890BB and #B390BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F9ABB shade: #909BBB and #9090BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F9ABB shade matches the following richer shades: #909BBB, #8193C9, #738CD8, #6585E6 and #567EF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F9ABB shade: #909BBB, #9EA2AC, #ADA99E, #BBB08F and #CAB781

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F9ABB shade: #90B1BB, #90A6BB, #909BBB, #9190BB and #9C90BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F9ABB shade: #5E6D9A, #7683AB, #909BBB, #A9B2CA and #C3C9DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F9ABB shade: #8F9ABB, #B990BB and #ACBB90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F9ABB shade: #8F9ABB, #BB909B and #9BBB90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F9ABB shade: #8F9ABB, #B990BB, #BBB090 and #92BB90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F9ABB shade: #8F9ABB, #BB90B0, #BBB090 and #90BB9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 18 / 0 / 27

HEX #8F9ABB

RGB 143 154 187

HSL 225, 0.24%, 0.65%

LAB 63.79, 3.4, -18.38

 

Complementary color

CMYK 0 / 10 / 39 / 56

HEX #706544

RGB 112 101 68

HSL 45, 0.24%, 0.35%

LAB 43.02, -0.94, 20.29

 

CMYK 19 / 15 / 0 / 29

HEX #949AB6

RGB 148 154 182

HSL 229.41, 0.19%, 0.65%

LAB 63.99, 3.83, -15.24

 

CMYK 18 / 14 / 0 / 21

HEX #A5ACC9

RGB 165 172 201

HSL 228.33, 0.25%, 0.72%

LAB 70.68, 3.6, -15.57

 

CMYK 17 / 14 / 0 / 14

HEX #B6BEDC

RGB 182 190 220

HSL 227.37, 0.35%, 0.79%

LAB 77.24, 3.38, -15.92

 

CMYK 17 / 13 / 0 / 6

HEX #C7D0EF

RGB 199 208 239

HSL 226.5, 0.56%, 0.86%

LAB 83.7, 3.18, -16.27

 

CMYK 15 / 11 / 0 / 0

HEX #D8E2FF

RGB 216 226 255

HSL 224.62, 1%, 0.92%

LAB 89.96, 2.36, -15.18

 

CMYK 24 / 18 / 0 / 27

HEX #8F9ABB

RGB 143 154 187

HSL 225, 0.24%, 0.65%

LAB 63.79, 3.4, -18.38

 

CMYK 25 / 19 / 0 / 34

HEX #7E88A8

RGB 126 136 168

HSL 225.71, 0.19%, 0.58%

LAB 56.95, 3.67, -18.13

 

CMYK 27 / 21 / 0 / 42

HEX #6D7695

RGB 109 118 149

HSL 226.5, 0.16%, 0.51%

LAB 49.95, 3.97, -17.89

 

CMYK 29 / 23 / 0 / 49

HEX #5C6482

RGB 92 100 130

HSL 227.37, 0.17%, 0.44%

LAB 42.77, 4.32, -17.69

 

CMYK 32 / 26 / 0 / 56

HEX #4B526F

RGB 75 82 111

HSL 228.33, 0.19%, 0.36%

LAB 35.36, 4.73, -17.54

 

CMYK 23 / 17 / 0 / 27

HEX #909BBB

RGB 144 155 187

HSL 224.65, 0.24%, 0.65%

LAB 64.13, 3.15, -17.86

 

CMYK 22 / 23 / 0 / 27

HEX #9190BB

RGB 145 144 187

HSL 241.4, 0.24%, 0.65%

LAB 61.27, 9.71, -22.21

 

CMYK 17 / 23 / 0 / 27

HEX #9C90BB

RGB 156 144 187

HSL 256.74, 0.24%, 0.65%

LAB 62.17, 13.24, -20.75

 

CMYK 10 / 23 / 0 / 27

HEX #A890BB

RGB 168 144 187

HSL 273.49, 0.24%, 0.65%

LAB 63.23, 17.2, -19.04

 

CMYK 4 / 23 / 0 / 27

HEX #B390BB

RGB 179 144 187

HSL 288.84, 0.24%, 0.65%

LAB 64.26, 20.9, -17.38

 

CMYK 23 / 17 / 0 / 27

HEX #909BBB

RGB 144 155 187

HSL 224.65, 0.24%, 0.65%

LAB 64.13, 3.15, -17.86

 

CMYK 23 / 23 / 0 / 27

HEX #9090BB

RGB 144 144 187

HSL 240, 0.24%, 0.65%

LAB 61.19, 9.4, -22.34

 

CMYK 23 / 17 / 0 / 27

HEX #909BBB

RGB 144 155 187

HSL 224.65, 0.24%, 0.65%

LAB 64.13, 3.15, -17.86

 

CMYK 36 / 27 / 0 / 21

HEX #8193C9

RGB 129 147 201

HSL 225, 0.4%, 0.65%

LAB 61.44, 6.75, -29.92

 

CMYK 47 / 35 / 0 / 15

HEX #738CD8

RGB 115 140 216

HSL 225.15, 0.56%, 0.65%

LAB 59.31, 11.41, -41.72

 

CMYK 56 / 42 / 0 / 10

HEX #6585E6

RGB 101 133 230

HSL 225.12, 0.72%, 0.65%

LAB 57.32, 16.79, -52.73

 

CMYK 65 / 48 / 0 / 4

HEX #567EF4

RGB 86 126 244

HSL 224.81, 0.88%, 0.65%

LAB 55.51, 22.96, -63.46

 

CMYK 23 / 17 / 0 / 27

HEX #909BBB

RGB 144 155 187

HSL 224.65, 0.24%, 0.65%

LAB 64.13, 3.15, -17.86

 

CMYK 8 / 6 / 0 / 33

HEX #9EA2AC

RGB 158 162 172

HSL 222.86, 0.08%, 0.65%

LAB 66.59, 0.57, -5.67

 

CMYK 0 / 2 / 9 / 32

HEX #ADA99E

RGB 173 169 158

HSL 44, 0.08%, 0.65%

LAB 69.28, -0.55, 6.17

 

CMYK 0 / 6 / 24 / 27

HEX #BBB08F

RGB 187 176 143

HSL 45, 0.24%, 0.65%

LAB 71.96, -1.42, 18.35

 

CMYK 0 / 9 / 36 / 21

HEX #CAB781

RGB 202 183 129

HSL 44.38, 0.41%, 0.65%

LAB 74.83, -1.08, 29.95

 

CMYK 23 / 5 / 0 / 27

HEX #90B1BB

RGB 144 177 187

HSL 193.95, 0.24%, 0.65%

LAB 70.15, -8.92, -8.81

 

CMYK 23 / 11 / 0 / 27

HEX #90A6BB

RGB 144 166 187

HSL 209.3, 0.24%, 0.65%

LAB 67.12, -2.96, -13.34

 

CMYK 23 / 17 / 0 / 27

HEX #909BBB

RGB 144 155 187

HSL 224.65, 0.24%, 0.65%

LAB 64.13, 3.15, -17.86

 

CMYK 22 / 23 / 0 / 27

HEX #9190BB

RGB 145 144 187

HSL 241.4, 0.24%, 0.65%

LAB 61.27, 9.71, -22.21

 

CMYK 17 / 23 / 0 / 27

HEX #9C90BB

RGB 156 144 187

HSL 256.74, 0.24%, 0.65%

LAB 62.17, 13.24, -20.75

 

CMYK 39 / 29 / 0 / 40

HEX #5E6D9A

RGB 94 109 154

HSL 225, 0.24%, 0.49%

LAB 46.51, 6.15, -26.23

 

CMYK 31 / 23 / 0 / 33

HEX #7683AB

RGB 118 131 171

HSL 225.28, 0.24%, 0.57%

LAB 55.1, 4.84, -22.73

 

CMYK 23 / 17 / 0 / 27

HEX #909BBB

RGB 144 155 187

HSL 224.65, 0.24%, 0.65%

LAB 64.13, 3.15, -17.86

 

CMYK 16 / 12 / 0 / 21

HEX #A9B2CA

RGB 169 178 202

HSL 223.64, 0.24%, 0.73%

LAB 72.59, 1.82, -13.22

 

CMYK 11 / 8 / 0 / 15

HEX #C3C9DA

RGB 195 201 218

HSL 224.35, 0.24%, 0.81%

LAB 80.98, 1.26, -9.15

 

CMYK 24 / 18 / 0 / 27

HEX #8F9ABB

RGB 143 154 187

HSL 225, 0.24%, 0.65%

LAB 63.79, 3.4, -18.38

 

CMYK 1 / 23 / 0 / 27

HEX #B990BB

RGB 185 144 187

HSL 297.21, 0.24%, 0.65%

LAB 64.84, 22.93, -16.44

 

CMYK 8 / 0 / 23 / 27

HEX #ACBB90

RGB 172 187 144

HSL 80.93, 0.24%, 0.65%

LAB 73.76, -12.75, 20.1

 

CMYK 24 / 18 / 0 / 27

HEX #8F9ABB

RGB 143 154 187

HSL 225, 0.24%, 0.65%

LAB 63.79, 3.4, -18.38

 

CMYK 0 / 23 / 17 / 27

HEX #BB909B

RGB 187 144 155

HSL 344.65, 0.24%, 0.65%

LAB 64.06, 17.95, 0.46

 

CMYK 17 / 0 / 23 / 27

HEX #9BBB90

RGB 155 187 144

HSL 104.65, 0.24%, 0.65%

LAB 72.58, -18.96, 18.29

 

CMYK 24 / 18 / 0 / 27

HEX #8F9ABB

RGB 143 154 187

HSL 225, 0.24%, 0.65%

LAB 63.79, 3.4, -18.38

 

CMYK 1 / 23 / 0 / 27

HEX #B990BB

RGB 185 144 187

HSL 297.21, 0.24%, 0.65%

LAB 64.84, 22.93, -16.44

 

CMYK 0 / 6 / 23 / 27

HEX #BBB090

RGB 187 176 144

HSL 44.65, 0.24%, 0.65%

LAB 71.98, -1.27, 17.83

 

CMYK 22 / 0 / 23 / 27

HEX #92BB90

RGB 146 187 144

HSL 117.21, 0.24%, 0.65%

LAB 72, -22.12, 17.41

 

CMYK 24 / 18 / 0 / 27

HEX #8F9ABB

RGB 143 154 187

HSL 225, 0.24%, 0.65%

LAB 63.79, 3.4, -18.38

 

CMYK 0 / 23 / 6 / 27

HEX #BB90B0

RGB 187 144 176

HSL 315.35, 0.24%, 0.65%

LAB 64.68, 21.56, -10.48

 

CMYK 0 / 6 / 23 / 27

HEX #BBB090

RGB 187 176 144

HSL 44.65, 0.24%, 0.65%

LAB 71.98, -1.27, 17.83

 

CMYK 23 / 0 / 17 / 27

HEX #90BB9B

RGB 144 187 155

HSL 135.35, 0.24%, 0.65%

LAB 72.12, -20.8, 11.59

 

Description

Color code: HEX #8F9ABB | qconv.com Color code: HEX #8F9ABB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 154 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 154 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 18 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 18% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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