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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F90EB it is the complementary color #706F14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F90EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F90EB shade: #9490E6, #A5A2F9, #B6B4FF, #C7C6FF and #D8D8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F90EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F90EB shade: #8F90EB, #7E7ED8, #6D6CC5, #5C5AB2 and #4B489F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F90EB shade: #8E8FEB, #A68EEB, #BF8EEB, #D88EEB and #EB8EE5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F90EB shade: #8E8FEB and #8E8EEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F90EB shade matches the following richer shades: #8E8FEB and #8485F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F90EB shade: #8E8FEB, #999AE0, #A4A4D6, #AEAFCB and #B9B9C0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F90EB shade: #8EC1EB, #8EA9EB, #8E90EB, #A58EEB and #BE8EEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F90EB shade: #484ADF, #6B6DE5, #8E8FEB, #B1B2F1 and #D4D5F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F90EB shade: #8F90EB, #EB8EDA and #B5EB8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F90EB shade: #8F90EB, #EB8E90 and #90EB8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F90EB shade: #8F90EB, #EB8EDA, #EBEA8E and #8EEB9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F90EB shade: #8F90EB, #EB8EBE, #EBEA8E and #8EEBBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 39 / 0 / 8

HEX #8F90EB

RGB 143 144 235

HSL 239.35, 0.7%, 0.74%

LAB 63.16, 21.53, -46.08

 

Complementary color

CMYK 0 / 1 / 82 / 56

HEX #706F14

RGB 112 111 20

HSL 59.35, 0.7%, 0.26%

LAB 45.45, -10.64, 46.41

 

CMYK 36 / 37 / 0 / 10

HEX #9490E6

RGB 148 144 230

HSL 242.79, 0.63%, 0.73%

LAB 63.31, 21.49, -43.06

 

CMYK 34 / 35 / 0 / 2

HEX #A5A2F9

RGB 165 162 249

HSL 242.07, 0.88%, 0.81%

LAB 69.95, 20.76, -42.97

 

CMYK 29 / 29 / 0 / 0

HEX #B6B4FF

RGB 182 180 255

HSL 241.6, 1%, 0.85%

LAB 75.95, 16.91, -36.77

 

CMYK 22 / 22 / 0 / 0

HEX #C7C6FF

RGB 199 198 255

HSL 241.05, 1%, 0.89%

LAB 81.7, 12.03, -27.8

 

CMYK 15 / 15 / 0 / 0

HEX #D8D8FF

RGB 216 216 255

HSL 240, 1%, 0.92%

LAB 87.45, 7.6, -18.95

 

CMYK 39 / 39 / 0 / 8

HEX #8F90EB

RGB 143 144 235

HSL 239.35, 0.7%, 0.74%

LAB 63.16, 21.53, -46.08

 

CMYK 42 / 42 / 0 / 15

HEX #7E7ED8

RGB 126 126 216

HSL 240, 0.54%, 0.67%

LAB 56.4, 22.43, -46.26

 

CMYK 45 / 45 / 0 / 23

HEX #6D6CC5

RGB 109 108 197

HSL 240.67, 0.43%, 0.6%

LAB 49.51, 23.46, -46.49

 

CMYK 48 / 49 / 0 / 30

HEX #5C5AB2

RGB 92 90 178

HSL 241.36, 0.36%, 0.53%

LAB 42.46, 24.69, -46.77

 

CMYK 53 / 55 / 0 / 38

HEX #4B489F

RGB 75 72 159

HSL 242.07, 0.38%, 0.45%

LAB 35.27, 26.15, -47.11

 

CMYK 40 / 39 / 0 / 8

HEX #8E8FEB

RGB 142 143 235

HSL 239.35, 0.7%, 0.74%

LAB 62.84, 21.85, -46.59

 

CMYK 29 / 40 / 0 / 8

HEX #A68EEB

RGB 166 142 235

HSL 255.48, 0.7%, 0.74%

LAB 64.52, 28.83, -43.81

 

CMYK 19 / 40 / 0 / 8

HEX #BF8EEB

RGB 191 142 235

HSL 271.61, 0.7%, 0.74%

LAB 66.84, 35.93, -40.01

 

CMYK 8 / 40 / 0 / 8

HEX #D88EEB

RGB 216 142 235

HSL 287.74, 0.7%, 0.74%

LAB 69.43, 43.28, -35.78

 

CMYK 0 / 40 / 3 / 8

HEX #EB8EE5

RGB 235 142 229

HSL 303.87, 0.7%, 0.74%

LAB 71.33, 47.87, -29.38

 

CMYK 40 / 39 / 0 / 8

HEX #8E8FEB

RGB 142 143 235

HSL 239.35, 0.7%, 0.74%

LAB 62.84, 21.85, -46.59

 

CMYK 40 / 40 / 0 / 8

HEX #8E8EEB

RGB 142 142 235

HSL 240, 0.7%, 0.74%

LAB 62.59, 22.43, -46.99

 

CMYK 40 / 39 / 0 / 8

HEX #8E8FEB

RGB 142 143 235

HSL 239.35, 0.7%, 0.74%

LAB 62.84, 21.85, -46.59

 

CMYK 46 / 46 / 0 / 4

HEX #8485F6

RGB 132 133 246

HSL 239.47, 0.86%, 0.74%

LAB 60.19, 28.39, -56.92

 

CMYK 40 / 39 / 0 / 8

HEX #8E8FEB

RGB 142 143 235

HSL 239.35, 0.7%, 0.74%

LAB 62.84, 21.85, -46.59

 

CMYK 32 / 31 / 0 / 12

HEX #999AE0

RGB 153 154 224

HSL 239.15, 0.53%, 0.74%

LAB 65.95, 15.56, -35.58

 

CMYK 23 / 23 / 0 / 16

HEX #A4A4D6

RGB 164 164 214

HSL 240, 0.38%, 0.74%

LAB 68.97, 10.7, -25.34

 

CMYK 14 / 14 / 0 / 20

HEX #AEAFCB

RGB 174 175 203

HSL 237.93, 0.22%, 0.74%

LAB 72.21, 5.3, -14.3

 

CMYK 4 / 4 / 0 / 25

HEX #B9B9C0

RGB 185 185 192

HSL 240, 0.05%, 0.74%

LAB 75.34, 1.33, -3.54

 

CMYK 40 / 18 / 0 / 8

HEX #8EC1EB

RGB 142 193 235

HSL 207.1, 0.7%, 0.74%

LAB 76, -6.22, -26.14

 

CMYK 40 / 28 / 0 / 8

HEX #8EA9EB

RGB 142 169 235

HSL 222.58, 0.7%, 0.74%

LAB 69.56, 6.96, -36.07

 

CMYK 40 / 39 / 0 / 8

HEX #8E90EB

RGB 142 144 235

HSL 238.71, 0.7%, 0.74%

LAB 63.09, 21.27, -46.2

 

CMYK 30 / 40 / 0 / 8

HEX #A58EEB

RGB 165 142 235

HSL 254.84, 0.7%, 0.74%

LAB 64.44, 28.56, -43.95

 

CMYK 19 / 40 / 0 / 8

HEX #BE8EEB

RGB 190 142 235

HSL 270.97, 0.7%, 0.74%

LAB 66.74, 35.64, -40.17

 

CMYK 68 / 67 / 0 / 13

HEX #484ADF

RGB 72 74 223

HSL 239.21, 0.7%, 0.58%

LAB 40.58, 45.58, -75.95

 

CMYK 53 / 52 / 0 / 10

HEX #6B6DE5

RGB 107 109 229

HSL 239.02, 0.7%, 0.66%

LAB 51.52, 32.18, -61.45

 

CMYK 40 / 39 / 0 / 8

HEX #8E8FEB

RGB 142 143 235

HSL 239.35, 0.7%, 0.74%

LAB 62.84, 21.85, -46.59

 

CMYK 27 / 26 / 0 / 5

HEX #B1B2F1

RGB 177 178 241

HSL 239.06, 0.7%, 0.82%

LAB 74.53, 13.21, -31.44

 

CMYK 14 / 14 / 0 / 3

HEX #D4D5F7

RGB 212 213 247

HSL 238.29, 0.69%, 0.9%

LAB 86.16, 6.28, -16.71

 

CMYK 39 / 39 / 0 / 8

HEX #8F90EB

RGB 143 144 235

HSL 239.35, 0.7%, 0.74%

LAB 63.16, 21.53, -46.08

 

CMYK 0 / 40 / 7 / 8

HEX #EB8EDA

RGB 235 142 218

HSL 310.97, 0.7%, 0.74%

LAB 70.92, 45.98, -23.95

 

CMYK 23 / 0 / 40 / 8

HEX #B5EB8E

RGB 181 235 142

HSL 94.84, 0.7%, 0.74%

LAB 87.58, -33.25, 39.64

 

CMYK 39 / 39 / 0 / 8

HEX #8F90EB

RGB 143 144 235

HSL 239.35, 0.7%, 0.74%

LAB 63.16, 21.53, -46.08

 

CMYK 0 / 40 / 39 / 8

HEX #EB8E90

RGB 235 142 144

HSL 358.71, 0.7%, 0.74%

LAB 68.77, 35.46, 14.1

 

CMYK 39 / 0 / 40 / 8

HEX #90EB8E

RGB 144 235 142

HSL 118.71, 0.7%, 0.74%

LAB 85.65, -45.34, 36.78

 

CMYK 39 / 39 / 0 / 8

HEX #8F90EB

RGB 143 144 235

HSL 239.35, 0.7%, 0.74%

LAB 63.16, 21.53, -46.08

 

CMYK 0 / 40 / 7 / 8

HEX #EB8EDA

RGB 235 142 218

HSL 310.97, 0.7%, 0.74%

LAB 70.92, 45.98, -23.95

 

CMYK 0 / 0 / 40 / 8

HEX #EBEA8E

RGB 235 234 142

HSL 59.35, 0.7%, 0.74%

LAB 90.99, -12.73, 44.75

 

CMYK 40 / 0 / 32 / 8

HEX #8EEB9F

RGB 142 235 159

HSL 130.97, 0.7%, 0.74%

LAB 85.84, -43.24, 28.42

 

CMYK 39 / 39 / 0 / 8

HEX #8F90EB

RGB 143 144 235

HSL 239.35, 0.7%, 0.74%

LAB 63.16, 21.53, -46.08

 

CMYK 0 / 40 / 19 / 8

HEX #EB8EBE

RGB 235 142 190

HSL 329.03, 0.7%, 0.74%

LAB 69.98, 41.52, -9.84

 

CMYK 0 / 0 / 40 / 8

HEX #EBEA8E

RGB 235 234 142

HSL 59.35, 0.7%, 0.74%

LAB 90.99, -12.73, 44.75

 

CMYK 40 / 0 / 20 / 8

HEX #8EEBBB

RGB 142 235 187

HSL 149.03, 0.7%, 0.74%

LAB 86.38, -38.13, 14.71

 

Description

Color code: HEX #8F90EB | qconv.com Color code: HEX #8F90EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 144 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 144 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 39 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 39% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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