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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F90D54C it is the complementary color #706F2A4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F90D54C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F90D54C shade: #9490D04C, #A5A2E34C, #B6B4F64C, #C7C6FF4C and #D8D8FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F90D54C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F90D54C shade: #8F90D54C, #7E7EC24C, #6D6CAF4C, #5C5A9C4C and #4B48894C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F90D54C shade: #9091D5, #A290D5, #B490D5, #C790D5 and #D590D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F90D54C shade: #9091D5 and #9090D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F90D54C shade matches the following richer shades: #9091D5, #8485E1, #7779EE and #6B6DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F90D54C shade: #9091D5, #9C9DC9, #A9A9BC, #B5B5B0 and #C2C1A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F90D54C shade: #90B6D5, #90A4D5, #9091D5, #A190D5 and #B490D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F90D54C shade: #5456BE, #7273CA, #9091D5, #AEAFE0 and #CCCCEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F90D54C shade: #8F90D5, #D590C8 and #ADD590

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F90D54C shade: #8F90D5, #D59091 and #91D590

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F90D54C shade: #8F90D5, #D590C8, #D5D490 and #90D59D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F90D54C shade: #8F90D5, #D590B4, #D5D490 and #90D5B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 10 / 0 / 5

HEX #8F90D54C

RGBA 143 144 213 0.3

HSLA 239.14, 0.45%, 0.7%, 0.3

LABA 62.16, 15.63, -35.44, 0.3

 

Complementary color

CMYK 0 / 0 / 19 / 17

HEX #706F2A4C

RGBA 112 111 42 0.3

HSLA 59.14, 0.45%, 0.3%, 0.3

LABA 45.61, -9.37, 37.55, 0.3

 

CMYK 9 / 9 / 0 / 6

HEX #9490D04C

RGBA 148 144 208 0.3

HSLA 243.75, 0.41%, 0.69%, 0.3

LABA 62.34, 15.78, -32.34, 0.3

 

CMYK 8 / 9 / 0 / 3

HEX #A5A2E34C

RGBA 165 162 227 0.3

HSLA 242.77, 0.54%, 0.76%, 0.3

LABA 69.03, 15.24, -32.39, 0.3

 

CMYK 8 / 8 / 0 / 1

HEX #B6B4F64C

RGBA 182 180 246 0.3

HSLA 241.82, 0.79%, 0.84%, 0.3

LABA 75.6, 14.75, -32.46, 0.3

 

CMYK 7 / 7 / 0 / 0

HEX #C7C6FF4C

RGBA 199 198 255 0.3

HSLA 241.05, 1%, 0.89%, 0.3

LABA 81.7, 12.03, -27.8, 0.3

 

CMYK 5 / 5 / 0 / 0

HEX #D8D8FF4C

RGBA 216 216 255 0.3

HSLA 240, 1%, 0.92%, 0.3

LABA 87.45, 7.6, -18.95, 0.3

 

CMYK 10 / 10 / 0 / 5

HEX #8F90D54C

RGBA 143 144 213 0.3

HSLA 239.14, 0.45%, 0.7%, 0.3

LABA 62.16, 15.63, -35.44, 0.3

 

CMYK 11 / 11 / 0 / 7

HEX #7E7EC24C

RGBA 126 126 194 0.3

HSLA 240, 0.36%, 0.63%, 0.3

LABA 55.33, 16.29, -35.49, 0.3

 

CMYK 11 / 11 / 0 / 9

HEX #6D6CAF4C

RGBA 109 108 175 0.3

HSLA 240.9, 0.3%, 0.55%, 0.3

LABA 48.35, 17.06, -35.59, 0.3

 

CMYK 12 / 13 / 0 / 12

HEX #5C5A9C4C

RGBA 92 90 156 0.3

HSLA 241.82, 0.27%, 0.48%, 0.3

LABA 41.2, 17.96, -35.76, 0.3

 

CMYK 14 / 14 / 0 / 14

HEX #4B48894C

RGBA 75 72 137 0.3

HSLA 242.77, 0.31%, 0.41%, 0.3

LABA 33.85, 19.06, -36, 0.3

 

CMYK 32 / 32 / 0 / 16

HEX #9091D5

RGB 144 145 213

HSL 239.13, 0.45%, 0.7%

LAB 62.49, 15.33, -34.91

 

CMYK 24 / 32 / 0 / 16

HEX #A290D5

RGB 162 144 213

HSL 255.65, 0.45%, 0.7%

LAB 63.7, 21.17, -32.93

 

CMYK 15 / 32 / 0 / 16

HEX #B490D5

RGB 180 144 213

HSL 271.3, 0.45%, 0.7%

LAB 65.32, 26.67, -30.28

 

CMYK 7 / 32 / 0 / 16

HEX #C790D5

RGB 199 144 213

HSL 287.83, 0.45%, 0.7%

LAB 67.2, 32.64, -27.24

 

CMYK 0 / 32 / 2 / 16

HEX #D590D0

RGB 213 144 208

HSL 304.35, 0.45%, 0.7%

LAB 68.49, 36.17, -22.34

 

CMYK 32 / 32 / 0 / 16

HEX #9091D5

RGB 144 145 213

HSL 239.13, 0.45%, 0.7%

LAB 62.49, 15.33, -34.91

 

CMYK 32 / 32 / 0 / 16

HEX #9090D5

RGB 144 144 213

HSL 240, 0.45%, 0.7%

LAB 62.24, 15.91, -35.31

 

CMYK 32 / 32 / 0 / 16

HEX #9091D5

RGB 144 145 213

HSL 239.13, 0.45%, 0.7%

LAB 62.49, 15.33, -34.91

 

CMYK 41 / 41 / 0 / 12

HEX #8485E1

RGB 132 133 225

HSL 239.35, 0.61%, 0.7%

LAB 59.08, 22.36, -47.03

 

CMYK 50 / 49 / 0 / 7

HEX #7779EE

RGB 119 121 238

HSL 238.99, 0.78%, 0.7%

LAB 55.86, 30.24, -59.47

 

CMYK 57 / 56 / 0 / 2

HEX #6B6DFA

RGB 107 109 250

HSL 239.16, 0.93%, 0.7%

LAB 52.91, 38.75, -70.93

 

CMYK 32 / 32 / 0 / 16

HEX #9091D5

RGB 144 145 213

HSL 239.13, 0.45%, 0.7%

LAB 62.49, 15.33, -34.91

 

CMYK 22 / 22 / 0 / 21

HEX #9C9DC9

RGB 156 157 201

HSL 238.67, 0.29%, 0.7%

LAB 66.06, 9.1, -22.65

 

CMYK 10 / 10 / 0 / 26

HEX #A9A9BC

RGB 169 169 188

HSL 240, 0.12%, 0.7%

LAB 69.78, 3.77, -9.72

 

CMYK 0 / 0 / 3 / 29

HEX #B5B5B0

RGB 181 181 176

HSL 60, 0.03%, 0.7%

LAB 73.55, -0.92, 2.53

 

CMYK 0 / 1 / 16 / 24

HEX #C2C1A3

RGB 194 193 163

HSL 58.06, 0.2%, 0.7%

LAB 77.43, -4.75, 15.26

 

CMYK 32 / 15 / 0 / 16

HEX #90B6D5

RGB 144 182 213

HSL 206.96, 0.45%, 0.7%

LAB 72.35, -5.4, -19.75

 

CMYK 32 / 23 / 0 / 16

HEX #90A4D5

RGB 144 164 213

HSL 222.61, 0.45%, 0.7%

LAB 67.49, 4.51, -27.18

 

CMYK 32 / 32 / 0 / 16

HEX #9091D5

RGB 144 145 213

HSL 239.13, 0.45%, 0.7%

LAB 62.49, 15.33, -34.91

 

CMYK 24 / 32 / 0 / 16

HEX #A190D5

RGB 161 144 213

HSL 254.78, 0.45%, 0.7%

LAB 63.61, 20.87, -33.07

 

CMYK 15 / 32 / 0 / 16

HEX #B490D5

RGB 180 144 213

HSL 271.3, 0.45%, 0.7%

LAB 65.32, 26.67, -30.28

 

CMYK 56 / 55 / 0 / 25

HEX #5456BE

RGB 84 86 190

HSL 238.87, 0.45%, 0.54%

LAB 41.62, 29.29, -55.18

 

CMYK 44 / 43 / 0 / 21

HEX #7273CA

RGB 114 115 202

HSL 239.32, 0.45%, 0.62%

LAB 51.95, 21.94, -45.44

 

CMYK 32 / 32 / 0 / 16

HEX #9091D5

RGB 144 145 213

HSL 239.13, 0.45%, 0.7%

LAB 62.49, 15.33, -34.91

 

CMYK 22 / 22 / 0 / 12

HEX #AEAFE0

RGB 174 175 224

HSL 238.8, 0.45%, 0.78%

LAB 72.92, 9.98, -24.71

 

CMYK 14 / 14 / 0 / 7

HEX #CCCCEC

RGB 204 204 236

HSL 240, 0.46%, 0.86%

LAB 82.96, 6.25, -15.75

 

CMYK 33 / 32 / 0 / 16

HEX #8F90D5

RGB 143 144 213

HSL 239.14, 0.45%, 0.7%

LAB 62.16, 15.63, -35.44

 

CMYK 0 / 32 / 6 / 16

HEX #D590C8

RGB 213 144 200

HSL 311.3, 0.45%, 0.7%

LAB 68.21, 34.74, -18.32

 

CMYK 19 / 0 / 32 / 16

HEX #ADD590

RGB 173 213 144

HSL 94.78, 0.45%, 0.7%

LAB 81.01, -25.4, 29.93

 

CMYK 33 / 32 / 0 / 16

HEX #8F90D5

RGB 143 144 213

HSL 239.14, 0.45%, 0.7%

LAB 62.16, 15.63, -35.44

 

CMYK 0 / 32 / 32 / 16

HEX #D59091

RGB 213 144 145

HSL 359.13, 0.45%, 0.7%

LAB 66.62, 26.28, 10.15

 

CMYK 32 / 0 / 32 / 16

HEX #91D590

RGB 145 213 144

HSL 119.13, 0.45%, 0.7%

LAB 79.4, -34.93, 27.49

 

CMYK 33 / 32 / 0 / 16

HEX #8F90D5

RGB 143 144 213

HSL 239.14, 0.45%, 0.7%

LAB 62.16, 15.63, -35.44

 

CMYK 0 / 32 / 6 / 16

HEX #D590C8

RGB 213 144 200

HSL 311.3, 0.45%, 0.7%

LAB 68.21, 34.74, -18.32

 

CMYK 0 / 0 / 32 / 16

HEX #D5D490

RGB 213 212 144

HSL 59.13, 0.45%, 0.7%

LAB 83.57, -9.98, 33.84

 

CMYK 32 / 0 / 26 / 16

HEX #90D59D

RGB 144 213 157

HSL 131.3, 0.45%, 0.7%

LAB 79.59, -33.05, 20.95

 

CMYK 33 / 32 / 0 / 16

HEX #8F90D5

RGB 143 144 213

HSL 239.14, 0.45%, 0.7%

LAB 62.16, 15.63, -35.44

 

CMYK 0 / 32 / 15 / 16

HEX #D590B4

RGB 213 144 180

HSL 328.7, 0.45%, 0.7%

LAB 67.57, 31.37, -8.12

 

CMYK 0 / 0 / 32 / 16

HEX #D5D490

RGB 213 212 144

HSL 59.13, 0.45%, 0.7%

LAB 83.57, -9.98, 33.84

 

CMYK 32 / 0 / 17 / 16

HEX #90D5B1

RGB 144 213 177

HSL 148.7, 0.45%, 0.7%

LAB 80.01, -29.29, 10.96

 

Description

Color code: HEX #8F90D54C | qconv.com Color code: HEX #8F90D54C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 144 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 144 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 10 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 10% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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