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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F90AE4C it is the complementary color #706F514C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F90AE4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F90AE4C shade: #9490A94C, #A5A2BC4C, #B6B4CF4C, #C7C6E24C and #D8D8F54C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F90AE4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F90AE4C shade: #8F90AE4C, #7E7E9B4C, #6D6C884C, #5C5A754C and #4B48624C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F90AE4C shade: #8F90AE, #968FAE, #9E8FAE, #A78FAE and #AE8FAC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F90AE4C shade: #8F90AE and #8F8FAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F90AE4C shade matches the following richer shades: #8F90AE, #7F81BD, #6F72CD, #6064DD and #5055EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F90AE4C shade: #8F90AE, #9E9E9E, #AEAD8E, #BEBC7F and #CDCA6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F90AE4C shade: #8FA0AE, #8F98AE, #8F90AE, #968FAE and #9E8FAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F90AE4C shade: #626388, #77789C, #8F90AE, #A7A7BF and #BEBFD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F90AE4C shade: #8F90AE, #AE8FA8 and #9CAE8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F90AE4C shade: #8F90AE, #AE8F90 and #90AE8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F90AE4C shade: #8F90AE, #AE8FA8, #AEAD8F and #8FAE94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F90AE4C shade: #8F90AE, #AE8F9F, #AEAD8F and #8FAE9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 5 / 0 / 10

HEX #8F90AE4C

RGBA 143 144 174 0.3

HSLA 238.06, 0.16%, 0.62%, 0.3

LABA 60.64, 6.02, -15.82, 0.3

 

Complementary color

CMYK 0 / 0 / 8 / 17

HEX #706F514C

RGBA 112 111 81 0.3

HSLA 58.06, 0.16%, 0.38%, 0.3

LABA 46.19, -4.93, 16.9, 0.3

 

CMYK 4 / 4 / 0 / 10

HEX #9490A94C

RGBA 148 144 169 0.3

HSLA 249.6, 0.13%, 0.61%, 0.3

LABA 60.88, 6.58, -12.59, 0.3

 

CMYK 4 / 4 / 0 / 8

HEX #A5A2BC4C

RGBA 165 162 188 0.3

HSLA 246.92, 0.16%, 0.69%, 0.3

LABA 67.63, 6.3, -12.97, 0.3

 

CMYK 4 / 4 / 0 / 6

HEX #B6B4CF4C

RGBA 182 180 207 0.3

HSLA 244.44, 0.22%, 0.76%, 0.3

LABA 74.25, 6.03, -13.36, 0.3

 

CMYK 4 / 4 / 0 / 3

HEX #C7C6E24C

RGBA 199 198 226 0.3

HSLA 242.14, 0.33%, 0.83%, 0.3

LABA 80.75, 5.79, -13.75, 0.3

 

CMYK 4 / 4 / 0 / 1

HEX #D8D8F54C

RGBA 216 216 245 0.3

HSLA 240, 0.59%, 0.9%, 0.3

LABA 87.15, 5.55, -14.14, 0.3

 

CMYK 5 / 5 / 0 / 10

HEX #8F90AE4C

RGBA 143 144 174 0.3

HSLA 238.06, 0.16%, 0.62%, 0.3

LABA 60.64, 6.02, -15.82, 0.3

 

CMYK 6 / 6 / 0 / 12

HEX #7E7E9B4C

RGBA 126 126 155 0.3

HSLA 240, 0.13%, 0.55%, 0.3

LABA 53.73, 6.34, -15.52, 0.3

 

CMYK 6 / 6 / 0 / 14

HEX #6D6C884C

RGBA 109 108 136 0.3

HSLA 242.14, 0.11%, 0.48%, 0.3

LABA 46.65, 6.68, -15.24, 0.3

 

CMYK 6 / 7 / 0 / 16

HEX #5C5A754C

RGBA 92 90 117 0.3

HSLA 244.44, 0.13%, 0.41%, 0.3

LABA 39.36, 7.08, -14.98, 0.3

 

CMYK 7 / 8 / 0 / 18

HEX #4B48624C

RGBA 75 72 98 0.3

HSLA 246.92, 0.15%, 0.33%, 0.3

LABA 31.84, 7.54, -14.77, 0.3

 

CMYK 18 / 17 / 0 / 32

HEX #8F90AE

RGB 143 144 174

HSL 238.06, 0.16%, 0.62%

LAB 60.64, 6.02, -15.82

 

CMYK 14 / 18 / 0 / 32

HEX #968FAE

RGB 150 143 174

HSL 253.55, 0.16%, 0.62%

LAB 60.94, 8.93, -15.31

 

CMYK 9 / 18 / 0 / 32

HEX #9E8FAE

RGB 158 143 174

HSL 269.03, 0.16%, 0.62%

LAB 61.63, 11.64, -14.21

 

CMYK 4 / 18 / 0 / 32

HEX #A78FAE

RGB 167 143 174

HSL 286.45, 0.16%, 0.62%

LAB 62.44, 14.74, -12.91

 

CMYK 0 / 18 / 1 / 32

HEX #AE8FAC

RGB 174 143 172

HSL 303.87, 0.16%, 0.62%

LAB 63.03, 16.8, -10.82

 

CMYK 18 / 17 / 0 / 32

HEX #8F90AE

RGB 143 144 174

HSL 238.06, 0.16%, 0.62%

LAB 60.64, 6.02, -15.82

 

CMYK 18 / 18 / 0 / 32

HEX #8F8FAE

RGB 143 143 174

HSL 240, 0.16%, 0.62%

LAB 60.37, 6.59, -16.22

 

CMYK 18 / 17 / 0 / 32

HEX #8F90AE

RGB 143 144 174

HSL 238.06, 0.16%, 0.62%

LAB 60.64, 6.02, -15.82

 

CMYK 33 / 32 / 0 / 26

HEX #7F81BD

RGB 127 129 189

HSL 238.06, 0.32%, 0.62%

LAB 55.97, 13.46, -31.63

 

CMYK 46 / 44 / 0 / 20

HEX #6F72CD

RGB 111 114 205

HSL 238.09, 0.48%, 0.62%

LAB 51.64, 22.7, -47.67

 

CMYK 57 / 55 / 0 / 13

HEX #6064DD

RGB 96 100 221

HSL 238.08, 0.65%, 0.62%

LAB 48.03, 32.98, -62.6

 

CMYK 66 / 64 / 0 / 7

HEX #5055EC

RGB 80 85 236

HSL 238.08, 0.8%, 0.62%

LAB 44.6, 44.37, -76.71

 

CMYK 18 / 17 / 0 / 32

HEX #8F90AE

RGB 143 144 174

HSL 238.06, 0.16%, 0.62%

LAB 60.64, 6.02, -15.82

 

CMYK 0 / 1 / 18 / 32

HEX #AEAD8E

RGB 174 173 142

HSL 58.13, 0.16%, 0.62%

LAB 70.06, -4.95, 16.1

HEX #AEAD8E

CMYK 0 / 1 / 33 / 25

HEX #BEBC7F

RGB 190 188 127

HSL 58.1, 0.33%, 0.62%

LAB 75.11, -8.71, 31.18

HEX #BEBC7F

CMYK 0 / 1 / 46 / 20

HEX #CDCA6F

RGB 205 202 111

HSL 58.09, 0.48%, 0.62%

LAB 79.82, -11.66, 45.54

HEX #CDCA6F

CMYK 18 / 8 / 0 / 32

HEX #8FA0AE

RGB 143 160 174

HSL 207.1, 0.16%, 0.62%

LAB 64.99, -2.95, -9.28

 

CMYK 18 / 13 / 0 / 32

HEX #8F98AE

RGB 143 152 174

HSL 222.58, 0.16%, 0.62%

LAB 62.8, 1.5, -12.56

 

CMYK 18 / 17 / 0 / 32

HEX #8F90AE

RGB 143 144 174

HSL 238.06, 0.16%, 0.62%

LAB 60.64, 6.02, -15.82

 

CMYK 14 / 18 / 0 / 32

HEX #968FAE

RGB 150 143 174

HSL 253.55, 0.16%, 0.62%

LAB 60.94, 8.93, -15.31

 

CMYK 9 / 18 / 0 / 32

HEX #9E8FAE

RGB 158 143 174

HSL 269.03, 0.16%, 0.62%

LAB 61.63, 11.64, -14.21

 

CMYK 28 / 27 / 0 / 47

HEX #626388

RGB 98 99 136

HSL 238.42, 0.16%, 0.46%

LAB 43.21, 8.49, -20.59

 

CMYK 24 / 23 / 0 / 39

HEX #77789C

RGB 119 120 156

HSL 238.38, 0.16%, 0.54%

LAB 51.56, 7.79, -19.46

 

CMYK 18 / 17 / 0 / 32

HEX #8F90AE

RGB 143 144 174

HSL 238.06, 0.16%, 0.62%

LAB 60.64, 6.02, -15.82

 

CMYK 13 / 13 / 0 / 25

HEX #A7A7BF

RGB 167 167 191

HSL 240, 0.16%, 0.7%

LAB 69.19, 4.83, -12.27

 

CMYK 9 / 8 / 0 / 18

HEX #BEBFD0

RGB 190 191 208

HSL 236.67, 0.16%, 0.78%

LAB 77.73, 2.94, -8.63

 

CMYK 18 / 17 / 0 / 32

HEX #8F90AE

RGB 143 144 174

HSL 238.06, 0.16%, 0.62%

LAB 60.64, 6.02, -15.82

 

CMYK 0 / 18 / 3 / 32

HEX #AE8FA8

RGB 174 143 168

HSL 311.61, 0.16%, 0.62%

LAB 62.9, 16.04, -8.75

 

CMYK 10 / 0 / 18 / 32

HEX #9CAE8F

RGB 156 174 143

HSL 94.84, 0.16%, 0.62%

LAB 68.98, -12.06, 13.84

 

CMYK 18 / 17 / 0 / 32

HEX #8F90AE

RGB 143 144 174

HSL 238.06, 0.16%, 0.62%

LAB 60.64, 6.02, -15.82

 

CMYK 0 / 18 / 17 / 32

HEX #AE8F90

RGB 174 143 144

HSL 358.06, 0.16%, 0.62%

LAB 62.22, 11.82, 3.85

 

CMYK 17 / 0 / 18 / 32

HEX #90AE8F

RGB 144 174 143

HSL 118.06, 0.16%, 0.62%

LAB 68.16, -16.38, 12.55

 

CMYK 18 / 17 / 0 / 32

HEX #8F90AE

RGB 143 144 174

HSL 238.06, 0.16%, 0.62%

LAB 60.64, 6.02, -15.82

 

CMYK 0 / 18 / 3 / 32

HEX #AE8FA8

RGB 174 143 168

HSL 311.61, 0.16%, 0.62%

LAB 62.9, 16.04, -8.75

 

CMYK 0 / 1 / 18 / 32

HEX #AEAD8F

RGB 174 173 143

HSL 58.06, 0.16%, 0.62%

LAB 70.08, -4.8, 15.58

 

CMYK 18 / 0 / 15 / 32

HEX #8FAE94

RGB 143 174 148

HSL 129.68, 0.16%, 0.62%

LAB 68.2, -15.81, 9.86

 

CMYK 18 / 17 / 0 / 32

HEX #8F90AE

RGB 143 144 174

HSL 238.06, 0.16%, 0.62%

LAB 60.64, 6.02, -15.82

 

CMYK 0 / 18 / 9 / 32

HEX #AE8F9F

RGB 174 143 159

HSL 329.03, 0.16%, 0.62%

LAB 62.63, 14.39, -4.05

 

CMYK 0 / 1 / 18 / 32

HEX #AEAD8F

RGB 174 173 143

HSL 58.06, 0.16%, 0.62%

LAB 70.08, -4.8, 15.58

 

CMYK 18 / 0 / 10 / 32

HEX #8FAE9D

RGB 143 174 157

HSL 147.1, 0.16%, 0.62%

LAB 68.42, -14.07, 5.21

 

Description

Color code: HEX #8F90AE4C | qconv.com Color code: HEX #8F90AE4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 144 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 144 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 5 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 5% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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