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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F8C9A it is the complementary color #707365. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F8C9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F8C9A shade: #948C95, #A59EA8, #B6B0BB, #C7C2CE and #D8D4E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F8C9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F8C9A shade: #8F8C9A, #7E7A87, #6D6874, #5C5661 and #4B444E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F8C9A shade: #908D9A, #948D9A, #978D9A, #9A8D9A and #9A8D97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F8C9A shade: #908D9A and #8D8D9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F8C9A shade matches the following richer shades: #908D9A, #867CAC, #7C6BBD, #7359CE and #6948E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F8C9A shade: #908D9A, #9A9F89, #A4B078, #AEC166 and #B8D355

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F8C9A shade: #8D929A, #8D8E9A, #908D9A, #938D9A and #978D9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F8C9A shade: #676471, #7B7887, #908D9A, #A6A3AE and #BBB9C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F8C9A shade: #8F8C9A, #9A8D95 and #909A8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F8C9A shade: #8F8C9A, #9A908D and #8D9A90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F8C9A shade: #8F8C9A, #9A8D95, #989A8D and #8D9A93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F8C9A shade: #8F8C9A, #9A8D91, #989A8D and #8D9A96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 9 / 0 / 40

HEX #8F8C9A

RGB 143 140 154

HSL 252.86, 0.06%, 0.58%

LAB 58.91, 3.92, -7.03

 

Complementary color

CMYK 3 / 0 / 12 / 55

HEX #707365

RGB 112 115 101

HSL 72.86, 0.06%, 0.42%

LAB 47.81, -3.88, 7.36

 

CMYK 1 / 6 / 0 / 42

HEX #948C95

RGB 148 140 149

HSL 293.33, 0.04%, 0.57%

LAB 59.18, 4.7, -3.72

 

CMYK 2 / 6 / 0 / 34

HEX #A59EA8

RGB 165 158 168

HSL 282, 0.05%, 0.64%

LAB 65.97, 4.44, -4.29

 

CMYK 3 / 6 / 0 / 27

HEX #B6B0BB

RGB 182 176 187

HSL 272.73, 0.07%, 0.71%

LAB 72.62, 4.19, -4.85

 

CMYK 3 / 6 / 0 / 19

HEX #C7C2CE

RGB 199 194 206

HSL 265, 0.11%, 0.78%

LAB 79.15, 3.97, -5.39

 

CMYK 4 / 6 / 0 / 12

HEX #D8D4E1

RGB 216 212 225

HSL 258.46, 0.18%, 0.86%

LAB 85.57, 3.75, -5.91

 

CMYK 7 / 9 / 0 / 40

HEX #8F8C9A

RGB 143 140 154

HSL 252.86, 0.06%, 0.58%

LAB 58.91, 3.92, -7.03

 

CMYK 7 / 10 / 0 / 47

HEX #7E7A87

RGB 126 122 135

HSL 258.46, 0.05%, 0.5%

LAB 51.95, 4.17, -6.52

 

CMYK 6 / 10 / 0 / 55

HEX #6D6874

RGB 109 104 116

HSL 265, 0.05%, 0.43%

LAB 44.82, 4.46, -6

 

CMYK 5 / 11 / 0 / 62

HEX #5C5661

RGB 92 86 97

HSL 272.73, 0.06%, 0.36%

LAB 37.47, 4.77, -5.47

 

CMYK 4 / 13 / 0 / 69

HEX #4B444E

RGB 75 68 78

HSL 282, 0.07%, 0.29%

LAB 29.86, 5.14, -4.92

 

CMYK 6 / 8 / 0 / 40

HEX #908D9A

RGB 144 141 154

HSL 253.85, 0.06%, 0.58%

LAB 59.26, 3.71, -6.49

 

CMYK 4 / 8 / 0 / 40

HEX #948D9A

RGB 148 141 154

HSL 272.31, 0.06%, 0.58%

LAB 59.6, 5.13, -5.96

 

CMYK 2 / 8 / 0 / 40

HEX #978D9A

RGB 151 141 154

HSL 286.15, 0.06%, 0.58%

LAB 59.85, 6.21, -5.55

 

CMYK 0 / 8 / 0 / 40

HEX #9A8D9A

RGB 154 141 154

HSL 300, 0.06%, 0.58%

LAB 60.12, 7.29, -5.13

 

CMYK 0 / 8 / 2 / 40

HEX #9A8D97

RGB 154 141 151

HSL 313.85, 0.06%, 0.58%

LAB 60.03, 6.71, -3.55

 

CMYK 6 / 8 / 0 / 40

HEX #908D9A

RGB 144 141 154

HSL 253.85, 0.06%, 0.58%

LAB 59.26, 3.71, -6.49

 

CMYK 8 / 8 / 0 / 40

HEX #8D8D9A

RGB 141 141 154

HSL 240, 0.06%, 0.58%

LAB 59.02, 2.65, -6.88

 

CMYK 6 / 8 / 0 / 40

HEX #908D9A

RGB 144 141 154

HSL 253.85, 0.06%, 0.58%

LAB 59.26, 3.71, -6.49

 

CMYK 22 / 28 / 0 / 33

HEX #867CAC

RGB 134 124 172

HSL 252.5, 0.22%, 0.58%

LAB 54.51, 14.21, -24.1

 

CMYK 34 / 43 / 0 / 26

HEX #7C6BBD

RGB 124 107 189

HSL 252.44, 0.38%, 0.58%

LAB 50.07, 25.7, -40.92

 

CMYK 44 / 57 / 0 / 19

HEX #7359CE

RGB 115 89 206

HSL 253.33, 0.54%, 0.58%

LAB 45.97, 38.88, -57.3

 

CMYK 53 / 68 / 0 / 12

HEX #6948E0

RGB 105 72 224

HSL 253.03, 0.71%, 0.58%

LAB 42.79, 51.69, -72.79

 

CMYK 6 / 8 / 0 / 40

HEX #908D9A

RGB 144 141 154

HSL 253.85, 0.06%, 0.58%

LAB 59.26, 3.71, -6.49

 

CMYK 3 / 0 / 14 / 38

HEX #9A9F89

RGB 154 159 137

HSL 73.64, 0.1%, 0.58%

LAB 64.54, -5.82, 10.88

 

CMYK 7 / 0 / 32 / 31

HEX #A4B078

RGB 164 176 120

HSL 72.86, 0.26%, 0.58%

LAB 69.68, -13.6, 27.35

 

CMYK 10 / 0 / 47 / 24

HEX #AEC166

RGB 174 193 102

HSL 72.53, 0.42%, 0.58%

LAB 74.89, -20.45, 43.39

 

CMYK 13 / 0 / 60 / 17

HEX #B8D355

RGB 184 211 85

HSL 72.86, 0.59%, 0.58%

LAB 80.42, -26.79, 57.87

 

CMYK 8 / 5 / 0 / 40

HEX #8D929A

RGB 141 146 154

HSL 216.92, 0.06%, 0.58%

LAB 60.39, -0.17, -4.85

 

CMYK 8 / 8 / 0 / 40

HEX #8D8E9A

RGB 141 142 154

HSL 235.38, 0.06%, 0.58%

LAB 59.29, 2.08, -6.48

 

CMYK 6 / 8 / 0 / 40

HEX #908D9A

RGB 144 141 154

HSL 253.85, 0.06%, 0.58%

LAB 59.26, 3.71, -6.49

 

CMYK 5 / 8 / 0 / 40

HEX #938D9A

RGB 147 141 154

HSL 267.69, 0.06%, 0.58%

LAB 59.51, 4.77, -6.09

 

CMYK 2 / 8 / 0 / 40

HEX #978D9A

RGB 151 141 154

HSL 286.15, 0.06%, 0.58%

LAB 59.85, 6.21, -5.55

 

CMYK 9 / 12 / 0 / 56

HEX #676471

RGB 103 100 113

HSL 253.85, 0.06%, 0.42%

LAB 43.05, 3.96, -6.88

 

CMYK 9 / 11 / 0 / 47

HEX #7B7887

RGB 123 120 135

HSL 252, 0.06%, 0.5%

LAB 51.14, 4.26, -7.75

 

CMYK 6 / 8 / 0 / 40

HEX #908D9A

RGB 144 141 154

HSL 253.85, 0.06%, 0.58%

LAB 59.26, 3.71, -6.49

 

CMYK 5 / 6 / 0 / 32

HEX #A6A3AE

RGB 166 163 174

HSL 256.36, 0.06%, 0.66%

LAB 67.54, 3.2, -5.3

 

CMYK 3 / 4 / 0 / 24

HEX #BBB9C1

RGB 187 185 193

HSL 255, 0.06%, 0.74%

LAB 75.52, 2.21, -3.8

 

CMYK 7 / 9 / 0 / 40

HEX #8F8C9A

RGB 143 140 154

HSL 252.86, 0.06%, 0.58%

LAB 58.91, 3.92, -7.03

 

CMYK 0 / 8 / 3 / 40

HEX #9A8D95

RGB 154 141 149

HSL 323.08, 0.06%, 0.58%

LAB 59.97, 6.33, -2.49

 

CMYK 6 / 0 / 8 / 40

HEX #909A8D

RGB 144 154 141

HSL 106.15, 0.06%, 0.58%

LAB 62.48, -6.11, 5.59

 

CMYK 7 / 9 / 0 / 40

HEX #8F8C9A

RGB 143 140 154

HSL 252.86, 0.06%, 0.58%

LAB 58.91, 3.92, -7.03

 

CMYK 0 / 6 / 8 / 40

HEX #9A908D

RGB 154 144 141

HSL 13.85, 0.06%, 0.58%

LAB 60.55, 3.16, 2.91

 

CMYK 8 / 0 / 6 / 40

HEX #8D9A90

RGB 141 154 144

HSL 133.85, 0.06%, 0.58%

LAB 62.33, -6.62, 3.65

 

CMYK 7 / 9 / 0 / 40

HEX #8F8C9A

RGB 143 140 154

HSL 252.86, 0.06%, 0.58%

LAB 58.91, 3.92, -7.03

 

CMYK 0 / 8 / 3 / 40

HEX #9A8D95

RGB 154 141 149

HSL 323.08, 0.06%, 0.58%

LAB 59.97, 6.33, -2.49

 

CMYK 1 / 0 / 8 / 40

HEX #989A8D

RGB 152 154 141

HSL 69.23, 0.06%, 0.58%

LAB 63.1, -3.15, 6.57

 

CMYK 8 / 0 / 5 / 40

HEX #8D9A93

RGB 141 154 147

HSL 147.69, 0.06%, 0.58%

LAB 62.41, -6.03, 2.08

 

CMYK 7 / 9 / 0 / 40

HEX #8F8C9A

RGB 143 140 154

HSL 252.86, 0.06%, 0.58%

LAB 58.91, 3.92, -7.03

 

CMYK 0 / 8 / 6 / 40

HEX #9A8D91

RGB 154 141 145

HSL 341.54, 0.06%, 0.58%

LAB 59.86, 5.58, -0.38

 

CMYK 1 / 0 / 8 / 40

HEX #989A8D

RGB 152 154 141

HSL 69.23, 0.06%, 0.58%

LAB 63.1, -3.15, 6.57

 

CMYK 8 / 0 / 3 / 40

HEX #8D9A96

RGB 141 154 150

HSL 161.54, 0.06%, 0.58%

LAB 62.49, -5.44, 0.5

 

Description

Color code: HEX #8F8C9A | qconv.com Color code: HEX #8F8C9A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 140 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 140 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 9 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 9% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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