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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F80B5 it is the complementary color #707F4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F80B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F80B5 shade: #9480B0, #A592C3, #B6A4D6, #C7B6E9 and #D8C8FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F80B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F80B5 shade: #8F80B5, #7E6EA2, #6D5C8F, #5C4A7C and #4B3869

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F80B5 shade: #9082B5, #9E82B5, #AC82B5, #B582B1 and #B582A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F80B5 shade: #9082B5 and #8282B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F80B5 shade matches the following richer shades: #9082B5, #8972C5, #8262D6, #7B51E6 and #7441F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F80B5 shade: #9082B5, #9792A5, #9EA295, #A5B285 and #ACC275

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F80B5 shade: #828FB5, #8282B5, #8F82B5, #9D82B5 and #AB82B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F80B5 shade: #655590, #7968A6, #9082B5, #A79CC5 and #BEB6D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F80B5 shade: #8F80B5, #B5829D and #89B582

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F80B5 shade: #8F80B5, #B58F82 and #82B58F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F80B5 shade: #8F80B5, #B5829D, #A8B582 and #82B59A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F80B5 shade: #8F80B5, #B5828E, #A8B582 and #82B5A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 29 / 0 / 29

HEX #8F80B5

RGB 143 128 181

HSL 256.98, 0.26%, 0.61%

LAB 56.7, 16.9, -25.84

 

Complementary color

CMYK 12 / 0 / 42 / 50

HEX #707F4A

RGB 112 127 74

HSL 76.98, 0.26%, 0.39%

LAB 50.82, -14.82, 26.97

 

CMYK 16 / 27 / 0 / 31

HEX #9480B0

RGB 148 128 176

HSL 265, 0.23%, 0.6%

LAB 56.95, 17.34, -22.55

 

CMYK 15 / 25 / 0 / 24

HEX #A592C3

RGB 165 146 195

HSL 263.27, 0.29%, 0.67%

LAB 63.75, 16.82, -22.76

 

CMYK 15 / 23 / 0 / 16

HEX #B6A4D6

RGB 182 164 214

HSL 261.6, 0.38%, 0.74%

LAB 70.42, 16.34, -22.99

 

CMYK 15 / 22 / 0 / 9

HEX #C7B6E9

RGB 199 182 233

HSL 260, 0.54%, 0.81%

LAB 76.97, 15.9, -23.23

 

CMYK 14 / 21 / 0 / 1

HEX #D8C8FC

RGB 216 200 252

HSL 258.46, 0.9%, 0.89%

LAB 83.41, 15.49, -23.49

 

CMYK 21 / 29 / 0 / 29

HEX #8F80B5

RGB 143 128 181

HSL 256.98, 0.26%, 0.61%

LAB 56.7, 16.9, -25.84

 

CMYK 22 / 32 / 0 / 36

HEX #7E6EA2

RGB 126 110 162

HSL 258.46, 0.22%, 0.53%

LAB 49.73, 17.5, -25.73

 

CMYK 24 / 36 / 0 / 44

HEX #6D5C8F

RGB 109 92 143

HSL 260, 0.22%, 0.46%

LAB 42.6, 18.19, -25.67

 

CMYK 26 / 40 / 0 / 51

HEX #5C4A7C

RGB 92 74 124

HSL 261.6, 0.25%, 0.39%

LAB 35.26, 18.98, -25.65

 

CMYK 29 / 47 / 0 / 59

HEX #4B3869

RGB 75 56 105

HSL 263.27, 0.3%, 0.32%

LAB 27.69, 19.9, -25.69

 

CMYK 20 / 28 / 0 / 29

HEX #9082B5

RGB 144 130 181

HSL 256.47, 0.26%, 0.61%

LAB 57.3, 16.05, -24.9

 

CMYK 13 / 28 / 0 / 29

HEX #9E82B5

RGB 158 130 181

HSL 272.94, 0.26%, 0.61%

LAB 58.57, 20.58, -22.83

 

CMYK 5 / 28 / 0 / 29

HEX #AC82B5

RGB 172 130 181

HSL 289.41, 0.26%, 0.61%

LAB 59.95, 25.22, -20.6

 

CMYK 0 / 28 / 2 / 29

HEX #B582B1

RGB 181 130 177

HSL 304.71, 0.26%, 0.61%

LAB 60.75, 27.48, -17.03

 

CMYK 0 / 28 / 10 / 29

HEX #B582A3

RGB 181 130 163

HSL 321.18, 0.26%, 0.61%

LAB 60.28, 24.93, -9.75

 

CMYK 20 / 28 / 0 / 29

HEX #9082B5

RGB 144 130 181

HSL 256.47, 0.26%, 0.61%

LAB 57.3, 16.05, -24.9

 

CMYK 28 / 28 / 0 / 29

HEX #8282B5

RGB 130 130 181

HSL 240, 0.26%, 0.61%

LAB 56.14, 11.68, -26.79

 

CMYK 20 / 28 / 0 / 29

HEX #9082B5

RGB 144 130 181

HSL 256.47, 0.26%, 0.61%

LAB 57.3, 16.05, -24.9

 

CMYK 30 / 42 / 0 / 23

HEX #8972C5

RGB 137 114 197

HSL 256.63, 0.42%, 0.61%

LAB 53.37, 27.28, -40.22

 

CMYK 39 / 54 / 0 / 16

HEX #8262D6

RGB 130 98 214

HSL 256.55, 0.59%, 0.61%

LAB 49.9, 39.31, -55.47

 

CMYK 47 / 65 / 0 / 10

HEX #7B51E6

RGB 123 81 230

HSL 256.91, 0.75%, 0.61%

LAB 46.72, 51.68, -69.72

 

CMYK 53 / 74 / 0 / 4

HEX #7441F6

RGB 116 65 246

HSL 256.91, 0.91%, 0.61%

LAB 44.44, 62.9, -82.48

 

CMYK 20 / 28 / 0 / 29

HEX #9082B5

RGB 144 130 181

HSL 256.47, 0.26%, 0.61%

LAB 57.3, 16.05, -24.9

 

CMYK 8 / 12 / 0 / 35

HEX #9792A5

RGB 151 146 165

HSL 255.79, 0.1%, 0.61%

LAB 61.53, 5.63, -9.32

 

CMYK 2 / 0 / 8 / 36

HEX #9EA295

RGB 158 162 149

HSL 78.46, 0.07%, 0.61%

LAB 65.97, -3.86, 6.26

 

CMYK 7 / 0 / 25 / 30

HEX #A5B285

RGB 165 178 133

HSL 77.33, 0.23%, 0.61%

LAB 70.55, -12.39, 21.54

 

CMYK 11 / 0 / 40 / 24

HEX #ACC275

RGB 172 194 117

HSL 77.14, 0.39%, 0.61%

LAB 75.23, -20.04, 36.25

 

CMYK 28 / 21 / 0 / 29

HEX #828FB5

RGB 130 143 181

HSL 224.71, 0.26%, 0.61%

LAB 59.64, 4.13, -21.4

 

CMYK 28 / 28 / 0 / 29

HEX #8282B5

RGB 130 130 181

HSL 240, 0.26%, 0.61%

LAB 56.14, 11.68, -26.79

 

CMYK 21 / 28 / 0 / 29

HEX #8F82B5

RGB 143 130 181

HSL 255.29, 0.26%, 0.61%

LAB 57.21, 15.73, -25.04

 

CMYK 13 / 28 / 0 / 29

HEX #9D82B5

RGB 157 130 181

HSL 271.76, 0.26%, 0.61%

LAB 58.48, 20.26, -22.98

 

CMYK 6 / 28 / 0 / 29

HEX #AB82B5

RGB 171 130 181

HSL 288.24, 0.26%, 0.61%

LAB 59.85, 24.89, -20.76

 

CMYK 30 / 41 / 0 / 44

HEX #655590

RGB 101 85 144

HSL 256.27, 0.26%, 0.45%

LAB 40.04, 20.27, -30.32

 

CMYK 27 / 37 / 0 / 35

HEX #7968A6

RGB 121 104 166

HSL 256.45, 0.26%, 0.53%

LAB 47.9, 20.55, -30.96

 

CMYK 20 / 28 / 0 / 29

HEX #9082B5

RGB 144 130 181

HSL 256.47, 0.26%, 0.61%

LAB 57.3, 16.05, -24.9

 

CMYK 15 / 21 / 0 / 23

HEX #A79CC5

RGB 167 156 197

HSL 256.1, 0.26%, 0.69%

LAB 66.54, 12.26, -19.61

 

CMYK 10 / 14 / 0 / 17

HEX #BEB6D4

RGB 190 182 212

HSL 256, 0.26%, 0.77%

LAB 75.55, 8.61, -14.07

 

CMYK 21 / 29 / 0 / 29

HEX #8F80B5

RGB 143 128 181

HSL 256.98, 0.26%, 0.61%

LAB 56.7, 16.9, -25.84

 

CMYK 0 / 28 / 13 / 29

HEX #B5829D

RGB 181 130 157

HSL 328.24, 0.26%, 0.61%

LAB 60.09, 23.89, -6.59

 

CMYK 24 / 0 / 28 / 29

HEX #89B582

RGB 137 181 130

HSL 111.76, 0.26%, 0.61%

LAB 69.45, -24.64, 21.36

 

CMYK 21 / 29 / 0 / 29

HEX #8F80B5

RGB 143 128 181

HSL 256.98, 0.26%, 0.61%

LAB 56.7, 16.9, -25.84

 

CMYK 0 / 21 / 28 / 29

HEX #B58F82

RGB 181 143 130

HSL 15.29, 0.26%, 0.61%

LAB 62.58, 12.41, 12.38

 

CMYK 28 / 0 / 21 / 29

HEX #82B58F

RGB 130 181 143

HSL 135.29, 0.26%, 0.61%

LAB 69.31, -24.7, 14.05

 

CMYK 21 / 29 / 0 / 29

HEX #8F80B5

RGB 143 128 181

HSL 256.98, 0.26%, 0.61%

LAB 56.7, 16.9, -25.84

 

CMYK 0 / 28 / 13 / 29

HEX #B5829D

RGB 181 130 157

HSL 328.24, 0.26%, 0.61%

LAB 60.09, 23.89, -6.59

 

CMYK 7 / 0 / 28 / 29

HEX #A8B582

RGB 168 181 130

HSL 75.29, 0.26%, 0.61%

LAB 71.54, -13.25, 24.55

 

CMYK 28 / 0 / 15 / 29

HEX #82B59A

RGB 130 181 154

HSL 148.24, 0.26%, 0.61%

LAB 69.56, -22.55, 8.39

 

CMYK 21 / 29 / 0 / 29

HEX #8F80B5

RGB 143 128 181

HSL 256.98, 0.26%, 0.61%

LAB 56.7, 16.9, -25.84

 

CMYK 0 / 28 / 22 / 29

HEX #B5828E

RGB 181 130 142

HSL 345.88, 0.26%, 0.61%

LAB 59.65, 21.45, 1.37

 

CMYK 7 / 0 / 28 / 29

HEX #A8B582

RGB 168 181 130

HSL 75.29, 0.26%, 0.61%

LAB 71.54, -13.25, 24.55

 

CMYK 28 / 0 / 7 / 29

HEX #82B5A9

RGB 130 181 169

HSL 165.88, 0.26%, 0.61%

LAB 69.94, -19.38, 0.69

 

Description

Color code: HEX #8F80B5 | qconv.com Color code: HEX #8F80B5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 128 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 128 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 29 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 29% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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