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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F7A7E it is the complementary color #708581. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F7A7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F7A7E shade: #947A79, #A58C8C, #B69E9F, #C7B0B2 and #D8C2C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F7A7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F7A7E shade: #8F7A7E, #7E686B, #6D5658, #5C4445 and #4B3232

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F7A7E shade: #907A7E and #907A7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F7A7E shade: #907A7E, #907A84, #907A8A, #907A90 and #8A7A90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F7A7E shade matches the following richer shades: #907A7E, #A36672, #B75265, #CB3E59 and #DF2A4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F7A7E shade: #907A7E, #7C8D8A, #68A196, #54B5A3 and #40C9AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F7A7E shade: #907A8A, #907A84, #907A7E, #907B7A and #90817A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F7A7E shade: #645356, #7A666A, #907A7E, #A29094 and #B5A7A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F7A7E shade: #8F7A7E, #90907A and #7A8790

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F7A7E shade: #8F7A7E, #7E907A and #7A7E90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F7A7E shade: #8F7A7E, #90907A, #7A908B and #7A7A90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F7A7E shade: #8F7A7E, #89907A, #7A908B and #807A90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 12 / 44

HEX #8F7A7E

RGB 143 122 126

HSL 348.57, 0.09%, 0.52%

LAB 53.24, 8.8, 0.82

 

Complementary color

CMYK 16 / 0 / 3 / 48

HEX #708581

RGB 112 133 129

HSL 168.57, 0.09%, 0.48%

LAB 53.82, -8.43, -0.39

 

CMYK 0 / 18 / 18 / 42

HEX #947A79

RGB 148 122 121

HSL 2.22, 0.11%, 0.53%

LAB 53.6, 9.89, 4.32

 

CMYK 0 / 15 / 15 / 35

HEX #A58C8C

RGB 165 140 140

HSL 0, 0.12%, 0.6%

LAB 60.47, 9.41, 3.49

 

CMYK 0 / 13 / 13 / 29

HEX #B69E9F

RGB 182 158 159

HSL 357.5, 0.14%, 0.67%

LAB 67.2, 8.98, 2.73

 

CMYK 0 / 12 / 11 / 22

HEX #C7B0B2

RGB 199 176 178

HSL 354.78, 0.17%, 0.74%

LAB 73.81, 8.6, 2

 

CMYK 0 / 10 / 9 / 15

HEX #D8C2C5

RGB 216 194 197

HSL 351.82, 0.22%, 0.8%

LAB 80.3, 8.25, 1.32

 

CMYK 0 / 15 / 12 / 44

HEX #8F7A7E

RGB 143 122 126

HSL 348.57, 0.09%, 0.52%

LAB 53.24, 8.8, 0.82

 

CMYK 0 / 17 / 15 / 51

HEX #7E686B

RGB 126 104 107

HSL 351.82, 0.1%, 0.45%

LAB 46.17, 9.28, 1.6

 

CMYK 0 / 21 / 19 / 57

HEX #6D5658

RGB 109 86 88

HSL 354.78, 0.12%, 0.38%

LAB 38.92, 9.84, 2.45

 

CMYK 0 / 26 / 25 / 64

HEX #5C4445

RGB 92 68 69

HSL 357.5, 0.15%, 0.31%

LAB 31.44, 10.51, 3.42

 

CMYK 0 / 33 / 33 / 71

HEX #4B3232

RGB 75 50 50

HSL 0, 0.2%, 0.25%

LAB 23.7, 11.35, 4.56

 

CMYK 0 / 15 / 13 / 44

HEX #907A7E

RGB 144 122 126

HSL 349.09, 0.09%, 0.52%

LAB 53.34, 9.19, 0.97

 

CMYK 0 / 15 / 15 / 44

HEX #907A7A

RGB 144 122 122

HSL 0, 0.09%, 0.52%

LAB 53.23, 8.49, 3.15

 

CMYK 0 / 15 / 13 / 44

HEX #907A7E

RGB 144 122 126

HSL 349.09, 0.09%, 0.52%

LAB 53.34, 9.19, 0.97

 

CMYK 0 / 15 / 8 / 44

HEX #907A84

RGB 144 122 132

HSL 332.73, 0.09%, 0.52%

LAB 53.51, 10.28, -2.28

 

CMYK 0 / 15 / 4 / 44

HEX #907A8A

RGB 144 122 138

HSL 316.36, 0.09%, 0.52%

LAB 53.69, 11.41, -5.52

 

CMYK 0 / 15 / 0 / 44

HEX #907A90

RGB 144 122 144

HSL 300, 0.09%, 0.52%

LAB 53.88, 12.59, -8.74

 

CMYK 4 / 15 / 0 / 44

HEX #8A7A90

RGB 138 122 144

HSL 283.64, 0.09%, 0.52%

LAB 53.32, 10.42, -9.64

 

CMYK 0 / 15 / 13 / 44

HEX #907A7E

RGB 144 122 126

HSL 349.09, 0.09%, 0.52%

LAB 53.34, 9.19, 0.97

 

CMYK 0 / 37 / 30 / 36

HEX #A36672

RGB 163 102 114

HSL 348.2, 0.25%, 0.52%

LAB 50.1, 26.17, 3.63

 

CMYK 0 / 55 / 45 / 28

HEX #B75265

RGB 183 82 101

HSL 348.71, 0.41%, 0.52%

LAB 48.31, 42.7, 9.25

 

CMYK 0 / 69 / 56 / 20

HEX #CB3E59

RGB 203 62 89

HSL 348.51, 0.58%, 0.52%

LAB 48.09, 57.07, 16.72

 

CMYK 0 / 81 / 65 / 13

HEX #DF2A4D

RGB 223 42 77

HSL 348.4, 0.74%, 0.52%

LAB 49.35, 68.31, 26.35

 

CMYK 0 / 15 / 13 / 44

HEX #907A7E

RGB 144 122 126

HSL 349.09, 0.09%, 0.52%

LAB 53.34, 9.19, 0.97

 

CMYK 12 / 0 / 2 / 45

HEX #7C8D8A

RGB 124 141 138

HSL 169.41, 0.07%, 0.52%

LAB 57.24, -6.73, -0.48

 

CMYK 35 / 0 / 7 / 37

HEX #68A196

RGB 104 161 150

HSL 168.42, 0.23%, 0.52%

LAB 62.2, -21.21, -0.2

 

CMYK 54 / 0 / 10 / 29

HEX #54B5A3

RGB 84 181 163

HSL 168.87, 0.4%, 0.52%

LAB 67.71, -32.98, 0.5

 

CMYK 68 / 0 / 13 / 21

HEX #40C9AF

RGB 64 201 175

HSL 168.61, 0.56%, 0.52%

LAB 73.52, -42.65, 2.33

 

CMYK 0 / 15 / 4 / 44

HEX #907A8A

RGB 144 122 138

HSL 316.36, 0.09%, 0.52%

LAB 53.69, 11.41, -5.52

 

CMYK 0 / 15 / 8 / 44

HEX #907A84

RGB 144 122 132

HSL 332.73, 0.09%, 0.52%

LAB 53.51, 10.28, -2.28

 

CMYK 0 / 15 / 13 / 44

HEX #907A7E

RGB 144 122 126

HSL 349.09, 0.09%, 0.52%

LAB 53.34, 9.19, 0.97

 

CMYK 0 / 15 / 15 / 44

HEX #907B7A

RGB 144 123 122

HSL 2.73, 0.09%, 0.52%

LAB 53.49, 7.91, 3.54

 

CMYK 0 / 10 / 15 / 44

HEX #90817A

RGB 144 129 122

HSL 19.09, 0.09%, 0.52%

LAB 55.11, 4.46, 5.86

 

CMYK 0 / 17 / 14 / 61

HEX #645356

RGB 100 83 86

HSL 349.41, 0.09%, 0.36%

LAB 37.06, 7.58, 0.87

 

CMYK 0 / 16 / 13 / 52

HEX #7A666A

RGB 122 102 106

HSL 348, 0.09%, 0.44%

LAB 45.19, 8.69, 0.72

 

CMYK 0 / 15 / 13 / 44

HEX #907A7E

RGB 144 122 126

HSL 349.09, 0.09%, 0.52%

LAB 53.34, 9.19, 0.97

 

CMYK 0 / 11 / 9 / 36

HEX #A29094

RGB 162 144 148

HSL 346.67, 0.09%, 0.6%

LAB 61.45, 7.41, 0.33

 

CMYK 0 / 8 / 7 / 29

HEX #B5A7A9

RGB 181 167 169

HSL 351.43, 0.09%, 0.68%

LAB 69.7, 5.41, 0.79

 

CMYK 0 / 15 / 12 / 44

HEX #8F7A7E

RGB 143 122 126

HSL 348.57, 0.09%, 0.52%

LAB 53.24, 8.8, 0.82

 

CMYK 0 / 0 / 15 / 44

HEX #90907A

RGB 144 144 122

HSL 60, 0.09%, 0.52%

LAB 59.23, -3.98, 11.71

 

CMYK 15 / 6 / 0 / 44

HEX #7A8790

RGB 122 135 144

HSL 204.55, 0.09%, 0.52%

LAB 55.56, -2.75, -6.43

 

CMYK 0 / 15 / 12 / 44

HEX #8F7A7E

RGB 143 122 126

HSL 348.57, 0.09%, 0.52%

LAB 53.24, 8.8, 0.82

 

CMYK 13 / 0 / 15 / 44

HEX #7E907A

RGB 126 144 122

HSL 109.09, 0.09%, 0.52%

LAB 57.83, -10.84, 9.54

 

CMYK 15 / 13 / 0 / 44

HEX #7A7E90

RGB 122 126 144

HSL 229.09, 0.09%, 0.52%

LAB 53.03, 2.42, -10.21

 

CMYK 0 / 15 / 12 / 44

HEX #8F7A7E

RGB 143 122 126

HSL 348.57, 0.09%, 0.52%

LAB 53.24, 8.8, 0.82

 

CMYK 0 / 0 / 15 / 44

HEX #90907A

RGB 144 144 122

HSL 60, 0.09%, 0.52%

LAB 59.23, -3.98, 11.71

 

CMYK 15 / 0 / 3 / 44

HEX #7A908B

RGB 122 144 139

HSL 166.36, 0.09%, 0.52%

LAB 57.99, -8.88, 0.02

 

CMYK 15 / 15 / 0 / 44

HEX #7A7A90

RGB 122 122 144

HSL 240, 0.09%, 0.52%

LAB 51.92, 4.75, -11.88

 

CMYK 0 / 15 / 12 / 44

HEX #8F7A7E

RGB 143 122 126

HSL 348.57, 0.09%, 0.52%

LAB 53.24, 8.8, 0.82

 

CMYK 5 / 0 / 15 / 44

HEX #89907A

RGB 137 144 122

HSL 79.09, 0.09%, 0.52%

LAB 58.67, -6.68, 10.84

 

CMYK 15 / 0 / 3 / 44

HEX #7A908B

RGB 122 144 139

HSL 166.36, 0.09%, 0.52%

LAB 57.99, -8.88, 0.02

 

CMYK 11 / 15 / 0 / 44

HEX #807A90

RGB 128 122 144

HSL 256.36, 0.09%, 0.52%

LAB 52.42, 6.85, -11.07

 

Description

Color code: HEX #8F7A7E | qconv.com Color code: HEX #8F7A7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 122 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 122 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 12 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 12% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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