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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F71BC it is the complementary color #708E43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F71BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F71BC shade: #9471B7, #A583CA, #B695DD, #C7A7F0 and #D8B9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F71BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F71BC shade: #8F71BC, #7E5FA9, #6D4D96, #5C3B83 and #4B2970

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F71BC shade: #8F71BC, #A371BC, #B871BC, #BC71AC and #BC7198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F71BC shade: #8F71BC, #7B71BC and #7171BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F71BC shade matches the following richer shades: #8F71BC, #8C60CD, #884FDE and #853EEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F71BC shade: #8F71BC, #9282AB, #96939A, #99A489 and #9CB478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F71BC shade: #717BBC, #7B71BC, #8F71BC, #A371BC and #B771BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F71BC shade: #654694, #7955AF, #8F71BC, #A58DC9 and #BBA9D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F71BC shade: #8F71BC, #BC718F and #71BC71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F71BC shade: #8F71BC, #BC8F71 and #71BC8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F71BC shade: #8F71BC, #BC718F, #9EBC71 and #71BC9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F71BC shade: #8F71BC, #BC7178, #9EBC71 and #71BCB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 40 / 0 / 26

HEX #8F71BC

RGB 143 113 188

HSL 264, 0.36%, 0.59%

LAB 53.26, 27.34, -35.2

 

Complementary color

CMYK 21 / 0 / 53 / 44

HEX #708E43

RGB 112 142 67

HSL 84, 0.36%, 0.41%

LAB 55.27, -23.48, 36.18

 

CMYK 19 / 38 / 0 / 28

HEX #9471B7

RGB 148 113 183

HSL 270, 0.33%, 0.58%

LAB 53.52, 27.67, -31.88

 

CMYK 18 / 35 / 0 / 21

HEX #A583CA

RGB 165 131 202

HSL 268.73, 0.4%, 0.65%

LAB 60.33, 26.93, -31.96

 

CMYK 18 / 33 / 0 / 13

HEX #B695DD

RGB 182 149 221

HSL 267.5, 0.51%, 0.73%

LAB 67.02, 26.25, -32.07

 

CMYK 17 / 30 / 0 / 6

HEX #C7A7F0

RGB 199 167 240

HSL 266.3, 0.71%, 0.8%

LAB 73.59, 25.63, -32.2

 

CMYK 15 / 27 / 0 / 0

HEX #D8B9FF

RGB 216 185 255

HSL 266.57, 1%, 0.86%

LAB 79.91, 24.21, -30.44

 

CMYK 24 / 40 / 0 / 26

HEX #8F71BC

RGB 143 113 188

HSL 264, 0.36%, 0.59%

LAB 53.26, 27.34, -35.2

 

CMYK 25 / 44 / 0 / 34

HEX #7E5FA9

RGB 126 95 169

HSL 265.14, 0.3%, 0.52%

LAB 46.29, 28.19, -35.22

 

CMYK 27 / 49 / 0 / 41

HEX #6D4D96

RGB 109 77 150

HSL 266.3, 0.32%, 0.45%

LAB 39.17, 29.13, -35.26

 

CMYK 30 / 55 / 0 / 49

HEX #5C3B83

RGB 92 59 131

HSL 267.5, 0.38%, 0.37%

LAB 31.9, 30.15, -35.3

 

CMYK 33 / 63 / 0 / 56

HEX #4B2970

RGB 75 41 112

HSL 268.73, 0.46%, 0.3%

LAB 24.49, 31.2, -35.3

 

CMYK 24 / 40 / 0 / 26

HEX #8F71BC

RGB 143 113 188

HSL 264, 0.36%, 0.59%

LAB 53.26, 27.34, -35.2

 

CMYK 13 / 40 / 0 / 26

HEX #A371BC

RGB 163 113 188

HSL 280, 0.36%, 0.59%

LAB 55.31, 33.41, -31.85

 

CMYK 2 / 40 / 0 / 26

HEX #B871BC

RGB 184 113 188

HSL 296.8, 0.36%, 0.59%

LAB 57.69, 39.91, -27.97

 

CMYK 0 / 40 / 9 / 26

HEX #BC71AC

RGB 188 113 172

HSL 312.8, 0.36%, 0.59%

LAB 57.54, 38.27, -18.97

 

CMYK 0 / 40 / 19 / 26

HEX #BC7198

RGB 188 113 152

HSL 328.8, 0.36%, 0.59%

LAB 56.85, 34.96, -8.45

 

CMYK 24 / 40 / 0 / 26

HEX #8F71BC

RGB 143 113 188

HSL 264, 0.36%, 0.59%

LAB 53.26, 27.34, -35.2

 

CMYK 35 / 40 / 0 / 26

HEX #7B71BC

RGB 123 113 188

HSL 248, 0.36%, 0.59%

LAB 51.44, 21.56, -38.18

 

CMYK 40 / 40 / 0 / 26

HEX #7171BC

RGB 113 113 188

HSL 240, 0.36%, 0.59%

LAB 50.63, 18.82, -39.51

 

CMYK 24 / 40 / 0 / 26

HEX #8F71BC

RGB 143 113 188

HSL 264, 0.36%, 0.59%

LAB 53.26, 27.34, -35.2

 

CMYK 32 / 53 / 0 / 20

HEX #8C60CD

RGB 140 96 205

HSL 264.22, 0.52%, 0.59%

LAB 49.92, 40.52, -50.25

 

CMYK 39 / 64 / 0 / 13

HEX #884FDE

RGB 136 79 222

HSL 263.92, 0.68%, 0.59%

LAB 47.11, 53.13, -64.5

 

CMYK 44 / 74 / 0 / 6

HEX #853EEF

RGB 133 62 239

HSL 264.07, 0.85%, 0.59%

LAB 45.17, 64.92, -77.28

 

CMYK 24 / 40 / 0 / 26

HEX #8F71BC

RGB 143 113 188

HSL 264, 0.36%, 0.59%

LAB 53.26, 27.34, -35.2

 

CMYK 15 / 24 / 0 / 33

HEX #9282AB

RGB 146 130 171

HSL 263.41, 0.2%, 0.59%

LAB 57.09, 14.39, -19.48

 

CMYK 3 / 5 / 0 / 40

HEX #96939A

RGB 150 147 154

HSL 265.71, 0.03%, 0.59%

LAB 61.38, 2.46, -3.3

 

CMYK 7 / 0 / 16 / 36

HEX #99A489

RGB 153 164 137

HSL 84.44, 0.13%, 0.59%

LAB 65.85, -8.89, 12.71

 

CMYK 13 / 0 / 33 / 29

HEX #9CB478

RGB 156 180 120

HSL 84, 0.29%, 0.59%

LAB 70.22, -18.74, 27.96

 

CMYK 40 / 35 / 0 / 26

HEX #717BBC

RGB 113 123 188

HSL 232, 0.36%, 0.59%

LAB 53.28, 12.8, -35.34

 

CMYK 35 / 40 / 0 / 26

HEX #7B71BC

RGB 123 113 188

HSL 248, 0.36%, 0.59%

LAB 51.44, 21.56, -38.18

 

CMYK 24 / 40 / 0 / 26

HEX #8F71BC

RGB 143 113 188

HSL 264, 0.36%, 0.59%

LAB 53.26, 27.34, -35.2

 

CMYK 13 / 40 / 0 / 26

HEX #A371BC

RGB 163 113 188

HSL 280, 0.36%, 0.59%

LAB 55.31, 33.41, -31.85

 

CMYK 3 / 40 / 0 / 26

HEX #B771BC

RGB 183 113 188

HSL 296, 0.36%, 0.59%

LAB 57.57, 39.6, -28.16

 

CMYK 32 / 53 / 0 / 42

HEX #654694

RGB 101 70 148

HSL 263.85, 0.36%, 0.43%

LAB 36.53, 30.56, -38.31

 

CMYK 31 / 51 / 0 / 31

HEX #7955AF

RGB 121 85 175

HSL 264, 0.36%, 0.51%

LAB 43.74, 34.21, -42.82

 

CMYK 24 / 40 / 0 / 26

HEX #8F71BC

RGB 143 113 188

HSL 264, 0.36%, 0.59%

LAB 53.26, 27.34, -35.2

 

CMYK 18 / 30 / 0 / 21

HEX #A58DC9

RGB 165 141 201

HSL 264, 0.36%, 0.67%

LAB 62.73, 21.01, -27.69

 

CMYK 13 / 21 / 0 / 16

HEX #BBA9D6

RGB 187 169 214

HSL 264, 0.35%, 0.75%

LAB 72.09, 15.17, -20.41

 

CMYK 24 / 40 / 0 / 26

HEX #8F71BC

RGB 143 113 188

HSL 264, 0.36%, 0.59%

LAB 53.26, 27.34, -35.2

 

CMYK 0 / 40 / 24 / 26

HEX #BC718F

RGB 188 113 143

HSL 336, 0.36%, 0.59%

LAB 56.57, 33.59, -3.63

 

CMYK 40 / 0 / 40 / 26

HEX #71BC71

RGB 113 188 113

HSL 120, 0.36%, 0.59%

LAB 69.94, -38.65, 30.8

 

CMYK 24 / 40 / 0 / 26

HEX #8F71BC

RGB 143 113 188

HSL 264, 0.36%, 0.59%

LAB 53.26, 27.34, -35.2

 

CMYK 0 / 24 / 40 / 26

HEX #BC8F71

RGB 188 143 113

HSL 24, 0.36%, 0.59%

LAB 62.95, 13.03, 22.55

 

CMYK 40 / 0 / 24 / 26

HEX #71BC8F

RGB 113 188 143

HSL 144, 0.36%, 0.59%

LAB 70.5, -33.34, 15.58

 

CMYK 24 / 40 / 0 / 26

HEX #8F71BC

RGB 143 113 188

HSL 264, 0.36%, 0.59%

LAB 53.26, 27.34, -35.2

 

CMYK 0 / 40 / 24 / 26

HEX #BC718F

RGB 188 113 143

HSL 336, 0.36%, 0.59%

LAB 56.57, 33.59, -3.63

 

CMYK 16 / 0 / 40 / 26

HEX #9EBC71

RGB 158 188 113

HSL 84, 0.36%, 0.59%

LAB 72.51, -22.92, 34.63

 

CMYK 40 / 0 / 16 / 26

HEX #71BC9E

RGB 113 188 158

HSL 156, 0.36%, 0.59%

LAB 70.83, -30.24, 7.91

 

CMYK 24 / 40 / 0 / 26

HEX #8F71BC

RGB 143 113 188

HSL 264, 0.36%, 0.59%

LAB 53.26, 27.34, -35.2

 

CMYK 0 / 40 / 36 / 26

HEX #BC7178

RGB 188 113 120

HSL 354.4, 0.36%, 0.59%

LAB 55.95, 30.45, 8.87

 

CMYK 16 / 0 / 40 / 26

HEX #9EBC71

RGB 158 188 113

HSL 84, 0.36%, 0.59%

LAB 72.51, -22.92, 34.63

 

CMYK 40 / 0 / 4 / 26

HEX #71BCB5

RGB 113 188 181

HSL 174.4, 0.36%, 0.59%

LAB 71.43, -24.95, -3.8

 

Description

Color code: HEX #8F71BC | qconv.com Color code: HEX #8F71BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 113 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 113 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 40 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 40% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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