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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F5F4F it is the complementary color #70A0B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F5F4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F5F4F shade: #945F4A, #A5715D, #B68370, #C79583 and #D8A796

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F5F4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F5F4F shade: #8F5F4F, #7E4D3C, #6D3B29, #5C2916 and #4B1703

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F5F4F shade: #916050 and #915050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F5F4F shade: #916050, #917150, #918350, #8D9150 and #7B9150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F5F4F shade matches the following richer shades: #916050, #A3573E, #B54E2B, #C74519 and #D93C07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F5F4F shade: #916050, #7F6962, #6C7274, #5A7B86 and #488498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F5F4F shade: #915062, #915051, #916050, #917150 and #918350

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F5F4F shade: #5C3D32, #764E41, #916050, #A87361 and #B78B7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F5F4F shade: #8F5F4F, #739150 and #505991

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F5F4F shade: #8F5F4F, #509160 and #605091

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F5F4F shade: #8F5F4F, #739150, #508091 and #6D5091

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F5F4F shade: #8F5F4F, #609150, #508091 and #805091

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 45 / 44

HEX #8F5F4F

RGB 143 95 79

HSL 15, 0.29%, 0.44%

LAB 45.07, 17.56, 17.12

 

Complementary color

CMYK 36 / 9 / 0 / 31

HEX #70A0B0

RGB 112 160 176

HSL 195, 0.29%, 0.56%

LAB 63.11, -11.95, -13.42

 

CMYK 0 / 36 / 50 / 42

HEX #945F4A

RGB 148 95 74

HSL 17.03, 0.33%, 0.44%

LAB 45.6, 19.15, 20.92

 

CMYK 0 / 32 / 44 / 35

HEX #A5715D

RGB 165 113 93

HSL 16.67, 0.29%, 0.51%

LAB 52.51, 18.07, 19.39

 

CMYK 0 / 28 / 38 / 29

HEX #B68370

RGB 182 131 112

HSL 16.29, 0.32%, 0.58%

LAB 59.29, 17.14, 18.04

 

CMYK 0 / 25 / 34 / 22

HEX #C79583

RGB 199 149 131

HSL 15.88, 0.38%, 0.65%

LAB 65.96, 16.33, 16.83

 

CMYK 0 / 23 / 31 / 15

HEX #D8A796

RGB 216 167 150

HSL 15.45, 0.46%, 0.72%

LAB 72.52, 15.63, 15.72

 

CMYK 0 / 34 / 45 / 44

HEX #8F5F4F

RGB 143 95 79

HSL 15, 0.29%, 0.44%

LAB 45.07, 17.56, 17.12

 

CMYK 0 / 39 / 52 / 51

HEX #7E4D3C

RGB 126 77 60

HSL 15.45, 0.35%, 0.36%

LAB 37.97, 18.73, 18.75

 

CMYK 0 / 46 / 62 / 57

HEX #6D3B29

RGB 109 59 41

HSL 15.88, 0.45%, 0.29%

LAB 30.73, 20.13, 20.68

 

CMYK 0 / 55 / 76 / 64

HEX #5C2916

RGB 92 41 22

HSL 16.29, 0.61%, 0.22%

LAB 23.4, 21.8, 23.02

 

CMYK 0 / 69 / 96 / 71

HEX #4B1703

RGB 75 23 3

HSL 16.67, 0.92%, 0.15%

LAB 16.08, 23.58, 23.08

 

CMYK 0 / 34 / 45 / 43

HEX #916050

RGB 145 96 80

HSL 14.77, 0.29%, 0.44%

LAB 45.59, 17.95, 17.27

 

CMYK 0 / 45 / 45 / 43

HEX #915050

RGB 145 80 80

HSL 0, 0.29%, 0.44%

LAB 41.75, 27.14, 12.03

 

CMYK 0 / 34 / 45 / 43

HEX #916050

RGB 145 96 80

HSL 14.77, 0.29%, 0.44%

LAB 45.59, 17.95, 17.27

 

CMYK 0 / 22 / 45 / 43

HEX #917150

RGB 145 113 80

HSL 30.46, 0.29%, 0.44%

LAB 49.99, 8.07, 23.12

 

CMYK 0 / 10 / 45 / 43

HEX #918350

RGB 145 131 80

HSL 47.08, 0.29%, 0.44%

LAB 54.9, -2.17, 29.44

 

CMYK 3 / 0 / 45 / 43

HEX #8D9150

RGB 141 145 80

HSL 63.69, 0.29%, 0.44%

LAB 58.5, -11.56, 33.87

 

CMYK 15 / 0 / 45 / 43

HEX #7B9150

RGB 123 145 80

HSL 80.31, 0.29%, 0.44%

LAB 57.12, -19.04, 31.85

 

CMYK 0 / 34 / 45 / 43

HEX #916050

RGB 145 96 80

HSL 14.77, 0.29%, 0.44%

LAB 45.59, 17.95, 17.27

 

CMYK 0 / 47 / 62 / 36

HEX #A3573E

RGB 163 87 62

HSL 14.85, 0.45%, 0.44%

LAB 45.57, 28.93, 28.3

 

CMYK 0 / 57 / 76 / 29

HEX #B54E2B

RGB 181 78 43

HSL 15.22, 0.62%, 0.44%

LAB 46.24, 39.72, 40.3

 

CMYK 0 / 65 / 87 / 22

HEX #C74519

RGB 199 69 25

HSL 15.17, 0.78%, 0.44%

LAB 47.58, 49.91, 51.05

 

CMYK 0 / 72 / 97 / 15

HEX #D93C07

RGB 217 60 7

HSL 15.14, 0.94%, 0.44%

LAB 49.49, 59.14, 59.46

 

CMYK 0 / 34 / 45 / 43

HEX #916050

RGB 145 96 80

HSL 14.77, 0.29%, 0.44%

LAB 45.59, 17.95, 17.27

 

CMYK 0 / 17 / 23 / 50

HEX #7F6962

RGB 127 105 98

HSL 14.48, 0.13%, 0.44%

LAB 46.31, 7.56, 7.2

 

CMYK 7 / 2 / 0 / 55

HEX #6C7274

RGB 108 114 116

HSL 195, 0.04%, 0.44%

LAB 47.6, -1.84, -1.9

 

CMYK 33 / 8 / 0 / 47

HEX #5A7B86

RGB 90 123 134

HSL 195, 0.2%, 0.44%

LAB 49.57, -8.86, -9.77

 

CMYK 53 / 13 / 0 / 40

HEX #488498

RGB 72 132 152

HSL 195, 0.36%, 0.44%

LAB 52, -13.68, -16.71

 

CMYK 0 / 45 / 32 / 43

HEX #915062

RGB 145 80 98

HSL 343.38, 0.29%, 0.44%

LAB 42.21, 29.4, 1.6

 

CMYK 0 / 45 / 44 / 43

HEX #915051

RGB 145 80 81

HSL 359.08, 0.29%, 0.44%

LAB 41.77, 27.25, 11.45

 

CMYK 0 / 34 / 45 / 43

HEX #916050

RGB 145 96 80

HSL 14.77, 0.29%, 0.44%

LAB 45.59, 17.95, 17.27

 

CMYK 0 / 22 / 45 / 43

HEX #917150

RGB 145 113 80

HSL 30.46, 0.29%, 0.44%

LAB 49.99, 8.07, 23.12

 

CMYK 0 / 10 / 45 / 43

HEX #918350

RGB 145 131 80

HSL 47.08, 0.29%, 0.44%

LAB 54.9, -2.17, 29.44

 

CMYK 0 / 34 / 46 / 64

HEX #5C3D32

RGB 92 61 50

HSL 15.71, 0.3%, 0.28%

LAB 29.01, 12.09, 12.28

 

CMYK 0 / 34 / 45 / 54

HEX #764E41

RGB 118 78 65

HSL 14.72, 0.29%, 0.36%

LAB 37.27, 15.17, 14.55

 

CMYK 0 / 34 / 45 / 43

HEX #916050

RGB 145 96 80

HSL 14.77, 0.29%, 0.44%

LAB 45.59, 17.95, 17.27

 

CMYK 0 / 32 / 42 / 34

HEX #A87361

RGB 168 115 97

HSL 15.21, 0.29%, 0.52%

LAB 53.44, 18.63, 18.39

 

CMYK 0 / 24 / 32 / 28

HEX #B78B7C

RGB 183 139 124

HSL 15.25, 0.29%, 0.6%

LAB 61.64, 14.6, 14.5

 

CMYK 0 / 34 / 45 / 44

HEX #8F5F4F

RGB 143 95 79

HSL 15, 0.29%, 0.44%

LAB 45.07, 17.56, 17.12

 

CMYK 21 / 0 / 45 / 43

HEX #739150

RGB 115 145 80

HSL 87.69, 0.29%, 0.44%

LAB 56.56, -22.25, 31.03

 

CMYK 45 / 39 / 0 / 43

HEX #505991

RGB 80 89 145

HSL 231.69, 0.29%, 0.44%

LAB 39.4, 11.97, -32.05

 

CMYK 0 / 34 / 45 / 44

HEX #8F5F4F

RGB 143 95 79

HSL 15, 0.29%, 0.44%

LAB 45.07, 17.56, 17.12

 

CMYK 45 / 0 / 34 / 43

HEX #509160

RGB 80 145 96

HSL 134.77, 0.29%, 0.44%

LAB 54.87, -32.02, 19.7

 

CMYK 34 / 45 / 0 / 43

HEX #605091

RGB 96 80 145

HSL 254.77, 0.29%, 0.44%

LAB 38.32, 22.17, -33.67

 

CMYK 0 / 34 / 45 / 44

HEX #8F5F4F

RGB 143 95 79

HSL 15, 0.29%, 0.44%

LAB 45.07, 17.56, 17.12

 

CMYK 21 / 0 / 45 / 43

HEX #739150

RGB 115 145 80

HSL 87.69, 0.29%, 0.44%

LAB 56.56, -22.25, 31.03

 

CMYK 45 / 12 / 0 / 43

HEX #508091

RGB 80 128 145

HSL 195.69, 0.29%, 0.44%

LAB 50.91, -11.52, -14.26

 

CMYK 25 / 45 / 0 / 43

HEX #6D5091

RGB 109 80 145

HSL 266.77, 0.29%, 0.44%

LAB 39.64, 26.04, -31.51

 

CMYK 0 / 34 / 45 / 44

HEX #8F5F4F

RGB 143 95 79

HSL 15, 0.29%, 0.44%

LAB 45.07, 17.56, 17.12

 

CMYK 34 / 0 / 45 / 43

HEX #609150

RGB 96 145 80

HSL 105.23, 0.29%, 0.44%

LAB 55.4, -29.4, 29.32

 

CMYK 45 / 12 / 0 / 43

HEX #508091

RGB 80 128 145

HSL 195.69, 0.29%, 0.44%

LAB 50.91, -11.52, -14.26

 

CMYK 12 / 45 / 0 / 43

HEX #805091

RGB 128 80 145

HSL 284.31, 0.29%, 0.44%

LAB 41.8, 31.92, -27.96

 

Description

Color code: HEX #8F5F4F | qconv.com Color code: HEX #8F5F4F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 95 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 95 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 45 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 45% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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