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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F5EBB it is the complementary color #70A144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F5EBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F5EBB shade: #945EB6, #A570C9, #B682DC, #C794EF and #D8A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F5EBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F5EBB shade: #8F5EBB, #7E4CA8, #6D3A95, #5C2882 and #4B166F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F5EBB shade: #8F5DBB, #A85DBB, #BB5DB5, #BB5D9C and #BB5D82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F5EBB shade: #8F5DBB, #755DBB and #5D5DBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F5EBB shade matches the following richer shades: #8F5DBB, #904BCE, #9138E0 and #9226F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F5EBB shade: #8F5DBB, #8E70A9, #8D8296, #8C9584 and #8BA771

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F5EBB shade: #5D5FBB, #755DBB, #8E5DBB, #A75DBB and #BB5DB7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F5EBB shade: #653A8C, #7A47A9, #8F5DBB, #A37AC7 and #B797D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F5EBB shade: #8F5EBB, #BB5D78 and #5DBB68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F5EBB shade: #8F5EBB, #BB8E5D and #5DBB8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F5EBB shade: #8F5EBB, #BB5D78, #8BBB5D and #5DBBA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F5EBB shade: #8F5EBB, #BB5F5D, #8BBB5D and #5DBABB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 50 / 0 / 27

HEX #8F5EBB

RGB 143 94 187

HSL 271.61, 0.41%, 0.55%

LAB 48.8, 38.03, -41.64

 

Complementary color

CMYK 30 / 0 / 58 / 37

HEX #70A144

RGB 112 161 68

HSL 91.61, 0.41%, 0.45%

LAB 61.09, -32.58, 42.51

 

CMYK 19 / 48 / 0 / 29

HEX #945EB6

RGB 148 94 182

HSL 276.82, 0.38%, 0.54%

LAB 49.1, 38.27, -38.22

 

CMYK 18 / 44 / 0 / 21

HEX #A570C9

RGB 165 112 201

HSL 275.73, 0.45%, 0.61%

LAB 55.89, 37.43, -38.34

 

CMYK 17 / 41 / 0 / 14

HEX #B682DC

RGB 182 130 220

HSL 274.67, 0.56%, 0.69%

LAB 62.57, 36.62, -38.44

 

CMYK 17 / 38 / 0 / 6

HEX #C794EF

RGB 199 148 239

HSL 273.63, 0.74%, 0.76%

LAB 69.15, 35.85, -38.55

 

CMYK 15 / 35 / 0 / 0

HEX #D8A6FF

RGB 216 166 255

HSL 273.71, 1%, 0.83%

LAB 75.51, 34.5, -37.23

 

CMYK 24 / 50 / 0 / 27

HEX #8F5EBB

RGB 143 94 187

HSL 271.61, 0.41%, 0.55%

LAB 48.8, 38.03, -41.64

 

CMYK 25 / 55 / 0 / 34

HEX #7E4CA8

RGB 126 76 168

HSL 272.61, 0.38%, 0.48%

LAB 41.89, 38.95, -41.59

 

CMYK 27 / 61 / 0 / 42

HEX #6D3A95

RGB 109 58 149

HSL 273.63, 0.44%, 0.41%

LAB 34.9, 39.83, -41.46

 

CMYK 29 / 69 / 0 / 49

HEX #5C2882

RGB 92 40 130

HSL 274.67, 0.53%, 0.33%

LAB 27.86, 40.54, -41.17

 

CMYK 32 / 80 / 0 / 56

HEX #4B166F

RGB 75 22 111

HSL 275.73, 0.67%, 0.26%

LAB 20.89, 40.7, -40.46

 

CMYK 24 / 50 / 0 / 27

HEX #8F5DBB

RGB 143 93 187

HSL 271.91, 0.41%, 0.55%

LAB 48.58, 38.59, -41.99

 

CMYK 10 / 50 / 0 / 27

HEX #A85DBB

RGB 168 93 187

HSL 287.87, 0.41%, 0.55%

LAB 51.54, 45.6, -37.12

 

CMYK 0 / 50 / 3 / 27

HEX #BB5DB5

RGB 187 93 181

HSL 303.83, 0.41%, 0.55%

LAB 53.74, 49.93, -30.03

 

CMYK 0 / 50 / 17 / 27

HEX #BB5D9C

RGB 187 93 156

HSL 319.79, 0.41%, 0.55%

LAB 52.72, 45.75, -17.02

 

CMYK 0 / 50 / 30 / 27

HEX #BB5D82

RGB 187 93 130

HSL 336.38, 0.41%, 0.55%

LAB 51.84, 41.99, -2.97

 

CMYK 24 / 50 / 0 / 27

HEX #8F5DBB

RGB 143 93 187

HSL 271.91, 0.41%, 0.55%

LAB 48.58, 38.59, -41.99

 

CMYK 37 / 50 / 0 / 27

HEX #755DBB

RGB 117 93 187

HSL 255.32, 0.41%, 0.55%

LAB 45.9, 31.65, -46.41

 

CMYK 50 / 50 / 0 / 27

HEX #5D5DBB

RGB 93 93 187

HSL 240, 0.41%, 0.55%

LAB 43.86, 25.86, -49.79

 

CMYK 24 / 50 / 0 / 27

HEX #8F5DBB

RGB 143 93 187

HSL 271.91, 0.41%, 0.55%

LAB 48.58, 38.59, -41.99

 

CMYK 30 / 64 / 0 / 19

HEX #904BCE

RGB 144 75 206

HSL 271.6, 0.57%, 0.55%

LAB 46.2, 52.93, -56.76

 

CMYK 35 / 75 / 0 / 12

HEX #9138E0

RGB 145 56 224

HSL 271.79, 0.73%, 0.55%

LAB 44.56, 65.79, -69.72

 

CMYK 40 / 84 / 0 / 5

HEX #9226F3

RGB 146 38 243

HSL 271.61, 0.9%, 0.55%

LAB 44.19, 76.11, -81.09

 

CMYK 24 / 50 / 0 / 27

HEX #8F5DBB

RGB 143 93 187

HSL 271.91, 0.41%, 0.55%

LAB 48.58, 38.59, -41.99

 

CMYK 16 / 34 / 0 / 34

HEX #8E70A9

RGB 142 112 169

HSL 271.58, 0.25%, 0.55%

LAB 52.07, 23.12, -26.08

 

CMYK 6 / 13 / 0 / 41

HEX #8D8296

RGB 141 130 150

HSL 273, 0.09%, 0.55%

LAB 55.92, 8.1, -9.2

 

CMYK 6 / 0 / 11 / 42

HEX #8C9584

RGB 140 149 132

HSL 91.76, 0.07%, 0.55%

LAB 60.55, -6.51, 7.87

 

CMYK 17 / 0 / 32 / 35

HEX #8BA771

RGB 139 167 113

HSL 91.11, 0.23%, 0.55%

LAB 65.21, -19.58, 24.84

 

CMYK 50 / 49 / 0 / 27

HEX #5D5FBB

RGB 93 95 187

HSL 238.72, 0.41%, 0.55%

LAB 44.38, 24.62, -48.97

 

CMYK 37 / 50 / 0 / 27

HEX #755DBB

RGB 117 93 187

HSL 255.32, 0.41%, 0.55%

LAB 45.9, 31.65, -46.41

 

CMYK 24 / 50 / 0 / 27

HEX #8E5DBB

RGB 142 93 187

HSL 271.28, 0.41%, 0.55%

LAB 48.47, 38.31, -42.17

 

CMYK 11 / 50 / 0 / 27

HEX #A75DBB

RGB 167 93 187

HSL 287.23, 0.41%, 0.55%

LAB 51.42, 45.31, -37.32

 

CMYK 0 / 50 / 2 / 27

HEX #BB5DB7

RGB 187 93 183

HSL 302.55, 0.41%, 0.55%

LAB 53.83, 50.28, -31.05

 

CMYK 28 / 59 / 0 / 45

HEX #653A8C

RGB 101 58 140

HSL 271.46, 0.41%, 0.39%

LAB 33.32, 35.52, -38.54

 

CMYK 28 / 58 / 0 / 34

HEX #7A47A9

RGB 122 71 169

HSL 271.22, 0.41%, 0.47%

LAB 40.42, 40.92, -44.56

 

CMYK 24 / 50 / 0 / 27

HEX #8F5DBB

RGB 143 93 187

HSL 271.91, 0.41%, 0.55%

LAB 48.58, 38.59, -41.99

 

CMYK 18 / 39 / 0 / 22

HEX #A37AC7

RGB 163 122 199

HSL 271.95, 0.41%, 0.63%

LAB 57.87, 30.76, -34.11

 

CMYK 14 / 29 / 0 / 17

HEX #B797D4

RGB 183 151 212

HSL 271.48, 0.41%, 0.71%

LAB 67.24, 23.48, -26.74

 

CMYK 24 / 50 / 0 / 27

HEX #8F5EBB

RGB 143 94 187

HSL 271.61, 0.41%, 0.55%

LAB 48.8, 38.03, -41.64

 

CMYK 0 / 50 / 36 / 27

HEX #BB5D78

RGB 187 93 120

HSL 342.77, 0.41%, 0.55%

LAB 51.55, 40.71, 2.56

 

CMYK 50 / 0 / 44 / 27

HEX #5DBB68

RGB 93 187 104

HSL 127.02, 0.41%, 0.55%

LAB 68.66, -45.46, 33.62

 

CMYK 24 / 50 / 0 / 27

HEX #8F5EBB

RGB 143 94 187

HSL 271.61, 0.41%, 0.55%

LAB 48.8, 38.03, -41.64

 

CMYK 0 / 24 / 50 / 27

HEX #BB8E5D

RGB 187 142 93

HSL 31.28, 0.41%, 0.55%

LAB 62.25, 11.05, 32.58

 

CMYK 50 / 0 / 24 / 27

HEX #5DBB8E

RGB 93 187 142

HSL 151.28, 0.41%, 0.55%

LAB 69.34, -38.49, 14.38

 

CMYK 24 / 50 / 0 / 27

HEX #8F5EBB

RGB 143 94 187

HSL 271.61, 0.41%, 0.55%

LAB 48.8, 38.03, -41.64

 

CMYK 0 / 50 / 36 / 27

HEX #BB5D78

RGB 187 93 120

HSL 342.77, 0.41%, 0.55%

LAB 51.55, 40.71, 2.56

 

CMYK 26 / 0 / 50 / 27

HEX #8BBB5D

RGB 139 187 93

HSL 90.64, 0.41%, 0.55%

LAB 70.75, -31.99, 42.24

 

CMYK 50 / 0 / 14 / 27

HEX #5DBBA1

RGB 93 187 161

HSL 163.4, 0.41%, 0.55%

LAB 69.78, -34.24, 4.65

 

CMYK 24 / 50 / 0 / 27

HEX #8F5EBB

RGB 143 94 187

HSL 271.61, 0.41%, 0.55%

LAB 48.8, 38.03, -41.64

 

CMYK 0 / 49 / 50 / 27

HEX #BB5F5D

RGB 187 95 93

HSL 1.28, 0.41%, 0.55%

LAB 51.31, 36.75, 18.27

 

CMYK 26 / 0 / 50 / 27

HEX #8BBB5D

RGB 139 187 93

HSL 90.64, 0.41%, 0.55%

LAB 70.75, -31.99, 42.24

 

CMYK 50 / 1 / 0 / 27

HEX #5DBABB

RGB 93 186 187

HSL 180.64, 0.41%, 0.55%

LAB 70.2, -27.22, -9

 

Description

Color code: HEX #8F5EBB | qconv.com Color code: HEX #8F5EBB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 94 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 94 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 50 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 50% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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