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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F5E57 it is the complementary color #70A1A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F5E57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F5E57 shade: #945E52, #A57065, #B68278, #C7948B and #D8A69E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F5E57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F5E57 shade: #8F5E57, #7E4C44, #6D3A31, #5C281E and #4B160B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F5E57 shade: #8E5E57 and #8E5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F5E57 shade: #8E5E57, #8E6D57, #8E7C57, #8E8B57 and #838E57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F5E57 shade matches the following richer shades: #8E5E57, #A15045, #B34232, #C63420 and #D9260D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F5E57 shade: #8E5E57, #7C6C6A, #697A7C, #57888F and #4496A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F5E57 shade: #8E576E, #8E575F, #8E5E57, #8E6C57 and #8E7B57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F5E57 shade: #5B3C38, #754D48, #8E5E57, #A4726B and #B48A84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F5E57 shade: #8F5E57, #7D8E57 and #57678E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F5E57 shade: #8F5E57, #578E5E and #5E578E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F5E57 shade: #8F5E57, #7D8E57, #57888E and #69578E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F5E57 shade: #8F5E57, #6C8E57, #57888E and #79578E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 39 / 44

HEX #8F5E57

RGB 143 94 87

HSL 7.5, 0.24%, 0.45%

LAB 44.99, 19.11, 12.22

 

Complementary color

CMYK 33 / 4 / 0 / 34

HEX #70A1A8

RGB 112 161 168

HSL 187.5, 0.24%, 0.55%

LAB 63.15, -14.52, -8.88

 

CMYK 0 / 36 / 45 / 42

HEX #945E52

RGB 148 94 82

HSL 10.91, 0.29%, 0.45%

LAB 45.51, 20.6, 16.04

 

CMYK 0 / 32 / 39 / 35

HEX #A57065

RGB 165 112 101

HSL 10.31, 0.26%, 0.52%

LAB 52.43, 19.58, 14.62

 

CMYK 0 / 29 / 34 / 29

HEX #B68278

RGB 182 130 120

HSL 9.68, 0.3%, 0.59%

LAB 59.22, 18.7, 13.38

 

CMYK 0 / 26 / 30 / 22

HEX #C7948B

RGB 199 148 139

HSL 9, 0.35%, 0.66%

LAB 65.89, 17.93, 12.26

 

CMYK 0 / 23 / 27 / 15

HEX #D8A69E

RGB 216 166 158

HSL 8.28, 0.43%, 0.73%

LAB 72.46, 17.25, 11.24

 

CMYK 0 / 34 / 39 / 44

HEX #8F5E57

RGB 143 94 87

HSL 7.5, 0.24%, 0.45%

LAB 44.99, 19.11, 12.22

 

CMYK 0 / 40 / 46 / 51

HEX #7E4C44

RGB 126 76 68

HSL 8.28, 0.3%, 0.38%

LAB 37.88, 20.19, 13.71

 

CMYK 0 / 47 / 55 / 57

HEX #6D3A31

RGB 109 58 49

HSL 9, 0.38%, 0.31%

LAB 30.64, 21.46, 15.52

 

CMYK 0 / 57 / 67 / 64

HEX #5C281E

RGB 92 40 30

HSL 9.68, 0.51%, 0.24%

LAB 23.29, 22.93, 17.82

 

CMYK 0 / 71 / 85 / 71

HEX #4B160B

RGB 75 22 11

HSL 10.31, 0.74%, 0.17%

LAB 15.97, 24.46, 19.68

 

CMYK 0 / 34 / 39 / 44

HEX #8E5E57

RGB 142 94 87

HSL 7.64, 0.24%, 0.45%

LAB 44.86, 18.7, 12.03

 

CMYK 0 / 39 / 39 / 44

HEX #8E5757

RGB 142 87 87

HSL 0, 0.24%, 0.45%

LAB 43.15, 22.76, 9.63

 

CMYK 0 / 34 / 39 / 44

HEX #8E5E57

RGB 142 94 87

HSL 7.64, 0.24%, 0.45%

LAB 44.86, 18.7, 12.03

 

CMYK 0 / 23 / 39 / 44

HEX #8E6D57

RGB 142 109 87

HSL 24, 0.24%, 0.45%

LAB 48.73, 9.94, 17.33

 

CMYK 0 / 13 / 39 / 44

HEX #8E7C57

RGB 142 124 87

HSL 40.36, 0.24%, 0.45%

LAB 52.79, 1.3, 22.76

 

CMYK 0 / 2 / 39 / 44

HEX #8E8B57

RGB 142 139 87

HSL 56.73, 0.24%, 0.45%

LAB 56.98, -7.08, 28.22

 

CMYK 8 / 0 / 39 / 44

HEX #838E57

RGB 131 142 87

HSL 72, 0.24%, 0.45%

LAB 56.94, -13.31, 27.98

 

CMYK 0 / 34 / 39 / 44

HEX #8E5E57

RGB 142 94 87

HSL 7.64, 0.24%, 0.45%

LAB 44.86, 18.7, 12.03

 

CMYK 0 / 50 / 57 / 37

HEX #A15045

RGB 161 80 69

HSL 7.17, 0.4%, 0.45%

LAB 43.86, 32.47, 21.96

 

CMYK 0 / 63 / 72 / 30

HEX #B34232

RGB 179 66 50

HSL 7.44, 0.56%, 0.45%

LAB 43.81, 45, 33.72

 

CMYK 0 / 74 / 84 / 22

HEX #C63420

RGB 198 52 32

HSL 7.23, 0.72%, 0.45%

LAB 45.03, 56.33, 45.7

 

CMYK 0 / 82 / 94 / 15

HEX #D9260D

RGB 217 38 13

HSL 7.35, 0.89%, 0.45%

LAB 47.19, 65.69, 56.6

 

CMYK 0 / 34 / 39 / 44

HEX #8E5E57

RGB 142 94 87

HSL 7.64, 0.24%, 0.45%

LAB 44.86, 18.7, 12.03

 

CMYK 0 / 13 / 15 / 51

HEX #7C6C6A

RGB 124 108 106

HSL 6.67, 0.08%, 0.45%

LAB 47.04, 5.93, 3.43

 

CMYK 15 / 2 / 0 / 51

HEX #697A7C

RGB 105 122 124

HSL 186.32, 0.08%, 0.45%

LAB 49.95, -5.78, -3.21

 

CMYK 39 / 5 / 0 / 44

HEX #57888F

RGB 87 136 143

HSL 187.5, 0.24%, 0.45%

LAB 53.62, -14.59, -8.98

 

CMYK 58 / 7 / 0 / 37

HEX #4496A1

RGB 68 150 161

HSL 187.1, 0.41%, 0.45%

LAB 57.67, -21.52, -13.33

 

CMYK 0 / 39 / 23 / 44

HEX #8E576E

RGB 142 87 110

HSL 334.91, 0.24%, 0.45%

LAB 43.79, 26.07, -3.5

 

CMYK 0 / 39 / 33 / 44

HEX #8E575F

RGB 142 87 95

HSL 351.27, 0.24%, 0.45%

LAB 43.35, 23.83, 5.03

 

CMYK 0 / 34 / 39 / 44

HEX #8E5E57

RGB 142 94 87

HSL 7.64, 0.24%, 0.45%

LAB 44.86, 18.7, 12.03

 

CMYK 0 / 24 / 39 / 44

HEX #8E6C57

RGB 142 108 87

HSL 22.91, 0.24%, 0.45%

LAB 48.47, 10.52, 16.97

 

CMYK 0 / 13 / 39 / 44

HEX #8E7B57

RGB 142 123 87

HSL 39.27, 0.24%, 0.45%

LAB 52.51, 1.87, 22.39

 

CMYK 0 / 34 / 38 / 64

HEX #5B3C38

RGB 91 60 56

HSL 6.86, 0.24%, 0.29%

LAB 28.75, 13.08, 8.01

 

CMYK 0 / 34 / 38 / 54

HEX #754D48

RGB 117 77 72

HSL 6.67, 0.24%, 0.37%

LAB 37.04, 16.23, 9.87

 

CMYK 0 / 34 / 39 / 44

HEX #8E5E57

RGB 142 94 87

HSL 7.64, 0.24%, 0.45%

LAB 44.86, 18.7, 12.03

 

CMYK 0 / 30 / 35 / 36

HEX #A4726B

RGB 164 114 107

HSL 7.37, 0.24%, 0.53%

LAB 52.94, 18.8, 11.81

 

CMYK 0 / 23 / 27 / 29

HEX #B48A84

RGB 180 138 132

HSL 7.5, 0.24%, 0.61%

LAB 61.26, 15.09, 9.38

 

CMYK 0 / 34 / 39 / 44

HEX #8F5E57

RGB 143 94 87

HSL 7.5, 0.24%, 0.45%

LAB 44.99, 19.11, 12.22

 

CMYK 12 / 0 / 39 / 44

HEX #7D8E57

RGB 125 142 87

HSL 78.55, 0.24%, 0.45%

LAB 56.48, -15.76, 27.3

 

CMYK 39 / 27 / 0 / 44

HEX #57678E

RGB 87 103 142

HSL 222.55, 0.24%, 0.45%

LAB 43.77, 4.29, -23.39

 

CMYK 0 / 34 / 39 / 44

HEX #8F5E57

RGB 143 94 87

HSL 7.5, 0.24%, 0.45%

LAB 44.99, 19.11, 12.22

 

CMYK 39 / 0 / 34 / 44

HEX #578E5E

RGB 87 142 94

HSL 127.64, 0.24%, 0.45%

LAB 54.22, -28.77, 20.01

 

CMYK 34 / 39 / 0 / 44

HEX #5E578E

RGB 94 87 142

HSL 247.64, 0.24%, 0.45%

LAB 39.83, 16.35, -29.49

 

CMYK 0 / 34 / 39 / 44

HEX #8F5E57

RGB 143 94 87

HSL 7.5, 0.24%, 0.45%

LAB 44.99, 19.11, 12.22

 

CMYK 12 / 0 / 39 / 44

HEX #7D8E57

RGB 125 142 87

HSL 78.55, 0.24%, 0.45%

LAB 56.48, -15.76, 27.3

 

CMYK 39 / 4 / 0 / 44

HEX #57888E

RGB 87 136 142

HSL 186.55, 0.24%, 0.45%

LAB 53.59, -14.86, -8.45

 

CMYK 26 / 39 / 0 / 44

HEX #69578E

RGB 105 87 142

HSL 259.64, 0.24%, 0.45%

LAB 40.85, 19.73, -27.81

 

CMYK 0 / 34 / 39 / 44

HEX #8F5E57

RGB 143 94 87

HSL 7.5, 0.24%, 0.45%

LAB 44.99, 19.11, 12.22

 

CMYK 24 / 0 / 39 / 44

HEX #6C8E57

RGB 108 142 87

HSL 97.09, 0.24%, 0.45%

LAB 55.3, -22.46, 25.54

 

CMYK 39 / 4 / 0 / 44

HEX #57888E

RGB 87 136 142

HSL 186.55, 0.24%, 0.45%

LAB 53.59, -14.86, -8.45

 

CMYK 15 / 39 / 0 / 44

HEX #79578E

RGB 121 87 142

HSL 277.09, 0.24%, 0.45%

LAB 42.51, 24.88, -25.1

 

Description

Color code: HEX #8F5E57 | qconv.com Color code: HEX #8F5E57 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 94 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 94 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 39 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 39% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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