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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F4F6D it is the complementary color #70B092. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F4F6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F4F6D shade: #944F68, #A5617B, #B6738E, #C785A1 and #D897B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F4F6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F4F6D shade: #8F4F6D, #7E3D5A, #6D2B47, #5C1934 and #4B0721

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F4F6D shade: #91506E, #91505D and #915050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F4F6D shade: #91506E, #915080, #905091, #7F5091 and #6D5091

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F4F6D shade matches the following richer shades: #91506E, #A33E6D, #B52B6C, #C7196B and #D9076A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F4F6D shade: #91506E, #7F626F, #6C7470, #5A8672 and #489873

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F4F6D shade: #905091, #915080, #91506F, #91505E and #915350

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F4F6D shade: #5C3246, #76415A, #91506E, #A86183 and #B77C98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F4F6D shade: #8F4F6D, #917E50 and #508991

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F4F6D shade: #8F4F6D, #6F9150 and #506F91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F4F6D shade: #8F4F6D, #917E50, #509171 and #506291

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F4F6D shade: #8F4F6D, #909150, #509171 and #515091

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 24 / 44

HEX #8F4F6D

RGB 143 79 109

HSL 331.88, 0.29%, 0.44%

LAB 42.06, 30.83, -5.44

 

Complementary color

CMYK 36 / 0 / 17 / 31

HEX #70B092

RGB 112 176 146

HSL 151.88, 0.29%, 0.56%

LAB 66.95, -27.28, 8.94

 

CMYK 0 / 47 / 30 / 42

HEX #944F68

RGB 148 79 104

HSL 338.26, 0.3%, 0.45%

LAB 42.59, 31.93, -1.49

 

CMYK 0 / 41 / 25 / 35

HEX #A5617B

RGB 165 97 123

HSL 337.06, 0.27%, 0.51%

LAB 49.47, 31.03, -2.63

 

CMYK 0 / 37 / 22 / 29

HEX #B6738E

RGB 182 115 142

HSL 335.82, 0.31%, 0.58%

LAB 56.25, 30.17, -3.61

 

CMYK 0 / 33 / 19 / 22

HEX #C785A1

RGB 199 133 161

HSL 334.55, 0.37%, 0.65%

LAB 62.92, 29.38, -4.46

 

CMYK 0 / 30 / 17 / 15

HEX #D897B4

RGB 216 151 180

HSL 333.23, 0.45%, 0.72%

LAB 69.49, 28.64, -5.24

 

CMYK 0 / 45 / 24 / 44

HEX #8F4F6D

RGB 143 79 109

HSL 331.88, 0.29%, 0.44%

LAB 42.06, 30.83, -5.44

 

CMYK 0 / 52 / 29 / 51

HEX #7E3D5A

RGB 126 61 90

HSL 333.23, 0.35%, 0.37%

LAB 35.03, 31.72, -4.25

 

CMYK 0 / 61 / 35 / 57

HEX #6D2B47

RGB 109 43 71

HSL 334.55, 0.43%, 0.3%

LAB 27.94, 32.52, -2.7

 

CMYK 0 / 73 / 43 / 64

HEX #5C1934

RGB 92 25 52

HSL 335.82, 0.57%, 0.23%

LAB 20.9, 32.95, -0.49

 

CMYK 0 / 91 / 56 / 71

HEX #4B0721

RGB 75 7 33

HSL 337.06, 0.83%, 0.16%

LAB 14.16, 32.32, 2.94

 

CMYK 0 / 45 / 24 / 43

HEX #91506E

RGB 145 80 110

HSL 332.31, 0.29%, 0.44%

LAB 42.59, 31.16, -5.24

 

CMYK 0 / 45 / 36 / 43

HEX #91505D

RGB 145 80 93

HSL 348, 0.29%, 0.44%

LAB 42.07, 28.73, 4.49

 

CMYK 0 / 45 / 45 / 43

HEX #915050

RGB 145 80 80

HSL 0, 0.29%, 0.44%

LAB 41.75, 27.14, 12.03

 

CMYK 0 / 45 / 24 / 43

HEX #91506E

RGB 145 80 110

HSL 332.31, 0.29%, 0.44%

LAB 42.59, 31.16, -5.24

 

CMYK 0 / 45 / 12 / 43

HEX #915080

RGB 145 80 128

HSL 315.69, 0.29%, 0.44%

LAB 43.23, 34.14, -15.27

 

CMYK 1 / 45 / 0 / 43

HEX #905091

RGB 144 80 145

HSL 299.08, 0.29%, 0.44%

LAB 43.82, 36.98, -24.67

 

CMYK 12 / 45 / 0 / 43

HEX #7F5091

RGB 127 80 145

HSL 283.38, 0.29%, 0.44%

LAB 41.68, 31.61, -28.16

 

CMYK 25 / 45 / 0 / 43

HEX #6D5091

RGB 109 80 145

HSL 266.77, 0.29%, 0.44%

LAB 39.64, 26.04, -31.51

 

CMYK 0 / 45 / 24 / 43

HEX #91506E

RGB 145 80 110

HSL 332.31, 0.29%, 0.44%

LAB 42.59, 31.16, -5.24

 

CMYK 0 / 62 / 33 / 36

HEX #A33E6D

RGB 163 62 109

HSL 332.08, 0.45%, 0.44%

LAB 41.75, 46.43, -5.57

 

CMYK 0 / 76 / 40 / 29

HEX #B52B6C

RGB 181 43 108

HSL 331.74, 0.62%, 0.44%

LAB 42.21, 58.99, -3.92

 

CMYK 0 / 87 / 46 / 22

HEX #C7196B

RGB 199 25 107

HSL 331.72, 0.78%, 0.44%

LAB 44.09, 67.87, -0.14

 

CMYK 0 / 97 / 51 / 15

HEX #D9076A

RGB 217 7 106

HSL 331.71, 0.94%, 0.44%

LAB 46.9, 74.13, 5.01

 

CMYK 0 / 45 / 24 / 43

HEX #91506E

RGB 145 80 110

HSL 332.31, 0.29%, 0.44%

LAB 42.59, 31.16, -5.24

 

CMYK 0 / 23 / 13 / 50

HEX #7F626F

RGB 127 98 111

HSL 333.1, 0.13%, 0.44%

LAB 44.79, 13.97, -2.82

 

CMYK 7 / 0 / 3 / 55

HEX #6C7470

RGB 108 116 112

HSL 150, 0.04%, 0.44%

LAB 48.07, -3.85, 1.16

 

CMYK 33 / 0 / 15 / 47

HEX #5A8672

RGB 90 134 114

HSL 152.73, 0.2%, 0.44%

LAB 52.33, -19.73, 5.98

 

CMYK 53 / 0 / 24 / 40

HEX #489873

RGB 72 152 115

HSL 152.25, 0.36%, 0.44%

LAB 57.15, -33.6, 12.11

 

CMYK 1 / 45 / 0 / 43

HEX #905091

RGB 144 80 145

HSL 299.08, 0.29%, 0.44%

LAB 43.82, 36.98, -24.67

 

CMYK 0 / 45 / 12 / 43

HEX #915080

RGB 145 80 128

HSL 315.69, 0.29%, 0.44%

LAB 43.23, 34.14, -15.27

 

CMYK 0 / 45 / 23 / 43

HEX #91506F

RGB 145 80 111

HSL 331.38, 0.29%, 0.44%

LAB 42.62, 31.32, -5.8

 

CMYK 0 / 45 / 35 / 43

HEX #91505E

RGB 145 80 94

HSL 347.08, 0.29%, 0.44%

LAB 42.1, 28.86, 3.91

 

CMYK 0 / 43 / 45 / 43

HEX #915350

RGB 145 83 80

HSL 2.77, 0.29%, 0.44%

LAB 42.44, 25.44, 12.99

 

CMYK 0 / 46 / 24 / 64

HEX #5C3246

RGB 92 50 70

HSL 331.43, 0.3%, 0.28%

LAB 26.73, 21.94, -4.12

 

CMYK 0 / 45 / 24 / 54

HEX #76415A

RGB 118 65 90

HSL 331.7, 0.29%, 0.36%

LAB 34.74, 26.46, -4.8

 

CMYK 0 / 45 / 24 / 43

HEX #91506E

RGB 145 80 110

HSL 332.31, 0.29%, 0.44%

LAB 42.59, 31.16, -5.24

 

CMYK 0 / 42 / 22 / 34

HEX #A86183

RGB 168 97 131

HSL 331.27, 0.29%, 0.52%

LAB 50.11, 33.33, -6.41

 

CMYK 0 / 32 / 17 / 28

HEX #B77C98

RGB 183 124 152

HSL 331.53, 0.29%, 0.6%

LAB 58.74, 27.13, -5.7

 

CMYK 0 / 45 / 24 / 44

HEX #8F4F6D

RGB 143 79 109

HSL 331.88, 0.29%, 0.44%

LAB 42.06, 30.83, -5.44

 

CMYK 0 / 13 / 45 / 43

HEX #917E50

RGB 145 126 80

HSL 42.46, 0.29%, 0.44%

LAB 53.51, 0.64, 27.68

 

CMYK 45 / 6 / 0 / 43

HEX #508991

RGB 80 137 145

HSL 187.38, 0.29%, 0.44%

LAB 53.64, -16.48, -10.14

 

CMYK 0 / 45 / 24 / 44

HEX #8F4F6D

RGB 143 79 109

HSL 331.88, 0.29%, 0.44%

LAB 42.06, 30.83, -5.44

 

CMYK 23 / 0 / 45 / 43

HEX #6F9150

RGB 111 145 80

HSL 91.38, 0.29%, 0.44%

LAB 56.3, -23.81, 30.64

 

CMYK 45 / 23 / 0 / 43

HEX #506F91

RGB 80 111 145

HSL 211.38, 0.29%, 0.44%

LAB 45.8, -1.66, -22.08

 

CMYK 0 / 45 / 24 / 44

HEX #8F4F6D

RGB 143 79 109

HSL 331.88, 0.29%, 0.44%

LAB 42.06, 30.83, -5.44

 

CMYK 0 / 13 / 45 / 43

HEX #917E50

RGB 145 126 80

HSL 42.46, 0.29%, 0.44%

LAB 53.51, 0.64, 27.68

 

CMYK 45 / 0 / 22 / 43

HEX #509171

RGB 80 145 113

HSL 150.46, 0.29%, 0.44%

LAB 55.22, -28.56, 10.6

 

CMYK 45 / 32 / 0 / 43

HEX #506291

RGB 80 98 145

HSL 223.38, 0.29%, 0.44%

LAB 41.98, 6.3, -28.01

 

CMYK 0 / 45 / 24 / 44

HEX #8F4F6D

RGB 143 79 109

HSL 331.88, 0.29%, 0.44%

LAB 42.06, 30.83, -5.44

 

CMYK 1 / 0 / 45 / 43

HEX #909150

RGB 144 145 80

HSL 60.92, 0.29%, 0.44%

LAB 58.75, -10.29, 34.24

 

CMYK 45 / 0 / 22 / 43

HEX #509171

RGB 80 145 113

HSL 150.46, 0.29%, 0.44%

LAB 55.22, -28.56, 10.6

 

CMYK 44 / 45 / 0 / 43

HEX #515091

RGB 81 80 145

HSL 240.92, 0.29%, 0.44%

LAB 36.99, 17.99, -35.87

 

Description

Color code: HEX #8F4F6D | qconv.com Color code: HEX #8F4F6D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 79 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 79 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 24 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 24% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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