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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F4EC6 it is the complementary color #70B139. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F4EC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F4EC6 shade: #944EC1, #A560D4, #B672E7, #C784FA and #D896FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F4EC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F4EC6 shade: #8F4EC6, #7E3CB3, #6D2AA0, #5C188D and #4B067A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F4EC6 shade: #8F4EC6, #AF4EC6, #C64EBC, #C64E9C and #C64E7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F4EC6 shade: #8F4EC6, #6E4EC6 and #4E4EC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F4EC6 shade matches the following richer shades: #8F4EC6, #903BD9, #9228EB and #9315FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F4EC6 shade: #8F4EC6, #8D61B3, #8C74A0, #8A878D and #889A7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F4EC6 shade: #4E4EC6, #6E4EC6, #8E4EC6, #AE4EC6 and #C64EBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F4EC6 shade: #652F92, #7A39B1, #8F4EC6, #A26DD0 and #B68CDA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F4EC6 shade: #8F4EC6, #C64E6E and #4EC65E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F4EC6 shade: #8F4EC6, #C68E4E and #4EC68E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F4EC6 shade: #8F4EC6, #C64E6E, #86C64E and #4EC6A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F4EC6 shade: #8F4EC6, #C6524E, #86C64E and #4EC2C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 61 / 0 / 22

HEX #8F4EC6

RGB 143 78 198

HSL 272.5, 0.51%, 0.54%

LAB 46.13, 49.3, -52.27

 

Complementary color

CMYK 37 / 0 / 68 / 31

HEX #70B139

RGB 112 177 57

HSL 92.5, 0.51%, 0.46%

LAB 65.89, -40.76, 52.67

 

CMYK 23 / 60 / 0 / 24

HEX #944EC1

RGB 148 78 193

HSL 276.52, 0.48%, 0.53%

LAB 46.44, 49.35, -48.85

 

CMYK 22 / 55 / 0 / 17

HEX #A560D4

RGB 165 96 212

HSL 275.69, 0.57%, 0.6%

LAB 53.08, 48.57, -49.04

 

CMYK 21 / 51 / 0 / 9

HEX #B672E7

RGB 182 114 231

HSL 274.87, 0.71%, 0.68%

LAB 59.66, 47.73, -49.16

 

CMYK 20 / 47 / 0 / 2

HEX #C784FA

RGB 199 132 250

HSL 274.07, 0.92%, 0.75%

LAB 66.17, 46.89, -49.25

 

CMYK 15 / 41 / 0 / 0

HEX #D896FF

RGB 216 150 255

HSL 277.71, 1%, 0.79%

LAB 71.98, 43.09, -42.72

 

CMYK 28 / 61 / 0 / 22

HEX #8F4EC6

RGB 143 78 198

HSL 272.5, 0.51%, 0.54%

LAB 46.13, 49.3, -52.27

 

CMYK 30 / 66 / 0 / 30

HEX #7E3CB3

RGB 126 60 179

HSL 273.28, 0.5%, 0.47%

LAB 39.45, 50.01, -52.02

 

CMYK 32 / 74 / 0 / 37

HEX #6D2AA0

RGB 109 42 160

HSL 274.07, 0.58%, 0.4%

LAB 32.8, 50.4, -51.53

 

CMYK 35 / 83 / 0 / 45

HEX #5C188D

RGB 92 24 141

HSL 274.87, 0.71%, 0.32%

LAB 26.31, 50.07, -50.55

 

CMYK 39 / 95 / 0 / 52

HEX #4B067A

RGB 75 6 122

HSL 275.69, 0.91%, 0.25%

LAB 20.17, 48.36, -48.72

 

CMYK 28 / 61 / 0 / 22

HEX #8F4EC6

RGB 143 78 198

HSL 272.5, 0.51%, 0.54%

LAB 46.13, 49.3, -52.27

 

CMYK 12 / 61 / 0 / 22

HEX #AF4EC6

RGB 175 78 198

HSL 288.5, 0.51%, 0.54%

LAB 50.26, 57.06, -45.43

 

CMYK 0 / 61 / 5 / 22

HEX #C64EBC

RGB 198 78 188

HSL 305, 0.51%, 0.54%

LAB 53.04, 61.09, -35.05

 

CMYK 0 / 61 / 21 / 22

HEX #C64E9C

RGB 198 78 156

HSL 321, 0.51%, 0.54%

LAB 51.67, 56.19, -18.47

 

CMYK 0 / 61 / 38 / 22

HEX #C64E7B

RGB 198 78 123

HSL 337.5, 0.51%, 0.54%

LAB 50.55, 52.01, -0.49

 

CMYK 28 / 61 / 0 / 22

HEX #8F4EC6

RGB 143 78 198

HSL 272.5, 0.51%, 0.54%

LAB 46.13, 49.3, -52.27

 

CMYK 44 / 61 / 0 / 22

HEX #6E4EC6

RGB 110 78 198

HSL 256, 0.51%, 0.54%

LAB 42.52, 41.87, -58.27

 

CMYK 61 / 61 / 0 / 22

HEX #4E4EC6

RGB 78 78 198

HSL 240, 0.51%, 0.54%

LAB 39.82, 35.79, -62.77

 

CMYK 28 / 61 / 0 / 22

HEX #8F4EC6

RGB 143 78 198

HSL 272.5, 0.51%, 0.54%

LAB 46.13, 49.3, -52.27

 

CMYK 34 / 73 / 0 / 15

HEX #903BD9

RGB 144 59 217

HSL 272.28, 0.68%, 0.54%

LAB 44.33, 62.82, -66.11

 

CMYK 38 / 83 / 0 / 8

HEX #9228EB

RGB 146 40 235

HSL 272.62, 0.83%, 0.54%

LAB 43.69, 73.84, -77.38

 

CMYK 42 / 92 / 0 / 0

HEX #9315FE

RGB 147 21 254

HSL 272.45, 0.99%, 0.54%

LAB 44.08, 82.18, -87.42

 

CMYK 28 / 61 / 0 / 22

HEX #8F4EC6

RGB 143 78 198

HSL 272.5, 0.51%, 0.54%

LAB 46.13, 49.3, -52.27

 

CMYK 21 / 46 / 0 / 30

HEX #8D61B3

RGB 141 97 179

HSL 272.2, 0.35%, 0.54%

LAB 48.84, 33.86, -36.94

 

CMYK 13 / 28 / 0 / 37

HEX #8C74A0

RGB 140 116 160

HSL 272.73, 0.19%, 0.54%

LAB 52.51, 18.08, -20.17

 

CMYK 2 / 4 / 0 / 45

HEX #8A878D

RGB 138 135 141

HSL 270, 0.03%, 0.54%

LAB 56.74, 2.3, -2.82

 

CMYK 12 / 0 / 21 / 40

HEX #889A7A

RGB 136 154 122

HSL 93.75, 0.14%, 0.54%

LAB 61.44, -12.48, 14.71

 

CMYK 61 / 61 / 0 / 22

HEX #4E4EC6

RGB 78 78 198

HSL 240, 0.51%, 0.54%

LAB 39.82, 35.79, -62.77

 

CMYK 44 / 61 / 0 / 22

HEX #6E4EC6

RGB 110 78 198

HSL 256, 0.51%, 0.54%

LAB 42.52, 41.87, -58.27

 

CMYK 28 / 61 / 0 / 22

HEX #8E4EC6

RGB 142 78 198

HSL 272, 0.51%, 0.54%

LAB 46.01, 49.06, -52.47

 

CMYK 12 / 61 / 0 / 22

HEX #AE4EC6

RGB 174 78 198

HSL 288, 0.51%, 0.54%

LAB 50.13, 56.81, -45.66

 

CMYK 0 / 61 / 4 / 22

HEX #C64EBE

RGB 198 78 190

HSL 304, 0.51%, 0.54%

LAB 53.14, 61.42, -36.06

 

CMYK 31 / 68 / 0 / 43

HEX #652F92

RGB 101 47 146

HSL 272.73, 0.51%, 0.38%

LAB 31.52, 42.98, -45.12

 

CMYK 31 / 68 / 0 / 31

HEX #7A39B1

RGB 122 57 177

HSL 272.5, 0.51%, 0.46%

LAB 38.27, 50.13, -52.78

 

CMYK 28 / 61 / 0 / 22

HEX #8F4EC6

RGB 143 78 198

HSL 272.5, 0.51%, 0.54%

LAB 46.13, 49.3, -52.27

 

CMYK 22 / 48 / 0 / 18

HEX #A26DD0

RGB 162 109 208

HSL 272.12, 0.51%, 0.62%

LAB 55.25, 39.83, -43.35

 

CMYK 17 / 36 / 0 / 15

HEX #B68CDA

RGB 182 140 218

HSL 272.31, 0.51%, 0.7%

LAB 64.77, 30.62, -33.9

 

CMYK 28 / 61 / 0 / 22

HEX #8F4EC6

RGB 143 78 198

HSL 272.5, 0.51%, 0.54%

LAB 46.13, 49.3, -52.27

 

CMYK 0 / 61 / 44 / 22

HEX #C64E6E

RGB 198 78 110

HSL 344, 0.51%, 0.54%

LAB 50.19, 50.63, 6.81

 

CMYK 61 / 0 / 53 / 22

HEX #4EC65E

RGB 78 198 94

HSL 128, 0.51%, 0.54%

LAB 71.43, -54.98, 41.96

 

CMYK 28 / 61 / 0 / 22

HEX #8F4EC6

RGB 143 78 198

HSL 272.5, 0.51%, 0.54%

LAB 46.13, 49.3, -52.27

 

CMYK 0 / 28 / 61 / 22

HEX #C68E4E

RGB 198 142 78

HSL 32, 0.51%, 0.54%

LAB 63.26, 14.46, 41.97

 

CMYK 61 / 0 / 28 / 22

HEX #4EC68E

RGB 78 198 142

HSL 152, 0.51%, 0.54%

LAB 72.2, -46.63, 18.29

 

CMYK 28 / 61 / 0 / 22

HEX #8F4EC6

RGB 143 78 198

HSL 272.5, 0.51%, 0.54%

LAB 46.13, 49.3, -52.27

 

CMYK 0 / 61 / 44 / 22

HEX #C64E6E

RGB 198 78 110

HSL 344, 0.51%, 0.54%

LAB 50.19, 50.63, 6.81

 

CMYK 32 / 0 / 61 / 22

HEX #86C64E

RGB 134 198 78

HSL 92, 0.51%, 0.54%

LAB 73.55, -40.34, 52.42

 

CMYK 61 / 0 / 16 / 22

HEX #4EC6A6

RGB 78 198 166

HSL 164, 0.51%, 0.54%

LAB 72.73, -41.22, 6.12

 

CMYK 28 / 61 / 0 / 22

HEX #8F4EC6

RGB 143 78 198

HSL 272.5, 0.51%, 0.54%

LAB 46.13, 49.3, -52.27

 

CMYK 0 / 59 / 61 / 22

HEX #C6524E

RGB 198 82 78

HSL 2, 0.51%, 0.54%

LAB 50.2, 46.06, 25.95

 

CMYK 32 / 0 / 61 / 22

HEX #86C64E

RGB 134 198 78

HSL 92, 0.51%, 0.54%

LAB 73.55, -40.34, 52.42

 

CMYK 61 / 2 / 0 / 22

HEX #4EC2C6

RGB 78 194 198

HSL 182, 0.51%, 0.54%

LAB 72.42, -31.01, -11.76

 

Description

Color code: HEX #8F4EC6 | qconv.com Color code: HEX #8F4EC6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 78 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 78 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 61 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 61% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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