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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F4EB6 it is the complementary color #70B149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F4EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F4EB6 shade: #944EB1, #A560C4, #B672D7, #C784EA and #D896FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F4EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F4EB6 shade: #8F4EB6, #7E3CA3, #6D2A90, #5C187D and #4B066A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F4EB6 shade: #8F4EB7, #AB4EB7, #B74EA5, #B74E89 and #B74E6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F4EB6 shade: #8F4EB7, #734EB7, #574EB7 and #4E4EB7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F4EB6 shade matches the following richer shades: #8F4EB7, #9439CB, #9925DF and #9E11F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F4EB6 shade: #8F4EB7, #8A62A2, #85768E, #808A7A and #7B9E66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F4EB6 shade: #564EB7, #724EB7, #8E4EB7, #AA4EB7 and #B74EA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F4EB6 shade: #62337E, #793F9B, #8F4EB7, #A26BC2 and #B488CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F4EB6 shade: #8F4EB6, #B74E61 and #4EB764

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F4EB6 shade: #8F4EB6, #B78E4E and #4EB78E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F4EB6 shade: #8F4EB6, #B74E61, #76B74E and #4EB7A3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F4EB6 shade: #8F4EB6, #B75A4E, #76B74E and #4EAAB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 57 / 0 / 29

HEX #8F4EB6

RGB 143 78 182

HSL 277.5, 0.42%, 0.51%

LAB 45.17, 45.61, -44.49

 

Complementary color

CMYK 37 / 0 / 59 / 31

HEX #70B149

RGB 112 177 73

HSL 97.5, 0.42%, 0.49%

LAB 66.04, -39.31, 45.86

 

CMYK 16 / 56 / 0 / 31

HEX #944EB1

RGB 148 78 177

HSL 282.42, 0.39%, 0.5%

LAB 45.52, 45.82, -40.97

 

CMYK 16 / 51 / 0 / 23

HEX #A560C4

RGB 165 96 196

HSL 281.4, 0.46%, 0.57%

LAB 52.23, 45.06, -41.24

 

CMYK 15 / 47 / 0 / 16

HEX #B672D7

RGB 182 114 215

HSL 280.4, 0.56%, 0.65%

LAB 58.87, 44.25, -41.45

 

CMYK 15 / 44 / 0 / 8

HEX #C784EA

RGB 199 132 234

HSL 279.41, 0.71%, 0.72%

LAB 65.42, 43.45, -41.62

 

CMYK 15 / 41 / 0 / 1

HEX #D896FD

RGB 216 150 253

HSL 278.45, 0.96%, 0.79%

LAB 71.9, 42.68, -41.77

 

CMYK 21 / 57 / 0 / 29

HEX #8F4EB6

RGB 143 78 182

HSL 277.5, 0.42%, 0.51%

LAB 45.17, 45.61, -44.49

 

CMYK 23 / 63 / 0 / 36

HEX #7E3CA3

RGB 126 60 163

HSL 278.45, 0.46%, 0.44%

LAB 38.4, 46.31, -44.19

 

CMYK 24 / 71 / 0 / 44

HEX #6D2A90

RGB 109 42 144

HSL 279.41, 0.55%, 0.36%

LAB 31.63, 46.72, -43.66

 

CMYK 26 / 81 / 0 / 51

HEX #5C187D

RGB 92 24 125

HSL 280.4, 0.68%, 0.29%

LAB 24.98, 46.44, -42.67

 

CMYK 29 / 94 / 0 / 58

HEX #4B066A

RGB 75 6 106

HSL 281.4, 0.89%, 0.22%

LAB 18.66, 44.81, -40.85

 

CMYK 22 / 57 / 0 / 28

HEX #8F4EB7

RGB 143 78 183

HSL 277.14, 0.42%, 0.51%

LAB 45.23, 45.83, -44.99

 

CMYK 7 / 57 / 0 / 28

HEX #AB4EB7

RGB 171 78 183

HSL 293.14, 0.42%, 0.51%

LAB 48.92, 53.15, -38.91

 

CMYK 0 / 57 / 10 / 28

HEX #B74EA5

RGB 183 78 165

HSL 310.29, 0.42%, 0.51%

LAB 49.78, 53.26, -26.89

 

CMYK 0 / 57 / 25 / 28

HEX #B74E89

RGB 183 78 137

HSL 326.29, 0.42%, 0.51%

LAB 48.66, 49.02, -11.95

 

CMYK 0 / 57 / 40 / 28

HEX #B74E6D

RGB 183 78 109

HSL 342.29, 0.42%, 0.51%

LAB 47.78, 45.51, 3.64

 

CMYK 22 / 57 / 0 / 28

HEX #8F4EB7

RGB 143 78 183

HSL 277.14, 0.42%, 0.51%

LAB 45.23, 45.83, -44.99

 

CMYK 37 / 57 / 0 / 28

HEX #734EB7

RGB 115 78 183

HSL 261.14, 0.42%, 0.51%

LAB 42.02, 38.85, -50.31

 

CMYK 52 / 57 / 0 / 28

HEX #574EB7

RGB 87 78 183

HSL 245.14, 0.42%, 0.51%

LAB 39.4, 32.61, -54.66

 

CMYK 57 / 57 / 0 / 28

HEX #4E4EB7

RGB 78 78 183

HSL 240, 0.42%, 0.51%

LAB 38.7, 30.84, -55.82

 

CMYK 22 / 57 / 0 / 28

HEX #8F4EB7

RGB 143 78 183

HSL 277.14, 0.42%, 0.51%

LAB 45.23, 45.83, -44.99

 

CMYK 27 / 72 / 0 / 20

HEX #9439CB

RGB 148 57 203

HSL 277.4, 0.58%, 0.51%

LAB 43.56, 61.3, -59.28

 

CMYK 31 / 83 / 0 / 13

HEX #9925DF

RGB 153 37 223

HSL 277.42, 0.74%, 0.51%

LAB 43.39, 73.15, -71.01

 

CMYK 35 / 93 / 0 / 5

HEX #9E11F3

RGB 158 17 243

HSL 277.43, 0.9%, 0.51%

LAB 44.43, 81.74, -80.62

 

CMYK 22 / 57 / 0 / 28

HEX #8F4EB7

RGB 143 78 183

HSL 277.14, 0.42%, 0.51%

LAB 45.23, 45.83, -44.99

 

CMYK 15 / 40 / 0 / 36

HEX #8A62A2

RGB 138 98 162

HSL 277.5, 0.26%, 0.51%

LAB 47.94, 28.44, -28.42

 

CMYK 6 / 17 / 0 / 44

HEX #85768E

RGB 133 118 142

HSL 277.5, 0.1%, 0.51%

LAB 51.72, 10.54, -10.91

 

CMYK 7 / 0 / 12 / 46

HEX #808A7A

RGB 128 138 122

HSL 97.5, 0.06%, 0.51%

LAB 56.26, -6.79, 7.32

 

CMYK 22 / 0 / 35 / 38

HEX #7B9E66

RGB 123 158 102

HSL 97.5, 0.22%, 0.51%

LAB 61.33, -22.67, 25.45

 

CMYK 53 / 57 / 0 / 28

HEX #564EB7

RGB 86 78 183

HSL 244.57, 0.42%, 0.51%

LAB 39.32, 32.41, -54.8

 

CMYK 38 / 57 / 0 / 28

HEX #724EB7

RGB 114 78 183

HSL 260.57, 0.42%, 0.51%

LAB 41.91, 38.62, -50.48

 

CMYK 22 / 57 / 0 / 28

HEX #8E4EB7

RGB 142 78 183

HSL 276.57, 0.42%, 0.51%

LAB 45.11, 45.58, -45.19

 

CMYK 7 / 57 / 0 / 28

HEX #AA4EB7

RGB 170 78 183

HSL 292.57, 0.42%, 0.51%

LAB 48.78, 52.88, -39.14

 

CMYK 0 / 57 / 9 / 28

HEX #B74EA7

RGB 183 78 167

HSL 309.14, 0.42%, 0.51%

LAB 49.87, 53.58, -27.93

 

CMYK 22 / 60 / 0 / 51

HEX #62337E

RGB 98 51 126

HSL 277.6, 0.42%, 0.35%

LAB 30.57, 35.2, -34.26

 

CMYK 22 / 59 / 0 / 39

HEX #793F9B

RGB 121 63 155

HSL 277.83, 0.42%, 0.43%

LAB 37.82, 41.66, -40.34

 

CMYK 22 / 57 / 0 / 28

HEX #8F4EB7

RGB 143 78 183

HSL 277.14, 0.42%, 0.51%

LAB 45.23, 45.83, -44.99

 

CMYK 16 / 45 / 0 / 24

HEX #A26BC2

RGB 162 107 194

HSL 277.93, 0.42%, 0.59%

LAB 54.12, 37.78, -37.14

 

CMYK 13 / 34 / 0 / 19

HEX #B488CE

RGB 180 136 206

HSL 277.71, 0.42%, 0.67%

LAB 63.15, 29.64, -29.73

 

CMYK 21 / 57 / 0 / 29

HEX #8F4EB6

RGB 143 78 182

HSL 277.5, 0.42%, 0.51%

LAB 45.17, 45.61, -44.49

 

CMYK 0 / 57 / 47 / 28

HEX #B74E61

RGB 183 78 97

HSL 349.14, 0.42%, 0.51%

LAB 47.47, 44.25, 10.48

 

CMYK 57 / 0 / 45 / 28

HEX #4EB764

RGB 78 183 100

HSL 132.57, 0.42%, 0.51%

LAB 66.83, -48.29, 33.24

 

CMYK 21 / 57 / 0 / 29

HEX #8F4EB6

RGB 143 78 182

HSL 277.5, 0.42%, 0.51%

LAB 45.17, 45.61, -44.49

 

CMYK 0 / 22 / 57 / 28

HEX #B78E4E

RGB 183 142 78

HSL 36.57, 0.42%, 0.51%

LAB 61.62, 8.02, 39.62

 

CMYK 57 / 0 / 22 / 28

HEX #4EB78E

RGB 78 183 142

HSL 156.57, 0.42%, 0.51%

LAB 67.61, -40.19, 11.87

 

CMYK 21 / 57 / 0 / 29

HEX #8F4EB6

RGB 143 78 182

HSL 277.5, 0.42%, 0.51%

LAB 45.17, 45.61, -44.49

 

CMYK 0 / 57 / 47 / 28

HEX #B74E61

RGB 183 78 97

HSL 349.14, 0.42%, 0.51%

LAB 47.47, 44.25, 10.48

 

CMYK 36 / 0 / 57 / 28

HEX #76B74E

RGB 118 183 78

HSL 97.14, 0.42%, 0.51%

LAB 68.22, -39.35, 46.13

 

CMYK 57 / 0 / 11 / 28

HEX #4EB7A3

RGB 78 183 163

HSL 168.57, 0.42%, 0.51%

LAB 68.12, -35.17, 1.07

 

CMYK 21 / 57 / 0 / 29

HEX #8F4EB6

RGB 143 78 182

HSL 277.5, 0.42%, 0.51%

LAB 45.17, 45.61, -44.49

 

CMYK 0 / 51 / 57 / 28

HEX #B75A4E

RGB 183 90 78

HSL 6.86, 0.42%, 0.51%

LAB 49.41, 36.52, 24.47

 

CMYK 36 / 0 / 57 / 28

HEX #76B74E

RGB 118 183 78

HSL 97.14, 0.42%, 0.51%

LAB 68.22, -39.35, 46.13

 

CMYK 57 / 7 / 0 / 28

HEX #4EAAB7

RGB 78 170 183

HSL 187.43, 0.42%, 0.51%

LAB 64.79, -23.41, -14.95

 

Description

Color code: HEX #8F4EB6 | qconv.com Color code: HEX #8F4EB6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 78 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 78 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 57 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 57% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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