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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F43CD it is the complementary color #70BC32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F43CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F43CD shade: #9443C8, #A555DB, #B667EE, #C779FF and #D88BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F43CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F43CD shade: #8F43CD, #7E31BA, #6D1FA7, #5C0D94 and #4B0081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F43CD shade: #8E41CC, #B341CC, #CC41C0, #CC419A and #CC4175

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F43CD shade: #8E41CC, #6841CC, #4341CC and #4141CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F43CD shade matches the following richer shades: #8E41CC, #902EE0 and #921AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F43CD shade: #8E41CC, #8C55B9, #8A68A5, #887B92 and #868F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F43CD shade: #4341CC, #6941CC, #8E41CC, #B341CC and #CC41C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F43CD shade: #632794, #7930B4, #8E41CC, #A162D5 and #B582DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F43CD shade: #8F43CD, #CC4164 and #41CC56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F43CD shade: #8F43CD, #CC8E41 and #41CC8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F43CD shade: #8F43CD, #CC4164, #80CC41 and #41CCA9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F43CD shade: #8F43CD, #CC4841, #80CC41 and #41C5CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 67 / 0 / 20

HEX #8F43CD

RGB 143 67 205

HSL 273.04, 0.58%, 0.53%

LAB 44.61, 56.34, -58.77

 

Complementary color

CMYK 40 / 0 / 73 / 26

HEX #70BC32

RGB 112 188 50

HSL 93.04, 0.58%, 0.47%

LAB 69.21, -45.91, 58.72

 

CMYK 26 / 67 / 0 / 22

HEX #9443C8

RGB 148 67 200

HSL 276.54, 0.55%, 0.52%

LAB 44.91, 56.28, -55.35

 

CMYK 25 / 61 / 0 / 14

HEX #A555DB

RGB 165 85 219

HSL 275.82, 0.65%, 0.6%

LAB 51.39, 55.71, -55.71

 

CMYK 24 / 57 / 0 / 7

HEX #B667EE

RGB 182 103 238

HSL 275.11, 0.8%, 0.67%

LAB 57.86, 54.98, -55.92

 

CMYK 22 / 53 / 0 / 0

HEX #C779FF

RGB 199 121 255

HSL 274.93, 1%, 0.74%

LAB 64.19, 53.74, -55.12

 

CMYK 15 / 45 / 0 / 0

HEX #D88BFF

RGB 216 139 255

HSL 279.83, 1%, 0.77%

LAB 69.67, 48.9, -46.34

 

CMYK 30 / 67 / 0 / 20

HEX #8F43CD

RGB 143 67 205

HSL 273.04, 0.58%, 0.53%

LAB 44.61, 56.34, -58.77

 

CMYK 32 / 74 / 0 / 27

HEX #7E31BA

RGB 126 49 186

HSL 273.72, 0.58%, 0.46%

LAB 38.16, 56.66, -58.24

 

CMYK 35 / 81 / 0 / 35

HEX #6D1FA7

RGB 109 31 167

HSL 274.41, 0.69%, 0.39%

LAB 31.86, 56.34, -57.29

 

CMYK 38 / 91 / 0 / 42

HEX #5C0D94

RGB 92 13 148

HSL 275.11, 0.84%, 0.32%

LAB 25.87, 54.82, -55.61

 

CMYK 42 / 100 / 0 / 49

HEX #4B0081

RGB 75 0 129

HSL 274.88, 1%, 0.25%

LAB 20.36, 51.47, -52.86

 

CMYK 30 / 68 / 0 / 20

HEX #8E41CC

RGB 142 65 204

HSL 273.24, 0.58%, 0.53%

LAB 44.08, 56.84, -59.05

 

CMYK 12 / 68 / 0 / 20

HEX #B341CC

RGB 179 65 204

HSL 289.21, 0.58%, 0.53%

LAB 49.16, 64.71, -50.61

 

CMYK 0 / 68 / 6 / 20

HEX #CC41C0

RGB 204 65 192

HSL 305.18, 0.58%, 0.53%

LAB 52.31, 68.34, -38.45

 

CMYK 0 / 68 / 25 / 20

HEX #CC419A

RGB 204 65 154

HSL 321.58, 0.58%, 0.53%

LAB 50.63, 62.89, -18.8

 

CMYK 0 / 68 / 43 / 20

HEX #CC4175

RGB 204 65 117

HSL 337.55, 0.58%, 0.53%

LAB 49.38, 58.64, 1.54

 

CMYK 30 / 68 / 0 / 20

HEX #8E41CC

RGB 142 65 204

HSL 273.24, 0.58%, 0.53%

LAB 44.08, 56.84, -59.05

 

CMYK 49 / 68 / 0 / 20

HEX #6841CC

RGB 104 65 204

HSL 256.83, 0.58%, 0.53%

LAB 39.72, 49.58, -66.33

 

CMYK 67 / 68 / 0 / 20

HEX #4341CC

RGB 67 65 204

HSL 240.86, 0.58%, 0.53%

LAB 36.62, 44.02, -71.53

 

CMYK 68 / 68 / 0 / 20

HEX #4141CC

RGB 65 65 204

HSL 240, 0.58%, 0.53%

LAB 36.49, 43.78, -71.75

 

CMYK 30 / 68 / 0 / 20

HEX #8E41CC

RGB 142 65 204

HSL 273.24, 0.58%, 0.53%

LAB 44.08, 56.84, -59.05

 

CMYK 36 / 79 / 0 / 12

HEX #902EE0

RGB 144 46 224

HSL 273.03, 0.74%, 0.53%

LAB 43.16, 69.3, -72.01

 

CMYK 40 / 89 / 0 / 5

HEX #921AF3

RGB 146 26 243

HSL 273.18, 0.9%, 0.53%

LAB 43.24, 78.92, -82.64

 

CMYK 30 / 68 / 0 / 20

HEX #8E41CC

RGB 142 65 204

HSL 273.24, 0.58%, 0.53%

LAB 44.08, 56.84, -59.05

 

CMYK 24 / 54 / 0 / 27

HEX #8C55B9

RGB 140 85 185

HSL 273, 0.42%, 0.53%

LAB 46.41, 41.75, -44.29

 

CMYK 16 / 37 / 0 / 35

HEX #8A68A5

RGB 138 104 165

HSL 273.44, 0.25%, 0.53%

LAB 49.52, 25.61, -27.73

 

CMYK 7 / 16 / 0 / 43

HEX #887B92

RGB 136 123 146

HSL 273.91, 0.1%, 0.53%

LAB 53.47, 9.54, -10.6

 

CMYK 6 / 0 / 11 / 44

HEX #868F7F

RGB 134 143 127

HSL 93.75, 0.07%, 0.53%

LAB 58.27, -6.38, 7.39

 

CMYK 67 / 68 / 0 / 20

HEX #4341CC

RGB 67 65 204

HSL 240.86, 0.58%, 0.53%

LAB 36.62, 44.02, -71.53

 

CMYK 49 / 68 / 0 / 20

HEX #6941CC

RGB 105 65 204

HSL 257.27, 0.58%, 0.53%

LAB 39.82, 49.76, -66.16

 

CMYK 30 / 68 / 0 / 20

HEX #8E41CC

RGB 142 65 204

HSL 273.24, 0.58%, 0.53%

LAB 44.08, 56.84, -59.05

 

CMYK 12 / 68 / 0 / 20

HEX #B341CC

RGB 179 65 204

HSL 289.21, 0.58%, 0.53%

LAB 49.16, 64.71, -50.61

 

CMYK 0 / 68 / 5 / 20

HEX #CC41C1

RGB 204 65 193

HSL 304.75, 0.58%, 0.53%

LAB 52.36, 68.49, -38.95

 

CMYK 33 / 74 / 0 / 42

HEX #632794

RGB 99 39 148

HSL 273.03, 0.58%, 0.37%

LAB 30.01, 46.91, -48.8

 

CMYK 33 / 73 / 0 / 29

HEX #7930B4

RGB 121 48 180

HSL 273.18, 0.58%, 0.45%

LAB 36.88, 54.77, -56.8

 

CMYK 30 / 68 / 0 / 20

HEX #8E41CC

RGB 142 65 204

HSL 273.24, 0.58%, 0.53%

LAB 44.08, 56.84, -59.05

 

CMYK 24 / 54 / 0 / 16

HEX #A162D5

RGB 161 98 213

HSL 272.87, 0.58%, 0.61%

LAB 53.08, 46.71, -49.64

 

CMYK 18 / 41 / 0 / 13

HEX #B582DD

RGB 181 130 221

HSL 273.63, 0.57%, 0.69%

LAB 62.52, 36.55, -39.1

 

CMYK 30 / 67 / 0 / 20

HEX #8F43CD

RGB 143 67 205

HSL 273.04, 0.58%, 0.53%

LAB 44.61, 56.34, -58.77

 

CMYK 0 / 68 / 51 / 20

HEX #CC4164

RGB 204 65 100

HSL 344.89, 0.58%, 0.53%

LAB 48.93, 57.09, 11.23

 

CMYK 68 / 0 / 58 / 20

HEX #41CC56

RGB 65 204 86

HSL 129.06, 0.58%, 0.53%

LAB 72.88, -60.82, 47.38

 

CMYK 30 / 67 / 0 / 20

HEX #8F43CD

RGB 143 67 205

HSL 273.04, 0.58%, 0.53%

LAB 44.61, 56.34, -58.77

 

CMYK 0 / 30 / 68 / 20

HEX #CC8E41

RGB 204 142 65

HSL 33.24, 0.58%, 0.53%

LAB 63.81, 16.18, 49.16

 

CMYK 68 / 0 / 30 / 20

HEX #41CC8E

RGB 65 204 142

HSL 153.24, 0.58%, 0.53%

LAB 73.72, -51.44, 20.32

 

CMYK 30 / 67 / 0 / 20

HEX #8F43CD

RGB 143 67 205

HSL 273.04, 0.58%, 0.53%

LAB 44.61, 56.34, -58.77

 

CMYK 0 / 68 / 51 / 20

HEX #CC4164

RGB 204 65 100

HSL 344.89, 0.58%, 0.53%

LAB 48.93, 57.09, 11.23

 

CMYK 37 / 0 / 68 / 20

HEX #80CC41

RGB 128 204 65

HSL 92.81, 0.58%, 0.53%

LAB 74.92, -46.08, 59.2

 

CMYK 68 / 0 / 17 / 20

HEX #41CCA9

RGB 65 204 169

HSL 164.89, 0.58%, 0.53%

LAB 74.3, -45.3, 6.7

 

CMYK 30 / 67 / 0 / 20

HEX #8F43CD

RGB 143 67 205

HSL 273.04, 0.58%, 0.53%

LAB 44.61, 56.34, -58.77

 

CMYK 0 / 65 / 68 / 20

HEX #CC4841

RGB 204 72 65

HSL 3.02, 0.58%, 0.53%

LAB 49.32, 51.83, 32.64

 

CMYK 37 / 0 / 68 / 20

HEX #80CC41

RGB 128 204 65

HSL 92.81, 0.58%, 0.53%

LAB 74.92, -46.08, 59.2

 

CMYK 68 / 3 / 0 / 20

HEX #41C5CC

RGB 65 197 204

HSL 183.02, 0.58%, 0.53%

LAB 73.16, -32.75, -13.93

 

Description

Color code: HEX #8F43CD | qconv.com Color code: HEX #8F43CD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 67 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 67 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 67 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 67% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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