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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F3C8C it is the complementary color #70C373. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F3C8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F3C8C shade: #943C87, #A54E9A, #B660AD, #C772C0 and #D884D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F3C8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F3C8C shade: #8F3C8C, #7E2A79, #6D1866, #5C0653 and #4B0040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F3C8C shade: #903C8D, #903C76, #903C60, #903C49 and #903C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F3C8C shade: #903C8D, #7C3C90, #663C90, #4F3C90 and #3C3C90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F3C8C shade matches the following richer shades: #903C8D, #A02C9C, #B11BAB and #C10BBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F3C8C shade: #903C8D, #7F4D7D, #6F5D6E, #5E6E5F and #4E7E50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F3C8C shade: #663C90, #7C3C90, #903C8D, #903C77 and #903C60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F3C8C shade: #562454, #733070, #903C8D, #AD48A9 and #BD61BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F3C8C shade: #8F3C8C, #90503C and #3C9071

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F3C8C shade: #8F3C8C, #8D903C and #3C8D90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F3C8C shade: #8F3C8C, #90503C, #3C903F and #3C7C90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F3C8C shade: #8F3C8C, #90693C, #3C903F and #3C6390

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 2 / 44

HEX #8F3C8C

RGB 143 60 140

HSL 302.17, 0.41%, 0.4%

LAB 39.52, 46.09, -28.35

 

Complementary color

CMYK 43 / 0 / 41 / 24

HEX #70C373

RGB 112 195 115

HSL 122.17, 0.41%, 0.6%

LAB 72.04, -41.73, 32.48

 

CMYK 0 / 59 / 9 / 42

HEX #943C87

RGB 148 60 135

HSL 308.86, 0.42%, 0.41%

LAB 40.04, 46.64, -24.42

 

CMYK 0 / 53 / 7 / 35

HEX #A54E9A

RGB 165 78 154

HSL 307.59, 0.36%, 0.48%

LAB 46.69, 46.16, -25.37

 

CMYK 0 / 47 / 5 / 29

HEX #B660AD

RGB 182 96 173

HSL 306.28, 0.37%, 0.55%

LAB 53.31, 45.5, -26.11

 

CMYK 0 / 43 / 4 / 22

HEX #C772C0

RGB 199 114 192

HSL 304.94, 0.43%, 0.61%

LAB 59.87, 44.78, -26.72

 

CMYK 0 / 39 / 2 / 15

HEX #D884D3

RGB 216 132 211

HSL 303.57, 0.52%, 0.68%

LAB 66.37, 44.03, -27.24

 

CMYK 0 / 58 / 2 / 44

HEX #8F3C8C

RGB 143 60 140

HSL 302.17, 0.41%, 0.4%

LAB 39.52, 46.09, -28.35

 

CMYK 0 / 67 / 4 / 51

HEX #7E2A79

RGB 126 42 121

HSL 303.57, 0.5%, 0.33%

LAB 32.86, 46.25, -27.23

 

CMYK 0 / 78 / 6 / 57

HEX #6D1866

RGB 109 24 102

HSL 304.94, 0.64%, 0.26%

LAB 26.34, 45.65, -25.56

 

CMYK 0 / 93 / 10 / 64

HEX #5C0653

RGB 92 6 83

HSL 306.28, 0.88%, 0.19%

LAB 20.16, 43.65, -22.96

 

CMYK 0 / 100 / 15 / 71

HEX #4B0040

RGB 75 0 64

HSL 308.8, 1%, 0.15%

LAB 14.77, 38.75, -18.61

 

CMYK 0 / 58 / 2 / 44

HEX #903C8D

RGB 144 60 141

HSL 302.14, 0.41%, 0.4%

LAB 39.72, 46.55, -28.63

 

CMYK 0 / 58 / 18 / 44

HEX #903C76

RGB 144 60 118

HSL 318.57, 0.41%, 0.4%

LAB 38.67, 42.64, -16.1

 

CMYK 0 / 58 / 33 / 44

HEX #903C60

RGB 144 60 96

HSL 334.29, 0.41%, 0.4%

LAB 37.85, 39.45, -3.56

 

CMYK 0 / 58 / 49 / 44

HEX #903C49

RGB 144 60 73

HSL 350.71, 0.41%, 0.4%

LAB 37.19, 36.78, 10.06

 

CMYK 0 / 58 / 58 / 44

HEX #903C3C

RGB 144 60 60

HSL 0, 0.41%, 0.4%

LAB 36.91, 35.59, 17.86

 

CMYK 0 / 58 / 2 / 44

HEX #903C8D

RGB 144 60 141

HSL 302.14, 0.41%, 0.4%

LAB 39.72, 46.55, -28.63

 

CMYK 14 / 58 / 0 / 44

HEX #7C3C90

RGB 124 60 144

HSL 285.71, 0.41%, 0.4%

LAB 36.99, 41.59, -34.97

 

CMYK 29 / 58 / 0 / 44

HEX #663C90

RGB 102 60 144

HSL 270, 0.41%, 0.4%

LAB 34.13, 35.66, -39.69

 

CMYK 45 / 58 / 0 / 44

HEX #4F3C90

RGB 79 60 144

HSL 253.57, 0.41%, 0.4%

LAB 31.6, 29.9, -43.9

 

CMYK 58 / 58 / 0 / 44

HEX #3C3C90

RGB 60 60 144

HSL 240, 0.41%, 0.4%

LAB 29.93, 25.75, -46.68

 

CMYK 0 / 58 / 2 / 44

HEX #903C8D

RGB 144 60 141

HSL 302.14, 0.41%, 0.4%

LAB 39.72, 46.55, -28.63

 

CMYK 0 / 73 / 2 / 37

HEX #A02C9C

RGB 160 44 156

HSL 302.07, 0.57%, 0.4%

LAB 40.7, 59.8, -36.02

 

CMYK 0 / 85 / 3 / 31

HEX #B11BAB

RGB 177 27 171

HSL 302.4, 0.74%, 0.4%

LAB 42.87, 70.3, -41.36

 

CMYK 0 / 94 / 3 / 24

HEX #C10BBB

RGB 193 11 187

HSL 301.98, 0.89%, 0.4%

LAB 45.86, 77.84, -45.88

 

CMYK 0 / 58 / 2 / 44

HEX #903C8D

RGB 144 60 141

HSL 302.14, 0.41%, 0.4%

LAB 39.72, 46.55, -28.63

 

CMYK 0 / 39 / 2 / 50

HEX #7F4D7D

RGB 127 77 125

HSL 302.4, 0.25%, 0.4%

LAB 40.08, 29.12, -18.47

 

CMYK 0 / 16 / 1 / 56

HEX #6F5D6E

RGB 111 93 110

HSL 303.33, 0.09%, 0.4%

LAB 41.74, 10.59, -6.93

 

CMYK 15 / 0 / 14 / 57

HEX #5E6E5F

RGB 94 110 95

HSL 123.75, 0.08%, 0.4%

LAB 44.74, -9.2, 6.37

 

CMYK 38 / 0 / 37 / 51

HEX #4E7E50

RGB 78 126 80

HSL 122.5, 0.24%, 0.4%

LAB 48.41, -26.45, 20.05

 

CMYK 29 / 58 / 0 / 44

HEX #663C90

RGB 102 60 144

HSL 270, 0.41%, 0.4%

LAB 34.13, 35.66, -39.69

 

CMYK 14 / 58 / 0 / 44

HEX #7C3C90

RGB 124 60 144

HSL 285.71, 0.41%, 0.4%

LAB 36.99, 41.59, -34.97

 

CMYK 0 / 58 / 2 / 44

HEX #903C8D

RGB 144 60 141

HSL 302.14, 0.41%, 0.4%

LAB 39.72, 46.55, -28.63

 

CMYK 0 / 58 / 17 / 44

HEX #903C77

RGB 144 60 119

HSL 317.86, 0.41%, 0.4%

LAB 38.71, 42.79, -16.66

 

CMYK 0 / 58 / 33 / 44

HEX #903C60

RGB 144 60 96

HSL 334.29, 0.41%, 0.4%

LAB 37.85, 39.45, -3.56

 

CMYK 0 / 58 / 2 / 66

HEX #562454

RGB 86 36 84

HSL 302.4, 0.41%, 0.24%

LAB 23.27, 30.57, -18.82

 

CMYK 0 / 58 / 3 / 55

HEX #733070

RGB 115 48 112

HSL 302.69, 0.41%, 0.32%

LAB 31.64, 38.68, -23.58

 

CMYK 0 / 58 / 2 / 44

HEX #903C8D

RGB 144 60 141

HSL 302.14, 0.41%, 0.4%

LAB 39.72, 46.55, -28.63

 

CMYK 0 / 58 / 2 / 32

HEX #AD48A9

RGB 173 72 169

HSL 302.38, 0.41%, 0.48%

LAB 47.47, 53.92, -32.95

 

CMYK 0 / 49 / 2 / 26

HEX #BD61BA

RGB 189 97 186

HSL 301.96, 0.41%, 0.56%

LAB 54.98, 49.41, -30.96

 

CMYK 0 / 58 / 2 / 44

HEX #8F3C8C

RGB 143 60 140

HSL 302.17, 0.41%, 0.4%

LAB 39.52, 46.09, -28.35

 

CMYK 0 / 44 / 58 / 44

HEX #90503C

RGB 144 80 60

HSL 14.29, 0.41%, 0.4%

LAB 41.2, 24.74, 23.42

 

CMYK 58 / 0 / 22 / 44

HEX #3C9071

RGB 60 144 113

HSL 157.86, 0.41%, 0.4%

LAB 54.13, -33.19, 8.95

 

CMYK 0 / 58 / 2 / 44

HEX #8F3C8C

RGB 143 60 140

HSL 302.17, 0.41%, 0.4%

LAB 39.52, 46.09, -28.35

 

CMYK 2 / 0 / 58 / 44

HEX #8D903C

RGB 141 144 60

HSL 62.14, 0.41%, 0.4%

LAB 57.98, -12.92, 43.31

 

CMYK 58 / 2 / 0 / 44

HEX #3C8D90

RGB 60 141 144

HSL 182.14, 0.41%, 0.4%

LAB 54.05, -23.46, -9.03

 

CMYK 0 / 58 / 2 / 44

HEX #8F3C8C

RGB 143 60 140

HSL 302.17, 0.41%, 0.4%

LAB 39.52, 46.09, -28.35

 

CMYK 0 / 44 / 58 / 44

HEX #90503C

RGB 144 80 60

HSL 14.29, 0.41%, 0.4%

LAB 41.2, 24.74, 23.42

 

CMYK 58 / 0 / 56 / 44

HEX #3C903F

RGB 60 144 63

HSL 122.14, 0.41%, 0.4%

LAB 53.24, -42.6, 35.14

 

CMYK 58 / 14 / 0 / 44

HEX #3C7C90

RGB 60 124 144

HSL 194.29, 0.41%, 0.4%

LAB 48.75, -14.36, -17.04

 

CMYK 0 / 58 / 2 / 44

HEX #8F3C8C

RGB 143 60 140

HSL 302.17, 0.41%, 0.4%

LAB 39.52, 46.09, -28.35

 

CMYK 0 / 27 / 58 / 44

HEX #90693C

RGB 144 105 60

HSL 32.14, 0.41%, 0.4%

LAB 47.44, 10.28, 31.15

 

CMYK 58 / 0 / 56 / 44

HEX #3C903F

RGB 60 144 63

HSL 122.14, 0.41%, 0.4%

LAB 53.24, -42.6, 35.14

 

CMYK 58 / 31 / 0 / 44

HEX #3C6390

RGB 60 99 144

HSL 212.14, 0.41%, 0.4%

LAB 41.05, 0.37, -28.94

 

Description

Color code: HEX #8F3C8C | qconv.com Color code: HEX #8F3C8C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 60 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 60 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 2 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 2% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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