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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F38D7 it is the complementary color #70C728. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F38D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F38D7 shade: #9438D2, #A54AE5, #B65CF8, #C76EFF and #D880FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F38D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F38D7 shade: #8F38D7, #7E26C4, #6D14B1, #5C029E and #4B008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F38D7 shade: #8F37D7, #BA37D7, #D737CA, #D7379E and #D73773

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F38D7 shade: #8F37D7, #6337D7, #3837D7 and #3737D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F38D7 shade matches the following richer shades: #8F37D7, #9123EB and #9210FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F38D7 shade: #8F37D7, #8D4AC4, #8B5EB1, #89719D and #87848A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F38D7 shade: #3737D7, #6237D7, #8D37D7, #B737D7 and #D737CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F38D7 shade: #641F9D, #7A26BF, #8F37D7, #A259DE and #B57CE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F38D7 shade: #8F38D7, #D73762 and #37D74C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F38D7 shade: #8F38D7, #D78D37 and #37D78D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F38D7 shade: #8F38D7, #D73762, #82D737 and #37D7AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F38D7 shade: #8F38D7, #D73C37, #82D737 and #37D2D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 74 / 0 / 16

HEX #8F38D7

RGB 143 56 215

HSL 272.83, 0.67%, 0.53%

LAB 43.62, 63.43, -66.13

 

Complementary color

CMYK 44 / 0 / 80 / 22

HEX #70C728

RGB 112 199 40

HSL 92.83, 0.67%, 0.47%

LAB 72.52, -50.92, 65.07

 

CMYK 30 / 73 / 0 / 18

HEX #9438D2

RGB 148 56 210

HSL 275.84, 0.63%, 0.52%

LAB 43.91, 63.22, -62.74

 

CMYK 28 / 68 / 0 / 10

HEX #A54AE5

RGB 165 74 229

HSL 275.23, 0.75%, 0.59%

LAB 50.16, 63.05, -63.35

 

CMYK 27 / 63 / 0 / 3

HEX #B65CF8

RGB 182 92 248

HSL 274.62, 0.92%, 0.67%

LAB 56.46, 62.55, -63.73

 

CMYK 22 / 57 / 0 / 0

HEX #C76EFF

RGB 199 110 255

HSL 276.83, 1%, 0.72%

LAB 62.1, 59.27, -58.46

 

CMYK 15 / 50 / 0 / 0

HEX #D880FF

RGB 216 128 255

HSL 281.57, 1%, 0.75%

LAB 67.47, 54.56, -49.81

 

CMYK 33 / 74 / 0 / 16

HEX #8F38D7

RGB 143 56 215

HSL 272.83, 0.67%, 0.53%

LAB 43.62, 63.43, -66.13

 

CMYK 36 / 81 / 0 / 23

HEX #7E26C4

RGB 126 38 196

HSL 273.42, 0.68%, 0.46%

LAB 37.49, 63.11, -65.2

 

CMYK 38 / 89 / 0 / 31

HEX #6D14B1

RGB 109 20 177

HSL 274.01, 0.8%, 0.39%

LAB 31.64, 61.79, -63.65

 

CMYK 42 / 99 / 0 / 38

HEX #5C029E

RGB 92 2 158

HSL 274.62, 0.98%, 0.31%

LAB 26.12, 59.17, -61.33

 

CMYK 46 / 100 / 0 / 45

HEX #4B008B

RGB 75 0 139

HSL 272.37, 1%, 0.27%

LAB 21.43, 53.71, -57.4

 

CMYK 33 / 74 / 0 / 16

HEX #8F37D7

RGB 143 55 215

HSL 273, 0.67%, 0.53%

LAB 43.48, 63.83, -66.35

 

CMYK 13 / 74 / 0 / 16

HEX #BA37D7

RGB 186 55 215

HSL 289.13, 0.67%, 0.53%

LAB 49.59, 71.81, -56.17

 

CMYK 0 / 74 / 6 / 16

HEX #D737CA

RGB 215 55 202

HSL 304.88, 0.67%, 0.53%

LAB 53.43, 75.58, -42.33

 

CMYK 0 / 74 / 27 / 16

HEX #D7379E

RGB 215 55 158

HSL 321.38, 0.67%, 0.53%

LAB 51.44, 69.61, -19.77

 

CMYK 0 / 74 / 47 / 16

HEX #D73773

RGB 215 55 115

HSL 337.5, 0.67%, 0.53%

LAB 50, 65.11, 3.9

 

CMYK 33 / 74 / 0 / 16

HEX #8F37D7

RGB 143 55 215

HSL 273, 0.67%, 0.53%

LAB 43.48, 63.83, -66.35

 

CMYK 54 / 74 / 0 / 16

HEX #6337D7

RGB 99 55 215

HSL 256.5, 0.67%, 0.53%

LAB 38.36, 56.9, -74.92

 

CMYK 74 / 74 / 0 / 16

HEX #3837D7

RGB 56 55 215

HSL 240.38, 0.67%, 0.53%

LAB 34.96, 52.11, -80.64

 

CMYK 74 / 74 / 0 / 16

HEX #3737D7

RGB 55 55 215

HSL 240, 0.67%, 0.53%

LAB 34.9, 52.02, -80.74

 

CMYK 33 / 74 / 0 / 16

HEX #8F37D7

RGB 143 55 215

HSL 273, 0.67%, 0.53%

LAB 43.48, 63.83, -66.35

 

CMYK 38 / 85 / 0 / 8

HEX #9123EB

RGB 145 35 235

HSL 273, 0.83%, 0.53%

LAB 43.09, 75.08, -78.37

 

CMYK 43 / 94 / 0 / 0

HEX #9210FE

RGB 146 16 254

HSL 272.77, 0.99%, 0.53%

LAB 43.71, 82.8, -88.04

 

CMYK 33 / 74 / 0 / 16

HEX #8F37D7

RGB 143 55 215

HSL 273, 0.67%, 0.53%

LAB 43.48, 63.83, -66.35

 

CMYK 28 / 62 / 0 / 23

HEX #8D4AC4

RGB 141 74 196

HSL 272.95, 0.51%, 0.53%

LAB 45.01, 50.4, -52.93

 

CMYK 21 / 47 / 0 / 31

HEX #8B5EB1

RGB 139 94 177

HSL 272.53, 0.35%, 0.53%

LAB 47.84, 34.53, -37.37

 

CMYK 13 / 28 / 0 / 38

HEX #89719D

RGB 137 113 157

HSL 272.73, 0.18%, 0.53%

LAB 51.34, 18.16, -20.24

 

CMYK 2 / 4 / 0 / 46

HEX #87848A

RGB 135 132 138

HSL 270, 0.02%, 0.53%

LAB 55.57, 2.31, -2.83

 

CMYK 74 / 74 / 0 / 16

HEX #3737D7

RGB 55 55 215

HSL 240, 0.67%, 0.53%

LAB 34.9, 52.02, -80.74

 

CMYK 54 / 74 / 0 / 16

HEX #6237D7

RGB 98 55 215

HSL 256.13, 0.67%, 0.53%

LAB 38.26, 56.76, -75.09

 

CMYK 34 / 74 / 0 / 16

HEX #8D37D7

RGB 141 55 215

HSL 272.25, 0.67%, 0.53%

LAB 43.21, 63.48, -66.79

 

CMYK 15 / 74 / 0 / 16

HEX #B737D7

RGB 183 55 215

HSL 288, 0.67%, 0.53%

LAB 49.14, 71.22, -56.92

 

CMYK 0 / 74 / 5 / 16

HEX #D737CD

RGB 215 55 205

HSL 303.75, 0.67%, 0.53%

LAB 53.59, 76.03, -43.8

 

CMYK 36 / 80 / 0 / 38

HEX #641F9D

RGB 100 31 157

HSL 272.86, 0.67%, 0.37%

LAB 29.72, 52.57, -54.77

 

CMYK 36 / 80 / 0 / 25

HEX #7A26BF

RGB 122 38 191

HSL 272.94, 0.67%, 0.45%

LAB 36.53, 61.37, -63.87

 

CMYK 33 / 74 / 0 / 16

HEX #8F37D7

RGB 143 55 215

HSL 273, 0.67%, 0.53%

LAB 43.48, 63.83, -66.35

 

CMYK 27 / 60 / 0 / 13

HEX #A259DE

RGB 162 89 222

HSL 272.93, 0.67%, 0.61%

LAB 51.95, 53.7, -56.54

 

CMYK 21 / 46 / 0 / 10

HEX #B57CE5

RGB 181 124 229

HSL 272.57, 0.67%, 0.69%

LAB 61.56, 41.63, -45.05

 

CMYK 33 / 74 / 0 / 16

HEX #8F38D7

RGB 143 56 215

HSL 272.83, 0.67%, 0.53%

LAB 43.62, 63.43, -66.13

 

CMYK 0 / 74 / 54 / 16

HEX #D73762

RGB 215 55 98

HSL 343.88, 0.67%, 0.53%

LAB 49.57, 63.73, 13.63

 

CMYK 74 / 0 / 65 / 16

HEX #37D74C

RGB 55 215 76

HSL 127.88, 0.67%, 0.53%

LAB 76.03, -67.26, 55.28

 

CMYK 33 / 74 / 0 / 16

HEX #8F38D7

RGB 143 56 215

HSL 272.83, 0.67%, 0.53%

LAB 43.62, 63.43, -66.13

 

CMYK 0 / 34 / 74 / 16

HEX #D78D37

RGB 215 141 55

HSL 32.25, 0.67%, 0.53%

LAB 64.78, 20.92, 55.1

 

CMYK 74 / 0 / 34 / 16

HEX #37D78D

RGB 55 215 141

HSL 152.25, 0.67%, 0.53%

LAB 76.88, -57.36, 25.14

 

CMYK 33 / 74 / 0 / 16

HEX #8F38D7

RGB 143 56 215

HSL 272.83, 0.67%, 0.53%

LAB 43.62, 63.43, -66.13

 

CMYK 0 / 74 / 54 / 16

HEX #D73762

RGB 215 55 98

HSL 343.88, 0.67%, 0.53%

LAB 49.57, 63.73, 13.63

 

CMYK 40 / 0 / 74 / 16

HEX #82D737

RGB 130 215 55

HSL 91.88, 0.67%, 0.53%

LAB 78.24, -50.6, 66.16

 

CMYK 74 / 0 / 20 / 16

HEX #37D7AD

RGB 55 215 173

HSL 164.25, 0.67%, 0.53%

LAB 77.54, -50.28, 9.17

 

CMYK 33 / 74 / 0 / 16

HEX #8F38D7

RGB 143 56 215

HSL 272.83, 0.67%, 0.53%

LAB 43.62, 63.43, -66.13

 

CMYK 0 / 72 / 74 / 16

HEX #D73C37

RGB 215 60 55

HSL 1.88, 0.67%, 0.53%

LAB 49.44, 59.6, 38.98

 

CMYK 40 / 0 / 74 / 16

HEX #82D737

RGB 130 215 55

HSL 91.88, 0.67%, 0.53%

LAB 78.24, -50.6, 66.16

 

CMYK 74 / 2 / 0 / 16

HEX #37D2D7

RGB 55 210 215

HSL 181.88, 0.67%, 0.53%

LAB 77.17, -36.87, -13.89

 

Description

Color code: HEX #8F38D7 | qconv.com Color code: HEX #8F38D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 56 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 56 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 74 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 74% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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