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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F3496 it is the complementary color #70CB69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F3496. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F3496 shade: #943491, #A546A4, #B658B7, #C76ACA and #D87CDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F3496. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F3496 shade: #8F3496, #7E2283, #6D1070, #5C005D and #4B004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F3496 shade: #913498, #983484, #983469, #98344E and #983434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F3496 shade: #913498, #763498, #5B3498, #403498 and #343498

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F3496 shade matches the following richer shades: #913498, #9F24A8, #AD13B9 and #BB03C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F3496 shade: #913498, #834587, #755577, #666666 and #587656

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F3496 shade: #5A3498, #753498, #903498, #983486 and #98346B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F3496 shade: #561F5B, #742979, #913498, #AE3FB7 and #BE59C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F3496 shade: #8F3496, #984034 and #349868

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F3496 shade: #8F3496, #989034 and #349890

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F3496 shade: #8F3496, #984034, #3C9834 and #348C98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F3496 shade: #8F3496, #985E34, #3C9834 and #346E98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 65 / 0 / 41

HEX #8F3496

RGB 143 52 150

HSL 295.71, 0.49%, 0.4%

LAB 38.72, 51.59, -35.69

 

Complementary color

CMYK 45 / 0 / 48 / 20

HEX #70CB69

RGB 112 203 105

HSL 115.71, 0.49%, 0.6%

LAB 74.3, -46.59, 40.4

 

CMYK 0 / 65 / 2 / 42

HEX #943491

RGB 148 52 145

HSL 301.88, 0.48%, 0.39%

LAB 39.24, 51.95, -31.79

 

CMYK 0 / 58 / 1 / 35

HEX #A546A4

RGB 165 70 164

HSL 300.63, 0.4%, 0.46%

LAB 45.72, 51.79, -32.83

 

CMYK 1 / 52 / 0 / 28

HEX #B658B7

RGB 182 88 183

HSL 299.37, 0.4%, 0.53%

LAB 52.22, 51.32, -33.6

 

CMYK 1 / 48 / 0 / 21

HEX #C76ACA

RGB 199 106 202

HSL 298.13, 0.48%, 0.6%

LAB 58.71, 50.69, -34.21

 

CMYK 2 / 44 / 0 / 13

HEX #D87CDD

RGB 216 124 221

HSL 296.91, 0.59%, 0.68%

LAB 65.15, 49.99, -34.7

 

CMYK 5 / 65 / 0 / 41

HEX #8F3496

RGB 143 52 150

HSL 295.71, 0.49%, 0.4%

LAB 38.72, 51.59, -35.69

 

CMYK 4 / 74 / 0 / 49

HEX #7E2283

RGB 126 34 131

HSL 296.91, 0.59%, 0.32%

LAB 32.3, 51.22, -34.38

 

CMYK 3 / 86 / 0 / 56

HEX #6D1070

RGB 109 16 112

HSL 298.13, 0.75%, 0.25%

LAB 26.13, 49.75, -32.36

 

CMYK 1 / 100 / 0 / 64

HEX #5C005D

RGB 92 0 93

HSL 299.35, 1%, 0.18%

LAB 20.3, 46.82, -29.44

 

CMYK 0 / 100 / 1 / 71

HEX #4B004A

RGB 75 0 74

HSL 300.8, 1%, 0.15%

LAB 15.44, 40.39, -24.54

 

CMYK 5 / 66 / 0 / 40

HEX #913498

RGB 145 52 152

HSL 295.8, 0.49%, 0.4%

LAB 39.14, 52.46, -36.21

 

CMYK 0 / 66 / 13 / 40

HEX #983484

RGB 152 52 132

HSL 312, 0.49%, 0.4%

LAB 39.24, 50.85, -23.78

 

CMYK 0 / 66 / 31 / 40

HEX #983469

RGB 152 52 105

HSL 328.2, 0.49%, 0.4%

LAB 38.11, 46.95, -8.7

 

CMYK 0 / 66 / 49 / 40

HEX #98344E

RGB 152 52 78

HSL 344.4, 0.49%, 0.4%

LAB 37.26, 43.89, 7.18

 

CMYK 0 / 66 / 66 / 40

HEX #983434

RGB 152 52 52

HSL 0, 0.49%, 0.4%

LAB 36.7, 41.8, 22.87

 

CMYK 5 / 66 / 0 / 40

HEX #913498

RGB 145 52 152

HSL 295.8, 0.49%, 0.4%

LAB 39.14, 52.46, -36.21

 

CMYK 22 / 66 / 0 / 40

HEX #763498

RGB 118 52 152

HSL 279.6, 0.49%, 0.4%

LAB 35.15, 45.86, -42.82

 

CMYK 40 / 66 / 0 / 40

HEX #5B3498

RGB 91 52 152

HSL 263.4, 0.49%, 0.4%

LAB 31.69, 39.66, -48.58

 

CMYK 58 / 66 / 0 / 40

HEX #403498

RGB 64 52 152

HSL 247.2, 0.49%, 0.4%

LAB 28.94, 34.29, -53.17

 

CMYK 66 / 66 / 0 / 40

HEX #343498

RGB 52 52 152

HSL 240, 0.49%, 0.4%

LAB 27.99, 32.33, -54.76

 

CMYK 5 / 66 / 0 / 40

HEX #913498

RGB 145 52 152

HSL 295.8, 0.49%, 0.4%

LAB 39.14, 52.46, -36.21

 

CMYK 5 / 79 / 0 / 34

HEX #9F24A8

RGB 159 36 168

HSL 295.91, 0.65%, 0.4%

LAB 40.34, 64.12, -43.79

 

CMYK 6 / 90 / 0 / 27

HEX #AD13B9

RGB 173 19 185

HSL 295.66, 0.81%, 0.4%

LAB 42.54, 73.17, -50.22

 

CMYK 7 / 99 / 0 / 21

HEX #BB03C9

RGB 187 3 201

HSL 295.76, 0.97%, 0.4%

LAB 45.42, 79.67, -54.8

 

CMYK 5 / 66 / 0 / 40

HEX #913498

RGB 145 52 152

HSL 295.8, 0.49%, 0.4%

LAB 39.14, 52.46, -36.21

 

CMYK 3 / 49 / 0 / 47

HEX #834587

RGB 131 69 135

HSL 296.36, 0.32%, 0.4%

LAB 39.29, 36.94, -25.77

 

CMYK 2 / 29 / 0 / 53

HEX #755577

RGB 117 85 119

HSL 296.47, 0.17%, 0.4%

LAB 40.59, 19.59, -14.11

 

CMYK 0 / 0 / 0 / 60

HEX #666666

RGB 102 102 102

HSL 0, 0%, 0.4%

LAB 43.19, 0, -0.01

 

CMYK 25 / 0 / 27 / 54

HEX #587656

RGB 88 118 86

HSL 116.25, 0.16%, 0.4%

LAB 46.58, -17.66, 14.21

 

CMYK 41 / 66 / 0 / 40

HEX #5A3498

RGB 90 52 152

HSL 262.8, 0.49%, 0.4%

LAB 31.57, 39.44, -48.77

 

CMYK 23 / 66 / 0 / 40

HEX #753498

RGB 117 52 152

HSL 279, 0.49%, 0.4%

LAB 35.01, 45.62, -43.05

 

CMYK 5 / 66 / 0 / 40

HEX #903498

RGB 144 52 152

HSL 295.2, 0.49%, 0.4%

LAB 38.99, 52.21, -36.47

 

CMYK 0 / 66 / 12 / 40

HEX #983486

RGB 152 52 134

HSL 310.8, 0.49%, 0.4%

LAB 39.33, 51.17, -24.87

 

CMYK 0 / 66 / 30 / 40

HEX #98346B

RGB 152 52 107

HSL 327, 0.49%, 0.4%

LAB 38.19, 47.21, -9.85

 

CMYK 5 / 66 / 0 / 64

HEX #561F5B

RGB 86 31 91

HSL 295, 0.49%, 0.24%

LAB 22.7, 34.63, -24.36

 

CMYK 4 / 66 / 0 / 53

HEX #742979

RGB 116 41 121

HSL 296.25, 0.49%, 0.32%

LAB 31.07, 44.05, -30.17

 

CMYK 5 / 66 / 0 / 40

HEX #913498

RGB 145 52 152

HSL 295.8, 0.49%, 0.4%

LAB 39.14, 52.46, -36.21

 

CMYK 5 / 66 / 0 / 28

HEX #AE3FB7

RGB 174 63 183

HSL 295.5, 0.49%, 0.48%

LAB 46.94, 60.53, -42.01

 

CMYK 4 / 55 / 0 / 22

HEX #BE59C6

RGB 190 89 198

HSL 295.6, 0.49%, 0.56%

LAB 54.21, 55.77, -39.06

 

CMYK 5 / 65 / 0 / 41

HEX #8F3496

RGB 143 52 150

HSL 295.71, 0.49%, 0.4%

LAB 38.72, 51.59, -35.69

 

CMYK 0 / 58 / 66 / 40

HEX #984034

RGB 152 64 52

HSL 7.2, 0.49%, 0.4%

LAB 38.88, 36.04, 25.57

 

CMYK 66 / 0 / 32 / 40

HEX #349868

RGB 52 152 104

HSL 151.2, 0.49%, 0.4%

LAB 56.27, -40.47, 16.99

 

CMYK 5 / 65 / 0 / 41

HEX #8F3496

RGB 143 52 150

HSL 295.71, 0.49%, 0.4%

LAB 38.72, 51.59, -35.69

 

CMYK 0 / 5 / 66 / 40

HEX #989034

RGB 152 144 52

HSL 55.2, 0.49%, 0.4%

LAB 58.85, -8.64, 48.2

 

CMYK 66 / 0 / 5 / 40

HEX #349890

RGB 52 152 144

HSL 175.2, 0.49%, 0.4%

LAB 57.27, -30.41, -4.27

 

CMYK 5 / 65 / 0 / 41

HEX #8F3496

RGB 143 52 150

HSL 295.71, 0.49%, 0.4%

LAB 38.72, 51.59, -35.69

 

CMYK 0 / 58 / 66 / 40

HEX #984034

RGB 152 64 52

HSL 7.2, 0.49%, 0.4%

LAB 38.88, 36.04, 25.57

 

CMYK 61 / 0 / 66 / 40

HEX #3C9834

RGB 60 152 52

HSL 115.2, 0.49%, 0.4%

LAB 55.75, -47.04, 43.23

 

CMYK 66 / 8 / 0 / 40

HEX #348C98

RGB 52 140 152

HSL 187.2, 0.49%, 0.4%

LAB 53.76, -22, -14.11

 

CMYK 5 / 65 / 0 / 41

HEX #8F3496

RGB 143 52 150

HSL 295.71, 0.49%, 0.4%

LAB 38.72, 51.59, -35.69

 

CMYK 0 / 38 / 66 / 40

HEX #985E34

RGB 152 94 52

HSL 25.2, 0.49%, 0.4%

LAB 45.54, 19.59, 33.52

 

CMYK 61 / 0 / 66 / 40

HEX #3C9834

RGB 60 152 52

HSL 115.2, 0.49%, 0.4%

LAB 55.75, -47.04, 43.23

 

CMYK 66 / 28 / 0 / 40

HEX #346E98

RGB 52 110 152

HSL 205.2, 0.49%, 0.4%

LAB 44.45, -5.2, -28.44

 

Description

Color code: HEX #8F3496 | qconv.com Color code: HEX #8F3496 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 52 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 52 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 65 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 65% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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