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Color name
HEX #8F2265

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F2265 it is the complementary color #70DD9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F2265. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F2265 shade: #942260, #A53473, #B64686, #C75899 and #D86AAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F2265. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F2265 shade: #8F2265, #7E1052, #6D003F, #5C002C and #4B0019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F2265 shade: #912266, #912248, #91222A and #912222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F2265 shade: #912266, #912284, #802291, #622291 and #442291

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F2265 shade matches the following richer shades: #912266, #9F1369 and #AD056D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F2265 shade: #912266, #823063, #743F5F, #654D5C and #575C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F2265 shade: #802291, #912284, #912266, #912249 and #91222B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F2265 shade: #4E1237, #6F1A4E, #912266, #B22A7E and #D03594

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F2265 shade: #8F2265, #916222 and #22918F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F2265 shade: #8F2265, #669122 and #226691

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F2265 shade: #8F2265, #916222, #22914C and #225091

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F2265 shade: #8F2265, #918422, #22914C and #222F91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 29 / 44

HEX #8F2265

RGB 143 34 101

HSL 323.12, 0.62%, 0.35%

LAB 33.82, 50.86, -12.81

 

Complementary color

CMYK 49 / 0 / 30 / 13

HEX #70DD9A

RGB 112 221 154

HSL 143.12, 0.62%, 0.65%

LAB 80.45, -46.22, 23.49

 

CMYK 0 / 77 / 35 / 42

HEX #942260

RGB 148 34 96

HSL 327.37, 0.63%, 0.36%

LAB 34.57, 51.61, -8.38

 

CMYK 0 / 68 / 30 / 35

HEX #A53473

RGB 165 52 115

HSL 326.55, 0.52%, 0.43%

LAB 40.72, 52.1, -10.8

 

CMYK 0 / 62 / 26 / 29

HEX #B64686

RGB 182 70 134

HSL 325.71, 0.44%, 0.49%

LAB 47.04, 51.97, -12.62

 

CMYK 0 / 56 / 23 / 22

HEX #C75899

RGB 199 88 153

HSL 324.86, 0.5%, 0.56%

LAB 53.41, 51.51, -14.05

 

CMYK 0 / 51 / 20 / 15

HEX #D86AAC

RGB 216 106 172

HSL 324, 0.59%, 0.63%

LAB 59.79, 50.88, -15.22

 

CMYK 0 / 76 / 29 / 44

HEX #8F2265

RGB 143 34 101

HSL 323.12, 0.62%, 0.35%

LAB 33.82, 50.86, -12.81

 

CMYK 0 / 87 / 35 / 51

HEX #7E1052

RGB 126 16 82

HSL 324, 0.77%, 0.28%

LAB 27.89, 49.31, -9.76

 

CMYK 0 / 100 / 42 / 57

HEX #6D003F

RGB 109 0 63

HSL 325.32, 1%, 0.21%

LAB 22.34, 46.35, -5.61

 

CMYK 0 / 100 / 52 / 64

HEX #5C002C

RGB 92 0 44

HSL 331.3, 1%, 0.18%

LAB 17.72, 40.33, 0.55

 

CMYK 0 / 100 / 67 / 71

HEX #4B0019

RGB 75 0 25

HSL 340, 1%, 0.15%

LAB 13.02, 34.26, 7.34

 

CMYK 0 / 77 / 30 / 43

HEX #912266

RGB 145 34 102

HSL 323.24, 0.62%, 0.35%

LAB 34.24, 51.52, -12.78

 

CMYK 0 / 77 / 50 / 43

HEX #912248

RGB 145 34 72

HSL 339.46, 0.62%, 0.35%

LAB 33.2, 48.27, 5.11

 

CMYK 0 / 77 / 71 / 43

HEX #91222A

RGB 145 34 42

HSL 355.68, 0.62%, 0.35%

LAB 32.55, 46.13, 23.72

 

CMYK 0 / 77 / 77 / 43

HEX #912222

RGB 145 34 34

HSL 0, 0.62%, 0.35%

LAB 32.43, 45.76, 28.56

 

CMYK 0 / 77 / 30 / 43

HEX #912266

RGB 145 34 102

HSL 323.24, 0.62%, 0.35%

LAB 34.24, 51.52, -12.78

 

CMYK 0 / 77 / 9 / 43

HEX #912284

RGB 145 34 132

HSL 307.03, 0.62%, 0.35%

LAB 35.65, 55.79, -29.48

 

CMYK 12 / 77 / 0 / 43

HEX #802291

RGB 128 34 145

HSL 290.81, 0.62%, 0.35%

LAB 33.52, 54.26, -41.08

 

CMYK 32 / 77 / 0 / 43

HEX #622291

RGB 98 34 145

HSL 274.59, 0.62%, 0.35%

LAB 28.86, 48.2, -48.82

 

CMYK 53 / 77 / 0 / 43

HEX #442291

RGB 68 34 145

HSL 258.38, 0.62%, 0.35%

LAB 25.01, 42.98, -55.28

 

CMYK 0 / 77 / 30 / 43

HEX #912266

RGB 145 34 102

HSL 323.24, 0.62%, 0.35%

LAB 34.24, 51.52, -12.78

 

CMYK 0 / 88 / 34 / 38

HEX #9F1369

RGB 159 19 105

HSL 323.14, 0.79%, 0.35%

LAB 35.71, 59.28, -12.21

 

CMYK 0 / 97 / 37 / 32

HEX #AD056D

RGB 173 5 109

HSL 322.86, 0.94%, 0.35%

LAB 38.02, 64.81, -10.98

 

CMYK 0 / 77 / 30 / 43

HEX #912266

RGB 145 34 102

HSL 323.24, 0.62%, 0.35%

LAB 34.24, 51.52, -12.78

 

CMYK 0 / 63 / 24 / 49

HEX #823063

RGB 130 48 99

HSL 322.68, 0.46%, 0.35%

LAB 33.48, 41.1, -12.26

 

CMYK 0 / 46 / 18 / 55

HEX #743F5F

RGB 116 63 95

HSL 323.77, 0.3%, 0.35%

LAB 34.18, 27.71, -8.86

 

CMYK 0 / 24 / 9 / 60

HEX #654D5C

RGB 101 77 92

HSL 322.5, 0.13%, 0.35%

LAB 35.69, 12.87, -4.89

 

CMYK 5 / 0 / 3 / 64

HEX #575C59

RGB 87 92 89

HSL 144, 0.03%, 0.35%

LAB 38.55, -2.61, 1.04

 

CMYK 12 / 77 / 0 / 43

HEX #802291

RGB 128 34 145

HSL 290.81, 0.62%, 0.35%

LAB 33.52, 54.26, -41.08

 

CMYK 0 / 77 / 9 / 43

HEX #912284

RGB 145 34 132

HSL 307.03, 0.62%, 0.35%

LAB 35.65, 55.79, -29.48

 

CMYK 0 / 77 / 30 / 43

HEX #912266

RGB 145 34 102

HSL 323.24, 0.62%, 0.35%

LAB 34.24, 51.52, -12.78

 

CMYK 0 / 77 / 50 / 43

HEX #912249

RGB 145 34 73

HSL 338.92, 0.62%, 0.35%

LAB 33.23, 48.36, 4.5

 

CMYK 0 / 77 / 70 / 43

HEX #91222B

RGB 145 34 43

HSL 355.14, 0.62%, 0.35%

LAB 32.56, 46.19, 23.1

 

CMYK 0 / 77 / 29 / 69

HEX #4E1237

RGB 78 18 55

HSL 323, 0.63%, 0.19%

LAB 17.12, 31.84, -8.54

 

CMYK 0 / 77 / 30 / 56

HEX #6F1A4E

RGB 111 26 78

HSL 323.29, 0.62%, 0.27%

LAB 25.77, 41.79, -10.59

 

CMYK 0 / 77 / 30 / 43

HEX #912266

RGB 145 34 102

HSL 323.24, 0.62%, 0.35%

LAB 34.24, 51.52, -12.78

 

CMYK 0 / 76 / 29 / 30

HEX #B22A7E

RGB 178 42 126

HSL 322.94, 0.62%, 0.43%

LAB 42.2, 60.52, -15.15

 

CMYK 0 / 75 / 29 / 18

HEX #D03594

RGB 208 53 148

HSL 323.23, 0.62%, 0.51%

LAB 49.61, 67.3, -16.72

 

CMYK 0 / 76 / 29 / 44

HEX #8F2265

RGB 143 34 101

HSL 323.12, 0.62%, 0.35%

LAB 33.82, 50.86, -12.81

 

CMYK 0 / 32 / 77 / 43

HEX #916222

RGB 145 98 34

HSL 34.59, 0.62%, 0.35%

LAB 45.46, 13.08, 42.23

 

CMYK 77 / 0 / 1 / 43

HEX #22918F

RGB 34 145 143

HSL 178.92, 0.62%, 0.35%

LAB 54.63, -29.85, -7.66

 

CMYK 0 / 76 / 29 / 44

HEX #8F2265

RGB 143 34 101

HSL 323.12, 0.62%, 0.35%

LAB 33.82, 50.86, -12.81

 

CMYK 30 / 0 / 77 / 43

HEX #669122

RGB 102 145 34

HSL 83.24, 0.62%, 0.35%

LAB 55.27, -31.73, 50.54

 

CMYK 77 / 30 / 0 / 43

HEX #226691

RGB 34 102 145

HSL 203.24, 0.62%, 0.35%

LAB 41.04, -5.77, -29.64

 

CMYK 0 / 76 / 29 / 44

HEX #8F2265

RGB 143 34 101

HSL 323.12, 0.62%, 0.35%

LAB 33.82, 50.86, -12.81

 

CMYK 0 / 32 / 77 / 43

HEX #916222

RGB 145 98 34

HSL 34.59, 0.62%, 0.35%

LAB 45.46, 13.08, 42.23

 

CMYK 77 / 0 / 48 / 43

HEX #22914C

RGB 34 145 76

HSL 142.7, 0.62%, 0.35%

LAB 53.07, -46.27, 28.03

 

CMYK 77 / 45 / 0 / 43

HEX #225091

RGB 34 80 145

HSL 215.14, 0.62%, 0.35%

LAB 34.24, 8.28, -40.42

 

CMYK 0 / 76 / 29 / 44

HEX #8F2265

RGB 143 34 101

HSL 323.12, 0.62%, 0.35%

LAB 33.82, 50.86, -12.81

 

CMYK 0 / 9 / 77 / 43

HEX #918422

RGB 145 132 34

HSL 52.97, 0.62%, 0.35%

LAB 54.7, -6.26, 51.15

 

CMYK 77 / 0 / 48 / 43

HEX #22914C

RGB 34 145 76

HSL 142.7, 0.62%, 0.35%

LAB 53.07, -46.27, 28.03

 

CMYK 77 / 68 / 0 / 43

HEX #222F91

RGB 34 47 145

HSL 232.97, 0.62%, 0.35%

LAB 25.01, 30.69, -55.39

 

Description

Color code: HEX #8F2265 | qconv.com Color code: HEX #8F2265 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 34 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 34 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 29 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 29% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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