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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F208E it is the complementary color #70DF71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F208E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F208E shade: #942089, #A5329C, #B644AF, #C756C2 and #D868D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F208E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F208E shade: #8F208E, #7E0E7B, #6D0068, #5C0055 and #4B0042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F208E shade: #8D208C, #8D206F, #8D2051, #8D2034 and #8D2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F208E shade: #8D208C, #71208D, #53208D, #36208D and #20208D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F208E shade matches the following richer shades: #8D208C, #9B129A and #A904A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F208E shade: #8D208C, #7F2E7F, #713C71, #634A63 and #555855

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F208E shade: #53208D, #70208D, #8D208D, #8D2070 and #8D2053

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F208E shade: #4A114A, #6C186B, #8D208C, #AF28AE and #D030CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F208E shade: #8F208E, #8D3620 and #208D62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F208E shade: #8F208E, #8D8D20 and #208D8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F208E shade: #8F208E, #8D3620, #208D20 and #20778D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F208E shade: #8F208E, #8D5720, #208D20 and #20578D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 1 / 44

HEX #8F208E

RGB 143 32 142

HSL 300.54, 0.63%, 0.34%

LAB 35.65, 57.58, -35.69

 

Complementary color

CMYK 50 / 0 / 49 / 13

HEX #70DF71

RGB 112 223 113

HSL 120.54, 0.63%, 0.66%

LAB 80.41, -53.63, 44.08

 

CMYK 0 / 78 / 7 / 42

HEX #942089

RGB 148 32 137

HSL 305.69, 0.64%, 0.35%

LAB 36.24, 57.87, -31.61

 

CMYK 0 / 70 / 5 / 35

HEX #A5329C

RGB 165 50 156

HSL 304.7, 0.53%, 0.42%

LAB 42.28, 58.83, -33.46

 

CMYK 0 / 63 / 4 / 29

HEX #B644AF

RGB 182 68 175

HSL 303.68, 0.46%, 0.49%

LAB 48.48, 59.05, -34.81

 

CMYK 0 / 57 / 3 / 22

HEX #C756C2

RGB 199 86 194

HSL 302.65, 0.5%, 0.56%

LAB 54.75, 58.85, -35.82

 

CMYK 0 / 52 / 1 / 15

HEX #D868D5

RGB 216 104 213

HSL 301.61, 0.59%, 0.63%

LAB 61.05, 58.4, -36.61

 

CMYK 0 / 78 / 1 / 44

HEX #8F208E

RGB 143 32 142

HSL 300.54, 0.63%, 0.34%

LAB 35.65, 57.58, -35.69

 

CMYK 0 / 89 / 2 / 51

HEX #7E0E7B

RGB 126 14 123

HSL 301.61, 0.8%, 0.27%

LAB 29.86, 55.48, -33.24

 

CMYK 0 / 100 / 5 / 57

HEX #6D0068

RGB 109 0 104

HSL 302.75, 1%, 0.21%

LAB 24.48, 51.74, -29.81

 

CMYK 0 / 100 / 8 / 64

HEX #5C0055

RGB 92 0 85

HSL 304.57, 1%, 0.18%

LAB 19.77, 45.51, -24.94

 

CMYK 0 / 100 / 12 / 71

HEX #4B0042

RGB 75 0 66

HSL 307.2, 1%, 0.15%

LAB 14.89, 39.07, -19.82

 

CMYK 0 / 77 / 1 / 45

HEX #8D208C

RGB 141 32 140

HSL 300.55, 0.63%, 0.34%

LAB 35.18, 56.81, -35.22

 

CMYK 0 / 77 / 21 / 45

HEX #8D206F

RGB 141 32 111

HSL 316.51, 0.63%, 0.34%

LAB 33.65, 52.34, -19.48

 

CMYK 0 / 77 / 43 / 45

HEX #8D2051

RGB 141 32 81

HSL 333.03, 0.63%, 0.34%

LAB 32.46, 48.65, -1.95

 

CMYK 0 / 77 / 63 / 45

HEX #8D2034

RGB 141 32 52

HSL 348.99, 0.63%, 0.34%

LAB 31.68, 46.16, 15.99

 

CMYK 0 / 77 / 77 / 45

HEX #8D2020

RGB 141 32 32

HSL 0, 0.63%, 0.34%

LAB 31.35, 45.08, 28.35

 

CMYK 0 / 77 / 1 / 45

HEX #8D208C

RGB 141 32 140

HSL 300.55, 0.63%, 0.34%

LAB 35.18, 56.81, -35.22

 

CMYK 20 / 77 / 0 / 45

HEX #71208D

RGB 113 32 141

HSL 284.59, 0.63%, 0.34%

LAB 30.56, 51.07, -43.5

 

CMYK 41 / 77 / 0 / 45

HEX #53208D

RGB 83 32 141

HSL 268.07, 0.63%, 0.34%

LAB 26.14, 45.33, -50.87

 

CMYK 62 / 77 / 0 / 45

HEX #36208D

RGB 54 32 141

HSL 252.11, 0.63%, 0.34%

LAB 22.79, 40.82, -56.49

 

CMYK 77 / 77 / 0 / 45

HEX #20208D

RGB 32 32 141

HSL 240, 0.63%, 0.34%

LAB 21.07, 38.42, -59.4

 

CMYK 0 / 77 / 1 / 45

HEX #8D208C

RGB 141 32 140

HSL 300.55, 0.63%, 0.34%

LAB 35.18, 56.81, -35.22

 

CMYK 0 / 88 / 1 / 39

HEX #9B129A

RGB 155 18 154

HSL 300.44, 0.79%, 0.34%

LAB 37.36, 65.23, -40.16

 

CMYK 0 / 98 / 1 / 34

HEX #A904A8

RGB 169 4 168

HSL 300.36, 0.95%, 0.34%

LAB 40.16, 71.62, -43.98

 

CMYK 0 / 77 / 1 / 45

HEX #8D208C

RGB 141 32 140

HSL 300.55, 0.63%, 0.34%

LAB 35.18, 56.81, -35.22

 

CMYK 0 / 64 / 0 / 50

HEX #7F2E7F

RGB 127 46 127

HSL 300, 0.47%, 0.34%

LAB 33.98, 45.84, -29.21

 

CMYK 0 / 47 / 0 / 56

HEX #713C71

RGB 113 60 113

HSL 300, 0.31%, 0.34%

LAB 33.85, 31.77, -20.8

 

CMYK 0 / 25 / 0 / 61

HEX #634A63

RGB 99 74 99

HSL 300, 0.14%, 0.34%

LAB 34.91, 15.41, -10.5

 

CMYK 3 / 0 / 3 / 65

HEX #555855

RGB 85 88 85

HSL 120, 0.02%, 0.34%

LAB 37.05, -1.83, 1.32

 

CMYK 41 / 77 / 0 / 45

HEX #53208D

RGB 83 32 141

HSL 268.07, 0.63%, 0.34%

LAB 26.14, 45.33, -50.87

 

CMYK 21 / 77 / 0 / 45

HEX #70208D

RGB 112 32 141

HSL 284.04, 0.63%, 0.34%

LAB 30.4, 50.87, -43.76

 

CMYK 0 / 77 / 0 / 45

HEX #8D208D

RGB 141 32 141

HSL 300, 0.63%, 0.34%

LAB 35.24, 56.98, -35.74

 

CMYK 0 / 77 / 21 / 45

HEX #8D2070

RGB 141 32 112

HSL 315.96, 0.63%, 0.34%

LAB 33.7, 52.48, -20.04

 

CMYK 0 / 77 / 41 / 45

HEX #8D2053

RGB 141 32 83

HSL 331.93, 0.63%, 0.34%

LAB 32.53, 48.87, -3.16

 

CMYK 0 / 77 / 0 / 71

HEX #4A114A

RGB 74 17 74

HSL 300, 0.63%, 0.18%

LAB 17.23, 34.37, -21.69

 

CMYK 0 / 78 / 1 / 58

HEX #6C186B

RGB 108 24 107

HSL 300.71, 0.64%, 0.26%

LAB 26.46, 46.28, -28.63

 

CMYK 0 / 77 / 1 / 45

HEX #8D208C

RGB 141 32 140

HSL 300.55, 0.63%, 0.34%

LAB 35.18, 56.81, -35.22

 

CMYK 0 / 77 / 1 / 31

HEX #AF28AE

RGB 175 40 174

HSL 300.44, 0.63%, 0.42%

LAB 43.78, 67.22, -41.72

 

CMYK 0 / 77 / 0 / 18

HEX #D030CF

RGB 208 48 207

HSL 300.38, 0.63%, 0.5%

LAB 51.87, 76.87, -47.75

 

CMYK 0 / 78 / 1 / 44

HEX #8F208E

RGB 143 32 142

HSL 300.54, 0.63%, 0.34%

LAB 35.65, 57.58, -35.69

 

CMYK 0 / 62 / 77 / 45

HEX #8D3620

RGB 141 54 32

HSL 12.11, 0.63%, 0.34%

LAB 34.81, 35.68, 32.11

 

CMYK 77 / 0 / 30 / 45

HEX #208D62

RGB 32 141 98

HSL 156.33, 0.63%, 0.34%

LAB 52.11, -40.48, 14.56

 

CMYK 0 / 78 / 1 / 44

HEX #8F208E

RGB 143 32 142

HSL 300.54, 0.63%, 0.34%

LAB 35.65, 57.58, -35.69

 

CMYK 0 / 0 / 77 / 45

HEX #8D8D20

RGB 141 141 32

HSL 60, 0.63%, 0.34%

LAB 56.9, -13.04, 53.77

 

CMYK 77 / 0 / 0 / 45

HEX #208D8D

RGB 32 141 141

HSL 180, 0.63%, 0.34%

LAB 53.25, -28.74, -8.56

 

CMYK 0 / 78 / 1 / 44

HEX #8F208E

RGB 143 32 142

HSL 300.54, 0.63%, 0.34%

LAB 35.65, 57.58, -35.69

 

CMYK 0 / 62 / 77 / 45

HEX #8D3620

RGB 141 54 32

HSL 12.11, 0.63%, 0.34%

LAB 34.81, 35.68, 32.11

 

CMYK 77 / 0 / 77 / 45

HEX #208D20

RGB 32 141 32

HSL 120, 0.63%, 0.34%

LAB 51.22, -50.75, 46.37

 

CMYK 77 / 16 / 0 / 45

HEX #20778D

RGB 32 119 141

HSL 192.11, 0.63%, 0.34%

LAB 46.21, -17.31, -19.23

 

CMYK 0 / 78 / 1 / 44

HEX #8F208E

RGB 143 32 142

HSL 300.54, 0.63%, 0.34%

LAB 35.65, 57.58, -35.69

 

CMYK 0 / 38 / 77 / 45

HEX #8D5720

RGB 141 87 32

HSL 30.28, 0.63%, 0.34%

LAB 42.13, 17.55, 39.66

 

CMYK 77 / 0 / 77 / 45

HEX #208D20

RGB 32 141 32

HSL 120, 0.63%, 0.34%

LAB 51.22, -50.75, 46.37

 

CMYK 77 / 38 / 0 / 45

HEX #20578D

RGB 32 87 141

HSL 209.72, 0.63%, 0.34%

LAB 36.07, 1.84, -35.06

 

Description

Color code: HEX #8F208E | qconv.com Color code: HEX #8F208E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 32 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 32 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 1 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 1% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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