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Color name
HEX #8F12BB

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F12BB it is the complementary color #70ED44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F12BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F12BB shade: #9412B6, #A524C9, #B636DC, #C748EF and #D85AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F12BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F12BB shade: #8F12BB, #7E00A8, #6D0095, #5C0082 and #4B006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F12BB shade: #8E12BA, #BA12B8, #BA128B, #BA125E and #BA1231

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F12BB shade: #8E12BA, #6112BA, #3412BA and #1212BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F12BB shade matches the following richer shades: #8E12BA and #9602CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F12BB shade: #8E12BA, #8623A9, #7E3399, #764488 and #6E5478

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F12BB shade: #3412BA, #6012BA, #8D12BA, #BA12BA and #BA128D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F12BB shade: #550B6F, #710F94, #8E12BA, #AB16DF and #BB34EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F12BB shade: #8F12BB, #BA121E and #12BA4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F12BB shade: #8F12BB, #BA8D12 and #12BA8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F12BB shade: #8F12BB, #BA121E, #3FBA12 and #12BAAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F12BB shade: #8F12BB, #BA3912, #3FBA12 and #1293BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 90 / 0 / 27

HEX #8F12BB

RGB 143 18 187

HSL 284.38, 0.82%, 0.4%

LAB 37.59, 68.93, -59.64

 

Complementary color

CMYK 53 / 0 / 71 / 7

HEX #70ED44

RGB 112 237 68

HSL 104.38, 0.82%, 0.6%

LAB 84.19, -63.48, 67.42

 

CMYK 19 / 90 / 0 / 29

HEX #9412B6

RGB 148 18 182

HSL 287.56, 0.82%, 0.39%

LAB 38.03, 68.76, -55.93

 

CMYK 18 / 82 / 0 / 21

HEX #A524C9

RGB 165 36 201

HSL 286.91, 0.7%, 0.46%

LAB 43.48, 71.07, -58.13

 

CMYK 17 / 75 / 0 / 14

HEX #B636DC

RGB 182 54 220

HSL 286.27, 0.7%, 0.54%

LAB 49.19, 72.29, -59.69

 

CMYK 17 / 70 / 0 / 6

HEX #C748EF

RGB 199 72 239

HSL 285.63, 0.84%, 0.61%

LAB 55.08, 72.78, -60.82

 

CMYK 15 / 65 / 0 / 0

HEX #D85AFF

RGB 216 90 255

HSL 285.82, 1%, 0.68%

LAB 60.9, 72.24, -60.25

 

CMYK 24 / 90 / 0 / 27

HEX #8F12BB

RGB 143 18 187

HSL 284.38, 0.82%, 0.4%

LAB 37.59, 68.93, -59.64

 

CMYK 25 / 100 / 0 / 34

HEX #7E00A8

RGB 126 0 168

HSL 285, 1%, 0.33%

LAB 32.4, 65.57, -56.9

 

CMYK 27 / 100 / 0 / 42

HEX #6D0095

RGB 109 0 149

HSL 283.89, 1%, 0.29%

LAB 27.9, 59.71, -52.78

 

CMYK 29 / 100 / 0 / 49

HEX #5C0082

RGB 92 0 130

HSL 282.46, 1%, 0.25%

LAB 23.29, 53.72, -48.58

 

CMYK 32 / 100 / 0 / 56

HEX #4B006F

RGB 75 0 111

HSL 280.54, 1%, 0.22%

LAB 18.56, 47.57, -44.27

 

CMYK 24 / 90 / 0 / 27

HEX #8E12BA

RGB 142 18 186

HSL 284.29, 0.82%, 0.4%

LAB 37.35, 68.59, -59.45

 

CMYK 0 / 90 / 1 / 27

HEX #BA12B8

RGB 186 18 184

HSL 300.71, 0.82%, 0.4%

LAB 44.71, 75.4, -46.03

 

CMYK 0 / 90 / 25 / 27

HEX #BA128B

RGB 186 18 139

HSL 316.79, 0.82%, 0.4%

LAB 42.36, 69.34, -22.75

 

CMYK 0 / 90 / 49 / 27

HEX #BA125E

RGB 186 18 94

HSL 332.86, 0.82%, 0.4%

LAB 40.7, 64.83, 2.79

 

CMYK 0 / 90 / 74 / 27

HEX #BA1231

RGB 186 18 49

HSL 348.93, 0.82%, 0.4%

LAB 39.74, 62.12, 29.95

 

CMYK 24 / 90 / 0 / 27

HEX #8E12BA

RGB 142 18 186

HSL 284.29, 0.82%, 0.4%

LAB 37.35, 68.59, -59.45

 

CMYK 48 / 90 / 0 / 27

HEX #6112BA

RGB 97 18 186

HSL 268.21, 0.82%, 0.4%

LAB 30.69, 62.88, -70.63

 

CMYK 72 / 90 / 0 / 27

HEX #3412BA

RGB 52 18 186

HSL 252.14, 0.82%, 0.4%

LAB 25.89, 59.34, -78.73

 

CMYK 90 / 90 / 0 / 27

HEX #1212BA

RGB 18 18 186

HSL 240, 0.82%, 0.4%

LAB 24.02, 58.14, -81.89

 

CMYK 24 / 90 / 0 / 27

HEX #8E12BA

RGB 142 18 186

HSL 284.29, 0.82%, 0.4%

LAB 37.35, 68.59, -59.45

 

CMYK 26 / 99 / 0 / 21

HEX #9602CA

RGB 150 2 202

HSL 284.4, 0.98%, 0.4%

LAB 39.23, 74.7, -65.72

 

CMYK 24 / 90 / 0 / 27

HEX #8E12BA

RGB 142 18 186

HSL 284.29, 0.82%, 0.4%

LAB 37.35, 68.59, -59.45

 

CMYK 21 / 79 / 0 / 34

HEX #8623A9

RGB 134 35 169

HSL 284.33, 0.66%, 0.4%

LAB 36.24, 59.77, -51.2

 

CMYK 18 / 67 / 0 / 40

HEX #7E3399

RGB 126 51 153

HSL 284.12, 0.5%, 0.4%

LAB 36.18, 48.47, -41.71

 

CMYK 13 / 50 / 0 / 47

HEX #764488

RGB 118 68 136

HSL 284.12, 0.33%, 0.4%

LAB 37.41, 33.71, -29.45

 

CMYK 8 / 30 / 0 / 53

HEX #6E5478

RGB 110 84 120

HSL 283.33, 0.18%, 0.4%

LAB 39.6, 17.9, -16.31

 

CMYK 72 / 90 / 0 / 27

HEX #3412BA

RGB 52 18 186

HSL 252.14, 0.82%, 0.4%

LAB 25.89, 59.34, -78.73

 

CMYK 48 / 90 / 0 / 27

HEX #6012BA

RGB 96 18 186

HSL 267.86, 0.82%, 0.4%

LAB 30.56, 62.78, -70.85

 

CMYK 24 / 90 / 0 / 27

HEX #8D12BA

RGB 141 18 186

HSL 283.93, 0.82%, 0.4%

LAB 37.19, 68.45, -59.72

 

CMYK 0 / 90 / 0 / 27

HEX #BA12BA

RGB 186 18 186

HSL 300, 0.82%, 0.4%

LAB 44.82, 75.7, -47.02

 

CMYK 0 / 90 / 24 / 27

HEX #BA128D

RGB 186 18 141

HSL 316.07, 0.82%, 0.4%

LAB 42.45, 69.57, -23.83

 

CMYK 23 / 90 / 0 / 56

HEX #550B6F

RGB 85 11 111

HSL 284.4, 0.82%, 0.24%

LAB 21.28, 46.23, -39.76

 

CMYK 24 / 90 / 0 / 42

HEX #710F94

RGB 113 15 148

HSL 284.21, 0.82%, 0.32%

LAB 29.39, 57.45, -49.72

 

CMYK 24 / 90 / 0 / 27

HEX #8E12BA

RGB 142 18 186

HSL 284.29, 0.82%, 0.4%

LAB 37.35, 68.59, -59.45

 

CMYK 23 / 90 / 0 / 13

HEX #AB16DF

RGB 171 22 223

HSL 284.48, 0.82%, 0.48%

LAB 45.02, 78.9, -68.23

 

CMYK 20 / 78 / 0 / 8

HEX #BB34EB

RGB 187 52 235

HSL 284.26, 0.82%, 0.56%

LAB 50.71, 76.61, -65.7

 

CMYK 24 / 90 / 0 / 27

HEX #8F12BB

RGB 143 18 187

HSL 284.38, 0.82%, 0.4%

LAB 37.59, 68.93, -59.64

 

CMYK 0 / 90 / 84 / 27

HEX #BA121E

RGB 186 18 30

HSL 355.71, 0.82%, 0.4%

LAB 39.52, 61.51, 40.81

 

CMYK 90 / 0 / 60 / 27

HEX #12BA4A

RGB 18 186 74

HSL 140, 0.82%, 0.4%

LAB 66.32, -62.25, 45.06

 

CMYK 24 / 90 / 0 / 27

HEX #8F12BB

RGB 143 18 187

HSL 284.38, 0.82%, 0.4%

LAB 37.59, 68.93, -59.64

 

CMYK 0 / 24 / 90 / 27

HEX #BA8D12

RGB 186 141 18

HSL 43.93, 0.82%, 0.4%

LAB 61.25, 7.02, 63.04

 

CMYK 90 / 0 / 24 / 27

HEX #12BA8D

RGB 18 186 141

HSL 163.93, 0.82%, 0.4%

LAB 67.4, -49.67, 11.97

 

CMYK 24 / 90 / 0 / 27

HEX #8F12BB

RGB 143 18 187

HSL 284.38, 0.82%, 0.4%

LAB 37.59, 68.93, -59.64

 

CMYK 0 / 90 / 84 / 27

HEX #BA121E

RGB 186 18 30

HSL 355.71, 0.82%, 0.4%

LAB 39.52, 61.51, 40.81

 

CMYK 66 / 0 / 90 / 27

HEX #3FBA12

RGB 63 186 18

HSL 103.93, 0.82%, 0.4%

LAB 66.69, -60.42, 64.3

 

CMYK 90 / 0 / 6 / 27

HEX #12BAAE

RGB 18 186 174

HSL 175.71, 0.82%, 0.4%

LAB 68.24, -40.85, -4.93

 

CMYK 24 / 90 / 0 / 27

HEX #8F12BB

RGB 143 18 187

HSL 284.38, 0.82%, 0.4%

LAB 37.59, 68.93, -59.64

 

CMYK 0 / 69 / 90 / 27

HEX #BA3912

RGB 186 57 18

HSL 13.93, 0.82%, 0.4%

LAB 43.37, 50.25, 49.51

 

CMYK 66 / 0 / 90 / 27

HEX #3FBA12

RGB 63 186 18

HSL 103.93, 0.82%, 0.4%

LAB 66.69, -60.42, 64.3

 

CMYK 90 / 21 / 0 / 27

HEX #1293BA

RGB 18 147 186

HSL 193.93, 0.82%, 0.4%

LAB 56.63, -17.91, -29.25

 

Description

Color code: HEX #8F12BB | qconv.com Color code: HEX #8F12BB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 18 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 18 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 90 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 90% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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