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Color name
HEX #8F107C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F107C it is the complementary color #70EF83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F107C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F107C shade: #941077, #A5228A, #B6349D, #C746B0 and #D858C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F107C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F107C shade: #8F107C, #7E0069, #6D0056, #5C0043 and #4B0030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F107C shade: #8E107B, #8E1059, #8E1037, #8E1015 and #8E1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F107C shade: #8E107B, #7F108E, #5D108E, #3B108E and #19108E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F107C shade matches the following richer shades: #8E107B and #9B0384

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F107C shade: #8E107B, #811D72, #752969, #683660 and #5B4358

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F107C shade: #5C108E, #7D108E, #8E107D, #8E105C and #8E103A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F107C shade: #44083B, #690C5B, #8E107B, #B3149C and #D918BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F107C shade: #8F107C, #8E3A10 and #108E6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F107C shade: #8F107C, #7D8E10 and #107D8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F107C shade: #8F107C, #8E3A10, #108E21 and #10648E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F107C shade: #8F107C, #8E6010, #108E21 and #103E8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 13 / 44

HEX #8F107C

RGB 143 16 124

HSL 308.98, 0.8%, 0.31%

LAB 33.28, 58.71, -28.25

 

Complementary color

CMYK 53 / 0 / 45 / 6

HEX #70EF83

RGB 112 239 131

HSL 128.98, 0.8%, 0.69%

LAB 85.41, -57.35, 41.63

 

CMYK 0 / 89 / 20 / 42

HEX #941077

RGB 148 16 119

HSL 313.18, 0.8%, 0.32%

LAB 33.98, 59.07, -23.93

 

CMYK 0 / 79 / 16 / 35

HEX #A5228A

RGB 165 34 138

HSL 312.37, 0.66%, 0.39%

LAB 39.54, 61.3, -26.82

 

CMYK 0 / 71 / 14 / 29

HEX #B6349D

RGB 182 52 157

HSL 311.54, 0.56%, 0.46%

LAB 45.41, 62.38, -28.95

 

CMYK 0 / 65 / 12 / 22

HEX #C746B0

RGB 199 70 176

HSL 310.7, 0.54%, 0.53%

LAB 51.45, 62.75, -30.56

 

CMYK 0 / 59 / 10 / 15

HEX #D858C3

RGB 216 88 195

HSL 309.84, 0.62%, 0.6%

LAB 57.58, 62.66, -31.8

 

CMYK 0 / 89 / 13 / 44

HEX #8F107C

RGB 143 16 124

HSL 308.98, 0.8%, 0.31%

LAB 33.28, 58.71, -28.25

 

CMYK 0 / 100 / 17 / 51

HEX #7E0069

RGB 126 0 105

HSL 310, 1%, 0.25%

LAB 28, 55.16, -24.68

 

CMYK 0 / 100 / 21 / 57

HEX #6D0056

RGB 109 0 86

HSL 312.66, 1%, 0.21%

LAB 23.42, 49.1, -19.61

 

CMYK 0 / 100 / 27 / 64

HEX #5C0043

RGB 92 0 67

HSL 316.3, 1%, 0.18%

LAB 18.72, 42.89, -14.26

 

CMYK 0 / 100 / 36 / 71

HEX #4B0030

RGB 75 0 48

HSL 321.6, 1%, 0.15%

LAB 13.88, 36.52, -8.52

 

CMYK 0 / 89 / 13 / 44

HEX #8E107B

RGB 142 16 123

HSL 309.05, 0.8%, 0.31%

LAB 33.03, 58.36, -28.03

 

CMYK 0 / 89 / 37 / 44

HEX #8E1059

RGB 142 16 89

HSL 325.24, 0.8%, 0.31%

LAB 31.45, 54.05, -8.67

 

CMYK 0 / 89 / 61 / 44

HEX #8E1037

RGB 142 16 55

HSL 341.43, 0.8%, 0.31%

LAB 30.39, 51.07, 12.33

 

CMYK 0 / 89 / 85 / 44

HEX #8E1015

RGB 142 16 21

HSL 357.62, 0.8%, 0.31%

LAB 29.85, 49.49, 33.38

 

CMYK 0 / 89 / 89 / 44

HEX #8E1010

RGB 142 16 16

HSL 0, 0.8%, 0.31%

LAB 29.81, 49.37, 36.06

 

CMYK 0 / 89 / 13 / 44

HEX #8E107B

RGB 142 16 123

HSL 309.05, 0.8%, 0.31%

LAB 33.03, 58.36, -28.03

 

CMYK 11 / 89 / 0 / 44

HEX #7F108E

RGB 127 16 142

HSL 292.86, 0.8%, 0.31%

LAB 31.43, 58.48, -42.59

 

CMYK 35 / 89 / 0 / 44

HEX #5D108E

RGB 93 16 142

HSL 276.67, 0.8%, 0.31%

LAB 25.72, 52.9, -52.13

 

CMYK 58 / 89 / 0 / 44

HEX #3B108E

RGB 59 16 142

HSL 260.48, 0.8%, 0.31%

LAB 21.03, 48.67, -60

 

CMYK 82 / 89 / 0 / 44

HEX #19108E

RGB 25 16 142

HSL 244.29, 0.8%, 0.31%

LAB 18.05, 46.24, -65.03

 

CMYK 0 / 89 / 13 / 44

HEX #8E107B

RGB 142 16 123

HSL 309.05, 0.8%, 0.31%

LAB 33.03, 58.36, -28.03

 

CMYK 0 / 98 / 15 / 39

HEX #9B0384

RGB 155 3 132

HSL 309.08, 0.96%, 0.31%

LAB 35.4, 64.06, -29.75

 

CMYK 0 / 89 / 13 / 44

HEX #8E107B

RGB 142 16 123

HSL 309.05, 0.8%, 0.31%

LAB 33.03, 58.36, -28.03

 

CMYK 0 / 78 / 12 / 49

HEX #811D72

RGB 129 29 114

HSL 309, 0.63%, 0.31%

LAB 31.26, 50.78, -25.29

 

CMYK 0 / 65 / 10 / 54

HEX #752969

RGB 117 41 105

HSL 309.47, 0.48%, 0.31%

LAB 30.37, 41.4, -21.08

 

CMYK 0 / 48 / 8 / 59

HEX #683660

RGB 104 54 96

HSL 309.6, 0.32%, 0.31%

LAB 30.46, 28.8, -15.31

 

CMYK 0 / 26 / 3 / 64

HEX #5B4358

RGB 91 67 88

HSL 307.5, 0.15%, 0.31%

LAB 31.68, 14.37, -8.47

 

CMYK 35 / 89 / 0 / 44

HEX #5C108E

RGB 92 16 142

HSL 276.19, 0.8%, 0.31%

LAB 25.56, 52.75, -52.39

 

CMYK 12 / 89 / 0 / 44

HEX #7D108E

RGB 125 16 142

HSL 291.9, 0.8%, 0.31%

LAB 31.08, 58.13, -43.18

 

CMYK 0 / 89 / 12 / 44

HEX #8E107D

RGB 142 16 125

HSL 308.1, 0.8%, 0.31%

LAB 33.14, 58.65, -29.11

 

CMYK 0 / 89 / 35 / 44

HEX #8E105C

RGB 142 16 92

HSL 323.81, 0.8%, 0.31%

LAB 31.56, 54.38, -10.45

 

CMYK 0 / 89 / 59 / 44

HEX #8E103A

RGB 142 16 58

HSL 340, 0.8%, 0.31%

LAB 30.46, 51.28, 10.43

 

CMYK 0 / 88 / 13 / 73

HEX #44083B

RGB 68 8 59

HSL 309, 0.79%, 0.15%

LAB 13.93, 33.43, -16.48

 

CMYK 0 / 89 / 13 / 59

HEX #690C5B

RGB 105 12 91

HSL 309.03, 0.79%, 0.23%

LAB 23.74, 46.4, -22.49

 

CMYK 0 / 89 / 13 / 44

HEX #8E107B

RGB 142 16 123

HSL 309.05, 0.8%, 0.31%

LAB 33.03, 58.36, -28.03

 

CMYK 0 / 89 / 13 / 30

HEX #B3149C

RGB 179 20 156

HSL 308.68, 0.8%, 0.39%

LAB 41.98, 69.78, -33.78

 

CMYK 0 / 89 / 13 / 15

HEX #D918BC

RGB 217 24 188

HSL 309.02, 0.8%, 0.47%

LAB 50.73, 80.78, -38.47

 

CMYK 0 / 89 / 13 / 44

HEX #8F107C

RGB 143 16 124

HSL 308.98, 0.8%, 0.31%

LAB 33.28, 58.71, -28.25

 

CMYK 0 / 59 / 89 / 44

HEX #8E3A10

RGB 142 58 16

HSL 20, 0.8%, 0.31%

LAB 35.62, 33.51, 40.86

 

CMYK 89 / 0 / 23 / 44

HEX #108E6D

RGB 16 142 109

HSL 164.29, 0.8%, 0.31%

LAB 52.46, -39.85, 8.75

 

CMYK 0 / 89 / 13 / 44

HEX #8F107C

RGB 143 16 124

HSL 308.98, 0.8%, 0.31%

LAB 33.28, 58.71, -28.25

 

CMYK 12 / 0 / 89 / 44

HEX #7D8E10

RGB 125 142 16

HSL 68.1, 0.8%, 0.31%

LAB 55.83, -21.29, 56.74

 

CMYK 89 / 12 / 0 / 44

HEX #107D8E

RGB 16 125 142

HSL 188.1, 0.8%, 0.31%

LAB 47.92, -21.72, -17.23

 

CMYK 0 / 89 / 13 / 44

HEX #8F107C

RGB 143 16 124

HSL 308.98, 0.8%, 0.31%

LAB 33.28, 58.71, -28.25

 

CMYK 0 / 59 / 89 / 44

HEX #8E3A10

RGB 142 58 16

HSL 20, 0.8%, 0.31%

LAB 35.62, 33.51, 40.86

 

CMYK 89 / 0 / 77 / 44

HEX #108E21

RGB 16 142 33

HSL 128.1, 0.8%, 0.31%

LAB 51.34, -52.97, 46.05

 

CMYK 89 / 30 / 0 / 44

HEX #10648E

RGB 16 100 142

HSL 200, 0.8%, 0.31%

LAB 39.88, -7.57, -29.68

 

CMYK 0 / 89 / 13 / 44

HEX #8F107C

RGB 143 16 124

HSL 308.98, 0.8%, 0.31%

LAB 33.28, 58.71, -28.25

 

CMYK 0 / 32 / 89 / 44

HEX #8E6010

RGB 142 96 16

HSL 38.1, 0.8%, 0.31%

LAB 44.45, 12.2, 48.08

 

CMYK 89 / 0 / 77 / 44

HEX #108E21

RGB 16 142 33

HSL 128.1, 0.8%, 0.31%

LAB 51.34, -52.97, 46.05

 

CMYK 89 / 56 / 0 / 44

HEX #103E8E

RGB 16 62 142

HSL 218.1, 0.8%, 0.31%

LAB 28.14, 17.51, -48.45

 

Description

Color code: HEX #8F107C | qconv.com Color code: HEX #8F107C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 16 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 16 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 13 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 13% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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