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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F0A8B it is the complementary color #70F574. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F0A8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F0A8B shade: #940A86, #A51C99, #B62EAC, #C740BF and #D852D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F0A8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F0A8B shade: #8F0A8B, #7E0078, #6D0065, #5C0052 and #4B003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F0A8B shade: #8F0A8B, #8F0A67, #8F0A43, #8F0A1F and #8F0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F0A8B shade: #8F0A8B, #6F0A8F, #4B0A8F, #270A8F and #0A0A8F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F0A8B shade matches the following richer shades: #8F0A8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F0A8B shade: #8F0A8B, #83167F, #762374, #6A2F68 and #5E3B5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F0A8B shade: #4A0A8F, #6E0A8F, #8F0A8D, #8F0A69 and #8F0A46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F0A8B shade: #420540, #680766, #8F0A8B, #B60DB1 and #DC0FD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F0A8B shade: #8F0A8B, #8F270A and #0A8F5C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F0A8B shade: #8F0A8B, #8D8F0A and #0A8D8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F0A8B shade: #8F0A8B, #8F270A, #0A8F0C and #0A728F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F0A8B shade: #8F0A8B, #8F4F0A, #0A8F0C and #0A4A8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 3 / 44

HEX #8F0A8B

RGB 143 10 139

HSL 301.8, 0.87%, 0.3%

LAB 33.82, 61.9, -36.75

 

Complementary color

CMYK 54 / 0 / 53 / 4

HEX #70F574

RGB 112 245 116

HSL 121.8, 0.87%, 0.7%

LAB 87, -61.67, 50.71

 

CMYK 0 / 93 / 9 / 42

HEX #940A86

RGB 148 10 134

HSL 306.09, 0.87%, 0.31%

LAB 34.47, 62.1, -32.56

 

CMYK 0 / 83 / 7 / 35

HEX #A51C99

RGB 165 28 153

HSL 305.26, 0.71%, 0.38%

LAB 39.8, 65, -35.57

 

CMYK 0 / 75 / 5 / 29

HEX #B62EAC

RGB 182 46 172

HSL 304.41, 0.6%, 0.45%

LAB 45.47, 66.62, -37.79

 

CMYK 0 / 68 / 4 / 22

HEX #C740BF

RGB 199 64 191

HSL 303.56, 0.55%, 0.52%

LAB 51.35, 67.37, -39.44

 

CMYK 0 / 62 / 3 / 15

HEX #D852D2

RGB 216 82 210

HSL 302.69, 0.63%, 0.58%

LAB 57.35, 67.57, -40.7

 

CMYK 0 / 93 / 3 / 44

HEX #8F0A8B

RGB 143 10 139

HSL 301.8, 0.87%, 0.3%

LAB 33.82, 61.9, -36.75

 

CMYK 0 / 100 / 5 / 51

HEX #7E0078

RGB 126 0 120

HSL 302.86, 1%, 0.25%

LAB 28.88, 57.34, -32.9

 

CMYK 0 / 100 / 7 / 57

HEX #6D0065

RGB 109 0 101

HSL 304.4, 1%, 0.21%

LAB 24.29, 51.28, -28.16

 

CMYK 0 / 100 / 11 / 64

HEX #5C0052

RGB 92 0 82

HSL 306.52, 1%, 0.18%

LAB 19.58, 45.04, -23.21

 

CMYK 0 / 100 / 16 / 71

HEX #4B003F

RGB 75 0 63

HSL 309.6, 1%, 0.15%

LAB 14.71, 38.6, -18.01

 

CMYK 0 / 93 / 3 / 44

HEX #8F0A8B

RGB 143 10 139

HSL 301.8, 0.87%, 0.3%

LAB 33.82, 61.9, -36.75

 

CMYK 0 / 93 / 28 / 44

HEX #8F0A67

RGB 143 10 103

HSL 318.05, 0.87%, 0.3%

LAB 31.89, 56.91, -17.06

 

CMYK 0 / 93 / 53 / 44

HEX #8F0A43

RGB 143 10 67

HSL 334.29, 0.87%, 0.3%

LAB 30.55, 53.28, 4.57

 

CMYK 0 / 93 / 78 / 44

HEX #8F0A1F

RGB 143 10 31

HSL 350.53, 0.87%, 0.3%

LAB 29.8, 51.19, 27.38

 

CMYK 0 / 93 / 93 / 44

HEX #8F0A0A

RGB 143 10 10

HSL 0, 0.87%, 0.3%

LAB 29.61, 50.64, 38.83

 

CMYK 0 / 93 / 3 / 44

HEX #8F0A8B

RGB 143 10 139

HSL 301.8, 0.87%, 0.3%

LAB 33.82, 61.9, -36.75

 

CMYK 22 / 93 / 0 / 44

HEX #6F0A8F

RGB 111 10 143

HSL 285.56, 0.87%, 0.3%

LAB 28.33, 57.11, -48.37

 

CMYK 48 / 93 / 0 / 44

HEX #4B0A8F

RGB 75 10 143

HSL 269.32, 0.87%, 0.3%

LAB 22.64, 52.28, -57.9

 

CMYK 73 / 93 / 0 / 44

HEX #270A8F

RGB 39 10 143

HSL 253.08, 0.87%, 0.3%

LAB 18.5, 49.29, -64.88

 

CMYK 93 / 93 / 0 / 44

HEX #0A0A8F

RGB 10 10 143

HSL 240, 0.87%, 0.3%

LAB 16.82, 48.25, -67.73

 

CMYK 0 / 93 / 3 / 44

HEX #8F0A8B

RGB 143 10 139

HSL 301.8, 0.87%, 0.3%

LAB 33.82, 61.9, -36.75

 

CMYK 0 / 93 / 3 / 44

HEX #8F0A8B

RGB 143 10 139

HSL 301.8, 0.87%, 0.3%

LAB 33.82, 61.9, -36.75

 

CMYK 0 / 83 / 3 / 49

HEX #83167F

RGB 131 22 127

HSL 302.2, 0.71%, 0.3%

LAB 31.65, 55.34, -32.86

 

CMYK 0 / 70 / 2 / 54

HEX #762374

RGB 118 35 116

HSL 301.45, 0.54%, 0.3%

LAB 30.19, 46.2, -28.37

 

CMYK 0 / 56 / 2 / 58

HEX #6A2F68

RGB 106 47 104

HSL 302.03, 0.39%, 0.3%

LAB 29.66, 34.92, -21.69

 

CMYK 0 / 37 / 1 / 63

HEX #5E3B5D

RGB 94 59 93

HSL 301.71, 0.23%, 0.3%

LAB 30.15, 21.61, -13.97

 

CMYK 48 / 93 / 0 / 44

HEX #4A0A8F

RGB 74 10 143

HSL 268.87, 0.87%, 0.3%

LAB 22.5, 52.17, -58.14

 

CMYK 23 / 93 / 0 / 44

HEX #6E0A8F

RGB 110 10 143

HSL 285.11, 0.87%, 0.3%

LAB 28.15, 56.95, -48.65

 

CMYK 0 / 93 / 1 / 44

HEX #8F0A8D

RGB 143 10 141

HSL 300.9, 0.87%, 0.3%

LAB 33.94, 62.21, -37.79

 

CMYK 0 / 93 / 27 / 44

HEX #8F0A69

RGB 143 10 105

HSL 317.14, 0.87%, 0.3%

LAB 31.98, 57.16, -18.2

 

CMYK 0 / 93 / 51 / 44

HEX #8F0A46

RGB 143 10 70

HSL 332.93, 0.87%, 0.3%

LAB 30.64, 53.53, 2.7

 

CMYK 0 / 92 / 3 / 74

HEX #420540

RGB 66 5 64

HSL 301.97, 0.86%, 0.14%

LAB 13.45, 34.94, -20.82

 

CMYK 0 / 93 / 2 / 59

HEX #680766

RGB 104 7 102

HSL 301.24, 0.87%, 0.22%

LAB 23.85, 49.01, -29.58

 

CMYK 0 / 93 / 3 / 44

HEX #8F0A8B

RGB 143 10 139

HSL 301.8, 0.87%, 0.3%

LAB 33.82, 61.9, -36.75

 

CMYK 0 / 93 / 3 / 29

HEX #B60DB1

RGB 182 13 177

HSL 301.78, 0.87%, 0.38%

LAB 43.37, 74.28, -44.08

 

CMYK 0 / 93 / 3 / 14

HEX #DC0FD6

RGB 220 15 214

HSL 301.76, 0.87%, 0.46%

LAB 52.3, 85.91, -50.95

 

CMYK 0 / 93 / 3 / 44

HEX #8F0A8B

RGB 143 10 139

HSL 301.8, 0.87%, 0.3%

LAB 33.82, 61.9, -36.75

 

CMYK 0 / 73 / 93 / 44

HEX #8F270A

RGB 143 39 10

HSL 13.08, 0.87%, 0.3%

LAB 32.51, 42.5, 40.92

 

CMYK 93 / 0 / 36 / 44

HEX #0A8F5C

RGB 10 143 92

HSL 156.99, 0.87%, 0.3%

LAB 52.38, -44.74, 18.28

 

CMYK 0 / 93 / 3 / 44

HEX #8F0A8B

RGB 143 10 139

HSL 301.8, 0.87%, 0.3%

LAB 33.82, 61.9, -36.75

 

CMYK 1 / 0 / 93 / 44

HEX #8D8F0A

RGB 141 143 10

HSL 60.9, 0.87%, 0.3%

LAB 57.4, -14.75, 59.63

 

CMYK 93 / 1 / 0 / 44

HEX #0A8D8F

RGB 10 141 143

HSL 180.9, 0.87%, 0.3%

LAB 53.06, -29.83, -10.04

 

CMYK 0 / 93 / 3 / 44

HEX #8F0A8B

RGB 143 10 139

HSL 301.8, 0.87%, 0.3%

LAB 33.82, 61.9, -36.75

 

CMYK 0 / 73 / 93 / 44

HEX #8F270A

RGB 143 39 10

HSL 13.08, 0.87%, 0.3%

LAB 32.51, 42.5, 40.92

 

CMYK 93 / 0 / 92 / 44

HEX #0A8F0C

RGB 10 143 12

HSL 120.9, 0.87%, 0.3%

LAB 51.54, -54.96, 52.08

 

CMYK 93 / 20 / 0 / 44

HEX #0A728F

RGB 10 114 143

HSL 193.08, 0.87%, 0.3%

LAB 44.35, -15.73, -23.31

 

CMYK 0 / 93 / 3 / 44

HEX #8F0A8B

RGB 143 10 139

HSL 301.8, 0.87%, 0.3%

LAB 33.82, 61.9, -36.75

 

CMYK 0 / 45 / 93 / 44

HEX #8F4F0A

RGB 143 79 10

HSL 31.13, 0.87%, 0.3%

LAB 40.33, 22.36, 46.65

 

CMYK 93 / 0 / 92 / 44

HEX #0A8F0C

RGB 10 143 12

HSL 120.9, 0.87%, 0.3%

LAB 51.54, -54.96, 52.08

 

CMYK 93 / 48 / 0 / 44

HEX #0A4A8F

RGB 10 74 143

HSL 211.13, 0.87%, 0.3%

LAB 31.68, 9.24, -43.33

 

Description

Color code: HEX #8F0A8B | qconv.com Color code: HEX #8F0A8B | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 10 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 10 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 3 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 3% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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