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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F08B9 it is the complementary color #70F746. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F08B9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8F08B9: #9408B4, #A51AC7, #B62CDA, #C73EED and #D850FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F08B9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8F08B9: #8F08B9, #7E00A6, #6D0093, #5C0080 and #4B006D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 96 / 0 / 27

HEX #8F08B9

RGB 143 8 185

HSL 285.76, 0.92%, 0.38%

LAB 36.96, 69.97, -59.49

 

Complementary color

CMYK 55 / 0 / 72 / 3

HEX #70F746

RGB 112 247 70

HSL 105.76, 0.92%, 0.62%

LAB 87.2, -66.87, 69.77

 

CMYK 18 / 96 / 0 / 29

HEX #9408B4

RGB 148 8 180

HSL 288.84, 0.91%, 0.37%

LAB 37.42, 69.79, -55.75

 

CMYK 17 / 87 / 0 / 22

HEX #A51AC7

RGB 165 26 199

HSL 288.21, 0.77%, 0.44%

LAB 42.55, 73, -58.46

 

CMYK 17 / 80 / 0 / 15

HEX #B62CDA

RGB 182 44 218

HSL 287.59, 0.7%, 0.51%

LAB 48.02, 74.94, -60.45

 

CMYK 16 / 74 / 0 / 7

HEX #C73EED

RGB 199 62 237

HSL 286.97, 0.83%, 0.59%

LAB 53.71, 75.97, -61.9

 

CMYK 15 / 69 / 0 / 0

HEX #D850FF

RGB 216 80 255

HSL 286.63, 1%, 0.66%

LAB 59.49, 76.2, -62.51

 

CMYK 23 / 96 / 0 / 27

HEX #8F08B9

RGB 143 8 185

HSL 285.76, 0.92%, 0.38%

LAB 36.96, 69.97, -59.49

 

CMYK 24 / 100 / 0 / 35

HEX #7E00A6

RGB 126 0 166

HSL 285.54, 1%, 0.33%

LAB 32.23, 65.19, -55.96

 

CMYK 26 / 100 / 0 / 42

HEX #6D0093

RGB 109 0 147

HSL 284.49, 1%, 0.29%

LAB 27.73, 59.33, -51.83

 

CMYK 28 / 100 / 0 / 50

HEX #5C0080

RGB 92 0 128

HSL 283.13, 1%, 0.25%

LAB 23.11, 53.32, -47.61

 

CMYK 31 / 100 / 0 / 57

HEX #4B006D

RGB 75 0 109

HSL 281.28, 1%, 0.21%

LAB 18.36, 47.15, -43.28

 

CMYK 23 / 96 / 0 / 27

HEX #8F08B9

RGB 143 8 185

HSL 285.76, 0.92%, 0.38%

LAB 36.96, 69.97, -59.49

 

CMYK 8 / 96 / 0 / 27

HEX #AB07BA

RGB 171 7 186

HSL 294.97, 0.93%, 0.38%

LAB 41.77, 74.43, -52.05

 

CMYK 0 / 96 / 8 / 27

HEX #BA07AB

RGB 186 7 171

HSL 305.03, 0.93%, 0.38%

LAB 43.55, 74.71, -40.18

 

CMYK 0 / 96 / 24 / 27

HEX #BA078D

RGB 186 7 141

HSL 315.08, 0.93%, 0.38%

LAB 42.02, 70.83, -24.5

 

CMYK 0 / 96 / 40 / 27

HEX #BA076F

RGB 186 7 111

HSL 325.14, 0.93%, 0.38%

LAB 40.8, 67.64, -7.79

 

CMYK 23 / 96 / 0 / 27

HEX #8F08B9

RGB 143 8 185

HSL 285.76, 0.92%, 0.38%

LAB 36.96, 69.97, -59.49

 

CMYK 23 / 96 / 0 / 7

HEX #B60AEC

RGB 182 10 236

HSL 285.66, 0.92%, 0.48%

LAB 47.26, 84.14, -71.9

 

CMYK 22 / 97 / 0 / 87

HEX #190120

RGB 25 1 32

HSL 286.45, 0.94%, 0.06%

LAB 3, 14.59, -14.03

 

CMYK 23 / 95 / 0 / 67

HEX #400453

RGB 64 4 83

HSL 285.57, 0.91%, 0.17%

LAB 14.41, 38.68, -32.49

 

CMYK 22 / 96 / 0 / 47

HEX #680686

RGB 104 6 134

HSL 285.94, 0.91%, 0.27%

LAB 26.14, 55, -46.37

 

CMYK 23 / 96 / 0 / 27

HEX #8F08B9

RGB 143 8 185

HSL 285.76, 0.92%, 0.38%

LAB 36.96, 69.97, -59.49

 

CMYK 0 / 96 / 91 / 27

HEX #BA0710

RGB 186 7 16

HSL 356.98, 0.93%, 0.38%

LAB 38.95, 62.62, 47.16

 

CMYK 96 / 0 / 62 / 27

HEX #07BA46

RGB 7 186 70

HSL 141.12, 0.93%, 0.38%

LAB 66.22, -63.31, 46.73

 

CMYK 23 / 96 / 0 / 27

HEX #8F08B9

RGB 143 8 185

HSL 285.76, 0.92%, 0.38%

LAB 36.96, 69.97, -59.49

 

CMYK 0 / 24 / 96 / 27

HEX #BA8D07

RGB 186 141 7

HSL 44.92, 0.93%, 0.38%

LAB 61.22, 6.86, 64.91

 

CMYK 96 / 0 / 24 / 27

HEX #07BA8D

RGB 7 186 141

HSL 164.92, 0.93%, 0.38%

LAB 67.34, -50.14, 11.87

 

CMYK 23 / 96 / 0 / 27

HEX #8F08B9

RGB 143 8 185

HSL 285.76, 0.92%, 0.38%

LAB 36.96, 69.97, -59.49

 

CMYK 0 / 96 / 91 / 27

HEX #BA0710

RGB 186 7 16

HSL 356.98, 0.93%, 0.38%

LAB 38.95, 62.62, 47.16

 

CMYK 72 / 0 / 96 / 27

HEX #34BA07

RGB 52 186 7

HSL 104.92, 0.93%, 0.38%

LAB 66.42, -62.82, 65.48

 

CMYK 96 / 0 / 5 / 27

HEX #07BAB1

RGB 7 186 177

HSL 176.98, 0.93%, 0.38%

LAB 68.27, -40.4, -6.55

 

CMYK 23 / 96 / 0 / 27

HEX #8F08B9

RGB 143 8 185

HSL 285.76, 0.92%, 0.38%

LAB 36.96, 69.97, -59.49

 

CMYK 0 / 72 / 96 / 27

HEX #BA3407

RGB 186 52 7

HSL 15.08, 0.93%, 0.38%

LAB 42.63, 52.02, 52.52

 

CMYK 72 / 0 / 96 / 27

HEX #34BA07

RGB 52 186 7

HSL 104.92, 0.93%, 0.38%

LAB 66.42, -62.82, 65.48

 

CMYK 96 / 24 / 0 / 27

HEX #078DBA

RGB 7 141 186

HSL 195.08, 0.93%, 0.38%

LAB 54.7, -15.1, -32.25

 

Description

Color code: HEX #8F08B9 | qconv.com Color code: HEX #8F08B9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 8 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 8 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 96 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 96% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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