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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EFE7C it is the complementary color #710183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EFE7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EFE7C shade: #93FE77, #A4FF8A, #B5FF9D, #C6FFB0 and #D7FFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EFE7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EFE7C shade: #8EFE7C, #7DEC69, #6CDA56, #5BC843 and #4AB630

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EFE7C shade: #8EFE7C, #B1FE7C, #D4FE7C, #F7FE7C and #FEE17C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EFE7C shade: #8EFE7C, #7CFE8D, #7CFEB0, #7CFED3 and #7CFEF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EFE7C shade matches the following richer shades: #8EFE7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EFE7C shade: #8EFE7C, #95F386, #9DE891, #A5DD9C and #ADD3A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EFE7C shade: #D5FE7C, #B2FE7C, #8FFE7C, #7CFE8B and #7CFEAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EFE7C shade: #47FD2A, #6AFD53, #8EFE7C, #B1FEA5 and #D4FECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EFE7C shade: #8EFE7C, #7CF7FE and #FE7CC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EFE7C shade: #8EFE7C, #7C8FFE and #FE7C8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EFE7C shade: #8EFE7C, #7CF7FE, #EA7CFE and #FE827C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EFE7C shade: #8EFE7C, #7CD0FE, #EA7CFE and #FEA97C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 51 / 0

HEX #8EFE7C

RGB 142 254 124

HSL 111.69, 0.98%, 0.74%

LAB 90.82, -56.18, 51.91

 

Complementary color

CMYK 14 / 99 / 0 / 49

HEX #710183

RGB 113 1 131

HSL 291.69, 0.98%, 0.26%

LAB 27.22, 56.77, -42.66

 

CMYK 42 / 0 / 53 / 0

HEX #93FE77

RGB 147 254 119

HSL 107.56, 0.99%, 0.73%

LAB 90.97, -55.3, 54.42

 

CMYK 36 / 0 / 46 / 0

HEX #A4FF8A

RGB 164 255 138

HSL 106.67, 1%, 0.77%

LAB 92.24, -48.25, 47.32

 

CMYK 29 / 0 / 38 / 0

HEX #B5FF9D

RGB 181 255 157

HSL 105.31, 1%, 0.81%

LAB 93.35, -40.3, 39.72

 

CMYK 22 / 0 / 31 / 0

HEX #C6FFB0

RGB 198 255 176

HSL 103.29, 1%, 0.85%

LAB 94.59, -31.96, 32.1

 

CMYK 16 / 0 / 24 / 0

HEX #D7FFC3

RGB 215 255 195

HSL 100, 1%, 0.88%

LAB 95.96, -23.36, 24.54

 

CMYK 44 / 0 / 51 / 0

HEX #8EFE7C

RGB 142 254 124

HSL 111.69, 0.98%, 0.74%

LAB 90.82, -56.18, 51.91

 

CMYK 47 / 0 / 56 / 7

HEX #7DEC69

RGB 125 236 105

HSL 110.84, 0.78%, 0.67%

LAB 84.67, -56.14, 53.06

 

CMYK 50 / 0 / 61 / 15

HEX #6CDA56

RGB 108 218 86

HSL 110, 0.64%, 0.6%

LAB 78.46, -55.98, 54.14

 

CMYK 55 / 0 / 67 / 22

HEX #5BC843

RGB 91 200 67

HSL 109.17, 0.55%, 0.52%

LAB 72.19, -55.62, 55.05

 

CMYK 59 / 0 / 74 / 29

HEX #4AB630

RGB 74 182 48

HSL 108.36, 0.58%, 0.45%

LAB 65.85, -54.97, 55.58

 

CMYK 44 / 0 / 51 / 0

HEX #8EFE7C

RGB 142 254 124

HSL 111.69, 0.98%, 0.74%

LAB 90.82, -56.18, 51.91

 

CMYK 30 / 0 / 51 / 0

HEX #B1FE7C

RGB 177 254 124

HSL 95.54, 0.98%, 0.74%

LAB 92.44, -45.23, 54.24

 

CMYK 17 / 0 / 51 / 0

HEX #D4FE7C

RGB 212 254 124

HSL 79.38, 0.98%, 0.74%

LAB 94.46, -32.82, 57.13

 

CMYK 3 / 0 / 51 / 0

HEX #F7FE7C

RGB 247 254 124

HSL 63.23, 0.98%, 0.74%

LAB 96.87, -19.5, 60.57

 

CMYK 0 / 11 / 51 / 0

HEX #FEE17C

RGB 254 225 124

HSL 46.62, 0.98%, 0.74%

LAB 90.03, -2.44, 52.61

 

CMYK 44 / 0 / 51 / 0

HEX #8EFE7C

RGB 142 254 124

HSL 111.69, 0.98%, 0.74%

LAB 90.82, -56.18, 51.91

 

CMYK 51 / 0 / 44 / 0

HEX #7CFE8D

RGB 124 254 141

HSL 127.85, 0.98%, 0.74%

LAB 90.36, -58.75, 43.17

 

CMYK 51 / 0 / 31 / 0

HEX #7CFEB0

RGB 124 254 176

HSL 144, 0.98%, 0.74%

LAB 90.92, -52.99, 26.55

 

CMYK 51 / 0 / 17 / 0

HEX #7CFED3

RGB 124 254 211

HSL 160.15, 0.98%, 0.74%

LAB 91.63, -45.97, 9.63

 

CMYK 51 / 0 / 3 / 0

HEX #7CFEF6

RGB 124 254 246

HSL 176.31, 0.98%, 0.74%

LAB 92.5, -37.82, -7.21

 

CMYK 44 / 0 / 51 / 0

HEX #8EFE7C

RGB 142 254 124

HSL 111.69, 0.98%, 0.74%

LAB 90.82, -56.18, 51.91

 

CMYK 44 / 0 / 51 / 0

HEX #8EFE7C

RGB 142 254 124

HSL 111.69, 0.98%, 0.74%

LAB 90.82, -56.18, 51.91

 

CMYK 39 / 0 / 45 / 5

HEX #95F386

RGB 149 243 134

HSL 111.74, 0.82%, 0.74%

LAB 88.07, -48.35, 43.85

 

CMYK 32 / 0 / 38 / 9

HEX #9DE891

RGB 157 232 145

HSL 111.72, 0.65%, 0.74%

LAB 85.47, -39.54, 35.15

 

CMYK 25 / 0 / 29 / 13

HEX #A5DD9C

RGB 165 221 156

HSL 111.69, 0.49%, 0.74%

LAB 82.97, -30.17, 26.29

 

CMYK 18 / 0 / 21 / 17

HEX #ADD3A7

RGB 173 211 167

HSL 111.82, 0.33%, 0.74%

LAB 80.88, -20.81, 17.74

 

CMYK 16 / 0 / 51 / 0

HEX #D5FE7C

RGB 213 254 124

HSL 78.92, 0.98%, 0.74%

LAB 94.52, -32.45, 57.22

 

CMYK 30 / 0 / 51 / 0

HEX #B2FE7C

RGB 178 254 124

HSL 95.08, 0.98%, 0.74%

LAB 92.49, -44.89, 54.31

 

CMYK 44 / 0 / 51 / 0

HEX #8FFE7C

RGB 143 254 124

HSL 111.23, 0.98%, 0.74%

LAB 90.86, -55.89, 51.97

 

CMYK 51 / 0 / 45 / 0

HEX #7CFE8B

RGB 124 254 139

HSL 126.92, 0.98%, 0.74%

LAB 90.34, -59.03, 44.1

 

CMYK 51 / 0 / 31 / 0

HEX #7CFEAE

RGB 124 254 174

HSL 143.08, 0.98%, 0.74%

LAB 90.88, -53.36, 27.51

 

CMYK 72 / 0 / 83 / 1

HEX #47FD2A

RGB 71 253 42

HSL 111.75, 0.98%, 0.58%

LAB 87.85, -78.84, 78.04

 

CMYK 58 / 0 / 67 / 1

HEX #6AFD53

RGB 106 253 83

HSL 111.88, 0.98%, 0.66%

LAB 88.89, -69.39, 66.77

 

CMYK 44 / 0 / 51 / 0

HEX #8EFE7C

RGB 142 254 124

HSL 111.69, 0.98%, 0.74%

LAB 90.82, -56.18, 51.91

 

CMYK 30 / 0 / 35 / 0

HEX #B1FEA5

RGB 177 254 165

HSL 111.91, 0.98%, 0.82%

LAB 92.99, -40, 35.25

 

CMYK 17 / 0 / 19 / 0

HEX #D4FECD

RGB 212 254 205

HSL 111.43, 0.96%, 0.9%

LAB 95.7, -22.3, 19.06

 

CMYK 44 / 0 / 51 / 0

HEX #8EFE7C

RGB 142 254 124

HSL 111.69, 0.98%, 0.74%

LAB 90.82, -56.18, 51.91

 

CMYK 51 / 3 / 0 / 0

HEX #7CF7FE

RGB 124 247 254

HSL 183.23, 0.98%, 0.74%

LAB 90.76, -32.55, -13.95

 

CMYK 0 / 51 / 23 / 0

HEX #FE7CC3

RGB 254 124 195

HSL 327.23, 0.98%, 0.74%

LAB 69.06, 57.3, -13.76

 

CMYK 44 / 0 / 51 / 0

HEX #8EFE7C

RGB 142 254 124

HSL 111.69, 0.98%, 0.74%

LAB 90.82, -56.18, 51.91

 

CMYK 51 / 44 / 0 / 0

HEX #7C8FFE

RGB 124 143 254

HSL 231.23, 0.98%, 0.74%

LAB 62.58, 23.14, -57.53

 

CMYK 0 / 51 / 44 / 0

HEX #FE7C8F

RGB 254 124 143

HSL 351.23, 0.98%, 0.74%

LAB 67.63, 51.18, 13.43

 

CMYK 44 / 0 / 51 / 0

HEX #8EFE7C

RGB 142 254 124

HSL 111.69, 0.98%, 0.74%

LAB 90.82, -56.18, 51.91

 

CMYK 51 / 3 / 0 / 0

HEX #7CF7FE

RGB 124 247 254

HSL 183.23, 0.98%, 0.74%

LAB 90.76, -32.55, -13.95

 

CMYK 8 / 51 / 0 / 0

HEX #EA7CFE

RGB 234 124 254

HSL 290.77, 0.98%, 0.74%

LAB 68.8, 61.09, -47.03

 

CMYK 0 / 49 / 51 / 0

HEX #FE827C

RGB 254 130 124

HSL 2.77, 0.98%, 0.74%

LAB 68.38, 46.52, 25.12

 

CMYK 44 / 0 / 51 / 0

HEX #8EFE7C

RGB 142 254 124

HSL 111.69, 0.98%, 0.74%

LAB 90.82, -56.18, 51.91

 

CMYK 51 / 18 / 0 / 0

HEX #7CD0FE

RGB 124 208 254

HSL 201.23, 0.98%, 0.74%

LAB 79.93, -13.22, -30.37

 

CMYK 8 / 51 / 0 / 0

HEX #EA7CFE

RGB 234 124 254

HSL 290.77, 0.98%, 0.74%

LAB 68.8, 61.09, -47.03

 

CMYK 0 / 33 / 51 / 0

HEX #FEA97C

RGB 254 169 124

HSL 20.77, 0.98%, 0.74%

LAB 76.62, 26.57, 35.93

 

Description

Color code: HEX #8EFE7C | qconv.com Color code: HEX #8EFE7C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 254 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 254 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 51 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 51% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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