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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EFC5E it is the complementary color #7103A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EFC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EFC5E shade: #93FC59, #A4FF6C, #B5FF7F, #C6FF92 and #D7FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EFC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EFC5E shade: #8EFC5E, #7DEA4B, #6CD838, #5BC625 and #4AB412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EFC5E shade: #8EFB5F, #B8FB5F, #E3FB5F, #FBEA5F and #FBBF5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EFC5E shade: #8EFB5F, #64FB5F, #5FFB83, #5FFBAE and #5FFBD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EFC5E shade matches the following richer shades: #8EFB5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EFC5E shade: #8EFB5F, #93EE6C, #99E179, #9ED486 and #A3C693

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EFC5E shade: #E4FB5F, #BAFB5F, #90FB5F, #66FB5F and #5FFB81

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EFC5E shade: #55FA0E, #72FA36, #8EFB5F, #ABFC87 and #C7FDAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EFC5E shade: #8EFC5E, #5FFBE9 and #FB5FCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EFC5E shade: #8EFC5E, #5F90FB and #FB5F90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EFC5E shade: #8EFC5E, #5FFBE9, #CA5FFB and #FB5F71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EFC5E shade: #8EFC5E, #5FDFFB, #CA5FFB and #FB7B5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 63 / 1

HEX #8EFC5E

RGB 142 252 94

HSL 101.77, 0.96%, 0.68%

LAB 89.94, -58.52, 63.96

 

Complementary color

CMYK 30 / 98 / 0 / 37

HEX #7103A1

RGB 113 3 161

HSL 281.77, 0.96%, 0.32%

LAB 29.79, 62.07, -57.02

 

CMYK 42 / 0 / 65 / 1

HEX #93FC59

RGB 147 252 89

HSL 98.65, 0.96%, 0.67%

LAB 90.11, -57.43, 66.2

 

CMYK 36 / 0 / 58 / 0

HEX #A4FF6C

RGB 164 255 108

HSL 97.14, 1%, 0.71%

LAB 91.91, -51.57, 60.57

 

CMYK 29 / 0 / 50 / 0

HEX #B5FF7F

RGB 181 255 127

HSL 94.69, 1%, 0.75%

LAB 92.96, -43.99, 53.54

 

CMYK 22 / 0 / 43 / 0

HEX #C6FF92

RGB 198 255 146

HSL 91.38, 1%, 0.79%

LAB 94.14, -35.96, 46.27

 

CMYK 16 / 0 / 35 / 0

HEX #D7FFA5

RGB 215 255 165

HSL 86.67, 1%, 0.82%

LAB 95.45, -27.61, 38.89

 

CMYK 44 / 0 / 63 / 1

HEX #8EFC5E

RGB 142 252 94

HSL 101.77, 0.96%, 0.68%

LAB 89.94, -58.52, 63.96

 

CMYK 47 / 0 / 68 / 8

HEX #7DEA4B

RGB 125 234 75

HSL 101.13, 0.79%, 0.61%

LAB 83.82, -58.22, 64.63

 

CMYK 50 / 0 / 74 / 15

HEX #6CD838

RGB 108 216 56

HSL 100.5, 0.67%, 0.53%

LAB 77.63, -57.73, 64.92

 

CMYK 54 / 0 / 81 / 22

HEX #5BC625

RGB 91 198 37

HSL 99.88, 0.69%, 0.46%

LAB 71.38, -56.96, 64.54

 

CMYK 59 / 0 / 90 / 29

HEX #4AB412

RGB 74 180 18

HSL 99.26, 0.82%, 0.39%

LAB 65.08, -55.81, 63.06

 

CMYK 43 / 0 / 62 / 2

HEX #8EFB5F

RGB 142 251 95

HSL 101.92, 0.95%, 0.68%

LAB 89.66, -58.04, 63.24

 

CMYK 27 / 0 / 62 / 2

HEX #B8FB5F

RGB 184 251 95

HSL 85.77, 0.95%, 0.68%

LAB 91.69, -44.19, 66.04

 

CMYK 10 / 0 / 62 / 2

HEX #E3FB5F

RGB 227 251 95

HSL 69.23, 0.95%, 0.68%

LAB 94.38, -28.04, 69.73

 

CMYK 0 / 7 / 62 / 2

HEX #FBEA5F

RGB 251 234 95

HSL 53.46, 0.95%, 0.68%

LAB 91.77, -10.26, 67.48

 

CMYK 0 / 24 / 62 / 2

HEX #FBBF5F

RGB 251 191 95

HSL 36.92, 0.95%, 0.68%

LAB 81.07, 11.66, 55.7

 

CMYK 43 / 0 / 62 / 2

HEX #8EFB5F

RGB 142 251 95

HSL 101.92, 0.95%, 0.68%

LAB 89.66, -58.04, 63.24

 

CMYK 60 / 0 / 62 / 2

HEX #64FB5F

RGB 100 251 95

HSL 118.08, 0.95%, 0.68%

LAB 88.22, -68.95, 61.24

 

CMYK 62 / 0 / 48 / 2

HEX #5FFB83

RGB 95 251 131

HSL 133.85, 0.95%, 0.68%

LAB 88.48, -65.57, 45.4

 

CMYK 62 / 0 / 31 / 2

HEX #5FFBAE

RGB 95 251 174

HSL 150.38, 0.95%, 0.68%

LAB 89.15, -58.25, 25.01

 

CMYK 62 / 0 / 14 / 2

HEX #5FFBD8

RGB 95 251 216

HSL 166.54, 0.95%, 0.68%

LAB 90.04, -49.14, 4.65

 

CMYK 43 / 0 / 62 / 2

HEX #8EFB5F

RGB 142 251 95

HSL 101.92, 0.95%, 0.68%

LAB 89.66, -58.04, 63.24

 

CMYK 43 / 0 / 62 / 2

HEX #8EFB5F

RGB 142 251 95

HSL 101.92, 0.95%, 0.68%

LAB 89.66, -58.04, 63.24

 

CMYK 38 / 0 / 55 / 7

HEX #93EE6C

RGB 147 238 108

HSL 102, 0.79%, 0.68%

LAB 86.22, -50.02, 53.77

 

CMYK 32 / 0 / 46 / 12

HEX #99E179

RGB 153 225 121

HSL 101.54, 0.63%, 0.68%

LAB 82.92, -41, 43.72

 

CMYK 25 / 0 / 37 / 17

HEX #9ED486

RGB 158 212 134

HSL 101.54, 0.48%, 0.68%

LAB 79.66, -31.64, 33.12

 

CMYK 18 / 0 / 26 / 22

HEX #A3C693

RGB 163 198 147

HSL 101.18, 0.31%, 0.68%

LAB 76.24, -21.14, 21.81

 

CMYK 9 / 0 / 62 / 2

HEX #E4FB5F

RGB 228 251 95

HSL 68.85, 0.95%, 0.68%

LAB 94.45, -27.65, 69.82

 

CMYK 26 / 0 / 62 / 2

HEX #BAFB5F

RGB 186 251 95

HSL 85, 0.95%, 0.68%

LAB 91.8, -43.48, 66.2

 

CMYK 43 / 0 / 62 / 2

HEX #90FB5F

RGB 144 251 95

HSL 101.15, 0.95%, 0.68%

LAB 89.74, -57.44, 63.35

 

CMYK 59 / 0 / 62 / 2

HEX #66FB5F

RGB 102 251 95

HSL 117.31, 0.95%, 0.68%

LAB 88.28, -68.51, 61.32

 

CMYK 62 / 0 / 49 / 2

HEX #5FFB81

RGB 95 251 129

HSL 133.08, 0.95%, 0.68%

LAB 88.45, -65.86, 46.31

 

CMYK 66 / 0 / 94 / 2

HEX #55FA0E

RGB 85 250 14

HSL 101.95, 0.96%, 0.52%

LAB 87.16, -76.28, 82.01

 

CMYK 54 / 0 / 78 / 2

HEX #72FA36

RGB 114 250 54

HSL 101.63, 0.95%, 0.6%

LAB 88.07, -68.38, 75.62

 

CMYK 43 / 0 / 62 / 2

HEX #8EFB5F

RGB 142 251 95

HSL 101.92, 0.95%, 0.68%

LAB 89.66, -58.04, 63.24

 

CMYK 32 / 0 / 46 / 1

HEX #ABFC87

RGB 171 252 135

HSL 101.54, 0.95%, 0.76%

LAB 91.7, -45.1, 48.14

 

CMYK 21 / 0 / 31 / 1

HEX #C7FDAF

RGB 199 253 175

HSL 101.54, 0.95%, 0.84%

LAB 94.09, -30.85, 31.94

 

CMYK 44 / 0 / 63 / 1

HEX #8EFC5E

RGB 142 252 94

HSL 101.77, 0.96%, 0.68%

LAB 89.94, -58.52, 63.96

 

CMYK 62 / 0 / 7 / 2

HEX #5FFBE9

RGB 95 251 233

HSL 173.08, 0.95%, 0.68%

LAB 90.46, -44.98, -3.56

 

CMYK 0 / 62 / 18 / 2

HEX #FB5FCF

RGB 251 95 207

HSL 316.92, 0.95%, 0.68%

LAB 64.32, 70.79, -27.76

 

CMYK 44 / 0 / 63 / 1

HEX #8EFC5E

RGB 142 252 94

HSL 101.77, 0.96%, 0.68%

LAB 89.94, -58.52, 63.96

 

CMYK 62 / 43 / 0 / 2

HEX #5F90FB

RGB 95 144 251

HSL 221.15, 0.95%, 0.68%

LAB 61.08, 15.96, -58.37

 

CMYK 0 / 62 / 43 / 2

HEX #FB5F90

RGB 251 95 144

HSL 341.15, 0.95%, 0.68%

LAB 62.26, 63.35, 5.17

 

CMYK 44 / 0 / 63 / 1

HEX #8EFC5E

RGB 142 252 94

HSL 101.77, 0.96%, 0.68%

LAB 89.94, -58.52, 63.96

 

CMYK 62 / 0 / 7 / 2

HEX #5FFBE9

RGB 95 251 233

HSL 173.08, 0.95%, 0.68%

LAB 90.46, -44.98, -3.56

 

CMYK 20 / 62 / 0 / 2

HEX #CA5FFB

RGB 202 95 251

HSL 281.15, 0.95%, 0.68%

LAB 59.62, 66.21, -60.19

 

CMYK 0 / 62 / 55 / 2

HEX #FB5F71

RGB 251 95 113

HSL 353.08, 0.95%, 0.68%

LAB 61.56, 60.69, 22.11

 

CMYK 44 / 0 / 63 / 1

HEX #8EFC5E

RGB 142 252 94

HSL 101.77, 0.96%, 0.68%

LAB 89.94, -58.52, 63.96

 

CMYK 62 / 11 / 0 / 2

HEX #5FDFFB

RGB 95 223 251

HSL 190.77, 0.95%, 0.68%

LAB 83.01, -27.14, -24.17

 

CMYK 20 / 62 / 0 / 2

HEX #CA5FFB

RGB 202 95 251

HSL 281.15, 0.95%, 0.68%

LAB 59.62, 66.21, -60.19

 

CMYK 0 / 51 / 62 / 2

HEX #FB7B5F

RGB 251 123 95

HSL 10.77, 0.95%, 0.68%

LAB 66.14, 46.69, 38.09

 

Description

Color code: HEX #8EFC5E | qconv.com Color code: HEX #8EFC5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 252 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 252 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 63 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 63% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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