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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EF418 it is the complementary color #710BE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EF418. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EF418 shade: #93F413, #A4FF26, #B5FF39, #C6FF4C and #D7FF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EF418. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EF418 shade: #8EF418, #7DE205, #6CD000, #5BBE00 and #4AAC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EF418 shade: #8FF41A, #CAF41A, #F4E41A, #F4A91A and #F46E1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EF418 shade: #8FF41A, #54F41A, #1AF41B, #1AF456 and #1AF490

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EF418 shade matches the following richer shades: #8FF41A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EF418 shade: #8FF41A, #8EE12D, #8CCD41, #8BBA54 and #89A768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EF418 shade: #F4E21A, #CCF41A, #92F41A, #58F41A and #1EF41A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EF418 shade: #64B308, #7ADB0A, #8FF41A, #A2F641 and #B6F869

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EF418 shade: #8EF418, #1AF4A8 and #F41AE9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EF418 shade: #8EF418, #1A92F4 and #F41A92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EF418 shade: #8EF418, #1AF4A8, #7C1AF4 and #F41A66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EF418 shade: #8EF418, #1AF4E9, #7C1AF4 and #F41A25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 90 / 4

HEX #8EF418

RGB 142 244 24

HSL 87.82, 0.91%, 0.53%

LAB 87.25, -59.22, 81.67

 

Complementary color

CMYK 51 / 95 / 0 / 9

HEX #710BE7

RGB 113 11 231

HSL 267.82, 0.91%, 0.47%

LAB 36.97, 75.66, -86.33

 

CMYK 40 / 0 / 92 / 4

HEX #93F413

RGB 147 244 19

HSL 85.87, 0.91%, 0.52%

LAB 87.46, -57.7, 82.58

 

CMYK 36 / 0 / 85 / 0

HEX #A4FF26

RGB 164 255 38

HSL 85.16, 1%, 0.57%

LAB 91.48, -55.88, 83.23

 

CMYK 29 / 0 / 78 / 0

HEX #B5FF39

RGB 181 255 57

HSL 82.42, 1%, 0.61%

LAB 92.42, -49.26, 79.86

 

CMYK 22 / 0 / 70 / 0

HEX #C6FF4C

RGB 198 255 76

HSL 79.11, 1%, 0.65%

LAB 93.47, -42.1, 75.28

 

CMYK 16 / 0 / 63 / 0

HEX #D7FF5F

RGB 215 255 95

HSL 75, 1%, 0.69%

LAB 94.65, -34.51, 69.78

 

CMYK 42 / 0 / 90 / 4

HEX #8EF418

RGB 142 244 24

HSL 87.82, 0.91%, 0.53%

LAB 87.25, -59.22, 81.67

 

CMYK 45 / 0 / 98 / 11

HEX #7DE205

RGB 125 226 5

HSL 87.42, 0.96%, 0.45%

LAB 81.16, -58.11, 78.49

 

CMYK 48 / 0 / 100 / 18

HEX #6CD000

RGB 108 208 0

HSL 88.85, 1%, 0.41%

LAB 75.01, -56.7, 73.83

 

CMYK 52 / 0 / 100 / 25

HEX #5BBE00

RGB 91 190 0

HSL 91.26, 1%, 0.37%

LAB 68.79, -55.12, 68.67

 

CMYK 57 / 0 / 100 / 33

HEX #4AAC00

RGB 74 172 0

HSL 94.19, 1%, 0.34%

LAB 62.47, -53.39, 63.44

 

CMYK 41 / 0 / 89 / 4

HEX #8FF41A

RGB 143 244 26

HSL 87.8, 0.91%, 0.53%

LAB 87.3, -58.86, 81.43

 

CMYK 17 / 0 / 89 / 4

HEX #CAF41A

RGB 202 244 26

HSL 71.56, 0.91%, 0.53%

LAB 90.47, -37.56, 85.33

 

CMYK 0 / 7 / 89 / 4

HEX #F4E41A

RGB 244 228 26

HSL 55.6, 0.91%, 0.53%

LAB 89.3, -12.81, 85.72

 

CMYK 0 / 31 / 89 / 4

HEX #F4A91A

RGB 244 169 26

HSL 39.36, 0.91%, 0.53%

LAB 74.62, 17.48, 74.42

 

CMYK 0 / 55 / 89 / 4

HEX #F46E1A

RGB 244 110 26

HSL 23.12, 0.91%, 0.53%

LAB 62.05, 47.63, 64.98

 

CMYK 41 / 0 / 89 / 4

HEX #8FF41A

RGB 143 244 26

HSL 87.8, 0.91%, 0.53%

LAB 87.3, -58.86, 81.43

 

CMYK 66 / 0 / 89 / 4

HEX #54F41A

RGB 84 244 26

HSL 104.04, 0.91%, 0.53%

LAB 85.33, -74.37, 78.99

 

CMYK 89 / 0 / 89 / 4

HEX #1AF41B

RGB 26 244 27

HSL 120.28, 0.91%, 0.53%

LAB 84.48, -81.79, 77.77

 

CMYK 89 / 0 / 65 / 4

HEX #1AF456

RGB 26 244 86

HSL 136.51, 0.91%, 0.53%

LAB 84.79, -77.92, 60.75

 

CMYK 89 / 0 / 41 / 4

HEX #1AF490

RGB 26 244 144

HSL 152.48, 0.91%, 0.53%

LAB 85.47, -69.64, 34.99

 

CMYK 41 / 0 / 89 / 4

HEX #8FF41A

RGB 143 244 26

HSL 87.8, 0.91%, 0.53%

LAB 87.3, -58.86, 81.43

 

CMYK 41 / 0 / 89 / 4

HEX #8FF41A

RGB 143 244 26

HSL 87.8, 0.91%, 0.53%

LAB 87.3, -58.86, 81.43

 

CMYK 37 / 0 / 80 / 12

HEX #8EE12D

RGB 142 225 45

HSL 87.67, 0.75%, 0.53%

LAB 81.72, -51.1, 72.62

 

CMYK 32 / 0 / 68 / 20

HEX #8CCD41

RGB 140 205 65

HSL 87.86, 0.58%, 0.53%

LAB 75.84, -42.3, 60.34

 

CMYK 25 / 0 / 55 / 27

HEX #8BBA54

RGB 139 186 84

HSL 87.65, 0.43%, 0.53%

LAB 70.35, -32.49, 46.1

 

CMYK 18 / 0 / 38 / 35

HEX #89A768

RGB 137 167 104

HSL 88.57, 0.26%, 0.53%

LAB 64.93, -21.63, 29.26

 

CMYK 0 / 7 / 89 / 4

HEX #F4E21A

RGB 244 226 26

HSL 55.05, 0.91%, 0.53%

LAB 88.78, -11.82, 85.32

 

CMYK 16 / 0 / 89 / 4

HEX #CCF41A

RGB 204 244 26

HSL 71.01, 0.91%, 0.53%

LAB 90.6, -36.77, 85.49

 

CMYK 40 / 0 / 89 / 4

HEX #92F41A

RGB 146 244 26

HSL 86.97, 0.91%, 0.53%

LAB 87.43, -57.89, 81.59

 

CMYK 64 / 0 / 89 / 4

HEX #58F41A

RGB 88 244 26

HSL 102.94, 0.91%, 0.53%

LAB 85.43, -73.56, 79.11

 

CMYK 88 / 0 / 89 / 4

HEX #1EF41A

RGB 30 244 26

HSL 118.9, 0.91%, 0.53%

LAB 84.51, -81.56, 77.97

 

CMYK 44 / 0 / 96 / 30

HEX #64B308

RGB 100 179 8

HSL 87.72, 0.91%, 0.37%

LAB 65.72, -47.98, 65.43

 

CMYK 44 / 0 / 95 / 14

HEX #7ADB0A

RGB 122 219 10

HSL 87.85, 0.91%, 0.45%

LAB 78.94, -56.34, 76.22

 

CMYK 41 / 0 / 89 / 4

HEX #8FF41A

RGB 143 244 26

HSL 87.8, 0.91%, 0.53%

LAB 87.3, -58.86, 81.43

 

CMYK 34 / 0 / 74 / 4

HEX #A2F641

RGB 162 246 65

HSL 87.85, 0.91%, 0.61%

LAB 88.91, -51.8, 73.81

 

CMYK 27 / 0 / 58 / 3

HEX #B6F869

RGB 182 248 105

HSL 87.69, 0.91%, 0.69%

LAB 90.83, -42.77, 60.87

 

CMYK 42 / 0 / 90 / 4

HEX #8EF418

RGB 142 244 24

HSL 87.82, 0.91%, 0.53%

LAB 87.25, -59.22, 81.67

 

CMYK 89 / 0 / 31 / 4

HEX #1AF4A8

RGB 26 244 168

HSL 159.08, 0.91%, 0.53%

LAB 85.88, -64.93, 23.42

 

CMYK 0 / 89 / 5 / 4

HEX #F41AE9

RGB 244 26 233

HSL 303.03, 0.91%, 0.53%

LAB 57.9, 91.42, -52.55

 

CMYK 42 / 0 / 90 / 4

HEX #8EF418

RGB 142 244 24

HSL 87.82, 0.91%, 0.53%

LAB 87.25, -59.22, 81.67

 

CMYK 89 / 40 / 0 / 4

HEX #1A92F4

RGB 26 146 244

HSL 206.97, 0.91%, 0.53%

LAB 59.26, 4.43, -57.55

 

CMYK 0 / 89 / 40 / 4

HEX #F41A92

RGB 244 26 146

HSL 326.97, 0.91%, 0.53%

LAB 54.08, 81.38, -8.14

 

CMYK 42 / 0 / 90 / 4

HEX #8EF418

RGB 142 244 24

HSL 87.82, 0.91%, 0.53%

LAB 87.25, -59.22, 81.67

 

CMYK 89 / 0 / 31 / 4

HEX #1AF4A8

RGB 26 244 168

HSL 159.08, 0.91%, 0.53%

LAB 85.88, -64.93, 23.42

 

CMYK 49 / 89 / 0 / 4

HEX #7C1AF4

RGB 124 26 244

HSL 266.97, 0.91%, 0.53%

LAB 40.5, 76.87, -87.82

 

CMYK 0 / 89 / 58 / 4

HEX #F41A66

RGB 244 26 102

HSL 339.08, 0.91%, 0.53%

LAB 52.87, 78.06, 16.62

 

CMYK 42 / 0 / 90 / 4

HEX #8EF418

RGB 142 244 24

HSL 87.82, 0.91%, 0.53%

LAB 87.25, -59.22, 81.67

 

CMYK 89 / 0 / 5 / 4

HEX #1AF4E9

RGB 26 244 233

HSL 176.97, 0.91%, 0.53%

LAB 87.39, -48.9, -8.22

 

CMYK 49 / 89 / 0 / 4

HEX #7C1AF4

RGB 124 26 244

HSL 266.97, 0.91%, 0.53%

LAB 40.5, 76.87, -87.82

 

CMYK 0 / 89 / 85 / 4

HEX #F41A25

RGB 244 26 37

HSL 356.97, 0.91%, 0.53%

LAB 51.96, 75.46, 52.81

 

Description

Color code: HEX #8EF418 | qconv.com Color code: HEX #8EF418 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 244 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 244 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 90 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 90% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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