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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EEFE1 it is the complementary color #71101E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EEFE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EEFE1 shade: #93EFDC, #A4FFEF, #B5FFFF, #C6FFFF and #D7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EEFE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EEFE1 shade: #8EEFE1, #7DDDCE, #6CCBBB, #5BB9A8 and #4AA795

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EEFE1 shade: #8FEFE1, #8FEFC7, #8FEFAE, #8FEF94 and #A5EF8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EEFE1 shade: #8FEFE1, #8FE3EF, #8FC9EF, #8FB0EF and #8F96EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EEFE1 shade matches the following richer shades: #8FEFE1 and #85F9E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EEFE1 shade: #8FEFE1, #9AE5DA, #A4DAD3, #AED0CB and #B9C6C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EEFE1 shade: #8FEFAE, #8FEFC7, #8FEFE1, #8FE4EF and #8FCAEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EEFE1 shade: #47E5CE, #6BEAD8, #8FEFE1, #B4F4EB and #D8F9F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EEFE1 shade: #8EEFE1, #948FEF and #EFBA8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EEFE1 shade: #8EEFE1, #E18FEF and #EFE18F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EEFE1 shade: #8EEFE1, #948FEF, #EF8F9E and #EAEF8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EEFE1 shade: #8EEFE1, #B18FEF, #EF8F9E and #CEEF8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 6 / 6

HEX #8EEFE1

RGB 142 239 225

HSL 171.34, 0.75%, 0.75%

LAB 88.41, -31.84, -2.22

 

Complementary color

CMYK 0 / 86 / 73 / 56

HEX #71101E

RGB 113 16 30

HSL 351.34, 0.75%, 0.25%

LAB 23.59, 41.21, 19.12

 

CMYK 38 / 0 / 8 / 6

HEX #93EFDC

RGB 147 239 220

HSL 167.61, 0.74%, 0.76%

LAB 88.5, -31.71, 0.54

 

CMYK 36 / 0 / 6 / 0

HEX #A4FFEF

RGB 164 255 239

HSL 169.45, 1%, 0.82%

LAB 94.16, -30.62, -0.96

 

CMYK 29 / 0 / 0 / 0

HEX #B5FFFF

RGB 181 255 255

HSL 180, 1%, 0.85%

LAB 95.4, -22.55, -7.31

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198 255 255

HSL 180, 1%, 0.89%

LAB 96.31, -17.77, -5.86

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 41 / 0 / 6 / 6

HEX #8EEFE1

RGB 142 239 225

HSL 171.34, 0.75%, 0.75%

LAB 88.41, -31.84, -2.22

 

CMYK 43 / 0 / 7 / 13

HEX #7DDDCE

RGB 125 221 206

HSL 170.63, 0.59%, 0.68%

LAB 82.12, -31.95, -1.5

 

CMYK 47 / 0 / 8 / 20

HEX #6CCBBB

RGB 108 203 187

HSL 169.89, 0.48%, 0.61%

LAB 75.75, -32.03, -0.74

 

CMYK 51 / 0 / 9 / 27

HEX #5BB9A8

RGB 91 185 168

HSL 169.15, 0.4%, 0.54%

LAB 69.29, -32.07, 0.09

 

CMYK 56 / 0 / 11 / 35

HEX #4AA795

RGB 74 167 149

HSL 168.39, 0.39%, 0.47%

LAB 62.73, -32.04, 0.98

 

CMYK 40 / 0 / 6 / 6

HEX #8FEFE1

RGB 143 239 225

HSL 171.25, 0.75%, 0.75%

LAB 88.45, -31.6, -2.16

 

CMYK 40 / 0 / 17 / 6

HEX #8FEFC7

RGB 143 239 199

HSL 155, 0.75%, 0.75%

LAB 87.82, -37.26, 10.51

 

CMYK 40 / 0 / 27 / 6

HEX #8FEFAE

RGB 143 239 174

HSL 139.38, 0.75%, 0.75%

LAB 87.3, -42.1, 22.74

 

CMYK 40 / 0 / 38 / 6

HEX #8FEF94

RGB 143 239 148

HSL 123.13, 0.75%, 0.75%

LAB 86.85, -46.44, 35.34

 

CMYK 31 / 0 / 40 / 6

HEX #A5EF8F

RGB 165 239 143

HSL 106.25, 0.75%, 0.75%

LAB 87.83, -40.34, 39.3

 

CMYK 40 / 0 / 6 / 6

HEX #8FEFE1

RGB 143 239 225

HSL 171.25, 0.75%, 0.75%

LAB 88.45, -31.6, -2.16

 

CMYK 40 / 5 / 0 / 6

HEX #8FE3EF

RGB 143 227 239

HSL 187.5, 0.75%, 0.75%

LAB 85.51, -22.46, -13.88

 

CMYK 40 / 16 / 0 / 6

HEX #8FC9EF

RGB 143 201 239

HSL 203.75, 0.75%, 0.75%

LAB 78.37, -9.17, -24.66

 

CMYK 40 / 26 / 0 / 6

HEX #8FB0EF

RGB 143 176 239

HSL 219.38, 0.75%, 0.75%

LAB 71.64, 4.39, -35.02

 

CMYK 40 / 37 / 0 / 6

HEX #8F96EF

RGB 143 150 239

HSL 235.63, 0.75%, 0.75%

LAB 64.87, 19.16, -45.59

 

CMYK 40 / 0 / 6 / 6

HEX #8FEFE1

RGB 143 239 225

HSL 171.25, 0.75%, 0.75%

LAB 88.45, -31.6, -2.16

 

CMYK 47 / 0 / 6 / 2

HEX #85F9E9

RGB 133 249 233

HSL 171.72, 0.91%, 0.75%

LAB 91.06, -36.75, -2.55

 

CMYK 40 / 0 / 6 / 6

HEX #8FEFE1

RGB 143 239 225

HSL 171.25, 0.75%, 0.75%

LAB 88.45, -31.6, -2.16

 

CMYK 33 / 0 / 5 / 10

HEX #9AE5DA

RGB 154 229 218

HSL 171.2, 0.59%, 0.75%

LAB 85.99, -25.5, -2.03

 

CMYK 25 / 0 / 3 / 15

HEX #A4DAD3

RGB 164 218 211

HSL 172.22, 0.42%, 0.75%

LAB 83.3, -18.73, -2.21

 

CMYK 16 / 0 / 2 / 18

HEX #AED0CB

RGB 174 208 203

HSL 171.18, 0.27%, 0.75%

LAB 80.97, -12.24, -1.29

 

CMYK 7 / 0 / 1 / 22

HEX #B9C6C4

RGB 185 198 196

HSL 170.77, 0.1%, 0.75%

LAB 78.86, -4.81, -0.54

 

CMYK 40 / 0 / 27 / 6

HEX #8FEFAE

RGB 143 239 174

HSL 139.38, 0.75%, 0.75%

LAB 87.3, -42.1, 22.74

 

CMYK 40 / 0 / 17 / 6

HEX #8FEFC7

RGB 143 239 199

HSL 155, 0.75%, 0.75%

LAB 87.82, -37.26, 10.51

 

CMYK 40 / 0 / 6 / 6

HEX #8FEFE1

RGB 143 239 225

HSL 171.25, 0.75%, 0.75%

LAB 88.45, -31.6, -2.16

 

CMYK 40 / 5 / 0 / 6

HEX #8FE4EF

RGB 143 228 239

HSL 186.88, 0.75%, 0.75%

LAB 85.79, -22.96, -13.46

 

CMYK 40 / 15 / 0 / 6

HEX #8FCAEF

RGB 143 202 239

HSL 203.13, 0.75%, 0.75%

LAB 78.64, -9.7, -24.25

 

CMYK 69 / 0 / 10 / 10

HEX #47E5CE

RGB 71 229 206

HSL 171.27, 0.75%, 0.59%

LAB 82.83, -45.86, -0.67

 

CMYK 54 / 0 / 8 / 8

HEX #6BEAD8

RGB 107 234 216

HSL 171.5, 0.75%, 0.67%

LAB 85.47, -39.52, -1.97

 

CMYK 40 / 0 / 6 / 6

HEX #8FEFE1

RGB 143 239 225

HSL 171.25, 0.75%, 0.75%

LAB 88.45, -31.6, -2.16

 

CMYK 26 / 0 / 4 / 4

HEX #B4F4EB

RGB 180 244 235

HSL 171.56, 0.74%, 0.83%

LAB 91.87, -21.8, -2.16

 

CMYK 13 / 0 / 2 / 2

HEX #D8F9F5

RGB 216 249 245

HSL 172.73, 0.73%, 0.91%

LAB 95.56, -11.38, -1.68

 

CMYK 41 / 0 / 6 / 6

HEX #8EEFE1

RGB 142 239 225

HSL 171.34, 0.75%, 0.75%

LAB 88.41, -31.84, -2.22

 

CMYK 38 / 40 / 0 / 6

HEX #948FEF

RGB 148 143 239

HSL 243.13, 0.75%, 0.75%

LAB 63.49, 24.49, -47.75

 

CMYK 0 / 22 / 40 / 6

HEX #EFBA8F

RGB 239 186 143

HSL 26.88, 0.75%, 0.75%

LAB 79.3, 13.6, 29.12

 

CMYK 41 / 0 / 6 / 6

HEX #8EEFE1

RGB 142 239 225

HSL 171.34, 0.75%, 0.75%

LAB 88.41, -31.84, -2.22

 

CMYK 6 / 40 / 0 / 6

HEX #E18FEF

RGB 225 143 239

HSL 291.25, 0.75%, 0.75%

LAB 70.79, 46.2, -35.78

 

CMYK 0 / 6 / 40 / 6

HEX #EFE18F

RGB 239 225 143

HSL 51.25, 0.75%, 0.75%

LAB 89.01, -6.58, 41.8

 

CMYK 41 / 0 / 6 / 6

HEX #8EEFE1

RGB 142 239 225

HSL 171.34, 0.75%, 0.75%

LAB 88.41, -31.84, -2.22

 

CMYK 38 / 40 / 0 / 6

HEX #948FEF

RGB 148 143 239

HSL 243.13, 0.75%, 0.75%

LAB 63.49, 24.49, -47.75

 

CMYK 0 / 40 / 34 / 6

HEX #EF8F9E

RGB 239 143 158

HSL 350.63, 0.75%, 0.75%

LAB 69.8, 38.04, 7.81

 

CMYK 2 / 0 / 40 / 6

HEX #EAEF8F

RGB 234 239 143

HSL 63.13, 0.75%, 0.75%

LAB 92.22, -15.48, 45.8

 

CMYK 41 / 0 / 6 / 6

HEX #8EEFE1

RGB 142 239 225

HSL 171.34, 0.75%, 0.75%

LAB 88.41, -31.84, -2.22

 

CMYK 26 / 40 / 0 / 6

HEX #B18FEF

RGB 177 143 239

HSL 261.25, 0.75%, 0.75%

LAB 65.92, 32.3, -43.75

 

CMYK 0 / 40 / 34 / 6

HEX #EF8F9E

RGB 239 143 158

HSL 350.63, 0.75%, 0.75%

LAB 69.8, 38.04, 7.81

 

CMYK 14 / 0 / 40 / 6

HEX #CEEF8F

RGB 206 239 143

HSL 80.63, 0.75%, 0.75%

LAB 90.25, -26.02, 42.88

 

Description

Color code: HEX #8EEFE1 | qconv.com Color code: HEX #8EEFE1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 239 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 239 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 6 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 6% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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