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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EEE61 it is the complementary color #71119E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EEE61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EEE61 shade: #93EE5C, #A4FF6F, #B5FF82, #C6FF95 and #D7FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EEE61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EEE61 shade: #8EEE61, #7DDC4E, #6CCA3B, #5BB828 and #4AA615

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EEE61 shade: #8FEF62, #B5EF62, #DBEF62, #EFDD62 and #EFB762

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EEE61 shade: #8FEF62, #69EF62, #62EF81, #62EFA7 and #62EFCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EEE61 shade matches the following richer shades: #8FEF62 and #8AFD54

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EEE61 shade: #8FEF62, #94E070, #99D27E, #9EC48C and #A3B69A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EEE61 shade: #DCEF62, #B6EF62, #91EF62, #6BEF62 and #62EF7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EEE61 shade: #5AE618, #74EB3D, #8FEF62, #AAF287 and #C4F6AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EEE61 shade: #8EEE61, #62EFDC and #EF62C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EEE61 shade: #8EEE61, #6291EF and #EF6291

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EEE61 shade: #8EEE61, #62EFDC, #C062EF and #EF6275

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EEE61 shade: #8EEE61, #62D7EF, #C062EF and #EF7962

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 59 / 7

HEX #8EEE61

RGB 142 238 97

HSL 100.85, 0.81%, 0.66%

LAB 85.89, -52.71, 58.17

 

Complementary color

CMYK 28 / 89 / 0 / 38

HEX #71119E

RGB 113 17 158

HSL 280.85, 0.81%, 0.34%

LAB 30.35, 59.02, -54.27

 

CMYK 38 / 0 / 61 / 7

HEX #93EE5C

RGB 147 238 92

HSL 97.4, 0.81%, 0.65%

LAB 86.07, -51.59, 60.56

 

CMYK 36 / 0 / 56 / 0

HEX #A4FF6F

RGB 164 255 111

HSL 97.92, 1%, 0.72%

LAB 91.94, -51.28, 59.3

 

CMYK 29 / 0 / 49 / 0

HEX #B5FF82

RGB 181 255 130

HSL 95.52, 1%, 0.75%

LAB 92.99, -43.66, 52.2

 

CMYK 22 / 0 / 42 / 0

HEX #C6FF95

RGB 198 255 149

HSL 92.26, 1%, 0.79%

LAB 94.18, -35.6, 44.87

 

CMYK 16 / 0 / 34 / 0

HEX #D7FFA8

RGB 215 255 168

HSL 87.59, 1%, 0.83%

LAB 95.49, -27.22, 37.47

 

CMYK 40 / 0 / 59 / 7

HEX #8EEE61

RGB 142 238 97

HSL 100.85, 0.81%, 0.66%

LAB 85.89, -52.71, 58.17

 

CMYK 43 / 0 / 65 / 14

HEX #7DDC4E

RGB 125 220 78

HSL 100.14, 0.67%, 0.58%

LAB 79.67, -52.54, 59.04

 

CMYK 47 / 0 / 71 / 21

HEX #6CCA3B

RGB 108 202 59

HSL 99.44, 0.57%, 0.51%

LAB 73.38, -52.19, 59.6

 

CMYK 51 / 0 / 78 / 28

HEX #5BB828

RGB 91 184 40

HSL 98.75, 0.64%, 0.44%

LAB 67.02, -51.61, 59.61

 

CMYK 55 / 0 / 87 / 35

HEX #4AA615

RGB 74 166 21

HSL 98.07, 0.78%, 0.37%

LAB 60.59, -50.66, 58.61

 

CMYK 40 / 0 / 59 / 6

HEX #8FEF62

RGB 143 239 98

HSL 100.85, 0.82%, 0.66%

LAB 86.23, -52.71, 58.15

 

CMYK 24 / 0 / 59 / 6

HEX #B5EF62

RGB 181 239 98

HSL 84.68, 0.82%, 0.66%

LAB 88.18, -39.78, 60.87

 

CMYK 8 / 0 / 59 / 6

HEX #DBEF62

RGB 219 239 98

HSL 68.51, 0.82%, 0.66%

LAB 90.63, -25.32, 64.28

 

CMYK 0 / 8 / 59 / 6

HEX #EFDD62

RGB 239 221 98

HSL 52.34, 0.82%, 0.66%

LAB 87.46, -8.48, 61.21

 

CMYK 0 / 23 / 59 / 6

HEX #EFB762

RGB 239 183 98

HSL 36.17, 0.82%, 0.66%

LAB 77.93, 11.1, 50.35

 

CMYK 40 / 0 / 59 / 6

HEX #8FEF62

RGB 143 239 98

HSL 100.85, 0.82%, 0.66%

LAB 86.23, -52.71, 58.15

 

CMYK 56 / 0 / 59 / 6

HEX #69EF62

RGB 105 239 98

HSL 117.02, 0.82%, 0.66%

LAB 84.8, -63.27, 56.13

 

CMYK 59 / 0 / 46 / 6

HEX #62EF81

RGB 98 239 129

HSL 133.19, 0.82%, 0.66%

LAB 84.95, -60.87, 41.93

 

CMYK 59 / 0 / 30 / 6

HEX #62EFA7

RGB 98 239 167

HSL 149.36, 0.82%, 0.66%

LAB 85.56, -54.3, 23.69

 

CMYK 59 / 0 / 14 / 6

HEX #62EFCD

RGB 98 239 205

HSL 165.53, 0.82%, 0.66%

LAB 86.37, -46.1, 5.09

 

CMYK 40 / 0 / 59 / 6

HEX #8FEF62

RGB 143 239 98

HSL 100.85, 0.82%, 0.66%

LAB 86.23, -52.71, 58.15

 

CMYK 45 / 0 / 67 / 1

HEX #8AFD54

RGB 138 253 84

HSL 100.83, 0.98%, 0.66%

LAB 90, -60.91, 67.89

 

CMYK 40 / 0 / 59 / 6

HEX #8FEF62

RGB 143 239 98

HSL 100.85, 0.82%, 0.66%

LAB 86.23, -52.71, 58.15

 

CMYK 34 / 0 / 50 / 12

HEX #94E070

RGB 148 224 112

HSL 100.71, 0.64%, 0.66%

LAB 82.26, -43.32, 47.18

 

CMYK 27 / 0 / 40 / 18

HEX #99D27E

RGB 153 210 126

HSL 100.71, 0.48%, 0.66%

LAB 78.68, -33.56, 35.86

 

CMYK 19 / 0 / 29 / 23

HEX #9EC48C

RGB 158 196 140

HSL 100.71, 0.32%, 0.66%

LAB 75.23, -23.04, 24.09

 

CMYK 10 / 0 / 15 / 29

HEX #A3B69A

RGB 163 182 154

HSL 100.71, 0.16%, 0.66%

LAB 71.94, -11.81, 12.07

 

CMYK 8 / 0 / 59 / 6

HEX #DCEF62

RGB 220 239 98

HSL 68.09, 0.82%, 0.66%

LAB 90.7, -24.93, 64.38

 

CMYK 24 / 0 / 59 / 6

HEX #B6EF62

RGB 182 239 98

HSL 84.26, 0.82%, 0.66%

LAB 88.24, -39.41, 60.95

 

CMYK 39 / 0 / 59 / 6

HEX #91EF62

RGB 145 239 98

HSL 100, 0.82%, 0.66%

LAB 86.32, -52.08, 58.27

 

CMYK 55 / 0 / 59 / 6

HEX #6BEF62

RGB 107 239 98

HSL 116.17, 0.82%, 0.66%

LAB 84.86, -62.79, 56.22

 

CMYK 59 / 0 / 47 / 6

HEX #62EF7E

RGB 98 239 126

HSL 131.91, 0.82%, 0.66%

LAB 84.91, -61.31, 43.33

 

CMYK 61 / 0 / 90 / 10

HEX #5AE618

RGB 90 230 24

HSL 100.78, 0.81%, 0.5%

LAB 81.2, -68.69, 75.88

 

CMYK 51 / 0 / 74 / 8

HEX #74EB3D

RGB 116 235 61

HSL 101.03, 0.81%, 0.58%

LAB 83.69, -62.14, 69.33

 

CMYK 40 / 0 / 59 / 6

HEX #8FEF62

RGB 143 239 98

HSL 100.85, 0.82%, 0.66%

LAB 86.23, -52.71, 58.15

 

CMYK 30 / 0 / 44 / 5

HEX #AAF287

RGB 170 242 135

HSL 100.37, 0.8%, 0.74%

LAB 88.83, -41.07, 44.54

 

CMYK 20 / 0 / 30 / 4

HEX #C4F6AD

RGB 196 246 173

HSL 101.1, 0.8%, 0.82%

LAB 91.98, -28.88, 30.08

 

CMYK 40 / 0 / 59 / 7

HEX #8EEE61

RGB 142 238 97

HSL 100.85, 0.81%, 0.66%

LAB 85.89, -52.71, 58.17

 

CMYK 59 / 0 / 8 / 6

HEX #62EFDC

RGB 98 239 220

HSL 171.91, 0.82%, 0.66%

LAB 86.75, -42.45, -2.22

 

CMYK 0 / 59 / 16 / 6

HEX #EF62C9

RGB 239 98 201

HSL 316.17, 0.82%, 0.66%

LAB 62.76, 65.49, -26.92

 

CMYK 40 / 0 / 59 / 7

HEX #8EEE61

RGB 142 238 97

HSL 100.85, 0.81%, 0.66%

LAB 85.89, -52.71, 58.17

 

CMYK 59 / 39 / 0 / 6

HEX #6291EF

RGB 98 145 239

HSL 220, 0.82%, 0.66%

LAB 60.85, 11.96, -52.12

 

CMYK 0 / 59 / 39 / 6

HEX #EF6291

RGB 239 98 145

HSL 340, 0.82%, 0.66%

LAB 60.9, 58.46, 2.39

 

CMYK 40 / 0 / 59 / 7

HEX #8EEE61

RGB 142 238 97

HSL 100.85, 0.81%, 0.66%

LAB 85.89, -52.71, 58.17

 

CMYK 59 / 0 / 8 / 6

HEX #62EFDC

RGB 98 239 220

HSL 171.91, 0.82%, 0.66%

LAB 86.75, -42.45, -2.22

 

CMYK 20 / 59 / 0 / 6

HEX #C062EF

RGB 192 98 239

HSL 280, 0.82%, 0.66%

LAB 58.2, 60.05, -55.87

 

CMYK 0 / 59 / 51 / 6

HEX #EF6275

RGB 239 98 117

HSL 351.91, 0.82%, 0.66%

LAB 60.22, 55.81, 17.67

 

CMYK 40 / 0 / 59 / 7

HEX #8EEE61

RGB 142 238 97

HSL 100.85, 0.81%, 0.66%

LAB 85.89, -52.71, 58.17

 

CMYK 59 / 10 / 0 / 6

HEX #62D7EF

RGB 98 215 239

HSL 190.21, 0.82%, 0.66%

LAB 80.42, -26.15, -21.72

 

CMYK 20 / 59 / 0 / 6

HEX #C062EF

RGB 192 98 239

HSL 280, 0.82%, 0.66%

LAB 58.2, 60.05, -55.87

 

CMYK 0 / 49 / 59 / 6

HEX #EF7962

RGB 239 121 98

HSL 9.79, 0.82%, 0.66%

LAB 64.09, 43.45, 33.53

 

Description

Color code: HEX #8EEE61 | qconv.com Color code: HEX #8EEE61 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 238 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 238 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 59 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 59% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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