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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EE58A it is the complementary color #711A75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EE58A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EE58A shade: #93E585, #A4F798, #B5FFAB, #C6FFBE and #D7FFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EE58A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EE58A shade: #8EE58A, #7DD377, #6CC164, #5BAF51 and #4A9D3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EE58A shade: #8EE58A, #A7E58A, #BFE58A, #D8E58A and #E5DA8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EE58A shade: #8EE58A, #8AE59F, #8AE5B7, #8AE5D0 and #8AE2E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EE58A shade matches the following richer shades: #8EE58A, #83F17E and #79FC73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EE58A shade: #8EE58A, #98DA95, #A3CEA1, #AEC3AD and #B8B7B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EE58A shade: #BFE58A, #A7E58A, #8EE58A, #8AE59E and #8AE5B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EE58A shade: #4DD646, #6DDE68, #8EE58A, #AFEDAC and #CFF4CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EE58A shade: #8EE58A, #8AD8E5 and #E58AB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EE58A shade: #8EE58A, #8A8EE5 and #E58A8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EE58A shade: #8EE58A, #8AD8E5, #E18AE5 and #E5988A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EE58A shade: #8EE58A, #8ABCE5, #E18AE5 and #E5B38A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 40 / 10

HEX #8EE58A

RGB 142 229 138

HSL 117.36, 0.64%, 0.72%

LAB 83.77, -43.95, 36.31

 

Complementary color

CMYK 3 / 78 / 0 / 54

HEX #711A75

RGB 113 26 117

HSL 297.36, 0.64%, 0.28%

LAB 28.2, 48.54, -32.21

 

CMYK 36 / 0 / 42 / 10

HEX #93E585

RGB 147 229 133

HSL 111.25, 0.65%, 0.71%

LAB 83.93, -43.12, 39.05

 

CMYK 34 / 0 / 38 / 3

HEX #A4F798

RGB 164 247 152

HSL 112.42, 0.86%, 0.78%

LAB 90.17, -42.93, 37.88

 

CMYK 29 / 0 / 33 / 0

HEX #B5FFAB

RGB 181 255 171

HSL 112.86, 1%, 0.84%

LAB 93.57, -38.28, 33.07

 

CMYK 22 / 0 / 25 / 0

HEX #C6FFBE

RGB 198 255 190

HSL 112.62, 1%, 0.87%

LAB 94.84, -29.82, 25.38

 

CMYK 16 / 0 / 18 / 0

HEX #D7FFD1

RGB 215 255 209

HSL 112.17, 1%, 0.91%

LAB 96.23, -21.12, 17.79

 

CMYK 38 / 0 / 40 / 10

HEX #8EE58A

RGB 142 229 138

HSL 117.36, 0.64%, 0.72%

LAB 83.77, -43.95, 36.31

 

CMYK 41 / 0 / 44 / 17

HEX #7DD377

RGB 125 211 119

HSL 116.09, 0.51%, 0.65%

LAB 77.45, -44.13, 37.53

 

CMYK 44 / 0 / 48 / 24

HEX #6CC164

RGB 108 193 100

HSL 114.84, 0.43%, 0.57%

LAB 71.04, -44.26, 38.78

 

CMYK 48 / 0 / 54 / 31

HEX #5BAF51

RGB 91 175 81

HSL 113.62, 0.37%, 0.5%

LAB 64.55, -44.29, 40.06

 

CMYK 53 / 0 / 61 / 38

HEX #4A9D3E

RGB 74 157 62

HSL 112.42, 0.43%, 0.43%

LAB 57.96, -44.15, 41.27

 

CMYK 38 / 0 / 40 / 10

HEX #8EE58A

RGB 142 229 138

HSL 117.36, 0.64%, 0.72%

LAB 83.77, -43.95, 36.31

 

CMYK 27 / 0 / 40 / 10

HEX #A7E58A

RGB 167 229 138

HSL 100.88, 0.64%, 0.72%

LAB 85.04, -35.86, 38.2

 

CMYK 17 / 0 / 40 / 10

HEX #BFE58A

RGB 191 229 138

HSL 85.05, 0.64%, 0.72%

LAB 86.48, -27.37, 40.34

 

CMYK 6 / 0 / 40 / 10

HEX #D8E58A

RGB 216 229 138

HSL 68.57, 0.64%, 0.72%

LAB 88.2, -18.01, 42.88

 

CMYK 0 / 5 / 40 / 10

HEX #E5DA8A

RGB 229 218 138

HSL 52.75, 0.64%, 0.72%

LAB 86.32, -7.48, 40.7

 

CMYK 38 / 0 / 40 / 10

HEX #8EE58A

RGB 142 229 138

HSL 117.36, 0.64%, 0.72%

LAB 83.77, -43.95, 36.31

 

CMYK 40 / 0 / 31 / 10

HEX #8AE59F

RGB 138 229 159

HSL 133.85, 0.64%, 0.72%

LAB 83.94, -41.76, 25.82

 

CMYK 40 / 0 / 20 / 10

HEX #8AE5B7

RGB 138 229 183

HSL 149.67, 0.64%, 0.72%

LAB 84.41, -37.29, 14

 

CMYK 40 / 0 / 9 / 10

HEX #8AE5D0

RGB 138 229 208

HSL 166.15, 0.64%, 0.72%

LAB 84.99, -32, 1.69

 

CMYK 40 / 1 / 0 / 10

HEX #8AE2E5

RGB 138 226 229

HSL 181.98, 0.64%, 0.72%

LAB 84.72, -25.66, -9.8

 

CMYK 38 / 0 / 40 / 10

HEX #8EE58A

RGB 142 229 138

HSL 117.36, 0.64%, 0.72%

LAB 83.77, -43.95, 36.31

 

CMYK 46 / 0 / 48 / 5

HEX #83F17E

RGB 131 241 126

HSL 117.39, 0.8%, 0.72%

LAB 86.62, -53.86, 45.71

 

CMYK 52 / 0 / 54 / 1

HEX #79FC73

RGB 121 252 115

HSL 117.37, 0.96%, 0.72%

LAB 89.36, -62.16, 54.06

 

CMYK 38 / 0 / 40 / 10

HEX #8EE58A

RGB 142 229 138

HSL 117.36, 0.64%, 0.72%

LAB 83.77, -43.95, 36.31

 

CMYK 30 / 0 / 32 / 15

HEX #98DA95

RGB 152 218 149

HSL 117.39, 0.48%, 0.72%

LAB 81.29, -34.18, 27.5

 

CMYK 21 / 0 / 22 / 19

HEX #A3CEA1

RGB 163 206 161

HSL 117.33, 0.31%, 0.72%

LAB 78.75, -22.78, 17.85

 

CMYK 11 / 0 / 11 / 24

HEX #AEC3AD

RGB 174 195 173

HSL 117.27, 0.15%, 0.72%

LAB 76.71, -11.31, 8.64

 

CMYK 0 / 1 / 0 / 28

HEX #B8B7B8

RGB 184 183 184

HSL 300, 0.01%, 0.72%

LAB 74.52, 0.54, -0.39

 

CMYK 17 / 0 / 40 / 10

HEX #BFE58A

RGB 191 229 138

HSL 85.05, 0.64%, 0.72%

LAB 86.48, -27.37, 40.34

 

CMYK 27 / 0 / 40 / 10

HEX #A7E58A

RGB 167 229 138

HSL 100.88, 0.64%, 0.72%

LAB 85.04, -35.86, 38.2

 

CMYK 38 / 0 / 40 / 10

HEX #8EE58A

RGB 142 229 138

HSL 117.36, 0.64%, 0.72%

LAB 83.77, -43.95, 36.31

 

CMYK 40 / 0 / 31 / 10

HEX #8AE59E

RGB 138 229 158

HSL 133.19, 0.64%, 0.72%

LAB 83.92, -41.94, 26.31

 

CMYK 40 / 0 / 21 / 10

HEX #8AE5B6

RGB 138 229 182

HSL 149.01, 0.64%, 0.72%

LAB 84.39, -37.49, 14.49

 

CMYK 64 / 0 / 67 / 16

HEX #4DD646

RGB 77 214 70

HSL 117.08, 0.64%, 0.56%

LAB 76.14, -63.62, 57.96

 

CMYK 51 / 0 / 53 / 13

HEX #6DDE68

RGB 109 222 104

HSL 117.46, 0.64%, 0.64%

LAB 79.89, -55.2, 47.69

 

CMYK 38 / 0 / 40 / 10

HEX #8EE58A

RGB 142 229 138

HSL 117.36, 0.64%, 0.72%

LAB 83.77, -43.95, 36.31

 

CMYK 26 / 0 / 27 / 7

HEX #AFEDAC

RGB 175 237 172

HSL 117.23, 0.64%, 0.8%

LAB 88.29, -31.82, 25.36

 

CMYK 15 / 0 / 16 / 4

HEX #CFF4CE

RGB 207 244 206

HSL 118.42, 0.63%, 0.88%

LAB 92.76, -18.94, 14.37

 

CMYK 38 / 0 / 40 / 10

HEX #8EE58A

RGB 142 229 138

HSL 117.36, 0.64%, 0.72%

LAB 83.77, -43.95, 36.31

 

CMYK 40 / 6 / 0 / 10

HEX #8AD8E5

RGB 138 216 229

HSL 188.57, 0.64%, 0.72%

LAB 81.93, -20.71, -13.96

 

CMYK 0 / 40 / 22 / 10

HEX #E58AB3

RGB 229 138 179

HSL 332.97, 0.64%, 0.72%

LAB 68.09, 39.94, -6.59

 

CMYK 38 / 0 / 40 / 10

HEX #8EE58A

RGB 142 229 138

HSL 117.36, 0.64%, 0.72%

LAB 83.77, -43.95, 36.31

 

CMYK 40 / 38 / 0 / 10

HEX #8A8EE5

RGB 138 142 229

HSL 237.36, 0.64%, 0.72%

LAB 62, 19.75, -44.61

 

CMYK 0 / 40 / 38 / 10

HEX #E58A8E

RGB 229 138 142

HSL 357.36, 0.64%, 0.72%

LAB 67.12, 35.1, 12.8

 

CMYK 38 / 0 / 40 / 10

HEX #8EE58A

RGB 142 229 138

HSL 117.36, 0.64%, 0.72%

LAB 83.77, -43.95, 36.31

 

CMYK 40 / 6 / 0 / 10

HEX #8AD8E5

RGB 138 216 229

HSL 188.57, 0.64%, 0.72%

LAB 81.93, -20.71, -13.96

 

CMYK 2 / 40 / 0 / 10

HEX #E18AE5

RGB 225 138 229

HSL 297.36, 0.64%, 0.72%

LAB 69.36, 46.92, -32.52

 

CMYK 0 / 34 / 40 / 10

HEX #E5988A

RGB 229 152 138

HSL 9.23, 0.64%, 0.72%

LAB 70.14, 27.23, 19.23

 

CMYK 38 / 0 / 40 / 10

HEX #8EE58A

RGB 142 229 138

HSL 117.36, 0.64%, 0.72%

LAB 83.77, -43.95, 36.31

 

CMYK 40 / 18 / 0 / 10

HEX #8ABCE5

RGB 138 188 229

HSL 207.03, 0.64%, 0.72%

LAB 74.21, -6.16, -25.66

 

CMYK 2 / 40 / 0 / 10

HEX #E18AE5

RGB 225 138 229

HSL 297.36, 0.64%, 0.72%

LAB 69.36, 46.92, -32.52

 

CMYK 0 / 22 / 40 / 10

HEX #E5B38A

RGB 229 179 138

HSL 27.03, 0.64%, 0.72%

LAB 76.52, 12.82, 27.88

 

Description

Color code: HEX #8EE58A | qconv.com Color code: HEX #8EE58A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 229 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 229 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 40 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 40% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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