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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EE4C7 it is the complementary color #711B38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EE4C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EE4C7 shade: #93E4C2, #A4F6D5, #B5FFE8, #C6FFFB and #D7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EE4C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EE4C7 shade: #8EE4C7, #7DD2B4, #6CC0A1, #5BAE8E and #4A9C7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EE4C7 shade: #90E4C8, #90E4B1, #90E49B, #9CE490 and #B3E490

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EE4C7 shade: #90E4C8, #90E4DE, #90D3E4, #90BDE4 and #90A6E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EE4C7 shade matches the following richer shades: #90E4C8, #85EFCB and #7AFACF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EE4C7 shade: #90E4C8, #9BD9C4, #A6CEC1, #B2C3BD and #BDB8B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EE4C7 shade: #90E49A, #90E4B0, #90E4C7, #90E4DD and #90D5E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EE4C7 shade: #4ED4A7, #6FDCB7, #90E4C8, #B1ECD8 and #D3F4E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EE4C7 shade: #8EE4C7, #909DE4 and #E4A590

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EE4C7 shade: #8EE4C7, #C790E4 and #E4C790

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EE4C7 shade: #8EE4C7, #909DE4, #E490AE and #E4D890

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EE4C7 shade: #8EE4C7, #9D90E4, #E490AE and #D8E490

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 13 / 11

HEX #8EE4C7

RGB 142 228 199

HSL 159.77, 0.61%, 0.73%

LAB 84.67, -32.44, 5.99

 

Complementary color

CMYK 0 / 76 / 50 / 56

HEX #711B38

RGB 113 27 56

HSL 339.77, 0.61%, 0.27%

LAB 25.5, 39.46, 3.94

 

CMYK 36 / 0 / 15 / 11

HEX #93E4C2

RGB 147 228 194

HSL 154.81, 0.6%, 0.74%

LAB 84.78, -32.1, 8.81

 

CMYK 33 / 0 / 13 / 4

HEX #A4F6D5

RGB 164 246 213

HSL 155.85, 0.82%, 0.8%

LAB 91.06, -31.88, 7.99

 

CMYK 29 / 0 / 9 / 0

HEX #B5FFE8

RGB 181 255 232

HSL 161.35, 1%, 0.85%

LAB 94.81, -27.43, 3.69

 

CMYK 22 / 0 / 2 / 0

HEX #C6FFFB

RGB 198 255 251

HSL 175.79, 1%, 0.89%

LAB 96.2, -18.6, -3.96

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 38 / 0 / 13 / 11

HEX #8EE4C7

RGB 142 228 199

HSL 159.77, 0.61%, 0.73%

LAB 84.67, -32.44, 5.99

 

CMYK 40 / 0 / 14 / 18

HEX #7DD2B4

RGB 125 210 180

HSL 158.82, 0.49%, 0.66%

LAB 78.31, -32.64, 6.82

 

CMYK 44 / 0 / 16 / 25

HEX #6CC0A1

RGB 108 192 161

HSL 157.86, 0.4%, 0.59%

LAB 71.87, -32.84, 7.72

 

CMYK 48 / 0 / 18 / 32

HEX #5BAE8E

RGB 91 174 142

HSL 156.87, 0.34%, 0.52%

LAB 65.32, -33.02, 8.69

 

CMYK 53 / 0 / 21 / 39

HEX #4A9C7B

RGB 74 156 123

HSL 155.85, 0.36%, 0.45%

LAB 58.66, -33.16, 9.75

 

CMYK 37 / 0 / 12 / 11

HEX #90E4C8

RGB 144 228 200

HSL 160, 0.61%, 0.73%

LAB 84.78, -31.68, 5.64

 

CMYK 37 / 0 / 22 / 11

HEX #90E4B1

RGB 144 228 177

HSL 143.57, 0.61%, 0.73%

LAB 84.27, -36.31, 16.98

 

CMYK 37 / 0 / 32 / 11

HEX #90E49B

RGB 144 228 155

HSL 127.86, 0.61%, 0.73%

LAB 83.85, -40.24, 27.8

 

CMYK 32 / 0 / 37 / 11

HEX #9CE490

RGB 156 228 144

HSL 111.43, 0.61%, 0.73%

LAB 84.26, -38.21, 34.06

 

CMYK 21 / 0 / 37 / 11

HEX #B3E490

RGB 179 228 144

HSL 95, 0.61%, 0.73%

LAB 85.55, -30.43, 35.99

 

CMYK 37 / 0 / 12 / 11

HEX #90E4C8

RGB 144 228 200

HSL 160, 0.61%, 0.73%

LAB 84.78, -31.68, 5.64

 

CMYK 37 / 0 / 3 / 11

HEX #90E4DE

RGB 144 228 222

HSL 175.71, 0.61%, 0.73%

LAB 85.35, -26.78, -5.14

 

CMYK 37 / 7 / 0 / 11

HEX #90D3E4

RGB 144 211 228

HSL 192.14, 0.61%, 0.73%

LAB 80.81, -16.89, -15.09

 

CMYK 37 / 17 / 0 / 11

HEX #90BDE4

RGB 144 189 228

HSL 207.86, 0.61%, 0.73%

LAB 74.78, -5.37, -24.22

 

CMYK 37 / 27 / 0 / 11

HEX #90A6E4

RGB 144 166 228

HSL 224.29, 0.61%, 0.73%

LAB 68.61, 7.3, -33.71

 

CMYK 37 / 0 / 12 / 11

HEX #90E4C8

RGB 144 228 200

HSL 160, 0.61%, 0.73%

LAB 84.78, -31.68, 5.64

 

CMYK 44 / 0 / 15 / 6

HEX #85EFCB

RGB 133 239 203

HSL 159.62, 0.77%, 0.73%

LAB 87.5, -38.98, 7.91

 

CMYK 51 / 0 / 17 / 2

HEX #7AFACF

RGB 122 250 207

HSL 159.84, 0.93%, 0.73%

LAB 90.33, -45.54, 9.83

 

CMYK 37 / 0 / 12 / 11

HEX #90E4C8

RGB 144 228 200

HSL 160, 0.61%, 0.73%

LAB 84.78, -31.68, 5.64

 

CMYK 29 / 0 / 10 / 15

HEX #9BD9C4

RGB 155 217 196

HSL 159.68, 0.45%, 0.73%

LAB 82.15, -24.09, 4.02

 

CMYK 19 / 0 / 6 / 19

HEX #A6CEC1

RGB 166 206 193

HSL 160.5, 0.29%, 0.73%

LAB 79.67, -15.8, 2.1

 

CMYK 9 / 0 / 3 / 24

HEX #B2C3BD

RGB 178 195 189

HSL 158.82, 0.12%, 0.73%

LAB 77.38, -6.95, 1.02

 

CMYK 0 / 3 / 2 / 26

HEX #BDB8B9

RGB 189 184 185

HSL 348, 0.04%, 0.73%

LAB 75.2, 1.94, 0.11

 

CMYK 37 / 0 / 32 / 11

HEX #90E49A

RGB 144 228 154

HSL 127.14, 0.61%, 0.73%

LAB 83.84, -40.4, 28.29

 

CMYK 37 / 0 / 23 / 11

HEX #90E4B0

RGB 144 228 176

HSL 142.86, 0.61%, 0.73%

LAB 84.25, -36.5, 17.47

 

CMYK 37 / 0 / 13 / 11

HEX #90E4C7

RGB 144 228 199

HSL 159.29, 0.61%, 0.73%

LAB 84.76, -31.89, 6.13

 

CMYK 37 / 0 / 3 / 11

HEX #90E4DD

RGB 144 228 221

HSL 175, 0.61%, 0.73%

LAB 85.32, -27.01, -4.66

 

CMYK 37 / 7 / 0 / 11

HEX #90D5E4

RGB 144 213 228

HSL 190.71, 0.61%, 0.73%

LAB 81.36, -17.91, -14.26

 

CMYK 63 / 0 / 21 / 17

HEX #4ED4A7

RGB 78 212 167

HSL 159.85, 0.61%, 0.57%

LAB 76.98, -47.02, 11.64

 

CMYK 50 / 0 / 17 / 14

HEX #6FDCB7

RGB 111 220 183

HSL 159.63, 0.61%, 0.65%

LAB 80.73, -40.09, 8.62

 

CMYK 37 / 0 / 12 / 11

HEX #90E4C8

RGB 144 228 200

HSL 160, 0.61%, 0.73%

LAB 84.78, -31.68, 5.64

 

CMYK 25 / 0 / 8 / 7

HEX #B1ECD8

RGB 177 236 216

HSL 159.66, 0.61%, 0.81%

LAB 89.06, -22.7, 3.64

 

CMYK 14 / 0 / 5 / 4

HEX #D3F4E9

RGB 211 244 233

HSL 160, 0.6%, 0.89%

LAB 93.64, -12.76, 1.69

 

CMYK 38 / 0 / 13 / 11

HEX #8EE4C7

RGB 142 228 199

HSL 159.77, 0.61%, 0.73%

LAB 84.67, -32.44, 5.99

 

CMYK 37 / 31 / 0 / 11

HEX #909DE4

RGB 144 157 228

HSL 230.71, 0.61%, 0.73%

LAB 66.25, 12.41, -37.38

 

CMYK 0 / 28 / 37 / 11

HEX #E4A590

RGB 228 165 144

HSL 15, 0.61%, 0.73%

LAB 73.17, 20.59, 20.09

 

CMYK 38 / 0 / 13 / 11

HEX #8EE4C7

RGB 142 228 199

HSL 159.77, 0.61%, 0.73%

LAB 84.67, -32.44, 5.99

 

CMYK 13 / 37 / 0 / 11

HEX #C790E4

RGB 199 144 228

HSL 279.29, 0.61%, 0.73%

LAB 67.79, 35.7, -34.61

 

CMYK 0 / 13 / 37 / 11

HEX #E4C790

RGB 228 199 144

HSL 39.29, 0.61%, 0.73%

LAB 81.49, 2.56, 31.32

 

CMYK 38 / 0 / 13 / 11

HEX #8EE4C7

RGB 142 228 199

HSL 159.77, 0.61%, 0.73%

LAB 84.67, -32.44, 5.99

 

CMYK 37 / 31 / 0 / 11

HEX #909DE4

RGB 144 157 228

HSL 230.71, 0.61%, 0.73%

LAB 66.25, 12.41, -37.38

 

CMYK 0 / 37 / 24 / 11

HEX #E490AE

RGB 228 144 174

HSL 338.57, 0.61%, 0.73%

LAB 69.11, 35.72, -2.29

 

CMYK 0 / 5 / 37 / 11

HEX #E4D890

RGB 228 216 144

HSL 51.43, 0.61%, 0.73%

LAB 85.82, -6.2, 37

 

CMYK 38 / 0 / 13 / 11

HEX #8EE4C7

RGB 142 228 199

HSL 159.77, 0.61%, 0.73%

LAB 84.67, -32.44, 5.99

 

CMYK 31 / 37 / 0 / 11

HEX #9D90E4

RGB 157 144 228

HSL 249.29, 0.61%, 0.73%

LAB 63.93, 23.43, -40.93

 

CMYK 0 / 37 / 24 / 11

HEX #E490AE

RGB 228 144 174

HSL 338.57, 0.61%, 0.73%

LAB 69.11, 35.72, -2.29

 

CMYK 5 / 0 / 37 / 11

HEX #D8E490

RGB 216 228 144

HSL 68.57, 0.61%, 0.73%

LAB 88.02, -16.83, 39.67

 

Description

Color code: HEX #8EE4C7 | qconv.com Color code: HEX #8EE4C7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 228 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 228 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 13 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 13% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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