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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EE24D it is the complementary color #711DB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EE24D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EE24D shade: #93E248, #A4F45B, #B5FF6E, #C6FF81 and #D7FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EE24D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EE24D shade: #8EE24D, #7DD03A, #6CBE27, #5BAC14 and #4A9A01

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EE24D shade: #8DE24B, #B5E24B, #DEE24B, #E2BD4B and #E2944B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EE24D shade: #8DE24B, #64E24B, #4BE25B, #4BE283 and #4BE2AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EE24D shade matches the following richer shades: #8DE24B and #8BF33A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EE24D shade: #8DE24B, #8FD15C, #91C06D, #93AF7E and #959E8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EE24D shade: #DFE24B, #B7E24B, #8FE24B, #67E24B and #4BE258

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EE24D shade: #63BC1F, #76DC28, #8DE24B, #A3E86F and #BAED92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EE24D shade: #8EE24D, #4BE2BC and #E24BCB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EE24D shade: #8EE24D, #4B8FE2 and #E24B8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EE24D shade: #8EE24D, #4BE2BC, #9E4BE2 and #E24B71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EE24D shade: #8EE24D, #4BDAE2, #9E4BE2 and #E2534B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 66 / 11

HEX #8EE24D

RGB 142 226 77

HSL 93.83, 0.72%, 0.59%

LAB 82.21, -49.57, 62.39

 

Complementary color

CMYK 37 / 84 / 0 / 30

HEX #711DB2

RGB 113 29 178

HSL 273.83, 0.72%, 0.41%

LAB 33.14, 60.08, -61.76

 

CMYK 35 / 0 / 68 / 11

HEX #93E248

RGB 147 226 72

HSL 90.78, 0.73%, 0.58%

LAB 82.41, -48.26, 64.61

 

CMYK 33 / 0 / 63 / 4

HEX #A4F45B

RGB 164 244 91

HSL 91.37, 0.87%, 0.66%

LAB 88.61, -48.51, 64.01

 

CMYK 29 / 0 / 57 / 0

HEX #B5FF6E

RGB 181 255 110

HSL 90.62, 1%, 0.72%

LAB 92.78, -45.69, 60.93

 

CMYK 22 / 0 / 49 / 0

HEX #C6FF81

RGB 198 255 129

HSL 87.14, 1%, 0.75%

LAB 93.93, -37.86, 54.01

 

CMYK 16 / 0 / 42 / 0

HEX #D7FF94

RGB 215 255 148

HSL 82.43, 1%, 0.79%

LAB 95.21, -29.68, 46.87

 

CMYK 37 / 0 / 66 / 11

HEX #8EE24D

RGB 142 226 77

HSL 93.83, 0.72%, 0.59%

LAB 82.21, -49.57, 62.39

 

CMYK 40 / 0 / 72 / 18

HEX #7DD03A

RGB 125 208 58

HSL 93.2, 0.61%, 0.52%

LAB 75.93, -49.23, 62.79

 

CMYK 43 / 0 / 79 / 25

HEX #6CBE27

RGB 108 190 39

HSL 92.58, 0.66%, 0.45%

LAB 69.58, -48.69, 62.57

 

CMYK 47 / 0 / 88 / 33

HEX #5BAC14

RGB 91 172 20

HSL 91.97, 0.79%, 0.38%

LAB 63.16, -47.87, 61.3

 

CMYK 52 / 0 / 99 / 40

HEX #4A9A01

RGB 74 154 1

HSL 91.37, 0.99%, 0.3%

LAB 56.65, -46.7, 58.71

 

CMYK 38 / 0 / 67 / 11

HEX #8DE24B

RGB 141 226 75

HSL 93.77, 0.72%, 0.59%

LAB 82.14, -50.06, 63.09

 

CMYK 20 / 0 / 67 / 11

HEX #B5E24B

RGB 181 226 75

HSL 77.88, 0.72%, 0.59%

LAB 84.34, -35.66, 66.06

 

CMYK 2 / 0 / 67 / 11

HEX #DEE24B

RGB 222 226 75

HSL 61.59, 0.72%, 0.59%

LAB 87.21, -19.33, 69.91

 

CMYK 0 / 16 / 67 / 11

HEX #E2BD4B

RGB 226 189 75

HSL 45.3, 0.72%, 0.59%

LAB 77.92, 1.04, 60.45

 

CMYK 0 / 35 / 67 / 11

HEX #E2944B

RGB 226 148 75

HSL 29.01, 0.72%, 0.59%

LAB 67.91, 22.8, 49.64

 

CMYK 38 / 0 / 67 / 11

HEX #8DE24B

RGB 141 226 75

HSL 93.77, 0.72%, 0.59%

LAB 82.14, -50.06, 63.09

 

CMYK 56 / 0 / 67 / 11

HEX #64E24B

RGB 100 226 75

HSL 110.07, 0.72%, 0.59%

LAB 80.52, -62.08, 60.88

 

CMYK 67 / 0 / 60 / 11

HEX #4BE25B

RGB 75 226 91

HSL 126.36, 0.72%, 0.59%

LAB 79.98, -65.92, 53.44

 

CMYK 67 / 0 / 42 / 11

HEX #4BE283

RGB 75 226 131

HSL 142.25, 0.72%, 0.59%

LAB 80.48, -60.23, 35.08

 

CMYK 67 / 0 / 24 / 11

HEX #4BE2AC

RGB 75 226 172

HSL 158.54, 0.72%, 0.59%

LAB 81.22, -52.18, 14.97

 

CMYK 38 / 0 / 67 / 11

HEX #8DE24B

RGB 141 226 75

HSL 93.77, 0.72%, 0.59%

LAB 82.14, -50.06, 63.09

 

CMYK 43 / 0 / 76 / 5

HEX #8BF33A

RGB 139 243 58

HSL 93.73, 0.89%, 0.59%

LAB 86.95, -58.53, 73.73

 

CMYK 38 / 0 / 67 / 11

HEX #8DE24B

RGB 141 226 75

HSL 93.77, 0.72%, 0.59%

LAB 82.14, -50.06, 63.09

 

CMYK 32 / 0 / 56 / 18

HEX #8FD15C

RGB 143 209 92

HSL 93.85, 0.56%, 0.59%

LAB 77.41, -40.66, 50.67

 

CMYK 24 / 0 / 43 / 25

HEX #91C06D

RGB 145 192 109

HSL 93.98, 0.4%, 0.59%

LAB 72.78, -30.21, 36.84

 

CMYK 16 / 0 / 28 / 31

HEX #93AF7E

RGB 147 175 126

HSL 94.29, 0.23%, 0.59%

LAB 68.29, -18.68, 22.05

 

CMYK 6 / 0 / 9 / 38

HEX #959E8F

RGB 149 158 143

HSL 96, 0.07%, 0.59%

LAB 64.02, -6.08, 6.73

 

CMYK 1 / 0 / 67 / 11

HEX #DFE24B

RGB 223 226 75

HSL 61.19, 0.72%, 0.59%

LAB 87.28, -18.92, 70.01

 

CMYK 19 / 0 / 67 / 11

HEX #B7E24B

RGB 183 226 75

HSL 77.09, 0.72%, 0.59%

LAB 84.47, -34.89, 66.23

 

CMYK 37 / 0 / 67 / 11

HEX #8FE24B

RGB 143 226 75

HSL 92.98, 0.72%, 0.59%

LAB 82.24, -49.39, 63.22

 

CMYK 54 / 0 / 67 / 11

HEX #67E24B

RGB 103 226 75

HSL 108.87, 0.72%, 0.59%

LAB 80.62, -61.32, 61.01

 

CMYK 67 / 0 / 61 / 11

HEX #4BE258

RGB 75 226 88

HSL 125.17, 0.72%, 0.59%

LAB 79.95, -66.25, 54.7

 

CMYK 47 / 0 / 84 / 26

HEX #63BC1F

RGB 99 188 31

HSL 94.01, 0.72%, 0.43%

LAB 68.55, -51.16, 63.65

 

CMYK 46 / 0 / 82 / 14

HEX #76DC28

RGB 118 220 40

HSL 94, 0.72%, 0.51%

LAB 79.15, -57.13, 71.2

 

CMYK 38 / 0 / 67 / 11

HEX #8DE24B

RGB 141 226 75

HSL 93.77, 0.72%, 0.59%

LAB 82.14, -50.06, 63.09

 

CMYK 30 / 0 / 52 / 9

HEX #A3E86F

RGB 163 232 111

HSL 94.21, 0.72%, 0.67%

LAB 85.33, -41.84, 51.52

 

CMYK 22 / 0 / 38 / 7

HEX #BAED92

RGB 186 237 146

HSL 93.63, 0.72%, 0.75%

LAB 88.49, -31.9, 38.89

 

CMYK 37 / 0 / 66 / 11

HEX #8EE24D

RGB 142 226 77

HSL 93.83, 0.72%, 0.59%

LAB 82.21, -49.57, 62.39

 

CMYK 67 / 0 / 17 / 11

HEX #4BE2BC

RGB 75 226 188

HSL 164.9, 0.72%, 0.59%

LAB 81.58, -48.49, 7.05

 

CMYK 0 / 67 / 10 / 11

HEX #E24BCB

RGB 226 75 203

HSL 309.14, 0.72%, 0.59%

LAB 57.57, 71.59, -36.27

 

CMYK 37 / 0 / 66 / 11

HEX #8EE24D

RGB 142 226 77

HSL 93.83, 0.72%, 0.59%

LAB 82.21, -49.57, 62.39

 

CMYK 67 / 37 / 0 / 11

HEX #4B8FE2

RGB 75 143 226

HSL 212.98, 0.72%, 0.59%

LAB 58.63, 4.75, -48.5

 

CMYK 0 / 67 / 37 / 11

HEX #E24B8F

RGB 226 75 143

HSL 332.98, 0.72%, 0.59%

LAB 55.26, 63.87, -4.94

 

CMYK 37 / 0 / 66 / 11

HEX #8EE24D

RGB 142 226 77

HSL 93.83, 0.72%, 0.59%

LAB 82.21, -49.57, 62.39

 

CMYK 67 / 0 / 17 / 11

HEX #4BE2BC

RGB 75 226 188

HSL 164.9, 0.72%, 0.59%

LAB 81.58, -48.49, 7.05

 

CMYK 30 / 67 / 0 / 11

HEX #9E4BE2

RGB 158 75 226

HSL 272.98, 0.72%, 0.59%

LAB 49.24, 60.51, -63.18

 

CMYK 0 / 67 / 50 / 11

HEX #E24B71

RGB 226 75 113

HSL 344.9, 0.72%, 0.59%

LAB 54.44, 61, 11.68

 

CMYK 37 / 0 / 66 / 11

HEX #8EE24D

RGB 142 226 77

HSL 93.83, 0.72%, 0.59%

LAB 82.21, -49.57, 62.39

 

CMYK 67 / 4 / 0 / 11

HEX #4BDAE2

RGB 75 218 226

HSL 183.18, 0.72%, 0.59%

LAB 80.25, -34.95, -15.1

 

CMYK 30 / 67 / 0 / 11

HEX #9E4BE2

RGB 158 75 226

HSL 272.98, 0.72%, 0.59%

LAB 49.24, 60.51, -63.18

 

CMYK 0 / 63 / 67 / 11

HEX #E2534B

RGB 226 83 75

HSL 3.18, 0.72%, 0.59%

LAB 54.93, 55.11, 34.58

 

Description

Color code: HEX #8EE24D | qconv.com Color code: HEX #8EE24D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 226 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 226 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 66 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 66% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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