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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EE1F2 it is the complementary color #711E0D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EE1F2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EE1F2 shade: #93E1ED, #A4F3FF, #B5FFFF, #C6FFFF and #D7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EE1F2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EE1F2 shade: #8EE1F2, #7DCFDF, #6CBDCC, #5BABB9 and #4A99A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EE1F2 shade: #8DE0F2, #8DC5F2, #8DAAF2, #8D8FF2 and #A68DF2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EE1F2 shade: #8DE0F2, #8DC5F2, #8DAAF2, #8D8FF2 and #8D8DF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EE1F2 shade matches the following richer shades: #8DE0F2 and #83E7FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EE1F2 shade: #8DE0F2, #97DAE7, #A2D3DD, #ACCCD3 and #B6C5C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EE1F2 shade: #8DF2CD, #8DF2E8, #8DE1F2, #8DC6F2 and #8DABF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EE1F2 shade: #43CDE9, #68D7ED, #8DE0F2, #B2EAF6 and #D7F4FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EE1F2 shade: #8EE1F2, #B28DF2 and #F2DA8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EE1F2 shade: #8EE1F2, #F28DE1 and #E1F28D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EE1F2 shade: #8EE1F2, #B28DF2, #F29E8D and #CDF28D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EE1F2 shade: #8EE1F2, #D08DF2, #F29E8D and #AEF28D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 7 / 0 / 5

HEX #8EE1F2

RGB 142 225 242

HSL 190.2, 0.79%, 0.75%

LAB 85, -20.97, -16.22

 

Complementary color

CMYK 0 / 73 / 88 / 56

HEX #711E0D

RGB 113 30 13

HSL 10.2, 0.79%, 0.25%

LAB 25.16, 35.56, 31.14

 

CMYK 38 / 5 / 0 / 7

HEX #93E1ED

RGB 147 225 237

HSL 188, 0.71%, 0.75%

LAB 85.08, -20.96, -13.44

 

CMYK 36 / 5 / 0 / 0

HEX #A4F3FF

RGB 164 243 255

HSL 187.91, 1%, 0.82%

LAB 91.33, -21.19, -13.45

 

CMYK 29 / 0 / 0 / 0

HEX #B5FFFF

RGB 181 255 255

HSL 180, 1%, 0.85%

LAB 95.4, -22.55, -7.31

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198 255 255

HSL 180, 1%, 0.89%

LAB 96.31, -17.77, -5.86

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 41 / 7 / 0 / 5

HEX #8EE1F2

RGB 142 225 242

HSL 190.2, 0.79%, 0.75%

LAB 85, -20.97, -16.22

 

CMYK 44 / 7 / 0 / 13

HEX #7DCFDF

RGB 125 207 223

HSL 189.8, 0.6%, 0.68%

LAB 78.64, -20.9, -15.75

 

CMYK 47 / 7 / 0 / 20

HEX #6CBDCC

RGB 108 189 204

HSL 189.38, 0.48%, 0.61%

LAB 72.19, -20.79, -15.26

 

CMYK 51 / 8 / 0 / 27

HEX #5BABB9

RGB 91 171 185

HSL 188.94, 0.4%, 0.54%

LAB 65.63, -20.63, -14.75

 

CMYK 55 / 8 / 0 / 35

HEX #4A99A6

RGB 74 153 166

HSL 188.48, 0.38%, 0.47%

LAB 58.97, -20.39, -14.19

 

CMYK 42 / 7 / 0 / 5

HEX #8DE0F2

RGB 141 224 242

HSL 190.69, 0.8%, 0.75%

LAB 84.68, -20.71, -16.71

 

CMYK 42 / 19 / 0 / 5

HEX #8DC5F2

RGB 141 197 242

HSL 206.73, 0.8%, 0.75%

LAB 77.28, -6.76, -27.94

 

CMYK 42 / 30 / 0 / 5

HEX #8DAAF2

RGB 141 170 242

HSL 222.77, 0.8%, 0.75%

LAB 70.05, 8.06, -39.13

 

CMYK 42 / 41 / 0 / 5

HEX #8D8FF2

RGB 141 143 242

HSL 238.81, 0.8%, 0.75%

LAB 63.11, 23.55, -50.03

 

CMYK 31 / 42 / 0 / 5

HEX #A68DF2

RGB 166 141 242

HSL 254.85, 0.8%, 0.75%

LAB 64.62, 31.15, -47.52

 

CMYK 42 / 7 / 0 / 5

HEX #8DE0F2

RGB 141 224 242

HSL 190.69, 0.8%, 0.75%

LAB 84.68, -20.71, -16.71

 

CMYK 42 / 19 / 0 / 5

HEX #8DC5F2

RGB 141 197 242

HSL 206.73, 0.8%, 0.75%

LAB 77.28, -6.76, -27.94

 

CMYK 42 / 30 / 0 / 5

HEX #8DAAF2

RGB 141 170 242

HSL 222.77, 0.8%, 0.75%

LAB 70.05, 8.06, -39.13

 

CMYK 42 / 41 / 0 / 5

HEX #8D8FF2

RGB 141 143 242

HSL 238.81, 0.8%, 0.75%

LAB 63.11, 23.55, -50.03

 

CMYK 42 / 42 / 0 / 5

HEX #8D8DF2

RGB 141 141 242

HSL 240, 0.8%, 0.75%

LAB 62.61, 24.71, -50.82

 

CMYK 42 / 7 / 0 / 5

HEX #8DE0F2

RGB 141 224 242

HSL 190.69, 0.8%, 0.75%

LAB 84.68, -20.71, -16.71

 

CMYK 48 / 8 / 0 / 1

HEX #83E7FC

RGB 131 231 252

HSL 190.41, 0.95%, 0.75%

LAB 86.51, -23.91, -19.27

 

CMYK 42 / 7 / 0 / 5

HEX #8DE0F2

RGB 141 224 242

HSL 190.69, 0.8%, 0.75%

LAB 84.68, -20.71, -16.71

 

CMYK 35 / 6 / 0 / 9

HEX #97DAE7

RGB 151 218 231

HSL 189.75, 0.63%, 0.75%

LAB 83.17, -17.86, -13.1

 

CMYK 27 / 5 / 0 / 13

HEX #A2D3DD

RGB 162 211 221

HSL 190.17, 0.46%, 0.75%

LAB 81.56, -13.57, -10.12

 

CMYK 18 / 3 / 0 / 17

HEX #ACCCD3

RGB 172 204 211

HSL 190.77, 0.31%, 0.75%

LAB 79.99, -9.14, -7.04

 

CMYK 9 / 1 / 0 / 22

HEX #B6C5C8

RGB 182 197 200

HSL 190, 0.14%, 0.75%

LAB 78.49, -4.51, -3.26

 

CMYK 42 / 0 / 15 / 5

HEX #8DF2CD

RGB 141 242 205

HSL 158.02, 0.8%, 0.75%

LAB 88.72, -37.89, 8.66

 

CMYK 42 / 0 / 4 / 5

HEX #8DF2E8

RGB 141 242 232

HSL 174.06, 0.8%, 0.75%

LAB 89.39, -31.88, -4.45

 

CMYK 42 / 7 / 0 / 5

HEX #8DE1F2

RGB 141 225 242

HSL 190.1, 0.8%, 0.75%

LAB 84.96, -21.21, -16.3

 

CMYK 42 / 18 / 0 / 5

HEX #8DC6F2

RGB 141 198 242

HSL 206.14, 0.8%, 0.75%

LAB 77.56, -7.3, -27.53

 

CMYK 42 / 29 / 0 / 5

HEX #8DABF2

RGB 141 171 242

HSL 222.18, 0.8%, 0.75%

LAB 70.32, 7.5, -38.71

 

CMYK 71 / 12 / 0 / 9

HEX #43CDE9

RGB 67 205 233

HSL 190.12, 0.79%, 0.59%

LAB 76.52, -27.71, -24.52

 

CMYK 56 / 9 / 0 / 7

HEX #68D7ED

RGB 104 215 237

HSL 189.92, 0.79%, 0.67%

LAB 80.55, -25.61, -20.44

 

CMYK 42 / 7 / 0 / 5

HEX #8DE0F2

RGB 141 224 242

HSL 190.69, 0.8%, 0.75%

LAB 84.68, -20.71, -16.71

 

CMYK 28 / 5 / 0 / 4

HEX #B2EAF6

RGB 178 234 246

HSL 190.59, 0.79%, 0.83%

LAB 89.38, -15.01, -11.59

 

CMYK 14 / 2 / 0 / 2

HEX #D7F4FA

RGB 215 244 250

HSL 190.29, 0.78%, 0.91%

LAB 94.33, -8.2, -6.07

 

CMYK 41 / 7 / 0 / 5

HEX #8EE1F2

RGB 142 225 242

HSL 190.2, 0.79%, 0.75%

LAB 85, -20.97, -16.22

 

CMYK 26 / 42 / 0 / 5

HEX #B28DF2

RGB 178 141 242

HSL 261.98, 0.8%, 0.75%

LAB 65.69, 34.42, -45.75

 

CMYK 0 / 10 / 42 / 5

HEX #F2DA8D

RGB 242 218 141

HSL 45.74, 0.8%, 0.75%

LAB 87.46, -2.06, 40.87

 

CMYK 41 / 7 / 0 / 5

HEX #8EE1F2

RGB 142 225 242

HSL 190.2, 0.79%, 0.75%

LAB 85, -20.97, -16.22

 

CMYK 0 / 42 / 7 / 5

HEX #F28DE1

RGB 242 141 225

HSL 310.1, 0.8%, 0.75%

LAB 71.8, 49.83, -26.38

 

CMYK 7 / 0 / 42 / 5

HEX #E1F28D

RGB 225 242 141

HSL 70.1, 0.8%, 0.75%

LAB 92.32, -20.58, 46.76

 

CMYK 41 / 7 / 0 / 5

HEX #8EE1F2

RGB 142 225 242

HSL 190.2, 0.79%, 0.75%

LAB 85, -20.97, -16.22

 

CMYK 26 / 42 / 0 / 5

HEX #B28DF2

RGB 178 141 242

HSL 261.98, 0.8%, 0.75%

LAB 65.69, 34.42, -45.75

 

CMYK 0 / 35 / 42 / 5

HEX #F29E8D

RGB 242 158 141

HSL 10.1, 0.8%, 0.75%

LAB 73.06, 29.35, 21.83

 

CMYK 15 / 0 / 42 / 5

HEX #CDF28D

RGB 205 242 141

HSL 81.98, 0.8%, 0.75%

LAB 90.97, -28.04, 44.76

 

CMYK 41 / 7 / 0 / 5

HEX #8EE1F2

RGB 142 225 242

HSL 190.2, 0.79%, 0.75%

LAB 85, -20.97, -16.22

 

CMYK 14 / 42 / 0 / 5

HEX #D08DF2

RGB 208 141 242

HSL 279.8, 0.8%, 0.75%

LAB 68.66, 42.89, -40.89

 

CMYK 0 / 35 / 42 / 5

HEX #F29E8D

RGB 242 158 141

HSL 10.1, 0.8%, 0.75%

LAB 73.06, 29.35, 21.83

 

CMYK 28 / 0 / 42 / 5

HEX #AEF28D

RGB 174 242 141

HSL 100.4, 0.8%, 0.75%

LAB 89.12, -38.96, 42.04

 

Description

Color code: HEX #8EE1F2 | qconv.com Color code: HEX #8EE1F2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 225 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 225 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 7 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 7% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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