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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EE052 it is the complementary color #711FAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EE052. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EE052 shade: #93E04D, #A4F260, #B5FF73, #C6FF86 and #D7FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EE052. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EE052 shade: #8EE052, #7DCE3F, #6CBC2C, #5BAA19 and #4A9806

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EE052 shade: #8EE052, #B4E052, #DBE052, #E0BF52 and #E09952

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EE052 shade: #8EE052, #67E052, #52E062, #52E089 and #52E0AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EE052 shade matches the following richer shades: #8EE052 and #8BF141

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EE052 shade: #8EE052, #90D062, #93BF73, #96AF83 and #989E94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EE052 shade: #DCE052, #B6E052, #8FE052, #69E052 and #52E060

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EE052 shade: #64BE22, #77DA2F, #8EE052, #A5E775 and #BCED98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EE052 shade: #8EE052, #52E0BF and #E052C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EE052 shade: #8EE052, #528FE0 and #E0528F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EE052 shade: #8EE052, #52E0BF, #A352E0 and #E05273

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EE052 shade: #8EE052, #52D7E0, #A352E0 and #E05B52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 63 / 12

HEX #8EE052

RGB 142 224 82

HSL 94.65, 0.7%, 0.6%

LAB 81.66, -48.34, 59.79

 

Complementary color

CMYK 35 / 82 / 0 / 32

HEX #711FAD

RGB 113 31 173

HSL 274.65, 0.7%, 0.4%

LAB 32.94, 58.32, -59.11

 

CMYK 34 / 0 / 66 / 12

HEX #93E04D

RGB 147 224 77

HSL 91.43, 0.7%, 0.59%

LAB 81.87, -47.05, 62.1

 

CMYK 32 / 0 / 60 / 5

HEX #A4F260

RGB 164 242 96

HSL 92.05, 0.85%, 0.66%

LAB 88.08, -47.25, 61.36

 

CMYK 29 / 0 / 55 / 0

HEX #B5FF73

RGB 181 255 115

HSL 91.71, 1%, 0.73%

LAB 92.83, -45.22, 58.8

 

CMYK 22 / 0 / 47 / 0

HEX #C6FF86

RGB 198 255 134

HSL 88.26, 1%, 0.76%

LAB 93.99, -37.33, 51.77

 

CMYK 16 / 0 / 40 / 0

HEX #D7FF99

RGB 215 255 153

HSL 83.53, 1%, 0.8%

LAB 95.27, -29.1, 44.54

 

CMYK 37 / 0 / 63 / 12

HEX #8EE052

RGB 142 224 82

HSL 94.65, 0.7%, 0.6%

LAB 81.66, -48.34, 59.79

 

CMYK 39 / 0 / 69 / 19

HEX #7DCE3F

RGB 125 206 63

HSL 93.99, 0.59%, 0.53%

LAB 75.37, -48.07, 60.38

 

CMYK 43 / 0 / 77 / 26

HEX #6CBC2C

RGB 108 188 44

HSL 93.33, 0.62%, 0.45%

LAB 68.99, -47.62, 60.47

 

CMYK 46 / 0 / 85 / 33

HEX #5BAA19

RGB 91 170 25

HSL 92.69, 0.74%, 0.38%

LAB 62.54, -46.9, 59.66

 

CMYK 51 / 0 / 96 / 40

HEX #4A9806

RGB 74 152 6

HSL 92.05, 0.92%, 0.31%

LAB 56.01, -45.81, 57.41

 

CMYK 37 / 0 / 63 / 12

HEX #8EE052

RGB 142 224 82

HSL 94.65, 0.7%, 0.6%

LAB 81.66, -48.34, 59.79

 

CMYK 20 / 0 / 63 / 12

HEX #B4E052

RGB 180 224 82

HSL 78.59, 0.7%, 0.6%

LAB 83.77, -34.65, 62.69

 

CMYK 2 / 0 / 63 / 12

HEX #DBE052

RGB 219 224 82

HSL 62.11, 0.7%, 0.6%

LAB 86.49, -19.17, 66.4

 

CMYK 0 / 15 / 63 / 12

HEX #E0BF52

RGB 224 191 82

HSL 46.06, 0.7%, 0.6%

LAB 78.3, -0.43, 57.77

 

CMYK 0 / 32 / 63 / 12

HEX #E09952

RGB 224 153 82

HSL 30, 0.7%, 0.6%

LAB 68.92, 19.72, 47.3

 

CMYK 37 / 0 / 63 / 12

HEX #8EE052

RGB 142 224 82

HSL 94.65, 0.7%, 0.6%

LAB 81.66, -48.34, 59.79

 

CMYK 54 / 0 / 63 / 12

HEX #67E052

RGB 103 224 82

HSL 111.13, 0.7%, 0.6%

LAB 80.07, -59.95, 57.59

 

CMYK 63 / 0 / 56 / 12

HEX #52E062

RGB 82 224 98

HSL 126.76, 0.7%, 0.6%

LAB 79.61, -63.03, 49.92

 

CMYK 63 / 0 / 39 / 12

HEX #52E089

RGB 82 224 137

HSL 143.24, 0.7%, 0.6%

LAB 80.13, -57.17, 31.64

 

CMYK 63 / 0 / 22 / 12

HEX #52E0AF

RGB 82 224 175

HSL 159.3, 0.7%, 0.6%

LAB 80.85, -49.52, 12.89

 

CMYK 37 / 0 / 63 / 12

HEX #8EE052

RGB 142 224 82

HSL 94.65, 0.7%, 0.6%

LAB 81.66, -48.34, 59.79

 

CMYK 42 / 0 / 73 / 5

HEX #8BF141

RGB 139 241 65

HSL 94.77, 0.86%, 0.6%

LAB 86.4, -57.35, 70.99

 

CMYK 37 / 0 / 63 / 12

HEX #8EE052

RGB 142 224 82

HSL 94.65, 0.7%, 0.6%

LAB 81.66, -48.34, 59.79

 

CMYK 31 / 0 / 53 / 18

HEX #90D062

RGB 144 208 98

HSL 94.91, 0.54%, 0.6%

LAB 77.23, -39.23, 47.7

 

CMYK 23 / 0 / 40 / 25

HEX #93BF73

RGB 147 191 115

HSL 94.74, 0.37%, 0.6%

LAB 72.7, -28.22, 33.69

 

CMYK 14 / 0 / 25 / 31

HEX #96AF83

RGB 150 175 131

HSL 94.09, 0.22%, 0.6%

LAB 68.59, -16.78, 19.78

 

CMYK 4 / 0 / 6 / 38

HEX #989E94

RGB 152 158 148

HSL 96, 0.05%, 0.6%

LAB 64.38, -4.06, 4.47

 

CMYK 2 / 0 / 63 / 12

HEX #DCE052

RGB 220 224 82

HSL 61.69, 0.7%, 0.6%

LAB 86.57, -18.77, 66.5

 

CMYK 19 / 0 / 63 / 12

HEX #B6E052

RGB 182 224 82

HSL 77.75, 0.7%, 0.6%

LAB 83.9, -33.88, 62.86

 

CMYK 36 / 0 / 63 / 12

HEX #8FE052

RGB 143 224 82

HSL 94.23, 0.7%, 0.6%

LAB 81.71, -48.01, 59.86

 

CMYK 53 / 0 / 63 / 12

HEX #69E052

RGB 105 224 82

HSL 110.28, 0.7%, 0.6%

LAB 80.14, -59.43, 57.68

 

CMYK 63 / 0 / 57 / 12

HEX #52E060

RGB 82 224 96

HSL 125.92, 0.7%, 0.6%

LAB 79.59, -63.28, 50.8

 

CMYK 47 / 0 / 82 / 25

HEX #64BE22

RGB 100 190 34

HSL 94.62, 0.7%, 0.44%

LAB 69.22, -51.49, 63.5

 

CMYK 45 / 0 / 78 / 15

HEX #77DA2F

RGB 119 218 47

HSL 94.74, 0.7%, 0.52%

LAB 78.62, -55.74, 68.83

 

CMYK 37 / 0 / 63 / 12

HEX #8EE052

RGB 142 224 82

HSL 94.65, 0.7%, 0.6%

LAB 81.66, -48.34, 59.79

 

CMYK 29 / 0 / 49 / 9

HEX #A5E775

RGB 165 231 117

HSL 94.74, 0.7%, 0.68%

LAB 85.22, -40.05, 48.62

 

CMYK 21 / 0 / 36 / 7

HEX #BCED98

RGB 188 237 152

HSL 94.59, 0.7%, 0.76%

LAB 88.7, -30.4, 36.2

 

CMYK 37 / 0 / 63 / 12

HEX #8EE052

RGB 142 224 82

HSL 94.65, 0.7%, 0.6%

LAB 81.66, -48.34, 59.79

 

CMYK 63 / 0 / 15 / 12

HEX #52E0BF

RGB 82 224 191

HSL 166.06, 0.7%, 0.6%

LAB 81.22, -45.79, 4.96

 

CMYK 0 / 63 / 10 / 12

HEX #E052C9

RGB 224 82 201

HSL 309.72, 0.7%, 0.6%

LAB 58.13, 68.14, -34.28

 

CMYK 37 / 0 / 63 / 12

HEX #8EE052

RGB 142 224 82

HSL 94.65, 0.7%, 0.6%

LAB 81.66, -48.34, 59.79

 

CMYK 63 / 36 / 0 / 12

HEX #528FE0

RGB 82 143 224

HSL 214.23, 0.7%, 0.6%

LAB 58.81, 5.25, -47.09

 

CMYK 0 / 63 / 36 / 12

HEX #E0528F

RGB 224 82 143

HSL 334.23, 0.7%, 0.6%

LAB 55.95, 60.5, -3.96

 

CMYK 37 / 0 / 63 / 12

HEX #8EE052

RGB 142 224 82

HSL 94.65, 0.7%, 0.6%

LAB 81.66, -48.34, 59.79

 

CMYK 63 / 0 / 15 / 12

HEX #52E0BF

RGB 82 224 191

HSL 166.06, 0.7%, 0.6%

LAB 81.22, -45.79, 4.96

 

CMYK 27 / 63 / 0 / 12

HEX #A352E0

RGB 163 82 224

HSL 274.23, 0.7%, 0.6%

LAB 50.92, 57.83, -59.31

 

CMYK 0 / 63 / 49 / 12

HEX #E05273

RGB 224 82 115

HSL 346.06, 0.7%, 0.6%

LAB 55.2, 57.72, 11.5

 

CMYK 37 / 0 / 63 / 12

HEX #8EE052

RGB 142 224 82

HSL 94.65, 0.7%, 0.6%

LAB 81.66, -48.34, 59.79

 

CMYK 63 / 4 / 0 / 12

HEX #52D7E0

RGB 82 215 224

HSL 183.8, 0.7%, 0.6%

LAB 79.49, -33.07, -15.17

 

CMYK 27 / 63 / 0 / 12

HEX #A352E0

RGB 163 82 224

HSL 274.23, 0.7%, 0.6%

LAB 50.92, 57.83, -59.31

 

CMYK 0 / 59 / 63 / 12

HEX #E05B52

RGB 224 91 82

HSL 3.8, 0.7%, 0.6%

LAB 56.03, 51.32, 31.87

 

Description

Color code: HEX #8EE052 | qconv.com Color code: HEX #8EE052 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 224 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 224 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 63 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 63% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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