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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EE047 it is the complementary color #711FB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EE047. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EE047 shade: #93E042, #A4F255, #B5FF68, #C6FF7B and #D7FF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EE047. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EE047 shade: #8EE047, #7DCE34, #6CBC21, #5BAA0E and #4A9800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EE047 shade: #8EE048, #B7E048, #E0DF48, #E0B648 and #E08D48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EE047 shade: #8EE048, #65E048, #48E053, #48E07C and #48E0A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EE047 shade matches the following richer shades: #8EE048 and #8DF137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EE047 shade: #8EE048, #90CF59, #91BD6B, #92AC7C and #939B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EE047 shade: #E0E048, #B7E048, #8FE048, #66E048 and #48E052

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EE047 shade: #65B61F, #79DA25, #8EE048, #A4E66B and #BAEC8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EE047 shade: #8EE047, #48E0B7 and #E048CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EE047 shade: #8EE047, #488FE0 and #E0488F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EE047 shade: #8EE047, #48E0B7, #9948E0 and #E04870

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EE047 shade: #8EE047, #48DBE0, #9948E0 and #E04D48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 68 / 12

HEX #8EE047

RGB 142 224 71

HSL 92.16, 0.71%, 0.58%

LAB 81.57, -49.2, 64.04

 

Complementary color

CMYK 39 / 83 / 0 / 28

HEX #711FB8

RGB 113 31 184

HSL 272.16, 0.71%, 0.42%

LAB 33.88, 60.79, -64.11

 

CMYK 34 / 0 / 71 / 12

HEX #93E042

RGB 147 224 66

HSL 89.24, 0.72%, 0.57%

LAB 81.79, -47.83, 66.17

 

CMYK 32 / 0 / 65 / 5

HEX #A4F255

RGB 164 242 85

HSL 89.81, 0.86%, 0.64%

LAB 87.99, -48.15, 65.73

 

CMYK 29 / 0 / 59 / 0

HEX #B5FF68

RGB 181 255 104

HSL 89.4, 1%, 0.7%

LAB 92.73, -46.23, 63.43

 

CMYK 22 / 0 / 52 / 0

HEX #C6FF7B

RGB 198 255 123

HSL 85.91, 1%, 0.74%

LAB 93.86, -38.47, 56.68

 

CMYK 16 / 0 / 44 / 0

HEX #D7FF8E

RGB 215 255 142

HSL 81.24, 1%, 0.78%

LAB 95.13, -30.35, 49.63

 

CMYK 37 / 0 / 68 / 12

HEX #8EE047

RGB 142 224 71

HSL 92.16, 0.71%, 0.58%

LAB 81.57, -49.2, 64.04

 

CMYK 39 / 0 / 75 / 19

HEX #7DCE34

RGB 125 206 52

HSL 91.56, 0.61%, 0.51%

LAB 75.3, -48.79, 64.21

 

CMYK 43 / 0 / 82 / 26

HEX #6CBC21

RGB 108 188 33

HSL 90.97, 0.7%, 0.43%

LAB 68.94, -48.17, 63.64

 

CMYK 46 / 0 / 92 / 33

HEX #5BAA0E

RGB 91 170 14

HSL 90.38, 0.85%, 0.36%

LAB 62.51, -47.25, 61.84

 

CMYK 51 / 0 / 100 / 40

HEX #4A9800

RGB 74 152 0

HSL 90.79, 1%, 0.3%

LAB 56, -45.96, 58.35

 

CMYK 37 / 0 / 68 / 12

HEX #8EE048

RGB 142 224 72

HSL 92.37, 0.71%, 0.58%

LAB 81.58, -49.13, 63.67

 

CMYK 18 / 0 / 68 / 12

HEX #B7E048

RGB 183 224 72

HSL 76.18, 0.71%, 0.58%

LAB 83.89, -34.16, 66.77

 

CMYK 0 / 0 / 68 / 12

HEX #E0DF48

RGB 224 223 72

HSL 59.61, 0.71%, 0.58%

LAB 86.55, -17.2, 70.41

 

CMYK 0 / 19 / 68 / 12

HEX #E0B648

RGB 224 182 72

HSL 43.42, 0.71%, 0.58%

LAB 75.93, 3.69, 59.58

 

CMYK 0 / 37 / 68 / 12

HEX #E08D48

RGB 224 141 72

HSL 27.24, 0.71%, 0.58%

LAB 66.03, 25.54, 48.93

 

CMYK 37 / 0 / 68 / 12

HEX #8EE048

RGB 142 224 72

HSL 92.37, 0.71%, 0.58%

LAB 81.58, -49.13, 63.67

 

CMYK 55 / 0 / 68 / 12

HEX #65E048

RGB 101 224 72

HSL 108.55, 0.71%, 0.58%

LAB 79.92, -61.36, 61.42

 

CMYK 68 / 0 / 63 / 12

HEX #48E053

RGB 72 224 83

HSL 124.34, 0.71%, 0.58%

LAB 79.22, -66.67, 55.99

 

CMYK 68 / 0 / 45 / 12

HEX #48E07C

RGB 72 224 124

HSL 140.53, 0.71%, 0.58%

LAB 79.7, -61.18, 37.56

 

CMYK 68 / 0 / 26 / 12

HEX #48E0A5

RGB 72 224 165

HSL 156.71, 0.71%, 0.58%

LAB 80.41, -53.38, 17.49

 

CMYK 37 / 0 / 68 / 12

HEX #8EE048

RGB 142 224 72

HSL 92.37, 0.71%, 0.58%

LAB 81.58, -49.13, 63.67

 

CMYK 41 / 0 / 77 / 5

HEX #8DF137

RGB 141 241 55

HSL 92.26, 0.87%, 0.58%

LAB 86.43, -57.28, 74.16

 

CMYK 37 / 0 / 68 / 12

HEX #8EE048

RGB 142 224 72

HSL 92.37, 0.71%, 0.58%

LAB 81.58, -49.13, 63.67

 

CMYK 30 / 0 / 57 / 19

HEX #90CF59

RGB 144 207 89

HSL 92.03, 0.55%, 0.58%

LAB 76.85, -39.72, 51.4

 

CMYK 23 / 0 / 43 / 26

HEX #91BD6B

RGB 145 189 107

HSL 92.2, 0.38%, 0.58%

LAB 71.88, -29.04, 36.72

 

CMYK 15 / 0 / 28 / 33

HEX #92AC7C

RGB 146 172 124

HSL 92.5, 0.22%, 0.58%

LAB 67.33, -17.83, 21.81

 

CMYK 5 / 0 / 9 / 39

HEX #939B8D

RGB 147 155 141

HSL 94.29, 0.07%, 0.58%

LAB 62.98, -5.55, 6.35

 

CMYK 0 / 0 / 68 / 12

HEX #E0E048

RGB 224 224 72

HSL 60, 0.71%, 0.58%

LAB 86.81, -17.69, 70.67

 

CMYK 18 / 0 / 68 / 12

HEX #B7E048

RGB 183 224 72

HSL 76.18, 0.71%, 0.58%

LAB 83.89, -34.16, 66.77

 

CMYK 36 / 0 / 68 / 12

HEX #8FE048

RGB 143 224 72

HSL 91.97, 0.71%, 0.58%

LAB 81.63, -48.79, 63.73

 

CMYK 54 / 0 / 68 / 12

HEX #66E048

RGB 102 224 72

HSL 108.16, 0.71%, 0.58%

LAB 79.96, -61.1, 61.46

 

CMYK 68 / 0 / 63 / 12

HEX #48E052

RGB 72 224 82

HSL 123.95, 0.71%, 0.58%

LAB 79.21, -66.78, 56.4

 

CMYK 45 / 0 / 83 / 29

HEX #65B61F

RGB 101 182 31

HSL 92.19, 0.71%, 0.42%

LAB 66.76, -48.17, 62.09

 

CMYK 44 / 0 / 83 / 15

HEX #79DA25

RGB 121 218 37

HSL 92.15, 0.71%, 0.5%

LAB 78.66, -55.57, 71.54

 

CMYK 37 / 0 / 68 / 12

HEX #8EE048

RGB 142 224 72

HSL 92.37, 0.71%, 0.58%

LAB 81.58, -49.13, 63.67

 

CMYK 29 / 0 / 53 / 10

HEX #A4E66B

RGB 164 230 107

HSL 92.2, 0.71%, 0.66%

LAB 84.77, -41.03, 52.71

 

CMYK 21 / 0 / 40 / 7

HEX #BAEC8E

RGB 186 236 142

HSL 91.91, 0.71%, 0.74%

LAB 88.15, -31.96, 40.44

 

CMYK 37 / 0 / 68 / 12

HEX #8EE047

RGB 142 224 71

HSL 92.16, 0.71%, 0.58%

LAB 81.57, -49.2, 64.04

 

CMYK 68 / 0 / 18 / 12

HEX #48E0B7

RGB 72 224 183

HSL 163.82, 0.71%, 0.58%

LAB 80.8, -49.3, 8.57

 

CMYK 0 / 68 / 9 / 12

HEX #E048CC

RGB 224 72 204

HSL 307.89, 0.71%, 0.58%

LAB 56.92, 72.35, -37.88

 

CMYK 37 / 0 / 68 / 12

HEX #8EE047

RGB 142 224 71

HSL 92.16, 0.71%, 0.58%

LAB 81.57, -49.2, 64.04

 

CMYK 68 / 36 / 0 / 12

HEX #488FE0

RGB 72 143 224

HSL 211.97, 0.71%, 0.58%

LAB 58.42, 3.59, -47.73

 

CMYK 0 / 68 / 36 / 12

HEX #E0488F

RGB 224 72 143

HSL 331.97, 0.71%, 0.58%

LAB 54.52, 64.44, -6.08

 

CMYK 37 / 0 / 68 / 12

HEX #8EE047

RGB 142 224 71

HSL 92.16, 0.71%, 0.58%

LAB 81.57, -49.2, 64.04

 

CMYK 68 / 0 / 18 / 12

HEX #48E0B7

RGB 72 224 183

HSL 163.82, 0.71%, 0.58%

LAB 80.8, -49.3, 8.57

 

CMYK 32 / 68 / 0 / 12

HEX #9948E0

RGB 153 72 224

HSL 271.97, 0.71%, 0.58%

LAB 47.99, 60.42, -64.1

 

CMYK 0 / 68 / 50 / 12

HEX #E04870

RGB 224 72 112

HSL 344.21, 0.71%, 0.58%

LAB 53.66, 61.46, 11.12

 

CMYK 37 / 0 / 68 / 12

HEX #8EE047

RGB 142 224 71

HSL 92.16, 0.71%, 0.58%

LAB 81.57, -49.2, 64.04

 

CMYK 68 / 2 / 0 / 12

HEX #48DBE0

RGB 72 219 224

HSL 181.97, 0.71%, 0.58%

LAB 80.42, -36.39, -13.8

 

CMYK 32 / 68 / 0 / 12

HEX #9948E0

RGB 153 72 224

HSL 271.97, 0.71%, 0.58%

LAB 47.99, 60.42, -64.1

 

CMYK 0 / 66 / 68 / 12

HEX #E04D48

RGB 224 77 72

HSL 1.97, 0.71%, 0.58%

LAB 53.62, 56.78, 34.62

 

Description

Color code: HEX #8EE047 | qconv.com Color code: HEX #8EE047 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 224 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 224 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 68 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 68% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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