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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8EDC81 it is the complementary color #71237E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8EDC81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8EDC81 shade: #93DC7C, #A4EE8F, #B5FFA2, #C6FFB5 and #D7FFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8EDC81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8EDC81 shade: #8EDC81, #7DCA6E, #6CB85B, #5BA648 and #4A9435

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8EDC81 shade: #8CDC7F, #A5DC7F, #BEDC7F, #D7DC7F and #DCC77F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8EDC81 shade: #8CDC7F, #7FDC8B, #7FDCA4, #7FDCBD and #7FDCD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8EDC81 shade matches the following richer shades: #8CDC7F, #83E972 and #79F664

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8EDC81 shade: #8CDC7F, #96CF8C, #9FC299, #A8B4A6 and #B2A7B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8EDC81 shade: #BEDC7F, #A6DC7F, #8DDC7F, #7FDC8A and #7FDCA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8EDC81 shade: #52CA3E, #6FD35E, #8CDC7F, #A9E59F and #C6EEC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8EDC81 shade: #8EDC81, #7FD7DC and #DC7FB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8EDC81 shade: #8EDC81, #7F8DDC and #DC7F8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8EDC81 shade: #8EDC81, #7FD7DC, #CE7FDC and #DC847F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8EDC81 shade: #8EDC81, #7FBBDC, #CE7FDC and #DC9F7F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 41 / 14

HEX #8EDC81

RGB 142 220 129

HSL 111.43, 0.57%, 0.68%

LAB 81.03, -41.32, 37.27

 

Complementary color

CMYK 10 / 72 / 0 / 51

HEX #71237E

RGB 113 35 126

HSL 291.43, 0.57%, 0.32%

LAB 29.96, 46.86, -35.11

 

CMYK 33 / 0 / 44 / 14

HEX #93DC7C

RGB 147 220 124

HSL 105.63, 0.58%, 0.67%

LAB 81.21, -40.39, 40.03

 

CMYK 31 / 0 / 40 / 7

HEX #A4EE8F

RGB 164 238 143

HSL 106.74, 0.74%, 0.75%

LAB 87.5, -40.23, 38.86

 

CMYK 29 / 0 / 36 / 0

HEX #B5FFA2

RGB 181 255 162

HSL 107.74, 1%, 0.82%

LAB 93.43, -39.6, 37.36

 

CMYK 22 / 0 / 29 / 0

HEX #C6FFB5

RGB 198 255 181

HSL 106.22, 1%, 0.85%

LAB 94.68, -31.22, 29.7

 

CMYK 16 / 0 / 22 / 0

HEX #D7FFC8

RGB 215 255 200

HSL 103.64, 1%, 0.89%

LAB 96.05, -22.58, 22.13

 

CMYK 35 / 0 / 41 / 14

HEX #8EDC81

RGB 142 220 129

HSL 111.43, 0.57%, 0.68%

LAB 81.03, -41.32, 37.27

 

CMYK 38 / 0 / 46 / 21

HEX #7DCA6E

RGB 125 202 110

HSL 110.22, 0.46%, 0.61%

LAB 74.65, -41.49, 38.48

 

CMYK 41 / 0 / 51 / 28

HEX #6CB85B

RGB 108 184 91

HSL 109.03, 0.4%, 0.54%

LAB 68.19, -41.6, 39.73

 

CMYK 45 / 0 / 57 / 35

HEX #5BA648

RGB 91 166 72

HSL 107.87, 0.39%, 0.47%

LAB 61.62, -41.61, 40.95

 

CMYK 50 / 0 / 64 / 42

HEX #4A9435

RGB 74 148 53

HSL 106.74, 0.47%, 0.39%

LAB 54.96, -41.46, 42.05

 

CMYK 36 / 0 / 42 / 14

HEX #8CDC7F

RGB 140 220 127

HSL 111.61, 0.57%, 0.68%

LAB 80.9, -42.24, 38.08

 

CMYK 25 / 0 / 42 / 14

HEX #A5DC7F

RGB 165 220 127

HSL 95.48, 0.57%, 0.68%

LAB 82.23, -33.86, 40.04

 

CMYK 14 / 0 / 42 / 14

HEX #BEDC7F

RGB 190 220 127

HSL 79.35, 0.57%, 0.68%

LAB 83.79, -24.74, 42.35

 

CMYK 2 / 0 / 42 / 14

HEX #D7DC7F

RGB 215 220 127

HSL 63.23, 0.57%, 0.68%

LAB 85.59, -15.13, 44.99

 

CMYK 0 / 10 / 42 / 14

HEX #DCC77F

RGB 220 199 127

HSL 46.45, 0.57%, 0.68%

LAB 80.51, -2.48, 38.67

 

CMYK 36 / 0 / 42 / 14

HEX #8CDC7F

RGB 140 220 127

HSL 111.61, 0.57%, 0.68%

LAB 80.9, -42.24, 38.08

 

CMYK 42 / 0 / 37 / 14

HEX #7FDC8B

RGB 127 220 139

HSL 127.74, 0.57%, 0.68%

LAB 80.49, -44.36, 31.38

 

CMYK 42 / 0 / 25 / 14

HEX #7FDCA4

RGB 127 220 164

HSL 143.87, 0.57%, 0.68%

LAB 80.95, -39.95, 19.04

 

CMYK 42 / 0 / 14 / 14

HEX #7FDCBD

RGB 127 220 189

HSL 160, 0.57%, 0.68%

LAB 81.5, -34.83, 6.62

 

CMYK 42 / 0 / 3 / 14

HEX #7FDCD6

RGB 127 220 214

HSL 176.13, 0.57%, 0.68%

LAB 82.14, -29.08, -5.73

 

CMYK 36 / 0 / 42 / 14

HEX #8CDC7F

RGB 140 220 127

HSL 111.61, 0.57%, 0.68%

LAB 80.9, -42.24, 38.08

 

CMYK 44 / 0 / 51 / 9

HEX #83E972

RGB 131 233 114

HSL 111.43, 0.73%, 0.68%

LAB 84.13, -52.17, 48.33

 

CMYK 51 / 0 / 59 / 4

HEX #79F664

RGB 121 246 100

HSL 111.37, 0.89%, 0.68%

LAB 87.43, -61.58, 58.42

 

CMYK 36 / 0 / 42 / 14

HEX #8CDC7F

RGB 140 220 127

HSL 111.61, 0.57%, 0.68%

LAB 80.9, -42.24, 38.08

 

CMYK 28 / 0 / 32 / 19

HEX #96CF8C

RGB 150 207 140

HSL 111.04, 0.41%, 0.68%

LAB 77.88, -31.12, 27.58

 

CMYK 18 / 0 / 21 / 24

HEX #9FC299

RGB 159 194 153

HSL 111.22, 0.25%, 0.68%

LAB 74.99, -19.56, 16.83

 

CMYK 7 / 0 / 8 / 29

HEX #A8B4A6

RGB 168 180 166

HSL 111.43, 0.09%, 0.68%

LAB 72.04, -6.83, 5.7

 

CMYK 1 / 7 / 0 / 29

HEX #B2A7B4

RGB 178 167 180

HSL 290.77, 0.08%, 0.68%

LAB 69.75, 6.37, -5.26

 

CMYK 14 / 0 / 42 / 14

HEX #BEDC7F

RGB 190 220 127

HSL 79.35, 0.57%, 0.68%

LAB 83.79, -24.74, 42.35

 

CMYK 25 / 0 / 42 / 14

HEX #A6DC7F

RGB 166 220 127

HSL 94.84, 0.57%, 0.68%

LAB 82.28, -33.51, 40.13

 

CMYK 36 / 0 / 42 / 14

HEX #8DDC7F

RGB 141 220 127

HSL 110.97, 0.57%, 0.68%

LAB 80.95, -41.92, 38.16

 

CMYK 42 / 0 / 37 / 14

HEX #7FDC8A

RGB 127 220 138

HSL 127.1, 0.57%, 0.68%

LAB 80.48, -44.52, 31.87

 

CMYK 42 / 0 / 26 / 14

HEX #7FDCA3

RGB 127 220 163

HSL 143.23, 0.57%, 0.68%

LAB 80.93, -40.14, 19.53

 

CMYK 59 / 0 / 69 / 21

HEX #52CA3E

RGB 82 202 62

HSL 111.43, 0.57%, 0.52%

LAB 72.48, -59.04, 57.25

 

CMYK 47 / 0 / 55 / 17

HEX #6FD35E

RGB 111 211 94

HSL 111.28, 0.57%, 0.6%

LAB 76.54, -51.53, 48.37

 

CMYK 36 / 0 / 42 / 14

HEX #8CDC7F

RGB 140 220 127

HSL 111.61, 0.57%, 0.68%

LAB 80.9, -42.24, 38.08

 

CMYK 26 / 0 / 31 / 10

HEX #A9E59F

RGB 169 229 159

HSL 111.43, 0.57%, 0.76%

LAB 85.49, -32.13, 28.18

 

CMYK 17 / 0 / 19 / 7

HEX #C6EEC0

RGB 198 238 192

HSL 112.17, 0.58%, 0.84%

LAB 90.3, -21.38, 18.06

 

CMYK 35 / 0 / 41 / 14

HEX #8EDC81

RGB 142 220 129

HSL 111.43, 0.57%, 0.68%

LAB 81.03, -41.32, 37.27

 

CMYK 42 / 2 / 0 / 14

HEX #7FD7DC

RGB 127 215 220

HSL 183.23, 0.57%, 0.68%

LAB 80.89, -25.17, -10.77

 

CMYK 0 / 42 / 19 / 14

HEX #DC7FB2

RGB 220 127 178

HSL 327.1, 0.57%, 0.68%

LAB 64.65, 42.47, -11.26

 

CMYK 35 / 0 / 41 / 14

HEX #8EDC81

RGB 142 220 129

HSL 111.43, 0.57%, 0.68%

LAB 81.03, -41.32, 37.27

 

CMYK 42 / 36 / 0 / 14

HEX #7F8DDC

RGB 127 141 220

HSL 230.97, 0.57%, 0.68%

LAB 60.54, 14.97, -41.96

 

CMYK 0 / 42 / 36 / 14

HEX #DC7F8D

RGB 220 127 141

HSL 350.97, 0.57%, 0.68%

LAB 63.6, 37.45, 8.23

 

CMYK 35 / 0 / 41 / 14

HEX #8EDC81

RGB 142 220 129

HSL 111.43, 0.57%, 0.68%

LAB 81.03, -41.32, 37.27

 

CMYK 42 / 2 / 0 / 14

HEX #7FD7DC

RGB 127 215 220

HSL 183.23, 0.57%, 0.68%

LAB 80.89, -25.17, -10.77

 

CMYK 6 / 42 / 0 / 14

HEX #CE7FDC

RGB 206 127 220

HSL 290.97, 0.57%, 0.68%

LAB 64.54, 45.31, -35.18

 

CMYK 0 / 40 / 42 / 14

HEX #DC847F

RGB 220 132 127

HSL 3.23, 0.57%, 0.68%

LAB 64.36, 33.22, 17.24

 

CMYK 35 / 0 / 41 / 14

HEX #8EDC81

RGB 142 220 129

HSL 111.43, 0.57%, 0.68%

LAB 81.03, -41.32, 37.27

 

CMYK 42 / 15 / 0 / 14

HEX #7FBBDC

RGB 127 187 220

HSL 201.29, 0.57%, 0.68%

LAB 73.04, -10.84, -22.61

 

CMYK 6 / 42 / 0 / 14

HEX #CE7FDC

RGB 206 127 220

HSL 290.97, 0.57%, 0.68%

LAB 64.54, 45.31, -35.18

 

CMYK 0 / 28 / 42 / 14

HEX #DC9F7F

RGB 220 159 127

HSL 20.65, 0.57%, 0.68%

LAB 70.56, 18.75, 25.65

 

Description

Color code: HEX #8EDC81 | qconv.com Color code: HEX #8EDC81 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 220 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 220 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 41 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 41% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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