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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ED44A it is the complementary color #712BB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ED44A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8ED44A shade: #93D445, #A4E658, #B5F86B, #C6FF7E and #D7FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ED44A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8ED44A shade: #8ED44A, #7DC237, #6CB024, #5B9E11 and #4A8C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8ED44A shade: #8ED449, #B3D449, #D4D049, #D4AA49 and #D48549

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8ED44A shade: #8ED449, #68D449, #49D450, #49D475 and #49D49B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8ED44A shade matches the following richer shades: #8ED449, #8EE737 and #8DF925

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8ED44A shade: #8ED449, #8EC25B, #8EB06E, #8F9E80 and #8F8C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8ED44A shade: #D4D049, #B4D449, #8FD449, #6AD449 and #49D44E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8ED44A shade: #65A427, #79C62E, #8ED449, #A3DC6B and #B7E48C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8ED44A shade: #8ED44A, #49D4AB and #D449C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8ED44A shade: #8ED44A, #498FD4 and #D4498F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8ED44A shade: #8ED44A, #49D4AB, #8F49D4 and #D44973

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8ED44A shade: #8ED44A, #49D4D4, #8F49D4 and #D44949

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 65 / 17

HEX #8ED44A

RGB 142 212 74

HSL 90.43, 0.62%, 0.56%

LAB 78.07, -43.93, 59.18

 

Complementary color

CMYK 38 / 76 / 0 / 29

HEX #712BB5

RGB 113 43 181

HSL 270.43, 0.62%, 0.44%

LAB 35.15, 55.68, -60.26

 

CMYK 31 / 0 / 67 / 17

HEX #93D445

RGB 147 212 69

HSL 87.27, 0.62%, 0.55%

LAB 78.3, -42.53, 61.48

 

CMYK 29 / 0 / 62 / 10

HEX #A4E658

RGB 164 230 88

HSL 87.89, 0.74%, 0.62%

LAB 84.58, -42.79, 60.83

 

CMYK 27 / 0 / 57 / 3

HEX #B5F86B

RGB 181 248 107

HSL 88.51, 0.91%, 0.7%

LAB 90.79, -42.94, 59.95

 

CMYK 22 / 0 / 51 / 0

HEX #C6FF7E

RGB 198 255 126

HSL 86.51, 1%, 0.75%

LAB 93.9, -38.17, 55.35

 

CMYK 16 / 0 / 43 / 0

HEX #D7FF91

RGB 215 255 145

HSL 81.82, 1%, 0.78%

LAB 95.17, -30.02, 48.25

 

CMYK 33 / 0 / 65 / 17

HEX #8ED44A

RGB 142 212 74

HSL 90.43, 0.62%, 0.56%

LAB 78.07, -43.93, 59.18

 

CMYK 36 / 0 / 72 / 24

HEX #7DC237

RGB 125 194 55

HSL 89.78, 0.56%, 0.49%

LAB 71.7, -43.61, 59.62

 

CMYK 39 / 0 / 80 / 31

HEX #6CB024

RGB 108 176 36

HSL 89.14, 0.66%, 0.42%

LAB 65.25, -43.1, 59.43

 

CMYK 42 / 0 / 89 / 38

HEX #5B9E11

RGB 91 158 17

HSL 88.51, 0.81%, 0.34%

LAB 58.71, -42.31, 58.11

 

CMYK 47 / 0 / 100 / 45

HEX #4A8C00

RGB 74 140 0

HSL 88.29, 1%, 0.27%

LAB 52.08, -41.2, 55.28

 

CMYK 33 / 0 / 66 / 17

HEX #8ED449

RGB 142 212 73

HSL 90.22, 0.62%, 0.56%

LAB 78.06, -44.01, 59.57

 

CMYK 16 / 0 / 66 / 17

HEX #B3D449

RGB 179 212 73

HSL 74.24, 0.62%, 0.56%

LAB 80.26, -30.1, 62.56

 

CMYK 0 / 2 / 66 / 17

HEX #D4D049

RGB 212 208 73

HSL 58.27, 0.62%, 0.56%

LAB 81.61, -14.69, 64.73

 

CMYK 0 / 20 / 66 / 17

HEX #D4AA49

RGB 212 170 73

HSL 41.87, 0.62%, 0.56%

LAB 71.71, 4.97, 54.29

 

CMYK 0 / 37 / 66 / 17

HEX #D48549

RGB 212 133 73

HSL 25.9, 0.62%, 0.56%

LAB 62.72, 24.92, 44.3

 

CMYK 33 / 0 / 66 / 17

HEX #8ED449

RGB 142 212 73

HSL 90.22, 0.62%, 0.56%

LAB 78.06, -44.01, 59.57

 

CMYK 51 / 0 / 66 / 17

HEX #68D449

RGB 104 212 73

HSL 106.62, 0.62%, 0.56%

LAB 76.38, -56.05, 57.27

 

CMYK 66 / 0 / 62 / 17

HEX #49D450

RGB 73 212 80

HSL 123.02, 0.62%, 0.56%

LAB 75.5, -62.75, 53.11

 

CMYK 66 / 0 / 45 / 17

HEX #49D475

RGB 73 212 117

HSL 138.99, 0.62%, 0.56%

LAB 75.94, -57.75, 36.24

 

CMYK 66 / 0 / 27 / 17

HEX #49D49B

RGB 73 212 155

HSL 155.4, 0.62%, 0.56%

LAB 76.6, -50.55, 17.46

 

CMYK 33 / 0 / 66 / 17

HEX #8ED449

RGB 142 212 73

HSL 90.22, 0.62%, 0.56%

LAB 78.06, -44.01, 59.57

 

CMYK 39 / 0 / 76 / 9

HEX #8EE737

RGB 142 231 55

HSL 90.34, 0.79%, 0.56%

LAB 83.54, -53.03, 71.45

 

CMYK 43 / 0 / 85 / 2

HEX #8DF925

RGB 141 249 37

HSL 90.57, 0.95%, 0.56%

LAB 88.71, -61.07, 80.64

 

CMYK 33 / 0 / 66 / 17

HEX #8ED449

RGB 142 212 73

HSL 90.22, 0.62%, 0.56%

LAB 78.06, -44.01, 59.57

 

CMYK 27 / 0 / 53 / 24

HEX #8EC25B

RGB 142 194 91

HSL 90.29, 0.46%, 0.56%

LAB 72.95, -34.36, 45.89

 

CMYK 19 / 0 / 38 / 31

HEX #8EB06E

RGB 142 176 110

HSL 90.91, 0.29%, 0.56%

LAB 67.97, -23.41, 30.11

 

CMYK 9 / 0 / 19 / 38

HEX #8F9E80

RGB 143 158 128

HSL 90, 0.13%, 0.56%

LAB 63.22, -10.96, 13.92

 

CMYK 2 / 4 / 0 / 43

HEX #8F8C92

RGB 143 140 146

HSL 270, 0.03%, 0.56%

LAB 58.67, 2.29, -2.8

 

CMYK 0 / 2 / 66 / 17

HEX #D4D049

RGB 212 208 73

HSL 58.27, 0.62%, 0.56%

LAB 81.61, -14.69, 64.73

 

CMYK 15 / 0 / 66 / 17

HEX #B4D449

RGB 180 212 73

HSL 73.81, 0.62%, 0.56%

LAB 80.33, -29.7, 62.65

 

CMYK 33 / 0 / 66 / 17

HEX #8FD449

RGB 143 212 73

HSL 89.78, 0.62%, 0.56%

LAB 78.12, -43.66, 59.64

 

CMYK 50 / 0 / 66 / 17

HEX #6AD449

RGB 106 212 73

HSL 105.76, 0.62%, 0.56%

LAB 76.46, -55.49, 57.37

 

CMYK 66 / 0 / 63 / 17

HEX #49D44E

RGB 73 212 78

HSL 122.16, 0.62%, 0.56%

LAB 75.48, -62.96, 53.94

 

CMYK 38 / 0 / 76 / 36

HEX #65A427

RGB 101 164 39

HSL 90.24, 0.62%, 0.4%

LAB 61.19, -40.31, 54.5

 

CMYK 39 / 0 / 77 / 22

HEX #79C62E

RGB 121 198 46

HSL 90.39, 0.62%, 0.48%

LAB 72.66, -47.22, 63.55

 

CMYK 33 / 0 / 66 / 17

HEX #8ED449

RGB 142 212 73

HSL 90.22, 0.62%, 0.56%

LAB 78.06, -44.01, 59.57

 

CMYK 26 / 0 / 51 / 14

HEX #A3DC6B

RGB 163 220 107

HSL 90.27, 0.62%, 0.64%

LAB 81.86, -36.92, 49.24

 

CMYK 20 / 0 / 39 / 11

HEX #B7E48C

RGB 183 228 140

HSL 90.68, 0.62%, 0.72%

LAB 85.73, -29.54, 38.28

 

CMYK 33 / 0 / 65 / 17

HEX #8ED44A

RGB 142 212 74

HSL 90.43, 0.62%, 0.56%

LAB 78.07, -43.93, 59.18

 

CMYK 66 / 0 / 19 / 17

HEX #49D4AB

RGB 73 212 171

HSL 162.3, 0.62%, 0.56%

LAB 76.95, -46.95, 9.44

 

CMYK 0 / 66 / 7 / 17

HEX #D449C6

RGB 212 73 198

HSL 306.04, 0.62%, 0.56%

LAB 54.91, 68.21, -37.74

 

CMYK 33 / 0 / 65 / 17

HEX #8ED44A

RGB 142 212 74

HSL 90.43, 0.62%, 0.56%

LAB 78.07, -43.93, 59.18

 

CMYK 66 / 33 / 0 / 17

HEX #498FD4

RGB 73 143 212

HSL 209.78, 0.62%, 0.56%

LAB 57.86, -0.36, -41.9

 

CMYK 0 / 66 / 33 / 17

HEX #D4498F

RGB 212 73 143

HSL 329.78, 0.62%, 0.56%

LAB 52.67, 60.65, -9.05

 

CMYK 33 / 0 / 65 / 17

HEX #8ED44A

RGB 142 212 74

HSL 90.43, 0.62%, 0.56%

LAB 78.07, -43.93, 59.18

 

CMYK 66 / 0 / 19 / 17

HEX #49D4AB

RGB 73 212 171

HSL 162.3, 0.62%, 0.56%

LAB 76.95, -46.95, 9.44

 

CMYK 33 / 66 / 0 / 17

HEX #8F49D4

RGB 143 73 212

HSL 270.22, 0.62%, 0.56%

LAB 46.12, 55.11, -60.34

 

CMYK 0 / 66 / 46 / 17

HEX #D44973

RGB 212 73 115

HSL 341.87, 0.62%, 0.56%

LAB 51.84, 57.7, 6.47

 

CMYK 33 / 0 / 65 / 17

HEX #8ED44A

RGB 142 212 74

HSL 90.43, 0.62%, 0.56%

LAB 78.07, -43.93, 59.18

 

CMYK 66 / 0 / 0 / 17

HEX #49D4D4

RGB 73 212 212

HSL 180, 0.62%, 0.56%

LAB 78.03, -36.38, -10.95

 

CMYK 33 / 66 / 0 / 17

HEX #8F49D4

RGB 143 73 212

HSL 270.22, 0.62%, 0.56%

LAB 46.12, 55.11, -60.34

 

CMYK 0 / 66 / 66 / 17

HEX #D44949

RGB 212 73 73

HSL 0, 0.62%, 0.56%

LAB 50.97, 54.53, 30.33

 

Description

Color code: HEX #8ED44A | qconv.com Color code: HEX #8ED44A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 212 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 212 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 65 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 65% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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