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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ECDF3 it is the complementary color #71320C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ECDF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8ECDF3 shade: #93CDEE, #A4DFFF, #B5F1FF, #C6FFFF and #D7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ECDF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8ECDF3 shade: #8ECDF3, #7DBBE0, #6CA9CD, #5B97BA and #4A85A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8ECDF3 shade: #8CCCF3, #8CB0F3, #8C94F3, #9F8CF3 and #BB8CF3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8ECDF3 shade: #8CCCF3, #8CB0F3, #8C94F3 and #8C8CF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8ECDF3 shade matches the following richer shades: #8CCCF3 and #81CFFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8ECDF3 shade: #8CCCF3, #96C9E9, #A0C7DE, #ABC4D4 and #B5C2CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8ECDF3 shade: #8CF3E2, #8CE9F3, #8CCDF3, #8CB1F3 and #8C96F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8ECDF3 shade: #41ABEB, #66BCEF, #8CCCF3, #B1DDF7 and #D6EDFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8ECDF3 shade: #8ECDF3, #C68CF3 and #F3EF8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8ECDF3 shade: #8ECDF3, #F38CCD and #CDF38C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8ECDF3 shade: #8ECDF3, #C68CF3, #F3B18C and #B8F38C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8ECDF3 shade: #8ECDF3, #E58CF3, #F3B18C and #99F38C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 16 / 0 / 5

HEX #8ECDF3

RGB 142 205 243

HSL 202.57, 0.81%, 0.75%

LAB 79.55, -10.48, -25.01

 

Complementary color

CMYK 0 / 56 / 89 / 56

HEX #71320C

RGB 113 50 12

HSL 22.57, 0.81%, 0.25%

LAB 28.95, 25.53, 34.95

 

CMYK 38 / 14 / 0 / 7

HEX #93CDEE

RGB 147 205 238

HSL 201.76, 0.73%, 0.75%

LAB 79.64, -10.5, -22.18

 

CMYK 36 / 13 / 0 / 0

HEX #A4DFFF

RGB 164 223 255

HSL 201.1, 1%, 0.82%

LAB 85.95, -11.13, -21.54

 

CMYK 29 / 5 / 0 / 0

HEX #B5F1FF

RGB 181 241 255

HSL 191.35, 1%, 0.85%

LAB 91.66, -15.65, -12.86

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198 255 255

HSL 180, 1%, 0.89%

LAB 96.31, -17.77, -5.86

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 42 / 16 / 0 / 5

HEX #8ECDF3

RGB 142 205 243

HSL 202.57, 0.81%, 0.75%

LAB 79.55, -10.48, -25.01

 

CMYK 44 / 17 / 0 / 12

HEX #7DBBE0

RGB 125 187 224

HSL 202.42, 0.61%, 0.68%

LAB 73.08, -10.25, -24.74

 

CMYK 47 / 18 / 0 / 20

HEX #6CA9CD

RGB 108 169 205

HSL 202.27, 0.49%, 0.61%

LAB 66.5, -9.98, -24.46

 

CMYK 51 / 19 / 0 / 27

HEX #5B97BA

RGB 91 151 186

HSL 202.11, 0.41%, 0.54%

LAB 59.8, -9.63, -24.19

 

CMYK 56 / 20 / 0 / 35

HEX #4A85A7

RGB 74 133 167

HSL 201.94, 0.39%, 0.47%

LAB 52.97, -9.17, -23.91

 

CMYK 42 / 16 / 0 / 5

HEX #8CCCF3

RGB 140 204 243

HSL 202.72, 0.81%, 0.75%

LAB 79.17, -10.45, -25.59

 

CMYK 42 / 28 / 0 / 5

HEX #8CB0F3

RGB 140 176 243

HSL 219.03, 0.81%, 0.75%

LAB 71.62, 4.72, -37.23

 

CMYK 42 / 39 / 0 / 5

HEX #8C94F3

RGB 140 148 243

HSL 235.34, 0.81%, 0.75%

LAB 64.34, 20.68, -48.63

 

CMYK 35 / 42 / 0 / 5

HEX #9F8CF3

RGB 159 140 243

HSL 251.07, 0.81%, 0.75%

LAB 63.83, 30.12, -49.34

 

CMYK 23 / 42 / 0 / 5

HEX #BB8CF3

RGB 187 140 243

HSL 267.38, 0.81%, 0.75%

LAB 66.36, 37.7, -45.19

 

CMYK 42 / 16 / 0 / 5

HEX #8CCCF3

RGB 140 204 243

HSL 202.72, 0.81%, 0.75%

LAB 79.17, -10.45, -25.59

 

CMYK 42 / 28 / 0 / 5

HEX #8CB0F3

RGB 140 176 243

HSL 219.03, 0.81%, 0.75%

LAB 71.62, 4.72, -37.23

 

CMYK 42 / 39 / 0 / 5

HEX #8C94F3

RGB 140 148 243

HSL 235.34, 0.81%, 0.75%

LAB 64.34, 20.68, -48.63

 

CMYK 42 / 42 / 0 / 5

HEX #8C8CF3

RGB 140 140 243

HSL 240, 0.81%, 0.75%

LAB 62.34, 25.33, -51.8

 

CMYK 42 / 16 / 0 / 5

HEX #8CCCF3

RGB 140 204 243

HSL 202.72, 0.81%, 0.75%

LAB 79.17, -10.45, -25.59

 

CMYK 49 / 18 / 0 / 1

HEX #81CFFD

RGB 129 207 253

HSL 202.26, 0.97%, 0.75%

LAB 79.83, -11.89, -29.97

 

CMYK 42 / 16 / 0 / 5

HEX #8CCCF3

RGB 140 204 243

HSL 202.72, 0.81%, 0.75%

LAB 79.17, -10.45, -25.59

 

CMYK 36 / 14 / 0 / 9

HEX #96C9E9

RGB 150 201 233

HSL 203.13, 0.65%, 0.75%

LAB 78.54, -8.87, -21.15

 

CMYK 28 / 10 / 0 / 13

HEX #A0C7DE

RGB 160 199 222

HSL 202.26, 0.48%, 0.75%

LAB 78.22, -7.68, -15.67

 

CMYK 19 / 8 / 0 / 17

HEX #ABC4D4

RGB 171 196 212

HSL 203.41, 0.32%, 0.75%

LAB 77.81, -5.03, -10.83

 

CMYK 10 / 4 / 0 / 21

HEX #B5C2CA

RGB 181 194 202

HSL 202.86, 0.17%, 0.75%

LAB 77.68, -2.85, -5.54

 

CMYK 42 / 0 / 7 / 5

HEX #8CF3E2

RGB 140 243 226

HSL 170.1, 0.81%, 0.75%

LAB 89.47, -33.98, -1.2

 

CMYK 42 / 4 / 0 / 5

HEX #8CE9F3

RGB 140 233 243

HSL 185.83, 0.81%, 0.75%

LAB 87.16, -25.14, -13.53

 

CMYK 42 / 16 / 0 / 5

HEX #8CCDF3

RGB 140 205 243

HSL 202.14, 0.81%, 0.75%

LAB 79.45, -10.98, -25.18

 

CMYK 42 / 27 / 0 / 5

HEX #8CB1F3

RGB 140 177 243

HSL 218.45, 0.81%, 0.75%

LAB 71.89, 4.16, -36.82

 

CMYK 42 / 38 / 0 / 5

HEX #8C96F3

RGB 140 150 243

HSL 234.17, 0.81%, 0.75%

LAB 64.85, 19.52, -47.83

 

CMYK 72 / 27 / 0 / 8

HEX #41ABEB

RGB 65 171 235

HSL 202.59, 0.81%, 0.59%

LAB 66.71, -9.62, -40.77

 

CMYK 57 / 21 / 0 / 6

HEX #66BCEF

RGB 102 188 239

HSL 202.34, 0.81%, 0.67%

LAB 72.91, -11.54, -33.22

 

CMYK 42 / 16 / 0 / 5

HEX #8CCCF3

RGB 140 204 243

HSL 202.72, 0.81%, 0.75%

LAB 79.17, -10.45, -25.59

 

CMYK 28 / 11 / 0 / 3

HEX #B1DDF7

RGB 177 221 247

HSL 202.29, 0.81%, 0.83%

LAB 85.89, -8.44, -17.34

 

CMYK 15 / 6 / 0 / 2

HEX #D6EDFB

RGB 214 237 251

HSL 202.7, 0.82%, 0.91%

LAB 92.5, -4.75, -9.32

 

CMYK 42 / 16 / 0 / 5

HEX #8ECDF3

RGB 142 205 243

HSL 202.57, 0.81%, 0.75%

LAB 79.55, -10.48, -25.01

 

CMYK 19 / 42 / 0 / 5

HEX #C68CF3

RGB 198 140 243

HSL 273.79, 0.81%, 0.75%

LAB 67.45, 40.79, -43.4

 

CMYK 0 / 2 / 42 / 5

HEX #F3EF8C

RGB 243 239 140

HSL 57.67, 0.81%, 0.75%

LAB 92.87, -12.31, 48.22

 

CMYK 42 / 16 / 0 / 5

HEX #8ECDF3

RGB 142 205 243

HSL 202.57, 0.81%, 0.75%

LAB 79.55, -10.48, -25.01

 

CMYK 0 / 42 / 16 / 5

HEX #F38CCD

RGB 243 140 205

HSL 322.14, 0.81%, 0.75%

LAB 71.02, 47.44, -16.52

 

CMYK 16 / 0 / 42 / 5

HEX #CDF38C

RGB 205 243 140

HSL 82.14, 0.81%, 0.75%

LAB 91.22, -28.62, 45.57

 

CMYK 42 / 16 / 0 / 5

HEX #8ECDF3

RGB 142 205 243

HSL 202.57, 0.81%, 0.75%

LAB 79.55, -10.48, -25.01

 

CMYK 19 / 42 / 0 / 5

HEX #C68CF3

RGB 198 140 243

HSL 273.79, 0.81%, 0.75%

LAB 67.45, 40.79, -43.4

 

CMYK 0 / 27 / 42 / 5

HEX #F3B18C

RGB 243 177 140

HSL 21.55, 0.81%, 0.75%

LAB 77.51, 19.59, 28.4

 

CMYK 24 / 0 / 42 / 5

HEX #B8F38C

RGB 184 243 140

HSL 94.37, 0.81%, 0.75%

LAB 89.95, -36.12, 43.69

 

CMYK 42 / 16 / 0 / 5

HEX #8ECDF3

RGB 142 205 243

HSL 202.57, 0.81%, 0.75%

LAB 79.55, -10.48, -25.01

 

CMYK 6 / 42 / 0 / 5

HEX #E58CF3

RGB 229 140 243

HSL 291.84, 0.81%, 0.75%

LAB 70.79, 49.68, -37.94

 

CMYK 0 / 27 / 42 / 5

HEX #F3B18C

RGB 243 177 140

HSL 21.55, 0.81%, 0.75%

LAB 77.51, 19.59, 28.4

 

CMYK 37 / 0 / 42 / 5

HEX #99F38C

RGB 153 243 140

HSL 112.43, 0.81%, 0.75%

LAB 88.34, -46.31, 41.31

 

Description

Color code: HEX #8ECDF3 | qconv.com Color code: HEX #8ECDF3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 205 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 205 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 16 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 16% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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